BRICKS WITHOUT STRAW.

SCENE--_A Village School-room. A Juvenile Treat is in

progress, and a Magic Lantern, hired for the occasion, "with

set of slides complete--to last one hour" is about to be

exhibited._

[Illustration]

_The Vicar's Daughter_ (_suddenly recognising the New Curate, who is

blinking unsuspectingly in the lantern rays_). Oh, Mr. TOOTLER, you've

just come in time to help us! The man with the lantern says he only

manages the slides, and can't do the talking part. And I've asked

lots of people, and no one will volunteer. _Would_ you mind just

explaining the pictures to the children? It's only a little Nursery

tale--_Valentine and Orson_--I chose that, because it's less

hackneyed, and has such an excellent _moral_, you know. I'm sure

you'll do it so _beautifully_!

_Mr. Tootler_ (_a shy man_). I--I'd do it with pleasure, I'm

sure--only I really don't know anything about _Valentine and Orson_!

_The V's D._ Oh, what _does_ that matter? I can tell you the outline

in two minutes. (_She tells him._) But it's got to last an hour, so

you must spin it out as much as ever you can.

[Illustration: The Young Heckler.]

_Mr. Tootler_ (_to himself_). Ought I to neglect such a golden

opportunity of winning these young hearts? No. (_Aloud._) I

will--er--do my best, and perhaps I had better begin at once, as

they seem to be getting--er--rather unruly at the further end of the

room. (_He clears his throat._) Children, you must be very quiet and

attentive, and then we shall be able, as we purpose this evening, to

show you some scenes illustrative of the--er--beautiful old story

of _Valentine and Orson_, which I doubt not is familiar to you all.

(_Rustic applause, conveyed by stamping and shrill cheers, after

which a picture is thrown on the screen representing a Village

Festival._) Here, children, we have a view of--er--(_with sudden

inspiration_)--Valentine's Native Village. It is--er--his birthday,

and Valentine, being a young man who is universally beloved on account

of his amiability and good conduct--(_To the Vicar's D._ "Is that

correct?" _The V.'s D._ "Quite, _quite_ correct!")--good conduct,

the villagers are celebrating the--er--auspicious event by general

rejoicings. How true it is that if we are only _good_, we may, young

as we are, count upon gaining the affection and esteem of all around

us! (_A Youthful Rustic, with a tendency to heckle._ "Ef 'ee plaze,

Zur, which on 'em be Valentoine?") Valentine, we may be very sure,

would not be absent on such an occasion, although, owing to the

crowd, we cannot distinguish him. But, wherever he is, however he

may be occupied, he little thinks that, before long, he will have

to encounter the terrible Orson, the Wild Man of the Woods! Ah,

dear children, we all have our Wild Man of the Woods to fight. With

_some_ of us it is--(_He improves the occasion._) Our next picture

represents--(_To Assistant._) Sure this comes next? Oh, they're all

numbered, are they? Very well--represents a forest--er--the home of

Orson. If we were permitted to peep behind one of those trunks, we

should doubtless see Orson himself, crouching in readiness to spring

upon the unsuspecting Valentine. So, often when we--&c., &c. The next

scene we shall show you represents the--er--burning of Valentine's

ship. Valentine has gone on a voyage, with the object of--er--finding

Orson. If the boat in the picture was only larger, we could no doubt

identify Valentine, sitting there undismayed, calmly confident that,

notwithstanding this--er--unfortunate interruption, he will be guided,

sooner or later, to his--er--goal. Yes, dear children, if we only have

patience, if we only have faith, &c., &c. Here we see--(_an enormous

Bison is suddenly depicted on the screen_) eh? oh, yes--here we have a

specimen of--er--Orson's _pursuits_. He chases the bison. Some of you

may not know what a bison is. It is a kind of hairy cow, and--(_He

describes the habits of these creatures as fully as he is able._ _The

Youthful Rustic_. "Theer baint nawone a-erntin' of 'un, Zur.") What?

Oh, but there _is_. Orson is pursuing him, only--er--the bison, being

a very fleet animal, has outrun his pursuer for the moment. Sometimes

we flatter ourselves that we have outrun _our_ pursuer--but,

depend upon it, &c., &c. But now let us see what Valentine is

about--(_Discovering, not without surprise, that the next picture is

a Scene in the Arctic Regions._) Well, you see, he has succeeded in

reaching the coast, and here he is--in a sledge drawn by a reindeer,

with nothing to guide him but the Aurora Borealis, hastening towards

the spot where he has been told he will find Orson. He doesn't

despair, doesn't lose heart--he is sure that, if he only keeps on, if

he--er--only continues, only perseveres--(_Aside._ What drivel I _am_

talking! _To Assistant_. I say, are there many _more_ of this sort?

because we don't seem to be getting on!)--Well, now we come to--(_a

Moonlight Scene, with a Cottage in Winter, appears_)--to the--ah--home

of Valentine's _mother_. You will observe a light in the casement. By

that light the good old woman is sitting, longing and praying for the

return of her gallant boy. Ah, dear children, what a thing a good old

mother is! (_To the Vicar's Daughter_. "I really can _not_ keep on

like this much longer. I'm positively certain these slides are out of

order!") _The V.'s D._ "Oh no; I'm sure it's _all_ right. Do _please_

go on. They're _so_ interested!" _The Young Heckler_. "'Ow bout

Valentoine, Zur?--wheer be 'ee?" Ah, where is Valentine, indeed? (_To

Ass._) Next slide--quick! (_Recognises with dismay a View of the Grand

Canal._) No--but, I say--_really_ I _can't_--Here we have Valentine at

Venice. He has reached that beautiful city,--well called the Queen of

the Adriatic,--at last! He contemplates it from his gondola, and yet

he has no heart just now to take in all the beauty of the scene. He

feels that he is still no nearer to finding Orson than before. (_The

Young Heckler_. "Naw moor be we, Zur. We ain't zeed _nayther_ on 'em

zo fur!" _Tumult, and a general demand for the instant production of

Orson or Valentine._) Now, children, children! this is very irregular.

You must allow me to tell this story my own way. You will see them

both in good time, if you only keep still! (_To Ass._) I can't stand

this any more. Valentine and Orson must be underneath the rest. Find

them, and shove them in quick. Never mind the numbering! (_The screen

remains blank while the Assistant fumbles._) Well, have you _got_

them?

_The Assistant_. No, Sir; I'm rather afraid they ain't _here_. Fact

is, they've sent me out with the wrong set o' slides. This ain't

_Valentine and Orson--it's a miscellaneous lot, Sir!_

[_Collapse of Curate as Scene closes in._

* * * * *

Punch, or the London Charivari, Volume 100, June 6, 1891 · 第 5 / 34 题