CHAPTER XIV

_A Glimpse of the Crimes and Miseries of a Great City._

After his narrow escape from an ignominious death, Frank Sydney resumed

his nocturnal wanderings thro' the city, in disguise, in order to do

deeds of charity and benevolence to those who needed his aid. One night,

dressed in the garb of a sailor, and wearing an immense pair of false

whiskers, he strolled towards the Five Points, and entered the 'crib' of

Bloody Mike. That respectable establishment was filled as usual with a

motley collection of gentlemen of undoubted reputation--thieves,

vagabonds, homeless wretches, and others of the same stamp, among whom

were some of the most miserable looking objects possible to be

conceived.

At the moment of Frank's entrance, Ragged Pete was engaged in relating

the particulars of a horrible event which had occurred upon the

preceding night on the 'Points.' The incident is a _true_ one, and we

introduce it here to show what awful misery exists in the very midst of

all our boasted civilization and benevolence:--

'You see, fellers,' said Ragged Pete, leisurely sipping a gill of _blue

ruin_, which he held in his hand--'the victim was a woman of the town,

as lived upstairs in Pat Mulligan's crib in this street. She had once

been a decent woman, but her husband was a drunken vagabond, as beat and

starved her to such an extent, that she was obliged to go on the town to

keep herself from dying of actual starvation. Well, the husband he was

took up and sent to quod for six months, as a common vagrant; and the

wife she lived in Mulligan's crib, in a room as hadn't a single article

of furniture in it, exceptin' a filthy old bed of straw in one corner. A

week ago, the poor cretur was taken ill, and felt herself likely to

become a mother, but the brutes in the house wouldn't pay no attention

to her in that situation, but left her all to herself. What she must

have suffered during that night and the next day, you can imagine; and

towards evening Pat Mulligan goes to her room, and finds her almost

dead, with her poor child in her arms, wrapped up in an old blanket.

Well, what does Pat do but ax her for his rent, which she owed him; and

because the poor woman had nothing to pay him, the Irish vagabond (axing

your pardon, Bloody Mike,) bundles her neck and crop into the street,

weak and sick as she was, with a hinfant scarce a day old, crying in her

arms. The weather was precious cold, and it was snowing, and to keep

herself and child from freezing to death, as she thought, she crept into

a hog-pen which stands in Pat's yard. And this morning she was found in

the hog-pen, stone dead, and the hogs were devouring the dead body of

the child, which was already half ate up! I'll tell you what, fellers,'

exclaimed Ragged Pete, dashing a tear from his eye, and swallowing the

remainder of his gin--'I'm a hard case myself, and have seen some hard

things in my time, but d----n me if the sight of that poor woman's

corpse and the mutilated body of her child, didn't set me to thinking

that this is a great city, where such a thing takes place in the very

midst of it!'

'Three groans for Pat Mulligan!' roared a drunken fellow from beneath

the table.

The groans were rendered with due emphasis and effect; and then one of

the drunken crowd proposed that they should visit the 'crib' of Mr.

Mulligan, and testify their disapprobation of that gentleman's conduct

in a more forcible and striking manner.

This proposal was received with a shout of approbation by the drunken

crew, and was warmly seconded by Bloody Mike himself, who regarded Mr.

Patrick Mulligan as a formidable rival in his line of business, and

therefore entertained feelings strongly hostile to his

fellow-countryman. Then forth sallied the dingy crowd, headed by Ragged

Pete, (who found himself suddenly transformed into a hero,) and followed

by Frank Sydney, who was desirous of seeing the issue of this strange

affair.

The house occupied by Mulligan was an old, rotten tenement, which would

undoubtedly have fallen to the ground, had it not been propped up by the

adjoining buildings; and as it was, one end of it had settled down, in

consequence of the giving away of the foundation, so that every room in

the house was like a steep hill. The lower room was occupied as a

groggery and dance-hall, and was several feet below the level of the

street.

Into this precious den did the guests of Bloody Mike march, in single

file. It had been previously agreed between them, that Ragged Pete

would give the signal for battle, by personally attacking no less a

person than Mr. Mulligan himself. Frank also entered, and taking up a

secure position in one corner, surveyed the scene with interest.

Seated in the corner, upon an inverted wash-tub, was an old negro, whose

wool was white as snow, who was arrayed in a dirty, ragged, military

coat which had once been red. This sable genius rejoiced in the lofty

title of 'the General;' he was playing with frantic violence on an old,

cracked violin, during which performance he threw his whole body into

the strangest contortions, working his head, jaws, legs and arms in the

most ludicrous manner. The 'music' thus produced was responded to, 'on

the floor,' by about twenty persons, who were indulging in the 'mazy

dance.' The company included old prostitutes, young thieves, negro

chimney-sweeps, and many others whom it would be difficult to classify.

The room being small and very close, and heated by an immense stove, the

stench was intolerable.--Behind the bar was a villainous looking

Irishman, whose countenance expressed as much intellect or humanity as

that of a hog. This was Pat Mulligan, and he was busily engaged in

dealing out the delectable nectar called 'blue ruin' at the very

moderate rate of one penny per gill.

A _very_ important man, forsooth, was that Irish 'landlord,' in the

estimation of himself and customers.--None dare address him without

prefixing a deferential '_Mr._' to his name; and Frank Sydney was both

amused and irritated as he observed the brutal insolence with which the

low, ignorant ruffian treated the poor miserable wretches, from whose

scanty pence he derived his disgraceful livelihood.

'Mr. Mulligan,' said a pale, emaciated woman, whose hollow cheek and

sunken eye eloquently proclaimed her starving condition--'won't you

trust me for a sixpenny loaf of bread until to-morrow? My little girl,

poor thing, is dying, and I have eaten nothing this day.' And the poor

creature wept.

'Trust ye!' roared the Irishman, glaring ferociously upon her--'faith,

it's not exactly _trust_ I'll give ye; but I'll give ye a beating

that'll not leave a whole bone in your skin, if ye are not out of this

place in less time than it takes a pig to grunt.'

The poor woman turned and left the place, with a heavy heart, and Ragged

Pete, deeming this a good opportunity to begin hostilities, advanced to

the bar with a swagger, and said to the Irishman,--

'You're too hard upon that woman, Pat.'

'What's that to you, ye dirty spalpeen?' growled Mulligan, savagely.

'This much,' responded Pete, seizing an immense earthen pitcher which

stood on the counter, and hurling it with unerring aim at the head of

the Irishman. The vessel broke into a hundred pieces, and though it

wounded Mulligan dreadfully, he was not disabled; for, grasping an axe

which stood within his reach, he rushed from behind the bar, and

swinging the formidable weapon aloft, he would have cloven in twain the

skull of Ragged Pete, had not that gentleman evaded him with much

agility, and closing with him, bore him to the floor, and began to

pummel him vigorously.

No sooner did the customers of Pat Mulligan see their dreaded landlord

receiving a sound thrashing, then all fear of him vanished; and, as they

all hated the Irish bully, and smarted under the remembrance of

numerous insults and wrongs sustained at his hands, they with one accord

fell upon him, and beat him within an inch of his life. Not content with

this mode of retaliation, they tore down the bar, demolished the glasses

and decanters, spilled all the liquor, and in short caused the

flourishing establishment of Mr. Pat Mulligan to assume a very forlorn

appearance.

While this work of destruction was going on, the alarm was given that a

body of watchmen had assembled outside the door, and was about to make

an advance upon the 'crib.' To exit the house now became the general

intent; and several had already beaten a retreat through the rear of the

premises, when the watchman burst into the front door, and made captives

of all who were present. Frank Sydney was collared by one of the

officials, and although our hero protested that he had not mingled in

the row, but was merely a spectator, he was carried to the watch-house

along with the others.

When the party arrived at the watch-house, (which is situated in a wing

of the 'Tombs,') the prisoners were all arrayed in a straight line

before the desk of the Captain of the Watch, for that officer's

examination. To give the reader an idea of the way in which justice is

sometimes administered in New York, we shall detail several of the

individual examinations, and their results:--

'What's your name?' cried the Captain, addressing the first of the

prisoners. 'Barney McQuig, an' plaze yer honor,' was the reply, in a

strong Hibernian accent.

A sort of under-official, who was seated at the desk, whispered in the

ear of the Captain of the Watch--

'I know him, he's an infernal scoundrel, but he _votes our ticket_, and

you let him slide, by all means.'

'McQuig, you are discharged,' said the Captain to the prisoner.

'Why, sir, that man was one of the worst of the rioters, and he is,

besides, one of the greatest villains on the Points,' remarked a

watchman, who, having only been recently appointed, was comparatively

_green_, and by no means _au fait_ in the method of doing business in

that 'shop.'

'Silence, sir!' thundered the Captain--'how dare you dispute my

authority? I shall discharge whom I please, damn you; and you will do

well if you are not discharged from your post for your interference.'

The indignant Captain demanded the name of the next prisoner, who

confessed to the eccentric Scriptural cognomen of 'Numbers Clapp.'

'I know _him_, too,' again whispered the under-official--'he is a common

and notorious thief, but he is useful to us as a _stool pigeon_,[3] and

you must let him go.'

'Clapp, you can go,' said the Captain; and Mr. Numbers Clapp lost no

time in conveying himself from the dangerous vicinity of justice; though

such _justice_ as we here record, was not very dangerous to _him_.

'Now, fellow, what's _your_ name?' asked the Captain of a shabbily

dressed man, whose appearance strongly indicated both abject poverty and

extreme ill health.

'Dionysus Wheezlecroft,' answered the man, with a consumptive cough.

'Do you know him?' inquired the Captain, addressing the under-official,

in a whisper.

'Perfectly well,' replied the other--'he is a poor devil, utterly

harmless and inoffensive, and is both sick and friendless. He was

formerly a political stump orator of some celebrity; he worked hard for

his party, and when that party got into power, it kicked him to the

devil, and he has been flat on his back ever since.'

'What party did he belong to?--_ours?_' asked the Captain.

'No,' was the reply; and that brief monosyllable of two letters, sealed

the doom of Dionysus Wheezlecroft.

'Lock him up,' cried the Captain--'he will be _sent over_ for six months

in the morning.' And so he was--not for any crime, but because he did

not belong to _our party_.

Several negroes, male and female, who could not possibly belong to any

party, were then summarily disposed of; and at last it came to Frank's

turn to be examined.

'Say, you sailor fellow,' quoth the Captain, 'what's your name?'

Frank quietly stepped forward, and in as few words as possible made

himself known; he explained the motives of his disguise, and the

circumstances under which he had been induced to enter the house of Pat

Mulligan.--The Captain, though savage and tyrannical to his inferiors,

was all smiles and affability to the rich Mr. Sydney.

'Really, my dear sir,' said he, rubbing his hands, and accompanying

almost every word with a corresponding bow, 'you have disguised yourself

so admirably, that it would puzzle the wits of a lawyer to make out who

you are, until you should _speak_, and then your gentlemanly accent

would betray you. Allow me to offer you ten thousand apologies, on

behalf of my men, for having dared to subject you to the inconvenience

of an arrest; and permit me also to assure you that if they had known

who you were, they would not have molested you had they found you

demolishing all the houses on the Points.'

'I presume I am at liberty to depart?' said Frank; and the Captain

returned a polite affirmative. Our hero left the hall of judgment,

thoroughly disgusted with the injustice and partiality of this petty

minion of the law; for he well knew that had he himself been in reality

nothing more than a poor sailor, as his garb indicated, the three words,

'lock him up,' would have decided his fate for that night; and that upon

the following morning the three words, 'send him over,' would have

decided his fate for the ensuing six months.

When Frank was gone, the Captain said to the under official:

'That is Mr. Sydney, the young gentleman who was convicted of murder a

short time ago, and whose innocence of the crime was made manifest in

such an extraordinary manner, just in time to save his neck. He is very

rich, and of course I could not think of locking _him_ up.'

The Captain proceeded to examine other prisoners, and Frank went in

quest of other adventures, in which pursuit we shall follow him.

As he turned into Broadway, he encountered a showily dressed courtezan,

who, addressing him with that absence of ceremony for which such ladies

are remarkable, requested him to accompany her home.

'This may lead to something,' thought Frank; and pretending to be

somewhat intoxicated, he proffered her his arm, which she took, at the

same time informing him that her residence was in Anthony street. This

street was but a short distance from where they had met; a walk of five

minutes brought them to it, and the woman conducted Frank back into a

dark narrow court, and into an old wooden building which stood at its

further extremity.

'Wait here a few moments, until I get a light,' said the woman; and

entering a room which opened from the entry, she left our hero standing

in the midst of profound darkness.--Hearing a low conversation going on

in the room, he applied his ear to the key-hole, and listened, having

good reason to suppose that he himself was the object of the discourse.

'What sort of a man does he appear to be?' was asked, in a voice which

sent a thrill through every nerve in Frank's body--for it struck him

that he had heard it before. It was the voice of a man, and its tones

were peculiar.

'He is a sailor,' replied the woman--'and as he is somewhat drunk now,

the powder will soon put him to sleep, and then--'

The remainder of the sentence was inaudible to Frank; he had heard

enough, however, to put him on his guard; for he felt convinced that he

was in one of those murderous dens of prostitution and crime, where

robbery and assassination are perpetrated upon many an unsuspecting

victim.

In a few minutes the woman issued from the room, bearing a lighted

candle; and requesting Frank to follow, she led the way up a crooked and

broken stair-case, and into a small chamber, scantily furnished,

containing only a bed, a table, a few chairs, and other articles of

furniture, of the commonest kind.

Our hero had now an opportunity to examine the woman narrowly.--Though

her eyes were sunken with dissipation, and her cheeks laden with paint,

the remains of great beauty were still discernible in her features, and

a vague idea obtruded itself, like a dim shadow, upon Frank's mind, that

this was not the _first_ time he had seen her.

'Why do you watch me so closely?' demanded the woman, fixing her

piercing eyes upon his countenance.

'Ax yer pardon, old gal, but aren't you going to fetch on some grog?'

said our hero, assuming a thick, drunken tone, and drawing from his

pocket a handful of gold and silver coin.

'Give me some money, and I will get you some liquor,' rejoined the

woman, her eyes sparkling with delight, as she saw that her intended

victim was well supplied with funds. Frank gave her a half dollar, and

she went down stairs, promising to be back in less than ten minutes.

During her absence, and while our hero was debating whether to make a

hasty retreat from the house, or remain and see what discoveries he

could make tending to throw light on the character and practices of the

inmates, the chamber door opened, and to his surprise a small boy of

about five years of age entered, and gazed at him with childish

curiosity.

'Surely I have seen that little lad before,' thought Frank; and then he

said, aloud--

'What is your name, my boy?'

'_Jack the Prig_,' replied the little fellow.

Frank started; memory carried him back to the Dark Vaults, where he had

heard the Dead Man _catechise_ his little son, and he recollected that

the urchin had, on that occasion, made the same reply to a similar

question. By referring to the sixth chapter of this work, the reader

will find the questions and answers of that singular catechism.

Resolving to test the matter further, our hero asked the boy the next

question which he remembered the Dead Man had addressed to his son, on

that eventful night:--

'Who gave you that name?'

'_The Jolly Knights of the Round Table_,' replied the boy, mechanically.

'By heavens, 'tis as I suspected!' thought Frank--'the child's answers

to my questions prove him to be the son of the Dead Man; the voice which

I heard while listening in the passage, and which seemed familiar to me,

was the voice of that infernal miscreant himself: and the woman whom I

accompanied hither, and whom I half fancied I had seen before--that

woman is his wife.'

The boy, probably fearing a return of his mother, left the room; and

Frank continued his meditations in the following strain:--

'The mystery begins to clear up. This house is probably the one that

communicates with the _secret outlet_ of the Dark Vaults, through which

I passed, blindfolded, accompanied by those two villains, Fred Archer,

and the Dead Man. The woman, no doubt, entices unsuspecting men into

this devil's trap, and after _drugging_ them into a state of

insensibility, hands them over to the tender mercies of her hideous

husband, who, after robbing them, casts them, perhaps, into some

infernal pit beneath this house, there to die and rot!--Good God, what

terrible iniquities are perpetrated in the very heart of this great

city--iniquities which are unsuspected and unknown! And yet the

perpetrators of them often escape their merited punishment, while I, an

innocent man, came within a hair's breadth of perishing upon the

scaffold for another's crime! But I will not question the divine justice

of the Almighty; the guilty may elude the punishment due their crimes,

in this world, but vengeance will overtake them in the next. It shall,

however, henceforth be the great object of my life, to bring one

stupendous miscreant to the bar of human justice--the Dead Man whose

escape from the State Prison was followed by his outrage upon Clinton

Romaine, by which the poor boy was forever deprived of the faculty of

speech; and 'tis my firm belief that 'twas by his accursed hand my aunt

was murdered; she was too elevated in character, and too good a

Christian, to commit suicide, and _he_ is the only man in existence who

could slay such an excellent and honorable woman! Yes--something tells

me that the Dead Man is the murderer of my beloved relative, and never

will I rest till he is in my power, that I may wreak upon him my deadly

vengeance!'

Hearing a footstep on the stairs, he assumed an attitude and expression

of countenance indicative of drowsiness and stupidity. A moment

afterwards, the woman entered, and placed upon the table a small pitcher

containing liquor. Taking from a shelf two tumblers, she turned her back

towards Frank, and drew from her bosom a small box, from which she

rapidly transferred a few grains of fine white powder into one of the

tumblers; then going to a cupboard in one corner, she put a teaspoonful

of loaf sugar into each of the tumblers, and placing them upon the

table, requested our hero to 'help himself.'

Frank poured some liquor into the tumbler nearest him, and looking

askance at the woman as he did so, he saw that her features wore a smile

of satisfaction; she then supplied her own glass, and was about to raise

it to her lips, when our hero said, in a gruff, sleepy tone--

'I say, old woman, you haven't half sweetened this grog of mine. Don't

be so d--d stingy of your sugar, for I've money enough to pay for it.'

The woman turned and went to the closet to get another spoonful of the

article in question; when Frank, with the rapidity of lightning,

_changed the tumblers_, placing the deadly dose designed for him, in the

same spot where the woman's tumbler had stood. This movement was

accomplished with so much dexterity, that when she advanced to the table

with the sugar, she failed to notice the alteration.

'Well, old gal--here's to the wind that blows, the ship that goes, and

the lass that loves a sailor!' And delivering himself of this hackneyed

nautical toast, the pretended seaman drank off the contents of his

glass, an example which was followed by the female miscreant, who

responded to Frank's toast by uttering aloud the significant wish--

'May your sleep to-night be sound!'

'Ay, ay, I hope so, and yours, too,' grumbled our hero, placing an

enormous quid of tobacco in his cheek, in order to remove the unpleasant

taste of the vile liquor which he had just drank.

There was a pause of a few minutes; when suddenly the woman grasped

Frank convulsively by the arm, and gazed into his countenance with

wildly gleaming eyes.

'Tell me,' she gasped, like one in the agonies of strangulation--'tell

me the truth, for God's sake--_did you change those tumblers_?'

'I did,' was the answer.

'Then I am lost!' she almost shrieked--'lost, lost! The liquor which I

drank contained a powder which will within half an hour sink me into a

condition of insensibility, from which I shall only awake a raging

maniac! I am rightly served--for I designed that to be _your_ fate!'

'Wretched woman, I pity you,' said Frank, in a tone of commiseration.

'I deserve not your pity,' she cried, writhing as if in great bodily

torment--'my soul is stained with the guilt of a thousand crimes--and

the only reparation I can make you, to atone for the wrong I intended,

is to warn you to fly from this house as from a pestilence! This is the

abode of murder--it is a charnel-house of iniquity; fly from hence, as

you value your life--for an hour after midnight my husband, the terrible

Dead Man, will return, and although you frustrated me, you cannot escape

his vengeance, should he find you here. Ah, my God! my brain burns--the

deadly potion is at work!'

And thus the miserable woman continued to rave, until the powerful drug

which she had taken fully accomplished its work, and she sank upon the

floor in a state of death-like insensibility.

'Thou art rightly served,' thought Frank, as he contemplated her

prostrate form--'now to penetrate into some of the mysteries of this

infernal den!' Taking the candle from the table, he began his

exploration in that fearful house.

In the apartment which adjoined the chamber he discovered little 'Jack

the Prig,' fast asleep in bed. In the restlessness of slumber, the boy

had partially thrown off the bed-clothes, and he exhibited upon his

naked breast the picture of a gallows, and a man hanging! This appalling

scene had been drawn with India ink, and pricked into the flesh with

needles, so that it never could be effaced. It was the work of the boy's

hideous father, who, not contented with training up his son to a life of

crime, was anxious that he should also carry upon his person, through

life, that fearful representation of a criminal's doom.

'Would it not be a deed of mercy,' thought our hero--'to take the poor

boy from his unnatural parents, and train him up to a life of honesty

and virtue? If I ever get the father in my power, I will look after the

welfare of this unfortunate lad.'

Frank left the room, and descending the stairs, began to explore the

lower apartments of the house. In one, he found a large collection of

tools, comprising every implement used by the villains in their

depredations. There were dark lanterns, crowbars, augers, London

_jimmies_, and skeleton keys, for burglary; also, spades, pickaxes, and

shovels, which were probably used in robbing graves, a crime which at

that period was very common in New York. A large quantity of clothing of

all kinds hung upon the walls, from the broadcloth suit of the gentleman

down to the squalid rags of the beggar; these garments Frank conjectured

to be _disguises_, a supposition which was confirmed by the masks, false

whiskers, wigs and other articles for altering the person, which were

scattered about.

In a small closet which communicated with this room, our hero found dies

for coining, and a press for printing counterfeit bank-notes; and a

table drawer, which he opened containing a quantity of false coin,

several bank-note plates, and a package of counterfeit bills, which had

not yet been signed.

Having sufficiently examined these interesting objects, Frank passed

into the next room, which was of considerable extent. It was almost

completely filled with goods of various kinds, evidently the proceeds of

robberies. There were overcoats, buffalo robes, ladies' cloaks and furs,

silk dresses, shawls, boxes of boots and shoes, cases of dry goods, and

a miscellaneous assortment of articles sufficient to furnish out a large

store. The goods in that room were worth several thousands of dollars.

'I shall now seek to discover the _secret outlet_ of the Dark Vaults,'

thought Frank, as he descended into the cellar of the house. Here he

gazed about him with much interest; the cellar was damp and gloomy and

his entrance with the light disturbed a legion of rats, which went

scampering off in every direction, from a corner in which they had

collected together; as the young man approached that corner, a fetid,

sickening odor saluted his nostrils and a fearful thought flashed across

his mind; a moment afterwards, his blood curdled with horror, for before

him lay the dead body of a man, entirely naked, and far advanced in

state of decomposition; and upon that putrefying corpse had the swarm of

rats been making their terrible banquet!

Sick with horror and disgust, Frank precipitately retreated from the

loathsome and appalling spectacle, satisfied that he had beheld one of

the Dead Man's murdered victims; and he shuddered as he thought that

such might have been _his_ fate!

In the centre of the cellar an apparatus of singular appearance

attracted his notice; and approaching it he instantly became convinced

that this was the _secret outlet_ for which he sought. Four strong,

upright posts supported two ponderous iron crossbars, to which were

attached four ropes of great thickness and strength, these ropes were

connected with a wooden platform, about six feet square; and beneath the

platform was a dark and yawning chasm.

Closely examining this apparatus, our hero saw that by an ingenious

contrivance, a person standing on the platform could, by turning a

crank, raise or lower himself at will. He cautiously approached the edge

of the chasm, and holding down the light, endeavored to penetrate

through the darkness; but in vain--he could see nothing, though he could

faintly hear a dull, sluggish sound like that produced by the flowing of

a vast body of muddy water, and at the same time an awful stench which

arose from the black gulf, compelled him to return a short distance.

'The mystery is solved,' he thought--'that fearful hole leads to the

subterranean sewers of the city, and also to the Dark Vaults beyond

them. By means of that platform, the villains of the _Infernal Regions_

below, can pass to and from their den with facility and safety.'

At this moment he heard the vast bell of the City Hall proclaiming the

hour of midnight; and he remembered that the woman had told him that her

husband, the Dead Man, would return in an hour from that time. At first

it occurred to him to await the miscreant's coming, and endeavor to

capture him--but then he reflected that the Dead Man might return

accompanied by other villains, in which case the plan would not only be

impracticable, but his own life would be endangered.

'And even were the villain to come back alone,' thought Frank, 'were I

to spring upon him, he might give some signal which would bring to his

aid his band of desperadoes from the Vaults below. No--I must not

needlessly peril my own life; I will depart from the house now,

satisfied for the present with the discoveries I have made, and trusting

to be enabled at no distant time to come here with a force sufficient to

overcome the hideous ruffian and all his band.'

Leaving the cellar, he traversed the entry and attempted to open the

front door; but to his surprise it was securely locked, nor could all

his efforts push back the massive bolts which held it fast. He

re-entered the room, and examining the windows, found them furnished

with thick iron bars like the windows of a prison, so that to pass

through them was impossible; and further investigation resulted in the

unpleasant conviction that he was a prisoner in that dreadful house,

with no immediate means of escape.

He again descended into the cellar, and began seriously to reflect upon

the realities of his situation. He was a young man of determination and

courage: yet he could not entirely subdue those feelings of uneasiness

and alarm which were natural under the circumstances. He was alone, at

midnight, in that abode of crime and murder; near him lay the corpse of

an unfortunate fellow creature, who had without a doubt fallen by the

hand of an assassin; he was momentarily expecting the return of that

arch-miscreant, who would show him no mercy; a deep, unbroken silence,

and an air of fearful mystery, reigned in that gloomy cellar and

throughout that awful house--and before him, dark and yawning as the

gate of hell, was that black and infernal pit which led to the

subterranean caverns of the Dark Vaults, far below.

'I will sell my life dearly, at all events,' thought our hero, as he

drew a bowie knife from his breast, and felt its keen, glittering edge;

then impelled by a sudden thought, he advanced to the mouth of the pit,

and cut the four ropes, which sustained the wooden platform, so nearly

asunder, that they would be almost sure to break with a slight

additional weight.

He had scarcely accomplished this task, when a strange, unnatural cry

resounded throughout the cellar--a cry so indescribably fearful that it

chilled his blood with horror. It was almost instantly followed by a low

and melancholy wail, so intense, so solemn, so profoundly expressive of

human misery, that Frank was convinced that some unfortunate being was

near him, plunged in deepest anguish and distress.

In a few moments the sound entirely ceased, and silence resumed its

reign; then Frank, actuated by the noble feelings of his generous

nature, said, in a loud voice--

'If there is any unhappy creature who now hears me, and who needs my

charitable aid, let him or her speak, that I may know where to direct my

search.'

No answer was returned to this request; all was profoundly silent.

Frank, however, was determined to fathom the mystery; accordingly, he

began a careful search throughout the cellar, and finally discovered in

an obscure corner an iron door, which was secured on the outside by a

bolt--to draw back this bolt and throw open this door, was but the work

of a moment; and our hero was about to enter the cell thus revealed,

when a hideous being started from the further end of the dungeon, and

with an awful yell rushed out into the cellar, and hid itself in a deep

embrasure of the wall.

Whether this creature were human or not, the rapidity of its flight

prevented Frank from ascertaining, he cautiously advanced to the place

where it had concealed itself, and by the dim light of the lamp which he

carried, he saw, crouching down upon the cold, damp earth, a _living

object_ which appalled him; it was a human creature, but so horribly and

unnaturally deformed, that it was a far more dreadful object to behold

than the most loathsome of the brute creation.

It was of pygmy size, its shrunk limbs distorted and fleshless, and its

lank body covered with filthy rags; its head, of enormous size, was

entirely devoid of hair; and the unnatural shape as well as the

prodigious dimensions of that bald cranium, betokened beastly idiocy.

Its features, ghastly and terrible to look upon, bore a strange

resemblance to those of the _Dead Man_! and its snake-like eyes were

fixed upon Frank with the ferocity of a poisonous reptile about to

spring upon its prey.

'Who art thou?' demanded our hero, as he surveyed the hideous object

with horror and disgust.

It answered not, but again set up its low and melancholy wail. Then with

extraordinary agility, it sprang from its retreat, and bounding towards

the dungeon, entered, and crouched down in one corner, making the cellar

resound with its awful shrieks.

''Tis more beast than human,' thought Frank--'I will fasten it in its

den, or it may attack me;' and closing the door, he secured it with the

bolt. As he did so, he heard the deep-toned bell peal forth the hour

of--_one_!

'It is the hour appointed for the return of the Dead Man!' said our hero

to himself, with a shudder; and instantly it occurred to him that he

might have descended to the Dark Vaults and escaped that way, had he not

cut the ropes which supported the platform. But then he reflected that

on reaching the Vaults he would be almost certain to fall into the power

of the villains assembled there; and he ceased to regret having cut the

ropes.

His attention was suddenly arrested by observing the platform descend

into the abyss, moved by an unseen agency; for the apparatus was so

contrived, that a person in the Vaults below could lower or raise the

platform at will, by means of a rope connected with it.

Frank had anticipated that the Dead Man would enter the house through

the front door; but he now felt convinced that the miscreant was about

to ascend on the platform from the Vaults; and he said to himself--

''Tis well--these almost severed ropes will not sustain the villain's

weight, and if he attains to any considerable height, and then falls,

his instant death is certain.'

The platform reached the bottom of the abyss--a short pause ensued, and

then it began slowly to ascend; higher, higher it mounted, until our

hero, fearing that the rope might not break, was about to cut it again,

when a yell of agony reached his ear from the depths of the pit, and at

the same moment the slackened condition of the rope convinced him that

the platform had fallen. He listened, and heard a sound like the

plunging of a body into water; then all was silent as the grave.

'The villain has met with a just doom,' thought Frank; and no longer

apprehensive of the return of his mortal enemy, he left the cellar, and

entering the room above, in which the stolen goods were deposited, threw

himself upon a heap of clothes and garments, and fell into a deep

slumber.

It was broad daylight when he awoke; and starting up, his eyes rested

upon an object which caused him to recoil with horror. The woman whom he

had left insensible from the effects of the powerful drug which she had

taken, was standing near him, her eyes rolling with insanity, her hair

dishevelled, her clothes torn to rags and her face scratched and

bleeding, she having in her own madness inflicted the wounds with her

own nails.

'Ha!' she exclaimed--'had'st thou not awakened, I would have killed

thee! Thy heart would have made me a brave breakfast, and I would have

banqueted on thy life-blood! Go hence--go hence! thou shalt not unfold

the awful mysteries of this charnel-house!--Ye must not behold the

murdered man who lies rotting in the cellar, nor open the dark dungeon

of the deformed child of crime!--'tis the hideous offspring of hideous

parents--my child and the Dead Man's! 'Twas a judgement from Heaven,

that monstrous being; we dare not kill it, so we shut it up from the

light of day. Go hence--go hence, or I will fly at thee and tear thine

eyes out!'

Frank left the room, and ascended to the chamber, hoping to find a key

which would enable him to unlock the front door; and in a table drawer

he discovered one, which he doubted not would release him from his

imprisonment. Before departing, he wrote the following words on a scrap

of paper:--

'If the villain known as the _Dead Man_ still lives, he is

informed that he is indebted to _me_ for his unexpected fall

last night. Let the miscreant tremble--for I have penetrated

the mysteries of this infernal den, and my vengeance, if not

ordinary justice, will speedily overtake him!

SYDNEY.'

Leaving the note upon the table, Frank descended the stairs, unlocked

the door, and departed from that abode of crime and horror.

FOOTNOTES:

[Footnote 3: A _stool pigeon_ is a person who associates with thieves,

in order to betray their secrets to the police officers, in reference to

any robbery which has been committed, or which may be in contemplation.

As a reward for furnishing such information, the _stool pigeon_ is

allowed to steal and rob, _on his own account_, with almost perfect

impunity.]

City Crimes; Or, Life in New York and Boston · 第 2 / 18 章