CHAPTER XV

THE AMETHYST MOMENT

I

Nathan had been too toughened by eighteen months of soldiering to remain

long indisposed. What he wanted more than all else was sleep,—hours and

hours of sleep.

The man never would have become so exhausted in so short a time as a

night and a morning and a journey through fifteen miles of muddy slough,

if he had not lost far more blood from the wound in his arm than he

realized, and if that flight had not been made in pitchy darkness which

turned his overwrought emotions and racked imagination inward and sapped

his nerve force with even far more deadly effect than the injury to his

shoulder. Therefore, when the mud and blood and filth had been washed

from his face and body, his wounds sterilized and bound, and his mind

fully saturated with the consciousness that he had been saved and the

whole horror was a thing of the past, his invalidism was short-lived.

They kept him under opiates the first day and night. The second morning

he awoke, raved for a time, was made to take food, then went back to

sleep again. The third morning he sat up, called for his clothes and got

them. There was small room on that train for invalids to remain invalids

for the luxury of it. His clothes had been cleaned in the time

intervening. He dressed with a doctor’s help. But he felt dizzy after

breakfast when he tried to smoke and lay down on his berth again. He

must have fallen asleep, for when he awoke it was high noon and the

train had stopped. Far out on the expanse of hard brown steppe, it had

turned upon a siding to permit an eastern-bound train of “empties” to

clear.

Nathan arose and looked out of the window. The world was surfeited with

sunshine. Never had there been such a day. The small white-enameled

compartment in which his bunk was located was empty. Off across the

prairie he saw doctors and nurses strolling. A warning whistle would

bring them back in time. Beside, they could see the western track for

miles, straight to the far horizon. Nathan suddenly wanted to be out

there in the sunshine too.

He discovered that his leg, where the jagged nail had penetrated, had

been cauterized and tightly bandaged. But it gave him no especial

distress. The cut in his forehead, when dried gore and caked muck had

been washed away, had turned out to be a two-inch gash above his right

eye which a bit of adhesive plaster covered. His wounded arm, in which

the feeling had begun to return about noon of the previous day, was

tightly bound against his body. Thirty hours of sleep had brought back

his strength and rebuilt his shattered nerves. Yes, Nathan suddenly

wanted to be out there in the sunshine too. There were several khaki

coats on the bunk above. He swung one around and got his good arm into

its right sleeve. He pulled it as best he could over his battered

shoulder and fastened a couple of black-copper buttons at the throat. An

officer’s cap hung on a hook in the passageway. Nathan went out into the

iron vestibule and down the steps.

He had not seen Madelaine since she had helped him to the hill top. The

car to which she was attached was far up forward. Nathan had been

hurriedly carried into the next to the last coach. He wanted to find

Madelaine, however, and thank her. But most of all, he simply wanted to

gaze into her face, to see “in a close-up” his Girl of the Window. His

stunned brain had not quite assimilated yet that he had found her, far

out on the other side of the globe, deep in the lands of the Tartars.

“What the devil are you doing out here?” demanded a sharp voice behind

him. Nathan turned to behold one of the surgeons.

“Soaking in sunshine,” was his simple response.

“You’re supposed to be sick—for another day, at least.”

“Sick? Hell! I’m all right. All I needed was sleep. And I guess I got

it.”

“But, man, you may take cold in those wounds.”

“I’ll be hanged if I’m going to stay in there and be fed beef tea while

the rest of you people enjoy yourselves outside on a day like this!”

“Were you on that smashed train we had to clear off the track?”

“Yes,” said Nathan. Briefly he recounted his experience. Doctors and

nurses gathered around as he talked. Madelaine was not among them.

“Fortunes of war!” observed one of the surgeons philosophically, when

the terse recital was ended. “Think of all the poor devils who have

failed to make their hill tops in time.”

“Can I ever forgot them?” asked Nathan huskily. “I wish I could!”

II

His stiffened limbs ached for action. He begged a cigarette and started

northward over the plain.

The air was balmy with a lingering suggestion of Indian Summer. But

there was no haze. The flatness of the earth only accentuated the vast

arch of the sky. That sky was sharp cobalt. The earth had mellowed to a

golden brown, awaiting the snow. And against that combination of cobalt

and golden brown, far on ahead, Nathan suddenly saw a furl and flash of

deep scarlet, a vivid splash of color as the noon breeze, blowing from

the ends of the world, caught the cape of a lone Red Cross nurse and

rippled it slightly ahead of her.

She was walking pensively as Nathan came up. She was leaning slightly

backward against the breeze. Her loosened hair was blowing about her

temples and face. In the crook of her right wrist she carried a book,

her forefinger keeping a place in the pages. Soul of the sky and the

earth and the wind and the distances, she seemed somehow,—a picture for

an artist!

She paused at his step behind her. Nathan paused also. He did not wish

to frighten her. The woman turned. Slowly they inventoried one another,

their eyes met.

Twenty-nine years were focussed in that moment.

The man saw his Woman of Vague Dreams before him in reality. She was

straight as a Norway pine, exquisitely turned as a Venus de Medici, dark

as a Castilian. She was fragile of ankle, strong of thigh, deep of

breast, soft of shoulder.

On her finely chiseled and sensitive features lay a slight pallor. Her

lips were half-parted. Great brown eyes were faintly startled,

inquiring, lucid with an infinite delicacy and tenderness. She was a

woman with a big soul! It was all there, on her features.

Madelaine beheld a man ten feet from her, unlike any man she had ever

seen. He was a head taller than herself, agile of carriage, cordy of

shoulder and bicep, sure of tread, controlled of muscle and nerve. His

features were burned to the hue of brick. His gray eye carried as true

as a rifle ball. And his mouth!—His lips were classic; every mean and

petty thing he had risen above, every heckling trial he had met with

infinite patience, every hell he had groped through because he believed

that to go on was self-obligation and that somewhere above a sun must be

shining gloriously, the whole long chronicle of what he had lived was

all concentrated in two cable jaw muscles and the manner in which he

closed his lips.

He also had calm eyes—now.

His strong, virile body, war-hardened, was clad in a uniform that

indicated no rubber-stamp soldier. His khaki shirt was left loosely open

at the throat, disclosing a chest as tough as leather. He wore his cap

at a rakish, he-man angle and his forehead wound and bungling shoulder

only accentuated his virility instead of making him clumsy.

The woman slowly viewed his face and his frame. And a queer thrill shot

deep and true, far down into the innermost reaches of her being. Here

was a _MAN_!

Two pairs of calm eyes met in that moment. Face to face, eye to eye,

they looked upon each other and those glances held. Male and female,

worthy of each other, made for each other, they met at high noon under

an infinite cobalt sky on a spot as level and far-flung as the

Tablelands of Eternity. And all around and about them was Sunshine. It

had to be in the sunshine, that!

III

The woman was the first to speak.

“Why! You’re the soldier who climbed toward me day before yesterday, out

of the fog.”

Nathan’s voice was steady.

“Out of the Fog, yes!” he replied. “And you were the Good Angel who saw

me trying to get out of the Fog and came down and helped me to make the

Top.”

“I suppose we should introduce ourselves, as there’s no one apparently

to do it for us. I am Madelaine Theddon from Springfield,

Massachusetts.”

The breeze stopped blowing for a moment. All sounds softened into

eternal silence. Even the sunlight waited. Nathan never took his eyes

from that cameo face.

“Forge is my name, Miss Theddon,” he said. “Nathaniel Forge! I’m from

Vermont.”

Off over the rim of the world, washed by the crisp whitecaps of a

mazarine sea, once was a coral island which no man’s chart has ever

compassed. There had never been a gray day upon that coral island. The

sunlight started there. Deep in its heart were bowered valleys and acres

of flowers, and in the vesper hour sweet notes came down the evening

silence, played upon reeds. It was the island of Arcadie. And far, far

back before the lid of Pandora’s Box was opened, loosing its swarm of

griefs and troubles upon the world, Everyman dwelt there and in the

starlit dark Someone came to him, Someone who was part of himself—and

covered him—with the wealth of her hair.

The gods were jealous of those who lived upon that coral island. They

destroyed it. And ever since, Everyman has been hunting, hunting, up and

down the worlds, for the one who came to him as a Whisper and a bit of

Incense, in that dark. Sometimes that search ends beautifully. Nathan

was not so far wrong in his youthful poetry after all.

“Forge!” cried the woman. “Nathaniel Forge!”

“Yes,” the man answered. He never knew why she spoke his name as she

did. He only knew that, gazing deep into her face, he saw the blood die

out and an expression come as though she would cry aloud. He knew that

she dropped the book and half-raised her arms toward him.

A man’s brain may play queer pranks in life’s Great Moments. Came to

Nathan then some lines he had written long ago, even as it was coming to

the woman, intuitively, subconsciously, that both of them, in some far,

previous incarnation had met so, had stood so, had spoken so,—long

before.

“... the toil and tears we may know, dear heart,

Must some day reach an end;

Through miles and years we must search sometimes,

Ten thousand for one friend.

Yet some great noon in the sun-glare bright,

In some vast, open space,

You’ll stand, flesh-clothed, with your arms outstretched,

And triumph on your face.

“I know few words will be needed then,

Lament nor name nor plea,

We’ll let our eyes speak the message sweet;

‘Grow old along with me!’

The soul of man has a thousand lives,

Yet Love has only one,

That leaps alive to the Glory Cry:

‘Dear Heart, the trek is done!’”

Nathan had builded better than he ever knew. It was his!—and hers!—that

noontime. The trek was done.

Madelaine’s eyes were starry, starry as they had never been before in

all her days. This copper-hued, clear-eyed, lean-jawed, firm-voiced man

was Nathaniel Forge! This was the one who had written a little poem

which she had folded away in lavender and old lace and placed in a

little casket deep beneath her Inner Shrine, turning piteously from the

poignant fantasy that it could possibly have been meant for her.

Romance? What was Romance? _This_ was Romance! This was Romance—the

height and the depth and the width and the breadth of it—idealism

unfathomable—the most beautiful thing in the world.

On a thousand nights in her orphaned heart she had wondered what he

could be like, how he could appear, how his voice might sound. But that

wonder had been forcibly sent away, off to the mystic vales behind the

sunset where all our little unborn wishes go. Kismet, however, could be

kind. This was a world after all in which action and reaction could be

equal. There were still rewards and fairies. The man of her little

heart-locked romance stood before her in the flesh at last. And he was

all that she had ever dreamed a man could be and more.

Yes, it was all there,—all there on his face.

“Let us walk together, you and I,” said Madelaine, when her heart

throbbed again and the great cog-wheels of the universe turned once

more.

But in the woman’s suggestion lay a far deeper significance than Nathan

grasped at the time.

IV

They fell into step and moved off, side by side, across the stubble. The

sunshine sang and the breezes rioted. What mattered it that they stood

in a land of blood and junk and chaos, with war roaring across the

horizons and all the world on fire? There was a cobalt sky above them

and the world stretched true into the western Infinite. It was a long

way to the horizon, a very long way.

“Miss Theddon,” said Nathan, “life is very queer at times, isn’t it—in

some of its coincidences and dénouements, I mean?”

“Yes,” replied Madelaine, scarcely recognizing her own voice. She was

trying to credit that this romantically garbed, erect-figured,

firm-footed, steady-voiced man by her side was Nathaniel Forge. She felt

rather light-headed about it. She did not note just where they were

walking. She did not care. There was a sky and it was blue. There was

sunshine and it flooded over them. There was a horizon, and as they

walked, it moved even farther away.

“Because, Miss Theddon, this doesn’t happen to be the first time I’ve

seen you, I believe, though I dare say you never knew. Some day I’d like

to tell you. Not now. Please don’t ask it. But somehow I feel I know you

very well, that I’ve always known you.” He laughed lightly. “After all,

Massachusetts and Vermont are very close together, aren’t they?”

How could she tell him? Could she tell him? She heard herself speaking,

as though she were a third person, listening to the conversation.

“And I feel that I know you too very well indeed. Though I’m not yet

quite over the shock of meeting you, away off here in the heart of Asia.

You—you wrote a poem once——”

He lost a step in his abrupt surprise. Then he recovered himself.

“While I was seventeen I had a period when I wrote a few rhymes, yes,”

he affirmed. “Every fellow does, I fancy. Only some write them worse

than others.”

“One of those poems happened into my possession. I found it in a

newspaper. It—it—interested me. I kept it. I wondered who you were

and—why you should have written such a poem.”

“Which poem was it? I wrote several.”

“I’ll tell you that—some day—when you tell me where you saw me before,”

she answered. It was sincerely spoken, not coquetry.

“We find we know one another and we meet out here! It is almost too much

to credit.”

On the mellow brown steppe they were two figures silhouetted against the

sky, a bronzed man in khaki and a beautiful woman in blue and scarlet.

They were walking rather close together.

In the far distance sounded a long-drawn whistle—the east-bound freight.

They had to return. But their Amethyst Moment had slipped into Memory!

V

“Look here, Forge,” cried a young surgeon angrily, when he came through

the train a quarter-hour later, “what the devil did you say to that

Theddon girl that she should come back, lock herself in her compartment

and shed tears all over the place? The nurses up front are all talking

about it.”

“Say to her? Tears? Me? Why, I didn’t say anything to her. Is she

weeping?”

“I said so, didn’t I? What the devil’s happened, anyhow? Have you ever

known her before?”

“From the beginning of the world, old man!”

“You’re bughouse!” snapped the doctor. “You haven’t come out of the

ether. The beginning of the world! Night before last you were seeing

stars. You’re a nut! Jack, where’s that morphine? Give this coot another

shot!”

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The fog · 第 15 / 20 章