Dr Strang was long chamberlain to the city of Glasgow; for more than

half a century he saw it growing around him, increasing in

population, wealth, and political importance, as during the same

period no other British city had increased; and as he knew everything

concerning that growth, he not unnaturally took in it the deepest

pride. He could remember the old times, the old families, the old

buildings, the old domestic habits; and when well-stricken in years,

it pleased him to recall the matters which he remembered, and to

contrast them with what he saw on every side. I think that on the

whole he preferred the old Glasgow of his boyhood to the new Glasgow

of his age. All his life he had a turn for literature; in his

earlier day he had written stories and sketches, in which he mirrored

as vividly as he could the older aspects of the city; and as, along

with this turn for writing, he had that antiquarian taste which has

been a characteristic of almost every distinguished Scotsman since

Sir Walter, while his years and his official position gave him

opportunities of gratifying it, he knew Glasgow almost as well as the

oldest inhabitant, who has been a bailie and cognisant of all

secrets, knows his native village. He was an admirable _cicerone_;

his mind was continually pacing up and down the local last century,

knowing every person he met as he knew his contemporary

acquaintances; and when he spoke of the progress of Glasgow, he spoke

proudly, as if he were recounting the progress of his own son.

[Sidenote: Glasgow clubs.] During the last years of his life, it

struck him that he might turn his local knowledge to account. The

Doctor was a humorist; he was fond of anecdote, had a very proper

regard for good eating and drinking; he remembered regretfully the

rum-punch of his youth, and he was deeply versed in the histories of

the Glasgow Clubs. In a happy hour, it occurred to him that if he

told the story of those clubs--described the professors, the

merchants, the magistrates, the local bigwigs, the clergymen, the

rakes, who composed their memberships--he would go to the very core

and essence of old Glasgow Society; while in the course of his work

he would find opportunities of using what antiquarian knowledge he

had amassed concerning old houses, old social habits, the state of

trade at different periods, and the like. The idea was a happy one;

the Doctor set to work valiantly, and in course of time in a spacious

volume, with suitable index and appendix, the "Clubs of Glasgow" was

before the world. Never, perhaps, has so good a book been so badly

written. The book is interesting, but interesting in virtue of the

excellence of the material, not of the literary execution. Yet, on

the whole, it may fairly be considered sufficient. You open its

pages, and step from the Present into the Past. You are in the

Trongate, through which Prince Charles has just ridden. You see

Virginian merchants pacing to and fro with scarlet cloaks and

gold-headed sticks; you see belle and beau walk a minuet in the Old

Assembly-Room; you see flushed Tom and Jerry lock an asthmatic

"Charlie" in his sentry-box, and roll him down a declivity into the

river--all gone long ago, like the rum-punch which they brewed, like

the limes with which they flavoured it!

[Sidenote: Hugh Macdonald.]

Mr Macdonald is Dr Strang's antithesis, and yet his complement. The

one worked in antiquarianism and statistics; the other in

antiquarianism and poetry. The one loved the old houses, the old

hedges, the old churchyards within the city; the other loved these

things without the city and miles away from it--and so between them

both we have the district very fairly represented. Mr Macdonald was

a man of genius, a song-writer, an antiquary, a devout lover of beast

and bird, of snowdrop and lucken-gowan, of the sun setting on

Bothwell Bank, of the moon shining down on Clydesdale barley fields.

He was in his degree one of those poets who have, since Burns's time,

made nearly every portion of Scotland vocal. Just as Tannahill has

made Gleniffer hills greener by his songs, as Thorn of Inverury has

lent a new interest to the banks of the Dee, as Scott Riddell has

added a note to the Border Minstrelsy, has Mr Macdonald taken poetic

possession of the country around Glasgow. Neither for him nor for

any of his compeers can the title of great poet be claimed. These

men are local poets; but if you know and love the locality, you

thankfully accept the songs with which they have associated them. If

the scenery of a shire is gentle, it is fitting that the poet of the

shire should possess a genius to match. Great scenes demand great

poems; simple scenes, simple ones. Coleridge's hymn in the Vale of

Chamouni is a noble performance, but out of place if uttered in a

Lanarkshire glen where sheep are feeding, and where you may search

the horizon in vain for an elevation of five hundred feet. Mr

Macdonald could not have approached Coleridge's hymn had he been

placed in Chamouni; but he has done justice to the scenery that

surrounded him--made the ivies of Crookston more sombre with his

verse, and yet more splendid the westward-running Clyde in which the

sun is setting.

He was one of those, too--of whom Scotchmen are specially proud--who,

born in humble circumstances, and with no aid from college, and often

but little from school, do achieve some positive literary result, and

recognition more or less for the same. He was born in one of the

eastern districts

of Glasgow, lived for some time in the Island of Mull, in the house

of a relative--for, as his name imports, he was a pure Celt--and from

his sires he drew song, melancholy, and superstition. The

superstition he never could completely shake off. He could laugh at

a ghost story, could deck it out with grotesque or humorous

exaggeration; but the central terror glared upon him through all

disguises, and, hearing or relating, his blood was running chill the

while. Returning to his native city, he was entered an apprentice in

a public manufactory, and here it was--fresh from ruined castle, mist

folding on the Morven Hills, tales told by mountain shepherd or

weather-beaten fisherman of corpse lights glimmering on the sea; with

English literature in which to range and take delight in golden

shreds of leisure; and with everything, past Highland experience and

present dim environment, beginning to be overspread by the "purple

light of love"--that Mr Macdonald became a poet. Considering the

matter now, it may be said that his circumstances were not

unfavourable to the development of the poetic spirit. [Sidenote:

Glasgow poets.] Glasgow at the period spoken of could boast of her

poets. Dugald Moore was writing odes to "Earthquake" and "Eclipse,"

and getting quizzed by his companions. Motherwell, the author of

"Jeanie Morrison," was editor of the _Courier_, and in its columns

fighting manfully against Reform. Alexander Rodger, who disgusted

Sir Walter by the publication of a wicked and witty welcome--singular

in likeness and contrast to the Magician's own--on the occasion of

the visit of his gracious Majesty George IV. to Edinburgh, was

filling the newspapers of the west with satirical verses, and getting

himself into trouble thereby. Nay, more, this same Alexander Rodger,

either then or at a later period, held a post in the manufactory in

which Mr Macdonald was apprentice. Nor was the eye without

education, or memory without associations to feed upon. Before the

door of this manufactory stood Glasgow Green, the tree yet putting

forth its leaves under which Prince Charles stood when he reviewed

his shoeless Highland host before marching to Falkirk. Near the

window, and to be seen by the boy every time he lifted his head from

work, flowed the Clyde, bringing recollections of the red ruins of

Bothwell Castle, where the Douglases dwelt, and the ivy-muffled walls

of Blantyre Priory where the monks prayed; carrying imagination with

it as it flowed seaward to Dumbarton Castle, with its Ossianic

associations, and recalling, as it sank into ocean, the night when

Bruce from his lair in Arran watched the beacon broadening on the

Carrick shore. And from the same windows, looking across the stream,

he could see the long straggling burgh of Rutherglen, with the church

tower which saw the bargain struck with Menteith for the betrayal of

Wallace, standing eminent above the trees. And when we know that the

girl who was afterwards to become his wife was growing up there,

known and loved at the time, one can fancy how often his eyes dwelt

on the little town, with church tower and chimney, fretting the

sky-line. And when he rambled--and he always _did_

ramble--inevitably deeper impulses would come to him. Northward from

Glasgow a few miles, at Rob Royston, where Wallace was betrayed,

lived Walter Watson, whose songs have been sung by many who never

heard his name. Seven miles southward from the city lay Paisley in

its smoke, and beyond that, Gleniffer Braes--scarcely changed since

Tannahill walked over them on summer evenings. [Sidenote: A poetic

education.] South-east stretched the sterile district of the Mearns,

with plovers, and heather, and shallow, glittering lakes; and beyond,

in a green crescent embracing the sea, lay a whole Ayrshire, fiery

and full of Burns, every stock and stone passionate with him, his

daisy blooming in every furrow, every stream as it ran seaward

mourning for Highland Mary--and when night fell, in every tavern in

the county the blithest lads in Christendie sitting over their cups,

and flouting the horned moon hanging in the window pane. And then,

to complete a poetic education, there was Glasgow herself--black

river flowing between two glooms of masts--the Trongate's all-day

roar of traffic, and at night the faces of the hurrying crowds

brought out keenly for a moment in the light of the shop windows--the

miles of stony streets, with statues in the squares and open

spaces--the grand Cathedral, filled once with Popish shrines and

rolling incense, on one side of the ravine, and on the other, John

Knox on his pillar, impeaching it with outstretched arm that clasps a

Bible. And ever as the darkness came, the district north-east and

south of the city was filled with shifting glare and gloom of furnace

fires; instead of night and its privacy, the splendour of towering

flame brought to the inhabitants of the eastern and southern streets

a fluctuating scarlet day, piercing nook and cranny as searchingly as

any sunlight--making a candle needless to the housewife as she darned

stockings for the children, and turning to a perfect waste of charm,

the blush on a sweetheart's cheek. With all these things around him,

Mr Macdonald set himself sedulously to work, and whatever may be the

value of his poetic wares, plenty of excellent material lay around

him on every side.

[Sidenote: Hugh Macdonald.]

To him all these things had their uses. He had an excellent literary

digestion, capable of extracting nutriment from the toughest

materials. He assiduously made acquaintance with English literature

in the evenings, gradually taking possession of the British

essayists, poets, and historians. During this period, too, he

cherished republican feelings, and had his own speculations

concerning the regeneration of the human race. At this time the

splendid promise of Chartism made glorious the horizon, and

Macdonald, like so many of his class, conceived that the "five pints"

were the _avant-couriers_ of the millennium. For him, in a very

little while, Chartism went out like a theatrical sun. He no longer

entertained the idea that he could to any perceptible extent aid in

the regeneration of the race. Indeed, it is doubtful whether, in his

latter days, he cared much whether the race would ever be

regenerated. Man was a rascal, had ever been a rascal, and a rascal

he would remain till the end of the chapter. He was willing to let

the world wag, certified that the needful thing was to give regard to

his own private footsteps. His own personal hurt made him forget the

pained world. He was now fairly embarked on the poetic tide. His

name, appended to copies of verses, frequently appeared in the local

prints, and gained no small amount of local notice. At intervals

some song-bird of his brain of stronger pinion or gayer plumage than

usual would flit from newspaper to newspaper across the country; nay,

several actually appeared beyond the Atlantic, and, not unnoticed by

admiring eyes, perched on a broadsheet here and there, as they made

their way from the great cities towards the Western clearings. All

this time, too, he was an enthusiastic botanist in book and field, a

lover of the open country and the blowing wind, a scorner of fatigue,

ready any Saturday afternoon when work was over for a walk of twenty

miles, if so be he might look on a rare flower or an ivied ruin. And

the girl living over in Rutherglen was growing up to womanhood, each

charm of mind and feature celebrated for many a year in glowing

verse; and her he, poet-like, married--the household plenishing of

the pair, love and hope, and a disregard of inconveniences arising

from straitened means. The happiest man in the world--but a widower

before the year was out! With his wife died many things, all buried

in one grave. Republican dreamings and schemes for the regeneration

of the world faded after that. Here is a short poem, full of the

rain cloud and the yellow leaf, which has reference to his feelings

at the time--

Gorgeous are thy woods, October!

Clad in glowing mantles sear;

Brightest tints of beauty blending

Like the west, when day's descending,

Thou'rt the sunset of the year.

"Fading flowers are thine, October!

Droopeth sad the sweet blue-bell;

Gone the blossoms April cherish'd--

Violet, lily, rose, all perish'd--

Fragrance fled from field and dell.

"Songless are thy woods, October!

Save when redbreast's mournful lay

Through the calm gray morn is swelling,

To the list'ning echoes telling

Tales of darkness and decay.

"Saddest sounds are thine, October!

Music of the falling leaf

O'er the pensive spirit stealing,

To its inmost depths revealing:

'Thus all gladness sinks in grief.'

"I do love thee, drear October!

More than budding, blooming Spring--

Hers is hope, delusive smiling,

Trusting hearts to grief beguiling;

Mem'ry loves thy dusky wing.

"Joyous hearts may love the summer,

Bright with sunshine, song, and flower;

But the heart whose hopes are blighted,

In the gloom of woe benighted,

Better loves thy kindred bower.

"'Twas in thee, thou sad October!

Death laid low my bosom flower.

Life hath been a wintry river,

O'er whose ripple gladness never

Gleameth brightly since that hour.

"Hearts would fain be with their treasure,

Mine is slumb'ring in the clay;

Wandering here alone, uncheery,

Deem 't not strange this heart should weary

For its own October day."

The greater proportion of Mr Macdonald's poems first saw the light in

the columns of the _Glasgow Citizen_, then, as now, conducted by Mr

James Heddenvick, an accomplished journalist, and a poet of no mean

order. The casual connexion of contributor and editor ripened into

friendship, and in 1849, Mr Macdonald was permanently engaged as Mr

Hedderwick's sub-editor. He was now occupied in congenial tasks, and

a gush of song followed this accession of leisure and opportunity.

Sunshine and the scent of flowers seemed to have stolen into the

weekly columns. You "smelt the meadow" in casual paragraph and in

leading article. The _Citizen_ not only kept its eye on Louis

Napoleon and the Czar, it paid attention to the building of the

hedge-sparrow's nest, and the blowing of the wild flower as well.

Still more to prose than to verse did Mr Macdonald at this time

direct his energies; and he was happy enough to encounter a subject

exactly suited to his powers and mental peculiarities. He was the

most uncosmopolitan of mortals. He had the strongest local

attachments. In his eyes, Scotland was the fairest portion of the

planet; Glasgow, the fairest portion of Scotland; and Bridgeton--the

district of the city in which he dwelt--the fairest portion of

Glasgow. He would have shrieked like a mandrake at uprootal. He

never would pass a night away from home. But he loved nature--and

the snowdrop called him out of the smoke to Castle Milk, the

lucken-gowan to Kenmure, the craw-flower to Gleniffer. His heart

clung to every ruin in the neighbourhood like the ivy. He was

learned in epitaphs, and spent many an hour in village churchyards in

extracting sweet and bitter thoughts from the half-obliterated

inscriptions. Jaques, Isaak Walton, and Old Mortality, in one, he

knew Lanarkshire, Renfrewshire, and Ayrshire by heart. Keenly

sensible to natural beauty, full of antiquarian knowledge, and in

possession of a prose style singularly quaint, picturesque, and

humorous, he began week, by week, in the columns of the _Citizen_,

the publication of his "Rambles Round Glasgow." City people were

astonished to learn that the country beyond the smoke was far from

prosaic--that it had its traditions, its antiquities, its historical

associations, its glens and waterfalls worthy of special excursions.

These sketches were afterwards collected, and ran, in their separate

and more convenient form, through two editions. No sooner were the

"Rambles" completed than he projected a new series of sketches,

entitled, "Days at the Coast"--sketches which also appeared in the

columns of a weekly newspaper. Mr Macdonald's best writing is to be

found in this book--several of the descriptive passages being really

notable in their way. As we read, the Firth of Clyde glitters before

us, with white villages sitting on the green shores: Bute and the

twin Cumbraes are asleep in sunshine; while beyond, a stream of

lustrous vapour is melting on the grisly Arran peaks. The

publication of these sketches raised the reputation of their author,

and, like the others, they received the honour of collection, and a

separate issue. But little more has to be said concerning his

literary activity. The early afternoon was setting in. During the

last eighteen months of his life he was engaged on one of the Glasgow

morning journals; and when in its columns he rambled as of yore, it

was with a comparatively infirm step, and an eye that had lost its

interest and lustre. "Nature never did betray the heart that loved

her;" and when the spring-time came, Macdonald, remembering all her

former sweetness, journeyed to Castle Milk to see the snowdrops--for

there, of all their haunts in the west, they come earliest and linger

latest. It was a dying visit, an eternal farewell. Why have I

written of this man so? Because he had the knack of making friends

of all with whom he came into contact, and it was my fortune to come

into more frequent and more intimate contact with him than most. He

was neither a great man nor a great poet--in the ordinary senses of

these terms--but since his removal there are perhaps some half-dozen

persons in the world who feel that the "strange superfluous glory of

the air" lacks something, and that because an eye and an ear are

gone, the colour of the flower is duller, the song of the bird less

sweet, than in a time they can remember.

Both Dr Strang and Mr Macdonald have written about Glasgow, and by

their aid we shall be able to see something of the city and its

surroundings.

[Sidenote: Early history of Glasgow.]

The history of the city, from the period of St Mungo to the

commercial crisis in 1857 and the fall of the Western Bank, presents

many points of interest. Looking back some thirteen centuries into

the gray morning-light of time, we see St Mungo led by an angel,

establishing himself on the banks of the Molendinar, and erecting a

rude chapel or oratory. There for many summers and winters he prayed

his prayers, sung his aves, and wrought his miracles. The fame of

his sanctity spread far and wide, and many pilgrims came to converse

with, and be counselled by, the holy man. In process of time--the

prayers of the saint proving wondrously efficacious, and the Clyde

flowing through the lower grounds at a little distance being populous

with salmon--people began to gather, and a score or so of wooden

huts, built on the river bank, was the beginning of the present city.

In 1197 the cathedral was consecrated by a certain Bishop Jocelyn,

and from thence, on to the Reformation, its affairs continued in a

prosperous condition; its revenues, taking into consideration the

poverty of the country and the thinness of the population, were

considerable; and its bishops were frequently men of ambition and of

splendid tastes. Its interior was enriched by many precious relics.

On days of high festival, the Lord Bishop and his officials, clad in

costly vestments, entered by the great western door, and as the

procession swept onward to the altar, incense fumed from swinging

censers, the voices of the choir rose in rich and solemn chanting,

the great organ burst on the ear with its multitudinous thunders, and

rude human hearts were bowed to the ground with contrition, or rose

in surges of sound to heaven in ecstasy. Glasgow, too, is closely

connected with Wallace. The Bell o' the Brae saw the flash of his

sword as the Southrons fled before him. At the kirk of Rutherglen,

Sir John Menteith and Sir Aymer de Vallance met to plan the capture

of the hero: and at Rob Royston the deed of shame was consummated.

Menteith, with sixty followers, surrounded the house in which Wallace

slept. Traitors were already within. His weapons were stolen.

Kierly, his servant, was slain. According to Blind Harry, at the

touch of a hand Wallace sprung up--a lion at bay. He seized an oaken

stool--the only weapon of offence within reach--and at a blow broke

one rascal's back, in a second splashed the wall with the blood and

brains of another, when the whole pack threw themselves upon him,

bore him down by sheer weight, and secured him. He was conveyed to

Dumbarton, then held by the English, and from thence was delivered

into the hands of Edward. The battle of Langside was fought in the

vicinity of the city. Moray, lying in Glasgow, intercepted Mary on

her march from Hamilton to Dumbarton, and gave battle. Every one

knows the issue. For sixty miles without drawing rein the queen fled

towards England and a scaffold. Moray returned to Glasgow through

the village of Gorbals, his troopers, it is said, wiping their bloody

swords on the manes of their horses as they rode, and went thence to

meet his assassin in Linlithgow town. During the heat and frenzy of

the Reformation, nearly all our ecclesiastical edifices went to the

ground, or came out of the fierce trial with interiors pillaged,

altars desecrated, and the statues of apostles and saints broken or

defaced. Glasgow Cathedral was assailed like the rest; already the

work of destruction had begun, when the craftsmen of the city came to

the rescue. Their exertions on that occasion preserved the noble

building for us. They were proud of it then; they are proud of it

to-day. During the persecution, the country to the west of Glasgow

was overrun by dragoons, and many a simple Covenanter had but short

shrift--seized, tried, condemned, shot, in heaven, within the hour.

The rambler is certain to encounter, not only in village churchyards,

but by the wayside, or in the hearts of solitary moors, familiar but

with the sunbeam and the cry of the curlew, rude martyr stones, their

sculptures and letters covered with lichen, and telling with

difficulty the names of the sufferers and the manner of their deaths,

and intimating that--

"This stone shall witness be

'Twixt Presbyterie and Prelacie."

[Sidenote: Prince Charles.]

A summer in Skye, Volume 2 (of 2) · 第 11 / 14 段