I look warily each side or me.

“Do you like him?”

“Yes, but he wants me to marry his daughter.”

“Well?”

“She won’t have me, as she loves my cousin, Aunt Roban’s son. Her father

expects our betrothal at this time.” He stops a moment, then resumes.

“He is engaged, himself, to be married to Aunt Robet, who does not dare

to tell him of his coming disappointment.”

“How did she, so gentle, ever fancy so douty a man?”

“It was at a ride. The cavalry were going by so swift she became dizzy

and was falling, when he by a deft move put her back. When he appears,

ever since, she is like affected. He is coming now.”

With a start, I look up to the sky, which is clear. Then I look about at

the celebrators, thinking he may be come to earth, and be among them.

And though I see a strange mist in the distance, I become occupied in

studying the various modes of conveyance close around. Of every odd

design, one vehicle is oddest. It is a round glass globe that rolls over

and over, bearing its inmates upright, ballasted in the interior. It has

only ladies, so I look ahead.

Ahead is a bridge, shaped like a flight of stairs (rests for the

horses). Around the farther tower arches—strong supports of the

suspended ends—a mist is twining and winding, glistening peculiarly.

Show Off seeing my intent gaze looks there, and hastily takes from his

father’s pocket a glass and absorbedly scans the mist. I had forgotten

the Traveler’s approach, of shock to Robet, who leans back her head

gasping faintly. But directly over us is the shocking man, on a high

seat, over high runners, between which glides our humble sleigh. At Show

Off’s shout, he looks down, his stern face relaxing genially, recovering

Robet.

Thus disturbed, Show Off drops the glass, which I pick up, wonderingly.

One look, and I am curious too. For deep within the luminous vapor are

human beings, lace seated and draped. They are singing, their

countenances reflecting the inspiring symphony. Studying closely, I

detect a peculiarity of expression, as if masculine and feminine are

combined, both strong and tender. Coming swiftly, and bending low, they

must brush us as they pass. A child in front of adult, eyes exhilarantly

my exotic bouquet. I select a dainty bud, and raise it over my head. The

gust shuts my eyes. But I feel a tiny touch that wisps away my bud. From

our slow journeying, we are too late to make our address at Roban’s,

before the election, which occurs to-day. So proceed to that function.

Seated comfortably upon the Central Plaza, a nice esplanade covered with

rugs, we are scarcely seated when two ladies and a gent approach us, who

by their family resemblance are no doubt sisters of Robet. One hugs her

tremblingly. The other is hugged vigorously by Savant, his wife Roba.

She is, though of exact likeness, still of different temperament from

the others. More sedate, quite stately, though none the less lovable.

When Savant puts my father with his silver hair and shining black eyes

on her lap, she is quite awe struck. When my father reaches up and

kisses her reverently on the cheek; she is more nonplussed still, and

takes her muff to sit him on.

The gent is no doubt the husband of the other sister, who snaps his

fingers at Charley, when he wishes he did not, for the latter bites it

viciously; then rubbing the bite over, he lays his cheek on it, in

penitence. He is forgiven, but not taken up on his lap, but I am

instead, and smile profusely to keep the peace. Saucy is on Roban’s

shoulder, and chatting like a parrot into her ear, which just suits this

lady, she answering as glibly.

“O, how late you are! We could not wait for you, but left the castle

open and came on. Has the Traveler come?” That individual passes without

seeing us. Before we hail him, we hear music of a band approach. The

melody is whistling as will Boreas shortly whistle over the land.

Conducting two lines in grand march, in election mode, headed by the

chosen Mayor and Mayoress, respectively, or as they call them, god and

goddess.

The evolutions ended, the two lines join, and the crowd standing, all

sing.

E’er the sun our father leaves us

He, as a parent, leads us

To the indoor mother’s side

To spend the winter tide.

The candidates, now in full view, are recognized by Robet with

consternation. “Roban’s son, and his daughter,” are her startling words.

We all turn silently toward Roban’s home. The ceremonies now ended. The

new city officers, receiving congratulations around, also join our

party, staying in our rear.

The castle supposed to be open is not so now, but is double barred

inside against us, as we arrive.

Through the crystal portal, we see in the center court, sitting

nonchalantly as revengefully, the man who rode over us. We are out in

the cold, and what is worse, quite hungry.

Savant calls out, “Hello, neighbor.” He arises and is about to come

forward, when his daughter laughs out, “Now papa, good papa,” which

stops him, and he turns square his back to us.

Beyond and near to him is a revolving plant stand, reaching high above

his head. A plant is moving mysteriously. I see my father under a leaf

(I had not missed him). He is arranging something under a blossom. I

cannot tell what.

Now before us and at our feet down drops the nervous Robet, who cannot

keep her dignity longer.

Around goes the plant stand and sounds out this word, which is from a

phonograph (placed by father) in Arc, “Look ye.” Around again, it is

above him. “Looky,” now one side, now behind. Mystified, the stolid man

looks around as directed, not at our faces, where he will see the

mirthful countenance of his daughter, but at our feet where he sees a

countenance pale and in tears. The spell is broken, and as father leaps

on his shoulder like a good fairy, he lets us in.

A castle band now starts up to a tune resembling the snapping of a fire,

reminding us of the day of the Inning Fireside. Now crackling forth with

renewed zest, the people arrange themselves in cavalcade, and slowly

march, with spiral inclination, around the hall, towards its center.

Robet, supported by her lover, pulls me out of her bag to amuse him,

much to my ill-will. But father winks to me over his head, and pulls his

hair. Nearing the center of the room, the Traveler firmly and (I see his

daughter grimacing close by) turning from the pleading Robet goes out of

the room, and out of the house, disappearing down the street.

Wondering at this action, I look for information, to the center

gathering, I see a crystal floor in circle shape, with round divans in

its center. I am mystified as we are seated on this divan, and look down

at the crystal floor. I get a great start, for my feet seem to be

standing up in the sky, so far down is the crevasse below, whence comes

up a brilliant glow, the only light in the apartment now, as blinds and

shades are placed to protect it. Whence this light arises, I cannot

imagine, as the sun is not in focus, or other light.

I take a great like to Roban, who is as friendly as vivacious. I get

upon her lap to hear her chat.

“Good-bye,” she says, “my upper sky home, for the winter. My plant stand

you may rest until spring (outing as she calls it).”

Arqtiq: A Study of the Marvels at the North Pole · 第 9 / 21 题