XVIII

Maggy meant to disregard Woolf's injunction against her going to Mrs.

Lambert's. The temptation to see Alexandra was too strong to resist.

Moreover, she thought it likely that he would forget having made it.

Then, if she went and he still objected, she would admit having

disobeyed him. She would not lie about it. She never did tell lies;

not on moral grounds but because lying was cowardly and she did not know

the meaning of cowardice.

Woolf had been a little overbearing with her lately, too much the

master. She did not mind that sort of tyranny so long as it implied

fondness, but she had a feeling that he was changing towards her. For

one thing, she knew he was annoyed at her condition. That hurt her

abominably. In books she had read of husbands and wives being drawn

closer together, of estranged couples becoming reconciled under similar

conditions. Indeed, she had hoped for special tenderness from him

directly he knew they existed. She had even tried to delude herself

into the hope that he might marry her.

It was not that she wanted any legal hold on him. She would not have

loved Woolf any more because of marriage. But if he married her it

would be a guarantee of his love, which just now she had reason to

doubt. That was all. The rights which marriage confer on a woman meant

nothing to her. She only wanted to get rid of the nightmare dread of

separation from him. Any other girl similarly situated would have stood

out for marriage, but Maggy had too much pride for that. She recoiled

from a more than possible refusal.

She felt thrown back upon herself, lonely in spirit. A faintness

assailed her whenever she thought of what she would have to undergo

without a soul knowing of it except Woolf. And on this subject, so

closely connecting them, Woolf was cold and remote. He would have shown

more concern had she cut her finger. She wanted comfort. It would have

helped her to confide in some sympathetic woman. She wondered whether

she dared tell Alexandra, and decided that it would not be fair or even

expedient. Virginal Alexandra would not understand, or if she

understood she would be more afraid than Maggy herself. Obviously she

could neither reassure nor comfort her, since the thing was right out of

her experience, and always would be. Poor Maggy! Her abundant vitality,

her pulsing affections, made motherhood infinitely desirable to her. As

a child she had scarcely had time to play with dolls because she was

always on the stage, but she had always yearned over babies. Nature,

which takes no account of the individual, concerned only with the

reproduction of the race, had intended her to be a mother. Man-made

shibboleths were to deny her that right.

She took great pains in dressing for her visit to Mrs. Lambert's. She

was free from the spirit of feminine emulation, but she wanted to look

her best, to please Alexandra's critical taste, so that she might

remember how she looked that day, in case they might never see each

other again. Maggy had never before been inclined to depression, but the

clammy fingers of morbidity touched her now.

She elected to wear a frock of sprigged muslin and a simple hat that she

had trimmed herself. The hat was in part a concession to Woolf, for she

took pleasure in such tasks, and liked him to see that she could excel

in them. Thus dressed, she was quite perfect. Her coloring was so

vivid and her figure so mature that extreme simplicity suited her. But

she was not quite satisfied with the effect. Her eyes roved over the

dressing-table in search of some finishing touch, and came to a stop at

her jewel-case. From it she took a diamond bracelet Woolf had given

her, and put it on. He had bestowed it on her with great

impressiveness, and she accordingly believed it to be very valuable.

When she reached Albert Place neither Mrs. Lambert nor Alexandra was in.

They had been detained somewhere and had telephoned through to say so.

The maid showed her into the drawing room. Somewhat to her dismay she

found it occupied by a man. She did not know him by sight, but she

immediately came to the conclusion that he must be Lord Chalfont. She

felt awkward, uncertain whether it was "proper" to speak or not. She

had not encountered any men of rank before, and had not the average

chorus girl's assurance with male members of the peerage.

Lord Chalfont got up.

"I fancy we're both here for the same reason: to lunch," he said

pleasantly. "Shall we become known to each other? I'm Lord Chalfont."

"My name's Delamere," rejoined Maggy.

"We both owe something to the French, then. It ought to provide us with

a sort of _entente cordiale_."

"Oh, I don't believe Delamere's my right name. It's too high-falutin'.

But it's the only one I know of. My mother took it for the stage and it

had to do for my christening."

The statement was made quite innocently. Chalfont was amused.

"I'm sure I've seen you before," he said.

His easy manner gave her confidence. She liked him. She felt she could

talk to him without being on her guard. The way in which he looked at

her had nothing disturbing in it. It was not the hunting look which she

was accustomed to see in men's eyes, and against which she was for ever

armed. If there was a touch of admiration in it there was also respect.

She recognized the difference, and knew she had to do with a gentleman.

Woolf had spoken of him as a bounder. There he was obviously wrong.

Lord Chalfont looked the sort of person she had seen in historical

pictures, dressed in silk and lace, walking unconcernedly to have his

head chopped off.

"I daresay you've seen me often," she agreed. "I'm in the front row at

the Pall Mall Theater--black chiffon over pink. Then I'm somebody's

boot polish in the advertisements--my photograph, you know--cleaning my

own shoes without dirtying my frock. And I'm somebody else's

motorcoats, and nearly everybody's mouth-wash and cigarettes."

Chalfont laughed.

"By Jove! Do you know, I've always wondered who they got to sit for

those advertisements. How's it arranged? Do you mind telling me?"

"Not at all. Sometimes the people--cigarettes or motorcoats, you

know--write and ask you to come and pose for them at their shops; but

generally it's done through a photographer. He gets paid for taking the

photos, and you get a little cheque and a lot of advertisement. When

it's for a mouth-wash you have to put on a broad grin and show your

teeth. It's awfully tiring sometimes. For a hair-restorer you wear

your hair down, and if you haven't much they fluff it out with a long

switch so as to make people believe in the stuff."

"You're not tempted to use it, I suppose?"

"Rather not! I've got too much hair as it is. It won't even fall out in

the autumn and spring."

"How about the cigarettes?"

"Oh, I daresay they're all right, though I don't suppose you'd want to

smoke them."

"Just what I thought. Personally, I never buy anything that's

advertised if I can help it. When I have it I invariably have a feeling

that I'm being taken in."

"I think it's the women more than the men who are taken in," said Maggy

thoughtfully. "Women believe anything they see in the papers. I used to

once."

"But not now?"

She shook her head. "You get to know a lot about make-believe when

you're on the stage."

"I suppose you do. How is it I've never met you here before?"

"I'm Lexie's friend. I mean Miss Hersey. Excuse my bad habit of

speaking of people by their Christian names. I know it's not right. I

don't, myself, like to hear women call their husbands 'Daddy' or

'Father' before strangers. It always sounds to me as if they wanted you

to consider yourself one of the family."

"But you know Mrs. Lambert, don't you?"

"Hardly. I met her with Lexie in a shop the other day and she asked me

to lunch. So here I am. Have I come too early?"

"On the contrary. I'm very glad you're here, relieving my solitude."

"I was afraid I was boring you. I can only talk rubbish. I can't help

it. You see, I don't know anything about the things that sensible

people talk about. Pictures and books and politics."

"I think you do yourself an injustice. Please don't imagine I say it

out of compliment, but it's evident you are full of ideas, jolly

interesting ones, too."

"Everybody has ideas of a sort, I suppose. What I mean is, I can't

discuss any of the subjects that really matter. Religion, for instance.

I know there are a thousand and one different ways of worshiping God,

but I haven't brains enough to argue about them. I'm far more

interested in a thousand different patterns for crochet, or the everyday

things you see from the top of a bus. I'm just hot and cold, or happy or

miserable."

"Which is it to-day?" asked Chalfont.

There was no flippancy in his tone. He saw that Maggy was an innately

simple girl, quite natural, and by no means unintelligent. He found her

frankness very refreshing, and he could but admire her delightful

appearance. He was anything but bored.

"Which is it to-day?" he repeated.

"Warm and happy--just now. I'm not often miserable. I love my life,"

she said.

She meant it. The pretty room, the flowers abounding in it, the shaded

windows framing masses of pink geranium, the soft ease of the big

armchair she was seated in, so different from the new-art, unadaptable

chairs of her own flat, had induced in her bodily comfort and mental

contentment. For the moment she had forgotten the anxieties caused by

her physical state. Unconsciously too she had fallen under the charm of

Chalfont's amiability. She had never met a man like him. She felt she

did not want to be on her guard with him. Whether he was more honest or

more reasonable than other men she had known she did not stop to think

about. Had she been asked for her chief impression of him she would

have expressed it in the word clean.

So while she waited for Alexandra's return she let her candor have full

play, keeping Chalfont amused by her cheery talk and quaintly humorous

accounts of her life behind the scenes at the Pall Mall. She had

brought with her a number of picture postcards of herself to give to

Alexandra, for recently she had become quite a photographic favorite,

and these she showed him.

"This is the one I like best," he said. "In the dress you have on now.

It's charming."

"The dress, you mean. I'm so glad you like it. I was afraid it was too

quiet. I'm never quite sure about my dresses and hats. My taste in

clothes isn't always quiet. I love bright colors. They make me feel

warm and comfy. You know how dogs like rolling in mud. I have the same

feeling about colors. If I see anything very bright and gorgeous I want

to hug it to me for joy. People are always staring at me in the street

because of what I'm wearing."

Chalfont could quite understand that any one, in the street or

elsewhere, would find pleasure in looking twice at such a beautiful

creature. But he did not say so in so many words.

"You need not mind that," he said. "There's an esthetic sense in nearly

everybody that makes them glad to look at anything--radiant."

"Radiant means brilliance, doesn't it? Talking of brilliance, do you

like this?"

She held out her arm with the bracelet on it. Chalfont had already

noticed it. Now he gave it a closer inspection. Whilst being a good

judge of precious stones he had a great liking for paste when it was old

and good, but what he saw now was merely a product of the modern

manufacturer.

"A French copy, isn't it?" he asked, thoughtlessly.

Maggy's eyes widened. French--copy? Her diamond bracelet a

copy--imitation! She could not credit it.

"But--they're diamonds!" she stammered, filled with a horrible

misgiving.

Chalfont noticed the sharp note of disappointment in her voice and put

it down to one of two causes. Either she had been defrauded by somebody

or the bracelet was a present meant to deceive her. He made haste to

modify the opinion he had expressed about it. Looking at it once more,

he said:

"Is it? I'm awfully sorry. Of course, I must be mistaken. Hullo!" he

interjected with relief, "here are Mrs. Lambert and Miss Hersey."

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