CHAPTER LI

TIBET _(continued)_

THE CANON

Tibet is so remote and rude a land that it is a surprise to learn that

it has a voluminous literature and further that much of this

literature, though not all, is learned and scholastic. The explanation

is that the national life was most vigorous in the great monasteries

which were in close touch with Indian learning. Moreover Tibetan

became to some extent the Latin of the surrounding countries, the

language of learning and religion.

For our purpose the principal works are the two great collections of

sacred and edifying literature translated into Tibetan and known as

the Kanjur and Tanjur[973]. The first contains works esteemed as

canonical, including Tantras. The second is composed of exegetical

literature and also of many treatises on such subjects as medicine,

astronomy and grammar[974]. The two together correspond roughly

speaking to the Chinese Tripitaka, but are more bulky. The canonical

part is smaller but the commentaries and miscellaneous writings more

numerous. There are also other differences due to the fact that the

great literary epoch of Tibet was in the ninth century, whereas nearly

three-quarters of the Chinese Tripitaka had been translated before

that date. Thus the Kanjur appears to contain none[975] of the

Abhidhamma works of the Hînayâna and none of the great Nikâyas as

such, though single sûtras are entered in the catalogues as separate

books. Further there is only one version of the Vinaya whereas the

Chinese Tripitaka has five, but there are several important

Tantras which are wanting in Chinese. The Tibetan scriptures reflect

the late Buddhism of Magadha when the great books of the Hinayanist

Canon were neglected, though not wholly unknown, and a new tantric

literature was flourishing exuberantly.

The contents of the Kanjur and Tanjur are chiefly known by analyses

and indices[976], although several editions and translations of short

treatises have been published[977]. The information obtained may be

briefly summarized as follows.

The Kanjur in its different editions consists of one hundred or one

hundred and eight volumes, most of which contain several treatises,

although sometimes one work, for instance the Vinaya, may fill many

volumes. The whole collection is commonly divided into seven

parts[978].

I. The Dulva[979], equivalent to the Vinaya. It is stated to be the

Mûla-sarvâstivâda Vinaya, and so far as any opinion can be formed from

the small portions available for comparison, it agrees with the

Chinese translation of Kumârajîva and also (though with some

difference in the order of paragraphs) with the Sanskrit Prâtimoksha

found at Kucha[980]. It is longer and more mixed with narrative than

the corresponding Pali code.

II. The second division is known as Śer-chin[981], corresponding to the

Prajñâ-pâramitâ and in the estimation of the Tibetans to the Abhidharma.

It is said to have been first collected by Kâśyapa and to represent the

teaching delivered by the Buddha in his fifty-first year. This section

appears to contain nothing but versions, longer or shorter, of the

Prajñâpâramitâ, the limit of concentration being reached by a text in

which the Buddha explains that the whole of this teaching is comprised in

the letter A. As in China and Japan, the Vajracchedikâ (rDo-rJe-gCod-pa)

is very popular and has been printed in many editions.

III. The third division is called Phal-chen, equivalent to

Avataṃsaka. Beckh treats it as one work in six volumes with out

subdivisions. Feer gives forty-five subdivisions, some of which appear

as separate treatises in the section of the Chinese Tripitaka called

Hua Yen[982].

IV. The fourth division called dKon-brtsegs or Ratnakûṭa agrees

closely with the similar section of the Chinese Tripitaka but consists

of only forty-eight or forty-five sûtras, according to the

edition[983].

V. The fifth section is called mDo, equivalent to Sûtra. In its narrower

sense mDo means sûtras which are miscellaneous in so far as they do not

fall into special classes, but it also comprises such important works as

the Lalita-vistara, Lankâvatâra and Saddharma-puṇḍarîka. Of the 270

works contained in this section about 90 are _prima facie_ identical with

works in the Ching division of the Chinese Tripitaka and probably the

identity of many others is obscured by slight changes of title. An

interesting point in the mDo is that it contains several sûtras translated

from the Pali[984], viz. Nos. 13-25 of vol. XXX, nine of which are taken

from the collection known as Paritta. The names and dates of the

translators are not given but the existence of these translations probably

indicates that a knowledge of Pali lingered on in Magadha later than is

generally supposed. It will also be remembered that about A.D. 1000, Atîśa

though a Tantrist, studied in Burma and presumably came in contact with

Pali literature. Rockhill notes that the Tanjur contains a commentary on

the Lotus Sûtra written by Prithivibandhu, a monk from Ceylon, and Pali

manuscripts have been found in Nepal[985]. It is possible that Sinhalese

may have brought Pali books to northern India and given them to Tibetans

whom they met there.

VI. The sixth division is called Myaṇg-ḥdas or Nirvâṇa,

meaning the description of the death of the Buddha which also forms a

special section in the Chinese Tripitaka. Here it consists of only one

work, apparently corresponding to Nanjio 113[986].

VII. The seventh and last section is called rGyud[987] or Tantra. It

consists of twenty-two volumes containing about 300 treatises. Between

thirty and forty are _prima facie_ identical with treatises comprised

in the Chinese Tripitaka and perhaps further examination might greatly

increase the number, for the titles of these books are often long and

capable of modification. Still it is probable that the major part of

this literature was either deliberately rejected by the Chinese or was

composed at a period when religious intercourse had become languid

between India and China but was still active between India and Tibet.

From the titles it appears that many of these works are Brahmanic in

spirit rather than Buddhist; thus we have the Mahâgaṇapati-tantra,

the Mahâkâla-tantra, and many others. Among the better known Tantras

may be mentioned the Arya-mañjuśrî-mûla-tantra and the Śrî-Guhya

Samaja[988], both highly praised by Csoma de Körös: but perhaps more

important is the Tantra on which the Kâlacakra system is founded.

It is styled Paramâdibuddha-uddhṛita-śrî-kâlacakra and there is

also a compendium giving its essence or Hṛidaya.

The Tanjur is a considerably larger collection than the Kanjur for it

consists of 225 volumes but its contents are imperfectly known. A

portion has been catalogued by Palmyr Cordier. It is known to contain

a great deal of relatively late Indian theology such as the works of

Aśvaghosha, Nâgârjuna, Asanga, Vasubandhu, and other Mahayanist

doctors, and also secular literature such as the Meghadûta of

Kâlidâsa, together with a multitude of works on logic, rhetoric,

grammar and medicine[989]. Some treatises, such as the Udâna[990]

occur in both collections but on the whole the Tanjur is clearly

intended as a thesaurus of exegetical and scientific literature,

science being considered, as in the middle ages of Europe, to be the

handmaid of the Church. Grammar and lexicography help the

understanding of scripture: medicine has been of great use in

establishing the influence of the Lamas: secular law is or should be

an amplification of the Church's code: history compiled by sound

theologians shows how the true faith is progressive and triumphant:

art and ritual are so near together that their boundaries can hardly

be delimitated. Taking this view of the world, we find in the Tanjur

all that a learned man need know[991].

It is divided into two parts, mDo (Sûtra) and rGyud (Tantra), besides

a volume of hymns and an index. The same method of division is really

applicable to the Kanjur, for the Tibetan Dulva is little more than a

combination of Sûtras and Jâtakas and sections two, three, four and

six of the Kanjur are collections of special sûtras. In both

compilations the tantric section appears to consist of later books

expounding ideas which are further from the teaching of Gotama than

the Mahayanist sûtras.

To the great majority of works in both collections is prefixed a

title which gives the Sanskrit name first in transcription and then in

translation, for instance "In Sanskrit Citralakshana: in Tibetan

Ri-moi-mthsan-ñid[992]." Hence there is usually no doubt as to what

the Tibetan translations profess to be. Sometimes however the headings

are regrettably brief. The Vinaya for instance appears to be

introduced with that simple superscription and with no indication of

the school or locality to which the text belonged.

Although the titles of books are given in Sanskrit, yet all Indian

proper names which have a meaning (as most have) are translated. Thus

the name Drona (signifying a measure and roughly equivalent to such an

English name as Dr. Bushell) is rendered by Bre-bo, a similar measure

in Tibetan. This habit greatly increases the difficulty of reading

Tibetan texts. The translators apparently desired to give a Tibetan

equivalent for every word and even for every part of a word, so as to

make clear the etymology as well as the meaning of the sacred

original. The learned language thus produced must have varied greatly

from the vernacular of every period but its slavish fidelity makes it

possible to reconstruct the original Sanskrit with tolerable

certainty.

I have already mentioned the presence of translations from the Pali.

There are also a few from the Chinese[993] which appear to be of no

special importance. One work is translated from the Bruza language

which was perhaps spoken in the modern Gilgit[994] and another from

the language of Khotan[995]. Some works in the Kanjur have no Sanskrit

titles and are perhaps original compositions in Tibetan. The Tanjur

appears to contain many such.

But the Kanjur and Tanjur as a whole represent the literature

approved by the late Buddhism of Bengal and certain resemblances to

the arrangement of the Chinese Tripitaka suggest that not only new

sûtras but new classifications of sûtras had replaced the old Pitakas

and Agamas. The Tibetan Canon being later than the Chinese has lost

the Abhidharma and added a large section of Tantras. But both canons

recognize the divisions known as Prajñâ-pâramitâ, Ratnakuṭa,

Avatamsaka, and Mahâparinirvâṇa as separate sections. The Ratnakûta

is clearly a collection of sûtras equivalent to a small Nikâya[996].

This is probably also true of the voluminous Prajñâ-pâramitâ in its

various editions, but the divisions are not commonly treated as

separate works except the Vajracchedikâ. The imperfectly known

Avatamsaka Sûtra appears to be a similar collection, since it is

described as discourses of the Buddha pronounced at eight

assemblies. The Mahâparinirvâṇa Sûtra though not nominally a

collection of sûtras (at least in its Pali form) is unique both in

subject and structure, and it is easy to understand why it was put in

a class by itself.

The translation of all this literature falls into three periods, (i)

from the seventh century until the reign of Ralpachan in the ninth,

(ii) the reign of Ralpachan, and (in) some decades following the

arrival of Atîśa in 1038. In the first period work was sporadic and

the translations made were not always those preserved in the Kanjur.

Thonmi Sanbhota, the envoy sent to India in 616 is said to have made

renderings of the Karaṇḍa Vyûha and other works (but not those

now extant) and three items in the Tanjur are attributed to him[997].

The existence of early translations has been confirmed by Stein who

discovered at Endere a Tibetan manuscript of the Śalistambhasûtra

which is said not to be later than about 740 A.D.[998] The version now

found in the Kanjur appears to be a revision and expansion of this

earlier text.

A few translations from Chinese texts are attributed to the reign of

Khri-gtsug-lde-btsan (705-755) and Rockhill calls attention to the

interesting statement that he sent envoys to India who learned

Sanskrit books by heart and on their return reproduced them in

Tibetan. If this was a common habit, it may be one of the reasons why

Tibetan translations sometimes show differences in length,

arrangement and even subject matter when compared with Sanskrit and

Chinese versions bearing the same name. During the reign of

Khri-sroṇ-lde-btsan and the visit of Padma-Sambhava (which began in

A.D. 747 according to the traditional chronology) the number of

translations began to increase. Two works ascribed to the king and one

to the saint are included in the canon, but the most prolific writer

and translator of this period was Kamalaśîla. Seventeen of his

original works are preserved in the Tanjur and he translated part of

the Ratnakûta. The great period of translation--the Augustan age of

Tibet as it is often called--was beginning and a solid foundation was

laid by composing two dictionaries containing a collection of Sanskrit

Buddhist terms[999].

The Augustus of Tibet was Ralpachan who ruled in the ninth century,

though Tibetan and Chinese chronicles are not in accord as to his

exact date. He summoned from Kashmir and India many celebrated doctors

who with the help of native assistants took seriously in hand the

business of rendering the canon into Tibetan. They revised the

existing translations and added many more of their own. It is probable

that at least half of the works now contained in the Kanjur and Tanjur

were translated or revised at this time and that the additions made

later were chiefly Tantras (rGyud). On the other hand it is also

probable that many tantric translations ascribed to this epoch are

really later[1000]. The most prolific of Ralpachan's translators was

Jinamitra, a pandit of Kashmir described as belonging to the

Vaibhâshika school, who translated a large part of the Vinaya and many

sûtras[1001]. Among the many Tibetan assistants Ye'ses-sde and

Dpal-brTsegs are perhaps those most frequently mentioned. These

Tibetan translators are commonly described by the title of Lo-tsa-va.

As in China the usual procedure seems to have been that an Indian

pandit explained the sacred text to a native. The latter then wrote it

down, but whereas in China he generally paraphrased whatever he

understood, in Tibet he endeavoured to reproduce it with laborious

fidelity.

The language of the translations, which is now the accepted form

of literary Tibetan, appears to have been an archaic and classical

dialect even in the early days of Tibetan Buddhism, for it is not the

same as the language of the secular documents dating from the eighth

century, which have been found in Turkestan, and it remains unchanged

in the earliest and later translations. It may possibly have been the

sacred language of the Bonpo[1002] priests.

As narrated in the historical section Buddhism suffered a severe

reverse with the death of Ralpachan and it was nearly a century before

a revival began. This revival was distinctly tantric and the most

celebrated name connected with it is Atîśa. According to Csoma de

Körös's chronology the Kâlacakra system was introduced in 1025 and the

eminent translator bLo-ldan-shes-rab[1003], a follower of Atîśa,

was born in 1057. It is thus easy to understand how during the

eleventh century a great number of tantric works were translated and

the published catalogues of the Kanjur and Tanjur confirm the fact,

although the authors of the translations are not mentioned so often as

in the other divisions. To Atîśa is ascribed the revision of many

works in the Tantra section of the Kanjur and twenty others composed

by him are found in the Tanjur[1004]. It is said that the definitive

arrangement of the two collections as we know them was made by Bu-ston

early in the thirteenth century[1005]. The Kanjur (but not the Tanjur)

was translated into Mongol by order of Khutuktu Khagan (1604-1634)

the last prince of the Chakhar Mongols but a printed edition was

first published by the Emperor K'ang-Hsi. Though it is said that the

Tanjur was translated and printed by order of Ch'ien-Lung, the

statement is doubtful. If such a translation was made it was probably

partial and in manuscript[1006].

Manuscripts are still extensively copied and used in Tibet but the

Kanjur has been printed from wooden blocks for the last 200 years.

There are said to be two printing presses, the older at Narthang near

Tashilhunpo where an edition in 100 volumes is produced and another at

Derge in the eastern province. This edition is in 108 volumes. An

edition was also printed at Peking by order of K'ang-Hsi in red type

and with a preface by the Emperor himself[1007].

Besides the canon the Tibetans possess many religious or edifying

works composed in their own language[1008]. Such are the

Padma-than-yig, or life of Padma-Sambhava, the works of Tsong-kha-pa,

and several histories such as those of Bu-ston, Târanâtha, Sum-pa, and

hJigs-med-nam-mkha[1009], biographies of Lamas without number,

accounts of holy places, works of private devotion, medical treatises

and grammars.

There are also numerous works called Terma which profess to be

revelations composed by Padma-Sambhava. They are said to be popular,

though apparently not accepted by the Yellow Church.

Although it hardly comes within the scope of the present study, I may

mention that there is also some non-Buddhist literature in Tibet,

sometimes described as scriptures of the Bön religion and sometimes as

folklore. As samples may be cited Laufer's edition and translation of

the _Hundred Thousand Nâgas_[1010] and Francke's of parts of the

_Kesar-saga_[1011].

FOOTNOTES:

[Footnote 973: The Tibetan orthography is bKah-hgyur (the translated

command) and bsTan-ḥgyur (the translated explanation). Various

spellings are used by European writers such as Kah-gyur, Kandjour,

Bkahgyur, etc. Waddell writes Kah-gyur and Tän-gyur.]

[Footnote 974: Though this distinction seems to hold good on the

whole, yet it is not strictly observed. Thus the work called Udâna and

corresponding to the Dhammapada is found in both the Kanjur and

Tanjur.]

[Footnote 975: Nanjio's catalogue states that a great many

Abhidhaṛma works in Chinese agree with Tibetan, but their titles

are not to be found in Csoma's analysis of the Kanjur. They may

however be in the Tanjur, which is less fully analyzed.]

[Footnote 976: Analysis of the Dulva, etc., four parts in _Asiatic

Researches_, vol. XX. 1836, by A. Csoma Körösi. Translated into French

by Feer, _Annales du Musée Guimet_, tome 2me, 1881. _Index des

Kanjur_, herausgegeben von I.J. Schmidt (in Tibetan), 1845. Huth,

_Verzeichnis der in Tibetischen Tanjur, Abtheilung mDo, erhaltenen

Werke_ in _Sitzungsber. Berlin. Akad._ 1895. P. Cordier, _Catalogue du

fonds Tibétain de la Bibliothèque Nationale_. Beckh, _Verzeichnis der

tibetischen Handscriften der K. Bibliothek zu Berlin_, 1 Abth.,

Kanjur, 1914. This is an analysis of the edition in 108 volumes,

whereas Csoma de Körösi and Feer analyzed the edition in 100 volumes.

The arrangement of the two editions is not quite the same. See too

Pelliot's review of Beckh's catalogue in _J.A._ 1914, II. pp. 111 ff.

See also Waddell, "Tibetan Manuscripts and Books" in _Asiatic

Quarterly_, July, 1912, pp. 80-113, which, though not an analysis of

the Canon, incidentally gives much information.]

[Footnote 977: _E.g._ Udâna ( = Dhammapada) by Rockhill, 1892

(transl.), and Beckh (text 1911) Madhyamakâvatâra: de la Vallée

Poussin, 1912, Madyamika-śâstra: Max Walleser, 1911 (transl.),

Citralakshana, ed. and trans. Laufer, 1913; Feer, _Fragments extraits

du Kanjur, Annales du Musée Guimet_, tome 5me, 1883.]

[Footnote 978: It is also sometimes divided into three Pitakas. When

this is done, the Dulva is the Vinaya P., the Śer-chin is the

Abhidharma P., and all the other works whether Sûtras or Tantras are

classed together as the Sûtra P.]

[Footnote 979: hDul-ba.]

[Footnote 980: See Nanjio, Nos. 1115-1119, 1122, 1132-4. Rockhill,

_Prâtimoksha Sûtra selon la version Tibétaine_, 1884. Huth,

_Tibetische Version der Naihsargikaprâyaccittikadharmâs_, 1891. Finot

and Hüber, "Le Prâtimoksa des Sarvâstivadins," _J.A._ 1913, II. p.

465.]

[Footnote 981: Strictly Śer-phyin.]

[Footnote 982: Waddell in _Asiatic Quarterly_, 1912, XXXIV. p. 98, renders

the title as Vata sangha, which probably represents Avataṃsaka. Sarat

Chandra Das, _sub voce_, says Phal-chen-sde-pa = Mahâsanghika.]

[Footnote 983: The statements of Nanjio as to "deest in Tibetan" are

not quite accurate as regards the edition in 108 volumes. Compare his

catalogue with Beckh's.]

[Footnote 984: This statement made by such scholars as Feer (_Anal. du

Kanjour_, p. 288) and Rockhill (_Udâna_, p. x) is of great weight,

but I have not found in their works any quotation from the Tibetan

translation saying that the original language was not Sanskrit and the

titles given by Peer are in Sanskrit not in Pali. I presume it is not

meant that the Tibetan text is a translation from a Sanskrit text

which corresponds with the Pali text known to us. In Beckh's catalogue

of the edition in 108 volumes the same titles occur in the

Prajñâ-pâramitâ section, but without any statement that the works are

translated from Pali. See Beckh, p. 12, and Feer, pp. 288 ff.]

[Footnote 985: _Life of the Buddha_, p. 224, and _J.R.A.S._ 1899, p.

422.]

[Footnote 986: There is another shorter sûtra on the same subject in

the mDo section of the Kanjur. Feer, p. 247. In the edition of 108

volumes, the whole section is incorporated in the mDo, Beckh, p. 33.]

[Footnote 987: The word seems originally to mean string or chain.]

[Footnote 988: Apparently not the same as the Tathâgata-Guhyaka

_alias_ Guhya Samagha described by R. Mitra, _Sk. Bud. Lit_. p. 261.]

[Footnote 989: See notices of these in four articles by Satiścandra

Vidyâbhûshana in _J.A.S. Beng._ 1907.]

[Footnote 990: _I.e._ the Dhammapada.]

[Footnote 991: Huth's analysis of vols. 117-124 of the Tanjur

(_Sitzungsber. Kōn. Preuss. Akad. Wiss. Berlin_, 1895) shows that

they contain _inter alia_, eight works on Sanskrit literature and

philology besides the Meghadûta, nine on medicine and alchemy with

commentaries, fourteen on astrology and divination, three on chemistry

(the composition of incense), eight on gnomic poetry and ethics, one

encyclopædia, six lives of the Saints, six works on the Tibetan

language and five on painting and fine art. Cordier gives further

particulars of the medical works in _B.E.F.E.O._ 1903, p. 604. They

include a veterinary treatise.]

[Footnote 992: See title in Laufer's edition.]

[Footnote 993: See Feer, _l.c._ for instance, pp. 287, 248.]

[Footnote 994: See Feer, _l.c._ p. 344, and Laufer, "Die Bruza

Sprache" in _T'oung Pao_, 1908. It is said that King Ru-che-tsan of

Brusha or Dusha translated (? what date) the Mûla-Tantra and

Vyâkhyâ-Tantra into the language of his country. See _J.A.S.B._ 1882,

p. 12. Beckh states that four works have titles in Chinese, one in

Bruža and one in Tartar (Hor-gyi-skad-du).]

[Footnote 995: Laufer, _ibid_. p. 4.]

[Footnote 996: See Nanjio, No. 87, and Feer, _l.c._ pp. 208-212, but

the two works may not be the same. The Tibetan seems to be a

collection of 45 sûtras.]

[Footnote 997: Rockhill, _l.c._ p. 212.]

[Footnote 998: Stein, _Ancient Khotan_, pp. 426-9 and App. B. See also

Pelliot in _B.E.F.E.O._ 1908, pp. 507 ff.]

[Footnote 999: The Mahâvyutpatti edited by Minayeff in _Bibl.

Buddhica_ and an abridgement.]

[Footnote 1000: According to Feer (_Analyse_, p. 325) Tibetan

historians state that at this epoch kings prohibited the translation

of more than a few tantric works.]

[Footnote 1001: Numerous works are also ascribed to Sarvajñâdeva and

Dharmaka, both of Kashmir, and to the Indian Vidyâkaraprabhâ and

Surendrabodhi.]

[Footnote 1002: See Francke in _J.R.A.S._ 1914, pp. 56-7.]

[Footnote 1003: See Pander, _Pantheon_, No. 30.]

[Footnote 1004: Waddell, _Buddhism_, p. 36, gives a list of them.]

[Footnote 1005: It appears to me that there is some confusion between

Brom-ston, a disciple of Atîśa, who must have flourished about 1060

and Bu-ston, who was born in 1288. Grünwedel says that the latter is

credited with the compilations of the Kanjur and Tanjur, but Rockhill

(_Life of the Buddha_, p. 227) describes Bu-ston as a disciple of

Atîśa.]

[Footnote 1006: See Huth, _Geschichte des Budd. in der Mongolei_, 291,

and Laufer, "Skizze der Mongolischen Literatur" (in _Keleti Szemle_,

1907), p. 219. Also Pelliot in _J.A._ 1914, II. pp. 112-3.]

[Footnote 1007: See Laufer in _Bull. de l'Acad. de S. Pétersbourg_,

1909, pp. 567-574. There are some differences in the editions. That of

Narthang is said to contain a series of sûtras translated from the

Pali and wanting in the Red Edition, but not to contain two

translations from Chinese which are found in the Red Edition. See the

preface to Beckh's catalogue. The MS. analyzed by him was obtained at

Peking, but it is not known whence it came. An edition by Ch'ien Lung

is mentioned by some authors. It is also said that an edition is

printed at Punakha in Bhutan, and another in Mongolian at Kumbum.]

[Footnote 1008: Some of these are probably included in the Tanjur,

which has not been fully catalogued. See _J.A.S. Beng_. 1904, for a

list of 85 printed books bought in Lhasa, 1902, and Waddell's article

in _Asiatic Quarterly_, July, 1912, already referred to.]

[Footnote 1009: Edited and translated by Huth as _Geschichte des

Buddhismus in der Mongolei_, 1892.]

[Footnote 1010: Finno Ugrian Society of Helsingfors, 1898.]

[Footnote 1011: Same Society, 1900 and 1902, and _J.A.S.B._ 1906-7.]

Hinduism and Buddhism, An Historical Sketch, Vol. 3 · 第 19 / 24 章