of the construction and mode of action of the human larynx, its
differences in men, women, and children, and the teachings of the
laryngoscope, notably with respect to the "registers" of the voice....
M. Behnke is evidently an accurate observer and a logical reasoner, and
a study of his work side by side with Witkowski's "Movable Atlas of the
Throat and Tongue" must be advantageous to any one desiring to make the
best use of his voice.
THE SPECIALIST.
This useful little book is the outcome of the author's large experience
and careful research. It is written concisely, in clear and untechnical
language, and frequent references are made to such authorities as
Huxley, Lennox Browne, Eberth, Carpenter, Marshall, Luschka, &c. That
Herr Behnke thoroughly understands his subject no one who reads his book
can doubt, and if those who wish to know the right way to sing and avoid
the wrong way will carefully study this little manual they will not go
far wrong. For all who are dependent on the right use of their voices
for their daily bread, Herr Behnke's book will be most opportune.
MUSICAL STANDARD.
An excellent specimen of a familiar way of putting unfamiliar truths.
MUSIC TRADES REVIEW.
There are excellent reasons why singers should possess an intimate
knowledge of the structure and functions of the various organs concerned
in the production of the voice, and this knowledge they are likely to
gain more easily and effectually from the present treatise than from any
other with which we are acquainted. Mr. Emil Behnke writes in a
singularly clear and lucid manner, and if his book be not exactly light,
it is very interesting reading. Much of the information conveyed is
invaluable. We cannot too strongly recommend the present volume to the
perusal of vocal students.
MUSICAL EDUCATION.
After carefully reading the book we are at no loss to understand how it
is that there is such a demand for it amongst the members of the musical
public. The style is admirably simple and lucid, and every statement
made is in accordance with the latest views on the subject held by
physiologists and anatomists of acknowledged eminence.
KEY BOARD.
The most reasonable, practical, and common-sense work to be found
anywhere.
THE VOICE.
This book is clear and plain, and gives just the information that every
singer and speaker should have. It is the ablest and most practical
treatise on the voice we have seen.
THE INQUIRER.
Men have set themselves to try and ascertain the actual process by which
vocal sounds are produced, and thus to form a scientific basis on which
to found a way of training voices. Herr Behnke, in a singularly clear
and lucid manner, brings the whole subject before the reader, and, to
make it readily understood by non-scientific people, gives a translation
of the Greek terms used by physiologists side by side with the
originals. We cannot too strongly insist upon the necessity of forming a
scientific basis for teaching singing, and, indeed, for training the
voice for public speaking, &c. We congratulate Herr Behnke upon the
patience and perseverance with which he has pursued his investigations
with the laryngoscope.
MUSIC.
Mr. Emil Behnke has already made himself known to the leading members of
the musical and medical professions by his learned lectures on "The
Theory of Voice Production," and has gained the esteem of those
interested in the subject by the masterly manner in which he deals with
the matter, as well as his unaffected and, as far as possible,
untechnical treatment of it. Mr. Behnke has done much to popularize the
study of the human voice, and his book (which abounds in admirable
plates) deserves to be widely known.
EDUCATIONAL TIMES.
It is but rarely that science figures as the handmaid of art, yet this
book is a signal instance of it, for it is one of the first attempts, if
not the very first, at an investigation, on strictly scientific
principles, of the normal and the abnormal development of the voice,
both in speaking and singing. Herr Behnke, who is both a musician and a
physiologist, has brought to bear upon this subject his knowledge as a
musician, and the results of several years of patient and careful
scientific experiments. We cannot too highly commend this little work to
the attention of all those interested in so important a subject.
BIRMINGHAM DAILY GAZETTE.
Since Herr Behnke's removal from Birmingham to London he has become an
accepted authority on the subject of voice production, and we are glad
to see the results of his studies presented in the useful way in which
they are in this little volume. Earnest and conscientious students of
the vocal art need not be reminded that the production of fine tone is
not the all-in-all of the excellences of singing, but they will
certainly know better how to employ their gifts after mastering the
secrets Herr Behnke reveals.
Opinions of Mrs. Emil Behnke's Pupils.
VOICE TRAINING.
FROM AN OLD PUPIL.
GRESHAM HOTEL, DUBLIN.
DEAR MRS. BEHNKE,--It is indeed regrettable that Mr. Behnke was not
spared to reap to a greater extent the reward of his wonderful work.
You, I know, must have acquired an adequate knowledge of his magnificent
system of teaching to enable you to continue on the same course, and so
perpetuate his memory. This is a source of comfort to your many friends.
FROM A LADY LECTURER.
EDGBASTON, _May 11th, 1893_.
MY DEAR MRS. BEHNKE,--I feel I must write to tell you how much better I
am, and how greatly indebted I am to your treatment.... I can take two
or three meetings a week with ease, thanks to your training, and the
deeper and fuller tone of my voice has been remarked upon by many.
LARNE, IRELAND.
I have no hesitation in saying that, under God, you were the means of
curing my voice.
FROM A CLERGYMAN WHO HAD BROKEN DOWN IN VOICE.
LONDON, _July, 1893_.
My voice gives me no trouble now; it is indeed very much fuller and more
resonant. I can fill my church without the least effort.
FROM A CLERGYMAN WHO HAD SUFFERED FROM "CLERGYMAN'S SORE THROAT."
BRIGHTON, _26th June, 1893_.
DEAR MRS. BEHNKE,--I take this opportunity of thanking you very much for
what you have done for my voice. I shall try to keep up your exercises,
and hope to receive more lessons later on in the year.
FROM A CLERGYMAN WHO STAMMERED, AND WHOSE VOICE WAS WEAK.
"THE PARSONAGE," _Feb. 7th, 1893_.
DEAR MRS. BEHNKE,--I told the Rev. Mr. S. of the great benefit I had
derived from your instruction. He proposes to bring the subject of your
work, and the importance of it to young clergymen, before the Bishop,
with a view to something being done for ordination candidates.
FROM A TEACHER OF SINGING.
SCARBOROUGH, _Jan. 6th, 1894_.
DEAR MRS. BEHNKE,--For some years I have been teaching successfully on
the lines laid down in your late husband's publications and his own
"Voice Training Exercises;" and have put into the hands of some of my
pupils your "Voice Training Primer." One of them has just passed Trinity
College Senior Singing Examination with honours (84 marks out of 100).
My own experience is that no exercises I have ever used have so helped
to produce "forward" and to cure "throaty" tone, and I have long felt I
owed to Mr. Behnke a debt of gratitude for his works. May I be permitted
to acknowledge it to you?
STAMMERING.
THE TIMES.
Pre-eminent success in the education and treatment of stammering and
other speech defects.
THE BRITISH MEDICAL JOURNAL.
DR. F. L. NICHOLLS writes:--"This infirmity is so great a drawback to
almost every walk in life, and for public speaking so complete a
hindrance, that a cure is of the utmost importance. It may therefore be
of interest, and possibly of some use to members of the medical
profession having a case of this nature in their practice, and desiring
assistance for its cure, if I mention that I have recently had the most
satisfactory experience of the cure of such a case. The father, a
minister, was very anxious for his son to follow in his own footsteps,
while the lad stuttered so badly it was not to be thought of, unless a
cure could be effected; and for this purpose he was sent to Mrs. Behnke,
of Earl's Court Square, London. Mrs. Behnke was chosen from high
recommendations, and very thoroughly has she proved worthy of them. The
lad has just returned home, and speaks without the slightest impediment.
I should state that previously to going under Mrs. Behnke's hands we had
tried various rules and recommendations without the least success."
"Stammering: its Nature and Treatment." Price 1_s_, of Mrs. Emil
Behnke.
Causes of Voice Failure.
_By Mrs. EMIL BEHNKE._
=Third Edition, Revised and Enlarged.=
=OPINIONS OF THE PRESS=.
THE WEEKLY ECHO.
A very useful pamphlet by a very able teacher. It is published at
sixpence, but contains many guinea fees' worth of knowledge, and hints
where to procure more.
THE SHREWSBURY CHRONICLE.
Ought to be perused by all who seek distinction as vocalists.
BRISTOL TIMES.
A valuable little brochure. It is one of the most concise and practical
treatises on the subject we have seen, and if only the hints contained
therein were more generally observed, we should have not only less voice
failure, but more good singers with strong, resonant, and lasting vocal
organs. The little book should be in the hands of all singers, students
especially.
HEARTH AND HOME.
Mrs. Behnke's pamphlet should be eagerly read. I advise all those who
are interested in the preservation of their voices to invest sixpence in
the purchase of this admirable booklet, as they cannot fail to gain much
assistance from the excellent matter therein contained.
HALIFAX GUARDIAN.
The pamphlet is terse and valuable in the information it affords.
THE MEDICAL PRESS.
"Causes of Voice Failure," by Mrs. Emil Behnke, has the merit of being
practical and of containing truths which must appeal forcibly not only
to singers, but also to listeners.
WARRINGTON GUARDIAN.
"Causes of Voice Failure." This important subject is well treated by
Mrs. Emil Behnke.
THE QUEEN.
Well worth reading for the valuable hints which it contains.
THE PRACTICAL TEACHER.
The husband of Mrs. Behnke was the greatest authority in his day upon
voice-training, and, in recommending his wife's book we need only say
that her knowledge of this subject is only second to what his was.
MUSICAL OPINION.
This is a small, cheap, and useful pamphlet by Mrs. Emil Behnke. The
quiet, clear, convincing manner in which she writes deserves full
recognition.
SUSSEX DAILY NEWS.
"Causes of Voice Failure," by Mrs. Behnke, is a useful little tract
which may be confidently recommended to the notice of singers,
professional and amateur, for the sound advice and cautions against
common faults of training contained in it.
BRISTOL OBSERVER.
Mrs. Emil Behnke has written a little work on "Causes of Voice Failure"
which deserves to be widely circulated among students of singing. It
should be carefully read.
CAMBRIAN.
Excellent advice is given which must be of great value to those who
contemplate adopting the vocal profession either from a pecuniary or
from an artistic standpoint.
THE SCHOOLMASTER.
Mrs. Behnke goes to the root of the matter, and her proposals are urged
clearly. Incidentally she touches on stammering, and we recommend those
interested in the subject to give her ideas, at any rate, consideration.
THE PROFESSIONAL WORLD.
We would recommend it to all interested in the question of voice
production and voice preservation.
LITERARY WORLD.
The writer of this essay is a well-known expert in her subject.
TUNBRIDGE WELLS ADVERTISER.
In a concise form Mrs. Behnke gives some valuable hints that singers
would do well to note and pay attention to.
WEST SUSSEX GAZETTE.
Mrs. Behnke was well advised to consent to the publication of this
valuable chapter added to the ninth edition of her husband's well-known
work, "Mechanism of the Human Voice," and we are glad to note it has
already run to a second edition.
THE BEHNKE VOICE-TRAINING METHOD.
=Voice-Training Exercises=
=ALSO=
=Voice-Training Studies=
=BY=
=EMIL BEHNKE and Dr. C. W. PEARCE.=
_In separate books for Soprano, Mezzo-Soprano, Contralto, Tenor,
Baritone, and Bass._
Price: Paper Covers, 1s. 6d. net cash; Bound in Cloth, 3s. net cash.
=Voice-Training Primer=
=By MRS. EMIL BEHNKE=.
Price 2s. net cash; Bound in Cloth, 3s. net cash.
_These works are highly recommended by the musical, medical, and general
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=The Musical Herald= is indispensable to the up-to-date Pianoforte
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=The Musical Herald= gives each month, in reply to questions, lists of
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FOOTNOTES:
[A] "The Mechanism of Voice, Speech, and Taste." Translated and edited
by Mr. Lennox Browne, F.R.C.S. London: Bailliere, Tindall, and Cox.
[B] It having been proved to Mr. Behnke that the use of the term
"_abdominal_" instead of "_diaphragmatic_" breathing led to
misconception and misrepresentation of his views on this important
subject, he discarded the words "abdominal breathing" and used only the
term "diaphragmatic breathing" in his teaching and writing. Will readers
kindly bear this in mind?--K. B.
[C] "Medical Hints on the Production and Management of the Singing
Voice," Fifth Edition, p. 15. London: Chappell and Co.
[D] Only for the purpose of ascertaining the capacity of the lungs
_before_ commencing the exercises, and the gain acquired after some
weeks of regular work.
[E] "The Throat and its Diseases," pp. 289, 290. London: Bailliere,
Tindall, and Cox.
[F] "The Throat and its Functions." New York: G. P. Putnam's Sons.
[G] _Sphincter_ is an anatomical term applied to circular muscles which
constrict or close certain natural orifices.
[H] "Ueber die Compensation der physischen Kraefte am menschlichen
Stimmorgan," p. 8. Berlin, 1839.
[I] "Voice in Singing," p. 189. Philadelphia, 1875.
[J] "Anatomist's Vade Mecum." By Erasmus Wilson, F.R.S. London. Eighth
edition, p. 596.
[K] Helmholtz, "Sensations of Tone:" translated by Alexander J. Ellis,
F.R.S., &c., p. 37.
[L] "Philosophy of Voice," 2nd edition, p. 19. Bailliere, Tindall, and
Cox.
[M] A "Laryngo-Phantom" has recently been brought out by Dr. Isenschmid
of Munich, which greatly facilitates this preliminary practice. It
consists of an imitation of the throat, the larynx, and the mouth, and
"is intended to familiarize students with as many of the details
connected with the use of the laryngoscope as it is possible to learn
before the application of the instrument to the living subject." A
number of little paintings representing different laryngoscopic
appearances may be slipped into this Phantom, unknown to the student,
who has to discover what has been done by the usual process. This
apparatus can therefore be strongly recommended as affording excellent
and constant practice. It may be had of Messrs. Krohne & Sesemann, 8,
Duke Street, Manchester Square, W., price L2 2s.
[N] "Der Kehlkopf," p. 153. Leipzig, 1873. J. J. Weber.
End of Project Gutenberg's The Mechanism of the Human Voice, by Emil Behnke