CHAPTER VII

THE CHRISTMAS TREE IN LEGEND

We have seen that most of the ceremonies that have attended or still

attend the season of Christmas may be traced back to a period long

before the birth of Christ.

The Christmas tree is no exception to this rule. It is pagan, not

Christian in its origin, though it has been adapted to Christian uses.

It came down to us from the pagan Teutons and Scandinavians, and on the

way it was Christianized in Germany and Holland, in Sweden, Norway and

Denmark, long before it had been made holy in the same manner among the

English-speaking peoples.

Myth and history have both busied themselves with guesses at its

origin. Let us begin with myth.

A very old legend makes Saint Winfred the inventor of the Christmas

tree. Winfred (please note that this is the masculine form of which

Winifred is the feminine) was one of the early missionaries to Norway

who helped to wean the ancient Scandinavians from their pagan beliefs

and practices.

He found that their priests, the Druids, had taught them to worship

trees as if they were living gods. So he set himself the task of

showing to his Christian converts that the objects of their former

worship were not gods but trees,--trees and nothing more. On Christmas

eve, therefore, he hewed down a mighty oak in presence of a great crowd

of men, women and children.

A miracle indeed followed. But it was a Christian miracle, and as such

was all the more convincing to these simple people that their old-time

faiths had been misplaced.

This is how the miracle is described by an ancient historian:

“As the bright blade circled around Winfred’s head, and the flakes of

wood flew from the deepening gash in the body of the tree, a whirling

wind passed over the forest. It gripped the oak from its foundations.

Backward it fell like a tower, groaning as it split asunder in four

pieces. But just behind it and unharmed by the ruin, stood a young fir

tree pointing a green spire towards the stars.

“Winfred let the axe drop and turned to speak to the people.

“‘This little tree, a young child of the forest, shall be your holy

tree to-night. It is the wood of peace, for your houses are built of

the fir. It is a sign of endless life, for its leaves are ever green.

See how it points upward to heaven. Let this be called the tree of the

Christ-child; gather about it, not in the wildwood, but in your own

homes; there it will shelter no deeds of blood, but loving gifts and

rites of kindness.’”

There is another old legend that is told by the people around

Strassburg, a famous old city on the Rhine. Half way between this city

and the neighboring town of Drusenheim there are still to be seen the

ruins of an old castle. It probably dates back to the seventh century.

Its chief feature is a massive gate. Deep sunk in the stone arch above

this gate, and as clearly and sharply defined as if it had been carved

only yesterday, is the impress of a small and delicate hand. And this

is the story that is told to account for the presence of the hand.

One of the early lords of the castle was Count Otto von Gorgas, a

handsome and dashing youth, whose great delight was hunting big game.

So devoted, indeed, was he to the shooting of deer and the spearing of

wild boars that love could find no entrance into his heart. In vain

did the fairest maidens in the land sigh for a soft speech or a tender

glance from this wild huntsman. Mothers on both banks of the river

Rhine had abandoned in despair all hope of securing him as a match for

their daughters, while the daughters themselves had spitefully given

him the name of Stony-heart, by which he had become generally known

throughout the country side.

But Count Otto only laughed at the anger of the ladies, and continued

to kill with his own hand such large quantities of game that new

servants would not come into his employ, unless he had first agreed to

give them venison or wild boar steaks not oftener than four days in the

week.

One Christmas Eve Count Otto ordered that a battue or monster hunt

should take place in the forest surrounding his castle. So exciting

was the sport that he was led deep into the thickets and at night-fall

found himself separated from all his friends and followers. He reined

up beside a far-away spring, clear and deep, known to the country

people as the Fairy’s Well. His hands being stained with the blood of

the wild animals he had slain, he dismounted from his horse to wash

them in the spring.

Though the weather was cold and a white frost covered the dead leaves,

Count Otto found to his surprise that the water of the well was warm

and pleasant. A delightful feeling ran through his veins. Plunging

his arms deeper into the well, he fancied that he felt his right hand

grasped by another hand softer and smaller than his own, which gently

drew from his finger a gold ring that he was accustomed to wear.

Sure enough, when he pulled his hand out of the water the ring was gone!

Though annoyed by his loss, the count decided that the ring had

accidentally slipped from his finger. There was no opportunity for any

further search that day, for the well was very deep and the sun had

already set.

So Otto remounted his horse and rode back to the castle, resolving

that in the morning he would have the Fairy’s Well emptied out by his

servants. Little doubt had he but that the ring would easily be found

at the bottom.

As a rule Count Otto was a good sleeper. That night, however, he

tried in vain to close his eyes. Lying restlessly awake he listened

feverishly to the hoarse baying of the watch-dog in the court-yard

until near midnight. Suddenly he raised himself on his elbows. What was

that unusual noise he heard outside?

He strained his ears. Distinctly he again heard the creaking of the

drawbridge as it was being lowered. A few minutes later there followed

sounds as of the pattering of many feet up the stone stairs and into

the chamber next to his own. Then a wild strain of music came floating

on the air, shooting a sweet mysterious thrill even into his “stony”

heart.

Rising softly from his bed, Otto hastily dressed himself. A little bell

sounded. His chamber door was suddenly flung open. He accepted what

seemed like a wordless invitation. Crossing the threshold into the

next room, he found himself in the midst of an assemblage of rather

small but very lovely looking strangers of both sexes, who laughed,

chatted, danced and sang without seeming in the least to notice him.

In the middle of the room stood a splendid Christmas tree from which a

great number of many-colored lamps shed a flood of light throughout the

apartment.

Now this was the first Christmas tree that had ever been seen in those

parts, or indeed by any mortal folk in any portion of the world. And it

was a Christmas tree of a sort that never again has been seen by any

mortal folk in any portion of the world.

For surely never again has a Christmas tree borne such fruits. Instead

of toys and candies the branches were hung with diamond stars and

crosses, pearl necklaces, aigrettes of rubies and sapphires, baldricks

embroidered with Oriental pearls, and daggers mounted in gold and

studded with the rarest gems.

Lost in wonder at a scene he could not understand, the count gazed

without the power of uttering a single word. There was a sudden

movement at the end of the hall. The company stopped dancing and

fell back to make way for a newcomer. Then in the bright rays of the

Christmas lights, a dazzling vision stood in front of Count Otto.

It was a princess of astonishing beauty. Though only a girl in size,

she was a woman in age. Though small, her body was exquisitely formed.

There she stood, magnificently dressed as for a ball. A diadem sparkled

amid her raven black locks, rich point lace only half veiled her snowy

bosom, and her dress of rose-colored silk sat close to her slender

figure, falling in folds just so low as to reveal the neatest feet and

ankles in the world, while her sleeves were short enough to display

beautiful arms of dazzling whiteness.

The charming stranger showed no awkward timidity. On the contrary,

after a short pause she walked straight up to the count, caught him by

both hands, and said, in the sweetest of voices:

“Dear Otto, I am come to return your call.”

At the same time she raised her right hand to his lips. Forgetting all

his old coldness towards the female sex he gallantly kissed it without

making any other reply. Indeed, he felt fascinated, spellbound. He

gladly let the beautiful stranger draw him to a couch where she sat

herself down besides him. Her lips met his and before he could think

about kissing them, he had done so.

“My dear friend,” whispered the lady into his ear, “I am the fairy

Ernestine. I have brought you a Christmas present. That which you lost

and hardly hoped to find again, see! I fetch it back to you.”

And, drawing from her bosom a little casket set with diamonds, she

placed it in the hands of the count. He eagerly opened it. Not entirely

unexpectedly (for had not her words forewarned him?) he found within it

the ring that he had lost in the forest well.

Carried away by a feeling as strange as it was irresistible, Count Otto

pressed the casket and then the lovely Ernestine to his breast.

“Delightful,” murmured the maiden, who as you may see, was not so coy

as are many maidens of the everyday world.

In brief the two had fallen in love with each other at first sight.

Before they parted for the night, Otto had won the fairy’s consent to

become his wife.

One thing only she demanded of him. He must never make use of the word

“death” in her presence. Fairies are immortal; she did not wish to be

reminded that she was bound to a mortal husband.

It was easy enough for him to make this promise, and no doubt he

thought it would be easy to keep it. Next day Count Otto von Gorgas and

Ernestine, the Queen of the Fairies, were married with great pomp and

ceremony. They lived happily together for some years in the grand old

castle.

One day it chanced that the young couple were to assist at a great

tourney in the neighborhood. The Lady Ernestine’s horse stood in

waiting for her at the castle gate. Being greatly occupied in adjusting

a new headdress which her milliner had just brought home, she kept her

husband waiting until his patience was worn out.

“Fair dame,” he pettishly exclaimed when she at last appeared in the

great hall where for half an hour he had been striding up and down in

his uncomfortable armor, “you are so long making ready, you would be a

good messenger to send for Death.”

Scarcely had he uttered the fatal word than with a wild scream the lady

disappeared. She left no trace behind her, except the print of her

little hand above the castle gate. Every Christmas eve, however, she

returns and flits about the ruins with loud lamentations, crying at

intervals:

“Death! Death! Death!”

As to Count Otto he went the way of all flesh and was gathered to his

fathers not long after he had lost his spouse. But every Christmas

Eve, while his life lasted, he would set up a lighted tree in the

hall where he had first met the lady Ernestine,--in the vain hope of

wooing her back to his arms. And this, it is said in Strasburg and its

neighborhood, was the origin of the Christmas tree.[2]

The story of Santa Klaus · 第 7 / 17 章