CHAPTER III.

KENT BROWN.

"Mother, will you come and take a little walk with me?" asked Kent as he

finished Judy's letter. With his hand trembling, although his eyes were

very steady and his mouth very firm, he tucked the many thin blue sheets

back in their envelope.

"Yes, my son!" Mrs. Brown held her head very high and in her expression

one could very well read: "I told you so! Did I not know the 'mettle of

his pasture'?"

"Mother," he said, as he drew her arm in his and they took their way

through the orchard to the garden of Chatsworth, "I must go get Judy!"

"Yes, my son, of course you must."

"Oh, Mother, you think it is the only thing to do?"

"Of course, I know it is the only thing to do. I told Molly and Edwin

only a few minutes ago that you would want to do it."

"And what a mother! I--well, you know, Mother, I am not engaged to

Judy--not exactly, that is. She knows how I feel about her and

somehow--I can't say for sure--but I almost know she feels the same way

about me, at least, feels somehow about me."

"Of course she does! How could she help it?"

"You see, I knew it would be some time before I could make a decent

living, and it did not seem fair to Judy to tie her down when maybe she

might strike some fellow who would be so much more worth while than I

am----"

"Impossible!"

"I used to think maybe Pierce Kinsella would be her choice, when they

painted together so much."

"That boy! Why, Kent, how could you?"

"Well, he was a very handsome and brilliant boy and is pretty well fixed

by his uncle's generosity and bids fair to make one of the leading

portrait painters of the day. His portrait of you has made every lady

who has seen it want him to do one of her. Of course, he can't make all

of 'em look like you, but he does his best."

"It may have been wise of you not to settle this little matter with

Judy, son, but somehow--I wish you had."

"It was hard not to, but I felt she was so far away from her parents. I

thought she would be back in America in a month, at least. I wanted her

to come with me, but she felt she must wait for them, and of course, I

had to hurry back because of the possible job in New York. I am afraid

that I will lose that now, but there will be others, and I just can't

think of the things that might happen to my Judy--she is my Judy,

whether we are engaged or not."

"When will you start, son?"

"Why, to-night, if you don't mind."

"Certainly to-night! I have money for you."

"Oh, Mother, the money part is the only thing worrying me. I have a

little left, but not enough to get me over and back. I must have enough

to bring Judy back, too. You see, a letter of credit now in Paris is

not worth the paper it is on."

"No, I did not know. That is the one part of Judy's letter that put me

at ease about her. I thought she had plenty of money, and money

certainly does help out."

"Well, that is the part of her letter that made me know I must go get

her. The Americans who are abroad simply can't get checks cashed. She

might even be hungry, poor little Judy."

"Thank goodness, I have some money--all owing to Judy's father, too! If

he had not seen the bubbles on that puddle in the rocky pasture, we

would never have known there was oil there. What better could we do with

the money that Mr. Kean got for us than use it to succor his daughter?"

"Oh, Mother, you are so--so--bully! I know no other word to express what

you are. I am going to pay back every cent I borrow from you. Thank

goodness, I saved a little from the money I made on the architectural

sketches I did for the article Dickson wrote on the French country

homes. I'm going over steerage."

"You are going over in the first class cabin! Steerage, indeed! I lend

no money for such a trip."

"All right, Mother! You are the boss. And now, don't you think I'll have

time to go see Aunt Mary a few minutes?"

"Of course you must go see the poor old woman. She has been afraid she

would not live until you got home. She is very feeble. Dear old Aunt

Mary!"

They had reached the Chatsworth garden and Kent noticed with delight the

hollyhocks that had flourished wonderfully since he had dug them up that

moonlight night more than three years ago and transplanted them from the

chicken yard, where no one ever saw them, to the beds in the garden, and

all because Miss Julia Kean had regretted that they were not there to

make a background for the bridal party, after they had determined to

have Mildred's wedding out of doors.

"Haven't they come on wonderfully? I know Judy would like to see how

well they have done. I think hollyhocks are the most decorative of all

flowers. I wonder we never had them in the garden before, Mother."

Both of them were thinking of Mildred's wedding on that rare day in

June. Kent remembered with some satisfaction that in the general

confusion that ensued after Mildred and Crit were pronounced, by Dr.

Peters, to be man and wife, and everybody was kissing everybody else, he

had had presence of mind to take advantage of the license accorded on

the occasion of a family wedding and had kissed his sister Molly's

college friend, Miss Julia Kean.

"By Jove! I think war ought to give a fellow some privilege, too," he

declared to himself. "I think I'll do the same when I see the young lady

in France."

They found Aunt Mary lying in state in a great four poster bed, while

her meek half-sister, Sukey Jourdan, administered to her wants, which

were many and frequent.

"Lawsamussy, if that ain't that there Kent! Whar you come from, son? I

done got so old an' feeble I can't say mister ter nobody. You alls is

all Ernest and Sue and Paul and John and Mildred and Kent and Molly ter

me. Cepn Molly is Molly Baby. I still got strenth fer that. Law, Miss

Milly, ain't he growed?"

"Yes, Aunt Mary, he is looking so well, and now he is going to turn

right around and go back to France to-night."

"Don't say it! Lawsamussy, Miss Milly, did he fergit somethin'?"

"Well, not exactly," laughed Kent, "but I didn't bring something with me

that I should have."

"Well, you be sho ter make a cross an' spit in it. If'n you fergits

somethin' er fin's you has ter tu'n aroun' an' go back 'thout res'in' a

piece, if'n you makes a cross an' spits in it, you is sho ter have good

luck. Here you, Sukey, set a better cheer for Miss Milly. Wherfo' you

done give her sich a straight up'n down cheer?"

"Oh, this will do very well, Sukey," said Mrs. Brown.

"You bring another, Sukey. I don' see what makes you so keerless. I low

if'n 'twar that no count Buck Jourdan, you'd be drawin' up the sofy fer

his triflin' bones."

Poor Sukey had no easy job to keep Aunt Mary satisfied. The old woman,

having been a most energetic and tireless person in her day, could not

understand that the whole world of darkeys could not be as she had been.

Sukey's son Buck, the apple of her mild eye, was the bane of Aunt Mary's

existence. She never missed a chance to make her younger half-sister

miserable on his account. Indeed, Sukey, mild as she was, would not have

stayed with Aunt Mary except for the fact that Aunt Mary had insured her

life for her with the understanding that she was to minister to her to

the end. It was dearly paid for, this service, as the old woman was most

exacting. Lenient to a degree of softness with white folks, she was

adamant with those of her own race.

"How do you feel, Aunt Mary?" asked Kent, looking with sorrow on the

wasted features of the beloved old woman.

"Well, I'm a feelin' tolerable peart this mornin' although endurin' of

the night I thought my hour had struck. I got ter dreamin' 'bout my

fun'ral, an' I got so mad cause Sis Ria Bowles done brought a fun'ral

zine like one she done tuck ter Brer Jackson's orgies! An' dead or not,

I wa'nt gonter stan' fer no sich monkey shines over me."

"Why, what did she take to Brother Jackson's funeral?" laughed Kent.

"Ain't you heard tel er that? She cut a cross outn that there sticky

tangle yo' foot fly paper en' she kivered it all over with daisy haids

an' call herse'f bringing a zine. I riz up an' spoke my mind in my dream

an' I let all these here niggers in Jeff'son County know that if they

don't see that I gits a fust class fun'ral, I gonter rise up when I

ain't a dreamin' an' speak my min'."

Sukey Jourdan listened to this tirade with her eyes bulging out of her

head, much to Aunt Mary's satisfaction, as she very well knew that the

way to manage her race was to intimidate them.

"I done been carryin' insuriance in two clubs an' a comp'ny, an' betwixt

'em I's entitled ter seventeen hacks. I'm a trustin' ter Miss Milly an'

that there Paul ter make 'em treat me proper. Paul done say he will

black list 'em in his newspaper if'n they leave off one tit or jottle

from the 'greement. I sho would like ter see my fun'ral. I low it's a

goin' ter be pretty stylish. I done pinted my pall buriers an' bought

they gloves an' I low ter be laid out myself in my best black silk what

Miss Milly done gimme goin' on sixteen year, come nex' Christmas. I

ain't a wo' it much, as I had in min' ter save it fer my buryin'. Some

of the mimbers gits buried in palls made er white silk. They do look

right han'some laid out in 'em, but then palls is made 'thout a piece er

back an' I has a notion that when Gabrel blows his trump on that great

an' turrerble day that ole Mary Morton ain't a goin' ter be caught

without no back ter her grabe clothes. It mought make no diffrunce if'n

Peter will let me pass on in, 'cause I low that the shining robes will

be a waitin' fer me--but sposin'--jes' sposin'----" and the dear old

woman's face clouded over with anguish, "jes' sposin' Peter'll say:

'You, Mary Morton, g'long from this here portcullis. You blongs in the

tother d'rection,' an' I'll hab ter tun 'roun' an' take the broad road

ter hell! What'll I feel like, if'n I ain't got no back ter my frock?

No, sir! I's a goin' ter have on a dress complete. It mought be that

Peter'll think better er me if I shows him sech a spectful back."

"You not get in Heaven!" exclaimed Kent. "Why, Aunt Mary, there wouldn't

be any Heaven for all of us bad Brown boys if you weren't there."

"Well, now them is words of comfort what beats the preacher's. I done

always been b'lievin' in 'fluence an' I mought er knowed my white folks

would look arfter me on the las' day jes as much as ever. I kin git in

as Miss Milly's cook if'n th'aint no other way. I been a 'lowing whin I

gits ter Heaven I wouldn't have ter work no more, but sence I been a

laid up in the baid so long I gin ter think that work would tas'e right

sweet. Cookin' in Heaven wouldn't be so hard with plenty of 'gredients

ter han' and no scrimpin' and scrougin' of 'terials. A lan' flowin' with

milk an' honey mus' have aigs an' butter. Here you, Sukey Jourdan! Whar

you hidin'?"

"Here I is, Sis Ma'y, I jes' stepped in the shed room ter men' the fire

ginst 'twas time ter knock up a bite er dinner fer you."

"Well, while I's a thinkin' of it, I want you to git my bes' linen apron

outn the chist--the one with the insertioning let in 'bove the hem, an'

put it in the highboy drawer with my bes' black silk. I low I'll be laid

out in a apron, 'cause if'n I can't git inter Heaven no other way, I am

a thinkin' with a clean white apron on I kin slip in as a good cook."

"Dear Aunt Mary, you have been as good as gold all your life," declared

Mrs. Brown, wiping a tear from her eye, but smiling in spite of herself

at Aunt Mary's quaint idea of a way to gain an entrance through the

pearly gates.

Aunt Mary had had many doubts about her being saved and had spent many

weary nights, terrified at the thought of dying and perhaps not being

fit for Heaven, but now that she had thought of wearing the apron, all

doubts of her desirability were set at rest; indeed, her last days were

filled with peace since she felt now that even Peter could not turn back

a good cook.

"I must be going, Aunt Mary," said Kent, taking the old woman's withered

hand in his strong grasp. "I'll be home again in a few weeks, I fancy,

maybe sooner."

"They's one thing I ain't arsked you yit: whar's that there Judy gal?

I been a dreamin' you would bring her back with you."

"She is the thing I am going back to France for, Aunt Mary."

"Sho nuf? Well, well! They do tell me they's fightin' goin' on in some

er them furren parts. Sholy Miss Judy ain't nigh the fightin' an'

fussin'?"

"Yes, I am afraid she is. That's the reason I must go for her."

"Oh, Kent son! Don't you git into no scrap yo'sef. It's moughty hard

fer young folks ter look on at a scrap 'thout gittin' mixed up in it.

Don't you git too clost, whin you is lookin', either. Them what looks

on sometimes gits the deepes' razor cuts with the back han' licks. You

pick up that gal an' bring her back ter you' maw jes' as fas' as yo'

legs kin carry you."

"I'll try to," laughed Kent.

"Don't try! Jes' do it! That there Judy gal is sho nice an'

'ristocratic, considerin' she ain't never had no home. She done tell

me whin she was here to little Miss Milly's weddin' that she an' her

folks ain't never lived in nothin' but rented houses. That's moughty

queer to me, but 'cose niggers don't understan' ev'y thing. Well, you

tell her that ole Mary Morton say she better pick up an' come back to

Chatswuth."

"I certainly will, Aunt Mary, and good-by!"

The old woman put her hand on his bowed head for a moment, and while she

said nothing, Kent took it for a benediction.

Molly Brown of Kentucky · 第 3 / 23 章