PART II

I

Raymond went into the bank; not in due course, but rather more than a

year later. After seeing some of his more advanced schoolfellows depart

for Eastern colleges, after indulging a year of desultory study at home,

and after passing a summer and autumn among the Wisconsin lakes, he was

formally claimed by Finance. There was no Franciscan ardor to clasp her

close, as others have clasped Poverty and Obedience. He began his

business career, as men have been recommended to begin their matrimonial

career, with a slight aversion. However, his aversion never brought him

any future good.

His year at home, so far as I could make out, was taken up largely with

æsthetics and music. He read the "Seven Lamps of Architecture" and they

lighted him along a road that led far, far from the constructional

practicalities of the yard where we had spent a Saturday forenoon, some

five years before. He had begun to collect books on the brickwork of

Piacenza and Cremona, and these too led him farther along the general

path of æstheticism. During our years at the Academy the town, after an

unprecedentedly thorough sweep by fire, had been rebuilding itself; and

on more than one Saturday forenoon of that period we had tramped

together through the devastated district, rejoicing in the restorative

activities on every hand and honestly admiring the fantasies and

ingenuities of the "architects" of the day. But Raymond had now emerged

from that innocent stage; summoning forth from some interior reservoir

of taste an inspirational code of his own, he condemned these crudities

and aberrations as severely as they probably deserved, and cultivated a

confident belief that somewhere or other he was to find things which

should square better with his likings and should respond more kindly to

his mounting sensibilities.

"Not going to cut us?" I once asked. "Just as we're picking up, too?"

But Raymond looked abstractedly into the distance and undertook no

definite reply. Possibly he had responded to Ruskin; more probably to

some divine young sense of truth and fitness such as forms the natural

endowment, by no means uncommon, of right-minded youth. Or it may be

that he had simply reached the "critical" age, when Idealism calls the

Daily Practicalities to its bar and delivers its harsh, imperious

judgments; when it puts the world, if but for a few brief months, "where

it belongs." His natural tendency toward generalization helped him

here--helped, perhaps, too much. He passed judgment not only on his

parents, whom he had been finding very unsatisfactory, and on most of

his associates (myself, for example, whenever I happened to speak an

appreciative word for his essentially admirable father), but on the

community as such. A filmy visitant from Elsewhere had grazed his

forehead and whispered in his ear that the town allotted to him by

destiny was crude, alike in its deficiencies and in its affirmations,

and that complete satisfaction for him lay altogether in another and

riper quarter.

Perhaps it was some such discontent as this that led him in the

direction of musical composition--or toward attempts at it. He had no

adequate preparation for it, nor, so far as I could perceive, any

justificatory call. He had once taken a few terms on the piano; and he

had on his shelves a few elementary works on harmony; and he had in his

fingertips a certain limited knack for improvisation; and he had once

sketched out, rather haltingly, a few simple songs. Yet, all the same,

another reservoir, one of uncertain depth and capacity, was opening up

for him at an age when opening-up was the continuing and dominating

feature of one's days--a muse was stirring the vibrant air about him;

and I gathered, after two or three certain visits to his house, that he

had embarked on some composition or other of an ambitious and

comprehensive nature: a cantata, possibly, or even some higher flight.

As he had never domesticated musical theory and musical notation in his

brain, most of his composing had to be carried on at the keyboard

itself. The big piano in the big open drawing-room resounded with his

strumming experiments in melody and harmony--sounds intelligible, often

enough, to no ears but his own, and not always agreeable to them. I am

sure he tried his parents' patience cruelly. His reiterated phrases and

harmonizings were audible throughout a good part of the house. They did

nothing toward relieving his mother's headaches, nothing toward raising

his father's hopes that, pretty soon, he would come to grips with the

elements of Loans and Discounts. Even the servants, setting the table,

now and again closed the dining-room door.

"Oh, Raymond, Raymond; _not_ to-day!" his mother would sometimes plead.

I presume that, during this period, the diary was still going on; and no

one with such a gift for writing will stop short at a diary. In fact,

Raymond tried his hand at a few short stories--still another muse was

fluttering about his temples. Most of these stories came back; but a few

of them got printed obscurely in mangled form, and the failure of the

venturesome periodicals sometimes deprived him of the honorarium (as

pay was then pompously called) which would have given the last

convincing touch to his claims on authorship. He spoke of these stories

freely enough to me, but disclaimed all attempts at poetry: short of

that field, I believe, he really did stay his hand.

Well, perhaps too many good fairies--good only to the pitch of

velleity--buzzed and brushed, like muses, or pseudo-muses, about his

brows. All this unsettled him--and sometimes annoyed his daily

associates. But how, without these instinctive young passes at Art,

could the unceasing, glamorous and needful rebirth of the world get

itself accomplished?

II

As for Johnny McComas, he found one year of our Academy enough. It was

the getting in, not the staying in, that provoked his young powers. Our

school, moreover, was explicitly classical in a day when the old

classical ideal still ruled respected everywhere; and Johnny, much as he

liked being with us and of us, could not see the world in terms of

Latin paradigms. He wanted to be "doing something"; he wanted to be "in

business." During the summer following his year at Dr. Grant's I heard

of him as somebody's office-boy somewhere downtown, and then quite lost

sight of him for the five years that succeeded.

It occurred to me that Johnny must be doing just the right thing for

himself; he would make the sort of office-boy that "business men" would

contend for: easy to imagine the manoeuvres, even the feuds, that

would enliven business blocks in the downtown district for the

possession of Johnny's confident smile and dashing, forthright way. I

learned, in due season, that Johnny had cast in his lot with a

real-estate operator, and had been cherished, through periods harried by

competition, as a pearl of price.

The city was emphatically still in the "real-estate" stage. Anybody

arriving without profession or training straightway began to sell lots.

Nothing lay more openly abundant than land; the town had but to

propagate itself automatically over the wide prairies. The wild flowers

waved only to welcome the surveyor's gang; and new home-seekers--in the

jargon of the trade--were ever hurrying to rasp themselves upon the

ragged edges of the outskirts.

One Sunday morning in May, Raymond and I determined on an excursion to

the country--or, at all events, to some of the remoter suburbs. The bank

would not claim his thoughts for twenty-four hours, nor the law-school

mine. We left the train at a promising point and prepared to scuffle

over a half-mile splotched with vervain and yarrow, yet to bloom, toward

a long, thin range of trees that seemed to mark the course of some small

stream. But between us and that possible stream there soon developed

much besides the sprinkling of prairie flowers. We began to notice

rough-ploughed strips of land that seemed to mean streets for some new

subdivision; piles of lumber, here and there, which should serve to

realize the ideals of the "home-seekers"; and presently a gay,

improvised little shack with a disproportionate sign to blazon the

hopes and ambitions of a well-known firm back in town. And in the

doorway of the shack stood Johnny McComas.

He was as ruddy as ever, and his blue eyes were a bit sharper. He was

slightly heavier than either of us, but no taller. He knew us as quickly

as we knew him. For some reason he did not seem particularly glad to see

us. He made the reason clear at once.

"They had me out here last Sunday," he said, looking about his chaotic

domain disparagingly, "and they say they may have to have me out here

next Sunday--somebody's sick or missing. But they won't," he continued

darkly. It was a threat, we felt--a threat that would make some

presumptuous superior cower and conform. "I really belong at our branch

in Dellwood Park, where there _is_ something; not out here, beyond the

last of everything." And he said more to indicate that his energies and

abilities were temporarily going to waste.

But having put himself right in his own eyes and in ours, he began to

give rein to his fundamental good nature. Emerging from the cloud that

was just now darkening his merits and his future, he asked, interestedly

enough, what we ourselves were doing.

I had to confess that I was still a student. Raymond mentioned briefly

and reluctantly the bank. It was nothing to him that he, no less than

Johnny, was now a man on a salary.

"Bank, eh?" said Johnny. "That's good. We're thinking of starting a bank

next year at our Dellwood branch. It's far enough in, and it's far

enough out. Plenty of good little businesses all around there. And I'm

going to make them let me have a hand in managing it."

This warm ray of hope from the immediate future quite illumined Johnny.

He told us genially about the prospects of the venture in the midst of

which he was encamped, and ended by feigning us as a young bridal couple

that had come out to look for a "home."

"There may be one or two along pretty soon, if the day holds fair; so I

might as well keep myself in practice." Then he jocularly let himself

loose on transportation, and part payments down, and street

improvements "in," and healthful country air for young children. He was

very fluent and somewhat cynical, and turned the seamy side of his trade

a little too clearly to view.

He explained how the spring had been exceptionally wet in that

region,--"which, after all, _is_ low," he acknowledged,--and how his

firm, by digging a few trenches in well-considered directions, had

drained all its standing water to adjoining acres still lower, the

property of a prospective rival. Recalling this smart trick made Johnny

think better of the people who would maroon him for a succession of

Sundays, and he became more genially communicative still.

"That gray streak off to the west--if you can see it--is our water

drying up. Better be drying there than here. You can put a solid foot on

every yard of our ground to-day. Come along with me and I'll show you

your cottage--_domus, a, um_. Not quite right? Well, no great matter."

He pointed toward a yellow pile of two-by-fours, siding, and shingles.

"Be sure you make your last payment before you find yourselves warped

out of shape."

We followed. Johnny seemed much more expert and worldly-wise than either

of us. We held our innocent excursion in abeyance and bowed with a

certain embarrassed awe to Johnny's demonstration of his aptitude for

taking the world as it was and to his light-handed, care-free way of

handling so serious a matter, to most men, as the founding of a home. As

we continued our jaunt, I began to feel that I now liked Johnny a little

less than I could have wished.

III

At about this time Raymond and I found ourselves members of a little

circle that expressed itself chiefly through choral music. It was almost

a neighborhood circle, and almost a self-made circle--it gradually

evolved itself, with no special guidance or intention, until, finally,

there it was. I, at that period, may have felt that it would verge on

the presumptuous to pick and choose--to attempt consciously the

fabrication of a social environment--and so I adopted with docility the

one which presented itself. Raymond, on the other hand, may have felt

that even the best which was available was unlikely to be good enough

and have accepted fatalistically anything which could possibly be made

to do.

Just why our little group of a dozen or so should have united on a

musical basis and have expressed itself in a weekly "sing" I might find

it hard to explain. None of us fellows was especially blessed with a

voice; and the various Gertrudes and Adeles that met with us were

assuredly without any marked sanction to vocalize. Possibly the "sing"

was the mere outcome of youthful exuberance and of the tendency of young

and eager molecules to crystallize into what came, later, to be termed a

"bunch."

As for Raymond himself, he never sang at all. "Oh, come, Rayme; join

in!" the other fellows would suggest--and suggest in vain.

"I'm doing _my_ part," he would return, giving the piano-stool a nearer

hitch to the keyboard.

In fact, it was his specific function to preside at the Chickering, the

Weber, the Steinway, according to the facilities offered by the

particular home--for we moved about in rotation. This service, which we

presently came to consider sufficient in itself, dispensed him from

exhibiting his nature in so articulate a thing as actual vocal

utterance. This he was quite opposed to: he would never even try a hymn

in church. But he could accompany; he could improvise; he could

modulate; he could transpose any simple air. The ease and readiness with

which he did all this made less obvious--indeed, almost

imperceptible--his fundamental unwillingness to abandon himself before

others (especially if members of his own circle) to any manifestation

that might be taxed with even a remote emotionalism. And yet, at that

very time, he was laying the foundations of a claim to be that broad and

vague thing called an "artist." Even as early as this, apparently, he

was troubled by two contradictory impulses: he wanted to be an artist

and give himself out; and he wanted to be a gentleman and hold himself

in. An entangling, ruinous paradox.

This comment on Raymond's musical inclinations and musical services may

require a bit of shading: I believe that, after all, he never quite

cared for music unless he had, in all literalness, his "hand" in it. He

never liked to hear any one else play the piano, still less the violin;

concerts of all sorts were likely to bore him; and he never really rose

to an understanding of the more recondite and elaborate musical forms:

to have his fingers on the keyboard--especially when improvising in a

secure inarticulateness--was his great desideratum.

In our little group we ran from seventeen to nineteen; some of us just

finishing high school, others just on the edge of college, others (like

myself) engaged in professional studies, and still others making a début

in business as clerks. We sang mostly the innocent old songs, American

or English, of an earlier day, and sometimes the decorous numbers from

the self-respecting operetta recently established in London. No

contributions from a new and dubious foreign element had yet come to

cheapen our taste, to disturb our nervous systems, or to throw upon the

negro, the Hawaiian, or the Argentine the onus of a crass passion that

one was more desirous of expressing than of acknowledging. No; there was

assuredly no excess of emotional life--whether good or bad--in the body

of music we favored. Perhaps what our little circle really desired was

simply good-fellowship and a high degree of harmonious clamor. Certainly

all our doings, whether on Friday evening, or on the other forenoons,

afternoons, and evenings of the week, were quite devoid of an

embarrassing sex-consciousness. We "trained together," as the expression

went--all the fellows and all the Gertrudes and Adeles--with no sense of

_malaise_, and postponing, or setting aside, in the miraculous American

fashion, all sexual considerations whatsoever.

I hardly know just why I should have thought that Johnny McComas could

be introduced successfully into this circle. Johnny, as he had told us

in his suburb, had cut loose from his parents. He was now living on his

own, in a neighborhood not far from ours--from his, as it had once been.

One evening I ventured to bring him round. He developed an obstreperous

baritone--it was the same voice, now more specifically in action, that I

had first heard on the devastated prairie; and he made himself rather

preponderant, whether he happened to know the song or not.

"Why, you're quite an addition!" commented one of the girls, in

surprise--almost in consternation.

"He is, indeed,--if he doesn't drown us all out!" muttered one of the

fellows, behind his back.

Yes, Johnny was vociferous--so long as the singing went on. But he

developed, besides an obstreperous voice, an obstreperous interest in

one of our Adeles--a piercing soprano who was our mainstay; and he

showed some tendency to defeat the occasion by segregating her in a bay

window. Segregation was the last of our aims, and Johnny did not quite

please. Furthermore, Johnny seemed to feel himself among a lot of boys

who were yet to make their "start," overlooking the fact that Raymond

was in the bank, and ignorant of the further fact that one of our

fellows was just beginning to be a salesman in a bond house. Johnny

became violently communicative about the attractions of Dellwood Park

and seemed to want to figure demonstratively in the eyes of Gertrude and

Adele as an up-and-coming paladin of the business world. To most of us

he seemed too self-assertive, too self-assured. He knew too clearly what

he wanted, and showed it too clearly. Indeed it became apparent to me

that while a boy of twelve may be accepted easily (at least in an early,

simple society), a youth of eighteen cannot altogether escape the issues

of caste. It was borne in on me presently that Johnny might as well have

remained away. In fact--

"We shan't need him again," said the brother of the soprano to me, as

the evening broke up.

And Raymond himself remarked to me a day later:--

"Don't push him; he'll get along without your help."

IV

While the rankness of new elements in a new era had not penetrated our

homes, it had begun to make itself manifest in public places. The town,

within sixty years, had risen from a population of nearly _nil_ to a

population of some five or six hundred thousand; and it was only in due

course, perhaps, that "vice" now raised its head and that a "criminal

class" came into effective, unabashed functioning. It was to be many

years before the better elements learned how to combine for an efficient

opposition to impudent evils. A heterogeneous populace, newly arrived,

was still willing to elect mayors of native blood; but one of these,

elected and reëlected to the town's lasting harm, might as well have

been of the newer, and wholly exterior, tradition: a genial,

loose-lipped demagogue who saw an opportunity to weld the miscellany of

discrepant elements into a compact engine for the furtherance of his own

coarse ambitions, and who allowed his supporters such a measure of

license as was needed to make their support continuing. A shameless new

quarter suddenly obtruded itself with an ugly emphasis; unclassifiables,

male and female, began to assert and disport themselves more daringly

than dreamt of heretofore; and many good citizens who would crowd the

town forward to a population of a million and to a status undeniably

metropolitan came to stroll these tawdry, noisy new streets with a

curiosity of mind at once disturbed, titillated, and somehow gratified.

Said some: "This is a new thing; do we quite like it?" Said others: "The

town is certainly moving ahead; we don't know but that we do."

Yes, a good many social observers set forth to see for themselves the

new phenomena and to appraise the value of them in the coming political

and social life of the community. Of course, many of these observers

were too young and heedless to draw inferences from the sudden flood of

new bars and bright lights and crass tunes and youthful creatures in

short skirts who seemed not quite to know whether their proper element

was the stage above or the range of tables below; in fact, these

observers waived all attempt at speculative thought and became

participants.

Raymond and I had heard comments on the new developments from our

elders; we were not without our own curiosity (though we had enough

fastidiousness not to graze things very close, still less to wade into

them very deep), and we decided one evening that we would look into two

or three of these new and notable places of public entertainment.

The first of them offered little. The second of them developed Johnny

McComas. He sat at a table, talking too familiarly, or at least too

forbearingly, with a rubicund, hard-faced man in shirt-sleeves standing

at his elbow--probably the head of the place, or his first aide; and he

was buying obviously unnecessary glasses of things for two of the young

creatures in short skirts--Gertrudes and Adeles of that particular

stratum, or Katies and Maggies, if preferred. Johnny sat there happy

enough: an early example of the young business warrior diverting himself

after the fray. Years afterward the scene came back to me when I met

with a showy painting in the resonant new lobby of one of the greater

hotels. It showed a terrace overlooking some placid Greek sea; the happy

warrior standing ungirt and uncasqued, with a beautiful maiden of

indeterminate status seated beside him; a graceful attendant holding a

wreath above each happy and prosperous head, and a group of sandaled

dancing-girls lightly footing it for the pleasure of the fortunate pair;

the whole scene illuminated by the supreme, smiling self-satisfaction of

the relaxed soldier amid the pipings of peace. So Johnny; he had earned

the money and won the right to spend it in pleasure; his, too, the duty

of refreshing himself for the strenuous morrow.

He saw us and nodded. "Life!"--that was what he seemed to say. He made a

feint to interest us in his companions; but they were poor things, as we

knew, and as he must have known too. He left them without much regret

and without much ceremony, and took us on to the next place.

"It's life, isn't it?" he said in so many words.

Raymond's nose went up disdainfully. "Life!" Some such manifestations,

if properly handled and framed, might be life in Paris, perhaps; but he

could not accept them as life here at home, within a mile or two of his

own study. What this evening offered him seemed to require a

considerable touch of refining before it could reach acceptance. It was

all only an imperfectly specious substitute for life, only a coarse

parody on life. The town, he told me the next day, made him think of a

pumpkin: it was big and sudden and coarse-textured. "I've had enough of

it," he added; "I want something different, and something a lot better."

Johnny, as I say, took us to the next place; we might not have known how

to take ourselves there. Johnny honestly liked the glare, the noise, the

uproarious music, and the human press both on the sidewalks and in the

packed, panting interiors. I liked it all, too,--for once in a way; but

I soon saw that, for Raymond, even once in a way was once too often. In

this last place a girl with a hand too familiarly laid on his arm gave

the finishing touch; it was a coarse, dingy little hand, with some

tawdry rings. Raymond never liked close quarters; neither in those days,

nor ever after, did he care to come decisively to grips with actual

life. "Keep off!" was what his look said to the offender. The poor,

puzzled little débutante quickly stepped back, and we all regained the

street. Raymond was trembling with embarrassment and vexation.

"Why, you were making a hit," said Johnny.

"Let's get home," said Raymond to me, ignoring Johnny. "This is enough,

and more than enough. What a hole this town is coming to be!"

V

Raymond stayed on at the bank, though--if one might judge by his words

and actions--with no enthusiasm in the present and no hopefulness for

the future. He did what he had to do, and did it fairly well; but there

was no sign that he was looking forward, and there remained scant

likelihood that he would meet the expectations of his father and

grandfather by mastering the business. On the contrary, I think he

actually set his face against it: he seemed as resolute not to learn

banking as he had been resolute not to learn dancing. Professor Baltique

and the little girls in light-soled shoes and bright-colored sashes had

given him up in the waltz; and it looked as if James B. Prince must

presently renounce all hope of his ever learning how to turn the

collective spare cash of many depositors to profit. I recall the day

when the chief little light of the dancing-class, after some moments of

completely static tramplings by Raymond in the midst of the floor,

suddenly began to pout and to frown, and then left him in the midst of

the dance and of the company and came to tears before she could reach an

elder sister by the side wall. Raymond accepted the incident without

comment. If his demeanor expressed anything, it expressed his

satisfaction at carrying a point.

But he did not wait until a vexed and disappointed bank left him high

and dry. Though he must have known that many young clerks in the office

envied him his billet and that many young fellows outside it would have

been glad to get in on any terms whatever, he never gave a sign that he

valued his opportunity; and when he finally pulled out it was with no

regard to any possible successor.

The younger men in the bank were a rather trim lot, and were expected to

be. They did wonders, in the way of dressing, on their sixty or

seventy-five dollars a month. Raymond's own dressing, for some little

time past, had grown somewhat slack and careless. I did him the

injustice of supposing that he felt himself to be himself, and _hors

concours_ so far as the general body of clerklings was concerned; but he

had other reasons.

He had given up buying books and periodicals; no new volumes to be seen

in his room except works of travel (preferably guide-books) and grammars

and dictionaries of foreign languages. For all such works of general

uplift and inspiration as the intending tourist in Europe might expect

to profit by, he depended on circulating libraries or the shelves of

friends. I myself lent him a book of travels in the Dolomites, and

scarcely know, now, whether I did well or ill. Raymond, in short, was

silently, doggedly saving, with the intention of taking a trip--or of

making a sojourn--abroad.

The cleavage came in James Prince's front parlor, one Sunday afternoon,

and I happened to be present. A very few words sufficed. Raymond's

father had picked up a thick little book from the centre-table, the only

book in the room, and was looking back and forth between this work--an

Italian dictionary--and Raymond himself.

"What do you expect to get out of this?" he asked.

"I expect to learn some Italian," Raymond replied.

"Wouldn't French be more useful?"

"I know all the French I need."

"Where do you expect to use your Italian?"

"In Italy. I didn't go to college."

Impossible to depict the quality of Raymond's tone in speaking these

five words. There was no color, no emphasis, no seeming presentation of

a case. It was the cool, level statement of a fact; nor did he try to

make the fact too pertinent, too cogent. An hour-long oration would not

have been more effective. He had calmly taken off a lid and had

permitted a look within. His father saw--saw that whatever Raymond, by

plus or by minus, might be, he was no longer a boy.

"I know," said James Prince, slowly. He was looking past us both and was

opening and shutting the covers of the book unconsciously.

A day or two later, Raymond gave me the rest. His father had asked him

how much money he had. Out of his sixty or seventy-five a month Raymond

had set aside several hundreds; "and I said I could make the rest by

corresponding for some newspaper," he continued. This was in the simple

day when travel-letters from Europe were still printed and read in the

newspapers, and even "remunerated" by editors. Incredible, perhaps, in

this day; yet true for that.

His father had asked him how long he intended to be away. Raymond was

non-committal. He might travel for a year, or he might try "living" there

for a while--a long while. A matter of funds and of luck, it seemed. His

father, without pressing him closely, offered to double whatever sum he

had saved up. He appeared neither pleased nor displeased by Raymond's

course. He felt I suppose, that the bank would hardly suffer, and that

Raymond (whom he did not understand) might get some profit. Fathers have

their own opinions of sons, which opinions range, I dare say, all the

way from charitableness to desperation. In the case of my own son, I am

glad to say, a very slight degree of charitableness was all the tax laid

upon me. There were some distressing months of angularity, both in

physique and in manners, at seventeen; then a quick and miraculous

escape into trimness and grace. And my grandson, now at nine, promises

to be, I am glad to state, even more of a success and a pleasure. As for

Raymond, he had developed unevenly: his growth had gone athwart.

Possibly the "world," that vast, vague entity of which his father's

knowledge was restricted almost to one narrow field, might aid in

straightening the boy out.

"Well, try it for a year," his father said, not unkindly, and almost

wistfully.

VI

When Johnny McComas heard of Raymond's resolve, he drew up his round

face into a grimace. He thought the step queer, and he said so. But,

"Oh, well, if a fellow can afford it!" he added. And he did not explain

just what meaning he attached to the word "afford."

But Johnny could see no valid reason for a fellow's giving the town the

go-by at nineteen and at just that stage of the town's development.

Johnny was so made that the community which housed him was necessarily

the centre of the cosmos; he himself, howsoever placed, was necessarily

at the centre of the circle--so why leave the central dot for some vague

situation on the circumference? And take this particular town: what a

present! what a future! what a wide extension over the limitless prairie

with every passing month!--a prairie which merely needed to be cut up

into small checkers and sold to hopeful newcomers; a prairie which

produced profits as freely as it produced goldenrod and asters; a

prairie upon which home-seekers might settle down under agents whose

wide range, running from helpful coöperation to absolute flimflam, need

leave no competent "operator" other than rich.

"What are you going to get out of it?" asked Johnny earnestly.

Raymond attempted no set reply. Johnny, he recognized, was out for

positive results, for tangible returns; his idea was to get on in the

world by definite and unmistakable stages. Raymond never welcomed the

idea of "getting on"--not at least in the sense in which his own day and

place used the expression. To do so was but to acknowledge some early

inferiority. Raymond was not conscious of any inferiority to be

overcome. Johnny might, of course, on this particular point, feel as he

chose.

About this time old Jehiel Prince began to come more frequently to his

son's house. He was yellower and grayer, and he was getting testy and

irascible. He sometimes brought his lawyer with him, and the pair made

James Prince an active participant in their concerns. However, Jehiel

was perhaps less unhappy here than in his own home. When there, he sat

moodily alone, of evenings, in his basement office; and Raymond, who was

sometimes sent over with documents or with messages, impatiently

reported him to me as "glum."

"Poor old fellow! he doesn't know how to live!" said Raymond in

complacent pity. He himself, of course, had but to assemble all the

bright-hued elements that awaited him a few months ahead to make his own

life a poem, a song.

"I can do that," he once said, in a moment when exaltation had briefly

made him confidential.

Raymond never saw his grandmother--at least he never cared to see her.

Here, if nowhere else, he was willing to take a cue, and he took it from

the head of the family. He thought that so many years of town life might

have made her a little less rustic in the end: the York State of 1835 or

of 1840 need not have remained York State so immitigably. And if there

was a domestic blight on the house he was willing to believe that she

was two thirds to blame: behind the old soul was a pack of poor

relations. Particularly a brother-in-law--a bilious, cadaverous fellow,

whom I saw once, and once was enough. He had been an itinerant preacher

farther East, and he lived in a woeful little cottage along one of

Jehiel's horse-car routes. His mournful-eyed wife was always asking

help. He too had "gone into real-estate," and unsuccessfully. He was the

dull reverse of that victorious obverse upon which Johnny McComas was

beginning to shine.

Another of her relatives, a niece, had married a small-town sharper. He

had brought her to the larger town, and his sharpness had taken on a

keener edge. He, too, had gone into real-estate--a lean, wiry little

man, incredibly arid and energetic, and carrying a preposterously large

mustache. There was trouble with him after Jehiel's death. It developed

that one of the documents which old Beulah Prince had been cajoled or

hectored into signing had deeded to him--temporarily and for a specific

purpose--some forty acres of purple and yellow prairie flowers,

delightful blossoms nodding and swaying in the wind, and that he had

refused to deed more than half of them back: his services at that

particular juncture were "worth something," he said. Well, life (as may

have been remarked previously) would be quite tolerable without one's

relatives. Meanwhile the summer flowers bloomed and nodded on, under the

windy blue sky, all unaware of their disgrace.

A month after Raymond's decision, flowers (of the sort favored in

cemeteries) were trying to bloom over old Jehiel. Some stroke, some

lesion, had put a period to the unhappy career of this grim old man.

Raymond set to one side, for a few weeks, his new trunk and portmanteau;

for a few weeks only--he had no notion of making, ultimately, any great

change in his plans. It was obvious that James Prince was looking

forward to a year or two of harassing procedure in the courts, for old

Jehiel's estate was unlikely to smooth out with celerity; but Raymond

was clearly of no use at home, even as a mere source of sympathy. A

fortnight after his grandfather's funeral he was off.

The singing-class would have given him good-bye in a special session;

but his eyes were now on brighter matters and the vocalizing Gertrudes

and Adeles were dim. He got out of it. Besides, the affair might come to

involve something like ceremony; and he was always desirous of avoiding

(save in the arts) the ceremonial side of life. When he came back from

his first sojourn on the Continent he was a young man of mark, as things

went in our particular town and time; or, rather, he might have been

such, had he but chosen. The family fortunes were then merely at the

stage of worry and still far from that of impending disaster. Raymond

came back with money, position, and a certain aureole of personal

distinction--just the sort of young man who would be asked to act as

usher at a wedding. He _was_ asked repeatedly; but he never acted, and

his excuses and subterfuges for avoiding such a service almost became

one of the comedies of the day. He had no relish for seeing himself

walking ceremonially up a church aisle under the eyes of hundreds, and

I knew better than to ask him to walk up any aisle for me. He never did

the thing but once, and that was under the inescapable compulsion of his

fiancée--who, for her part, insisted on eyes and plenty of them. A man

may never cease to be astonished at the workings of feminine preferences

on such an occasion, but can hardly escape accommodating himself to

them. Gertrudes are Gertrudes.

But the wedding is years ahead, while the departure for Europe is

imminent. Raymond had a tepid, awkward parting with his mother, whose

headaches would not allow her to go to the train; and he shook hands

rather coldly and constrainedly with his father, who would have

welcomed, as I guess, some slight show of filial warmth, and he threw an

embarrassedly facetious word to me about the weight of his portmanteau,

and so was off. And it was years, rather than months, before he came

back.

On the Stairs · 第 2 / 8 章