VIII

Maggy said very little about Woolf. On certain topics there was a

barrier of silence between the two girls, imposed by Alexandra. Maggy

was disposed to be utterly unreserved, crude. Brought up in stage

surroundings she had heard undiscussable things talked of openly all her

life. Alexandra showed such distaste for laxity of speech that Maggy

now refrained from touching on the subject of sex almost entirely. Had

she been unreserved about Woolf, his conversation with her and her own

attitude toward him, she would have had to show herself in a light that

Alexandra would have disliked and certainly not understood.

Maggy was never quite sure in her mind whether Alexandra was very cold

by nature or completely reserved. She, herself, belonged to the type of

woman, not a rare one, who can discuss her marital relations with others

with a frankness that no man would ever dream of employing when speaking

of his wife to his most intimate friend. Alexandra, except under

extraordinary stress, would be as secretive as a man. To discuss sexual

emotions or indulge in speculation about them with another girl was a

thing quite foreign to her. At school she had, in that sense, been a

being apart, while the other girls whispered in corners. Instinctively

she shrank from having her mind contaminated by second-hand knowledge of

the most vital and delicate functions of nature.

Her upbringing had been different from Maggy's. Maggy's mind had been

forced prematurely on the hot-bed of theatrical laxity. Alexandra's

life, up till the last year, had been one of calm and sweet

companionship with an adored mother. She had lived a healthy, normal

existence, met men of her own class who would no more have dreamt of

thinking irreverently of her than of their own mothers or sisters. She

was aware that strong passions, illicit unions, and trouble and misery

resulting from immorality, did exist in the world. She read of these

things in newspapers and the books that were never kept from her; but

these passions and unions and dissolving of unions seemed things that

did not touch her class.

She came into active collision with them for the first time when she

went on the stage. She could not shut her eyes to the condition of

things there any more than she could shut her ears to the sordid

language of the girls in their common dressing room. But it made her

ashamed to be a woman, a being of the same sex. These girls thought of

men only in one way. The men whom they spoke of as their "boys" or

their "friends" were certainly not any coarser in mind than the girls

themselves. They had no more reserves of speech than factory-hands.

There were exceptions here and there, but being exceptions they were

negligible as a power of reform.

Some girls attained their positions legitimately, she knew; but how few?

One could count them on the fingers of one hand. Every one of them had

had some one, a mother or a father to look after them, a father who

waited at the stage-door every night, a comfortable home. They had been

dressed well by their people. Though in the chorus, they had never

known its strain and stress, for they had not been of it. Its hardships

and temptations had, so to speak, been screened from them, and they had

been curiously impervious to its language. Hence it was that their

reputations had not suffered.

Even out of musical comedy how few illustrious names were unassociated

with scandal. Alexandra had heard the true story of how one of

England's most prominent actresses was selected for her first important

part--that of a courtesan. An actress sufficiently convincing in the

role could not be found, till at last the author of the play exclaimed

in exasperation: "Well, if we can't get the actress, let's have the

woman." The equivalent had been lauded by the Press and the public, and

the author's fees had not appreciably diminished!

Alexandra knew now that her own chance of succeeding through hard work

or any talent she might possess was about one in a thousand. She learnt

of the many capable actors and actresses--some of them more than

capable--who were touring the provinces year after year, and would wear

out their souls and their lives touring the provinces. It was more than

a hard struggle for the women: women were scarcely given a fighting

chance.

Yet all she could do was to fight, fight all the time so as not to drop

out; to make a bare living, not to lose sight of ambition's pinnacle

while she was forced to dwell in the plains of penury. But as regards

Maggy she would not influence her one way or the other. Maggy would

have to decide for herself.

During the ensuing week they were less together than they had ever been.

In the morning Maggy was at the theater while Alexandra went the round

of the stage-doors to see if there was a chance of her being taken on.

Very often they did not meet till after the show in the evening. For

the first two nights Alexandra had gone to meet Maggy and had walked

back with her; but now Maggy came home in Woolf's car. She said nothing

about him. Alexandra asked no questions.

The Honey-Pot · 第 8 / 51 题