CHAPTER XLI.

THE ROUTE.

I had scarcely gone a hundred yards from my quarters when a great tramp of

horses’ feet attracted my attention. I stopped to listen, and soon heard

the jingle of dragoon accoutrements, as the noise came near. The night was

dark but perfectly still; and before I stood many minutes I heard the tones

of a voice which I well knew could belong to but one, and that Fred Power.

“Fred Power!” said I, shouting at the same time at the top of my

voice,--“Power!”

“Ah, Charley, is that you? Come along to the adjutant-general’s quarters.

I’m charged with some important despatches, and can’t stop till I’ve

delivered them. Come along, I’ve glorious news for you!” So saying, he

dashed spurs to his horse, and followed by two mounted dragoons, galloped

past. Power’s few and hurried words had so excited my curiosity that I

turned at once to follow him, questioning myself, as I walked along,

to what he could possibly allude. He knew of my attachment to Lucy

Dashwood,--could he mean anything of her? But what could I expect there;

by what flattery could I picture to myself any chance of success in that

quarter; and yet, what other news could I care for or value than what bore

upon her fate upon whom my own depended? Thus ruminating, I reached the

door of the spacious building in which the adjutant-general had taken up

his abode, and soon found myself among a crowd of persons whom the rumor of

some important event had assembled there, though no one could tell what had

occurred. Before many minutes the door opened, and Power came out; bowing

hurriedly to a few, and whispering a word or two as he passed down the

steps, he seized me by the arm and led me across the street. “Charley,”

said he, “the curtain’s rising; the piece is about to begin; a new

commander-in-chief is sent out,--Sir Arthur Wellesley, my boy, the finest

fellow in England is to lead us on, and we march to-morrow. There’s news

for you!” A raw boy, unread, uninformed as I was, I knew but little of his

career whose name had even then shed such lustre upon our army; but the

buoyant tone of Power as he spoke, the kindling energy of his voice roused

me, and I felt every inch a soldier. As I grasped his hand in delightful

enthusiasm I lost all memory of my disappointment, and in the beating throb

that shook my head; I felt how deeply slept the ardor of military glory

that first led me from my home to see a battle-field.

“There goes the news!” said Frederick, pointing as he spoke to a rocket

that shot up into the sky, and as it broke into ten thousand stars,

illuminated the broad stream where the ships of war lay darkly resting. In

another moment the whole air shone with similar fires, while the deep roll

of the drum sounded along the silent streets, and the city so lately sunk

in sleep became, as if by magic, thronged with crowds of people; the

sharp clang of the cavalry trumpet blended with the gay carol of the

light-infantry bugle, and the heavy tramp of the march was heard in the

distance. All was excitement, all bustle; but in the joyous tone of every

voice was spoken the longing anxiety to meet the enemy. The gay, reckless

tone of an Irish song would occasionally reach us, as some Connaught Ranger

or some 78th man passed, his knapsack on his back; or the low monotonous

pibroch of the Highlander, swelling into a war-cry, as some kilted corps

drew up their ranks together. We turned to regain our quarters, when at

the corner of a street we came suddenly upon a merry party seated around a

table before a little inn; a large street lamp, unhung for the occasion,

had been placed in the midst of them, and showed us the figures of several

soldiers in undress; at the end, and raised a little above his compeers,

sat one whom, by the unfair proportion he assumed of the conversation, not

less than by the musical intonation of his voice, I soon recognized as my

man, Mickey Free.

“I’ll be hanged if that’s not your fellow there, Charley,” said Power, as

he came to a dead stop a few yards off. “What an impertinent varlet he is;

only to think of him there, presiding among a set of fellows that have

fought all the battles in the Peninsular war. At this moment I’ll be hanged

if he is not going to sing.”

Here a tremendous thumping upon the table announced the fact, and after a

few preliminary observations from Mike, illustrative of his respect to the

service in which he had so often distinguished himself, he began, to

the air of the “Young May Moon,” a ditty of which I only recollect the

following verses:--

“The pickets are fast retreating, boys,

The last tattoo is beating, boys,

So let every man

Finish his can,

And drink to our next merry meeting, boys.

The colonel so gayly prancing, boys,

Has a wonderful trick of advancing, boys,

When he sings out so large,

‘Fix bayonets and charge!’

He sets all the Frenchmen a-dancing, boys.

Let Mounseer look ever so big, my boys,

Who cares for fighting a fig, my boys?

When we play ‘Garryowen,’

He’d rather go home;

For somehow, he’s no taste for a jig, my boys.”

This admirable lyric seemed to have perfect success, if one were only to

judge from the thundering of voices, hands, and drinking vessels which

followed; while a venerable, gray-haired sergeant rose to propose Mr.

Free’s health, and speedy promotion to him.

We stood for several minutes in admiration of the party, when the loud roll

of the drums beating to arms awakened us to the thought that our moments

were numbered.

“Good-night, Charley!” said Power, as he shook my hand warmly, “good-night!

It will be your last night under a curtain for some months to come; make

the most of it. Adieu!”

So saying, we parted; he to his quarters, and I to all the confusion of my

baggage, which lay in most admired disorder about my room.

Charles O'Malley, The Irish Dragoon, Volume 1 · 第 41 / 44 章