Perhaps you can see Sherbrand bowing rather stiffly to Margot and

accepting with the briefest hesitation the smallest of offered hands.

"I thought it must be the same!--I was certain there couldn't be two

Flying Sherbrands. Pat!--Mr. Sherbrand can't deny the relationship,

though he disapproves of Franky and me most fearfully. You'll have to

teach him," went on the coaxing little voice, "that we're lots and lots

nicer than he thinks us! For we've got to be friends," said Kittums,

"if you and my dear Pat are going to be married! No time like the

present! Can't we begin now?"

What a vivid little face it was, though there were tired marks like

faint bruises under the great dark eyes, and the rose-flush in the

cheeks was less bright than it had seemed in June. He released the tiny

jewelled fingers, and found himself presented to the husband.

"Frightfully glad to meet you--more reasons than one!"

Franky, slim, sleek-headed, and dapper in unblemished Regulation

tea-leaf, held out his hand, saying as he looked the other squarely in

the eyes:

"If I had known your Home address, I should like to have dropped a line

to you, when I--when I saw the newspaper yesterday."

"My mother lives at Bournemouth. My father had been an invalid for

years. I go down to-day by the afternoon train."

"Ah! Please remember me to my--Aunt Jeannette."

From what dusty shelf of memories had Franky reached down the name of

his uncle's unknown wife? But it sounded pleasantly to Mrs. Sherbrand's

son. The cloud upon his forehead cleared away, and his cold sea-blue

eyes began to thaw into kindness:

"I'd like a word with you in private. Do you mind comin' out of this

clackshop into the vest*i*bulee?" Franky went on, quoting his favourite

Jimmy Greggson, and with a word to Margot and a glance on Sherbrand's

part at Patrine, the two men passed through the swing-doors. Here

Franky wheeled, and said with effort:

"This is a bit subsequent! but--if there's time available and the date

of my uncle's funeral doesn't happen to be fixed, I should like to

say--" He grew furiously red and began to stammer: "My father ...

myself ... Dash! how brutally I bungle! But my uncle has a right to--to

lie in the family vault with his ancestors. It's at Whins--the Church

is in the Castle grounds. I can guarantee that my father--every

facility--sympathy--proper respect--" He broke down. Sherbrand

answered, now the cooler of the two:

"You are very kind, Lord Norwater. My mother has already received a

telegram from Lord Mitchelborough conveying a message to the same

effect."

"I engineered that!" thought Franky complacently. But he was fish-dumb.

Sherbrand went on:

"She would thank you, as I do, gratefully. But my father--would have

preferred to be buried where he died!"

"Good egg! And now there's another thing to get off my chest," said

Franky. "You know you stand in for the Viscounty when I succeed my

father, or if I get knocked out in this scrap--supposing I should kick

without heirs! That being so, suppose you bury the hatchet and lunch

with us? Wouldn't in Paris--perhaps you will now? The War seems to rub

up old saws like new somehow. That copy-book tag about Blood bein'

thicker than water! that's one of the ones I mean. In case my wife got

left--do you tumble?"--the ambiguous term was quite expressive--"I'd

like to think that you were--would be kind to her!"

"I should certainly--in that case--try to do what I could." A certain

physical and mental resemblance showed between these two long-legged,

lightly-built, clean-made Sherbrands, standing together talking of grave

matters, with candour and simplicity and British avoidance of sentiment

and excess of words.

"But,"--Sherbrand found himself yielding to an impulse of confidence in

the owner of the brown eyes that were some inches below his own, "this

War is my chance! I'm a certified pilot-aviator and constructor and

engineer. Perhaps there'll be a chink in the Royal Flying Corps for

me--and many another fellow like me--before long--I hope, not very long!

For my father's sake as much as for my own, I'm bound to make good--you

understand?"

The brown eyes understood. His kindred blood warmed to the look in

them.

"He knew--my father knew that he had failed in life through his own

fault. He did not resent his brother's attitude. He bore the

consequences more or less patiently, and when he died he left the

cleansing of his name to me. Not that he was as badly to blame as

people thought. He was born without sufficient of the quality

called--objectivity. It's the power that keeps a man slogging, slogging

in one groove without getting mechanical or stupid, as long as he attain

his ends or can serve his country by keeping on. It's

_indispensable_!"--he emphasised the word, his strong blue-grey eyes

full on Franky's--"as indispensable as lymph in your inner ear-tubes.

Without it you can't keep a level balance--whether you stand, or walk,

or fly!"

"Miss Saxham--knows, I suppose?"

A flush crept up through Sherbrand's tanning:

"I have told her. It wasn't pleasant. But she--likes me enough to

overlook it. She--seems to think I should never fail in that way! I

hope to God I never shall!" The old boyish terror of inherited weakness

cropped up in the tone of the man grown. "It would be horrible to

suspect the bacillus of slackness lurking in my blood! If there is--the

sooner I get scrapped, the better for her and for me!"

"Well, you've chosen the--kind of career that is going to use up a good

many men pretty quickly." Franky was warming more and more to this big

blond, candid cousin. "Not that I think there's much of the slacker

about you. Few chaps more fit and nervy--that is, going by looks, you

know! But if the Kaiser's Flying Men can shoot on the wing as well as

they brag they can"--his brown eyes were watchful for a change in the

other's face--"then----"

"Then I tumble out of my sky, a dead bird!" said Sherbrand, squaring his

broad shoulders, "and someone luckier fills my place!"

"Thumbs up! Ten to one you'd come down with a broken wing or so."

There was something that touched Franky's latent quality of imagination

in the fellow's queer way of saying "my sky." "This cousin of mine is a

handsome fellow," he said to himself, "and a plucky one. And--by the

Great Brass Hat!--now I come to think of it--the livin' image of old Sir

Roger Sherbrand--his and my great-grandfather--goin' by the portrait in

the gallery at Whins."

"So you're firm on joinin' the Flying Corps..." he went on, feeling for

the moustache which had been reduced to Regulation toothbrush size.

"Good egg You! Wish you all the sporting chances----"

"And better luck," said Sherbrand drily, "with Bird of War No. II. than

I had with No. I.!"

"You're building a new 'plane?" The brown eyes were alight with

interest.

"Rather! Come and have a look at her one day."

"Like a shot, if only I'd time! Did she tot to a hatful of money?"

"Something under L700. L500 of that goes for the new 'Gnome' engine.

You see that German--" Sherbrand broke off.

"I remember! Pretty rough on you, that North Sea crossin' business.

Must have been an awful loss. Look here!" Franky reddened again and

began to flounder. "Could I--couldn't I--help with the boodle? Got L700

lying by idle. Frightfully glad if you'd let me chip in!--just in a

cousinly sort o' way!"

"I am much obliged to you, Lord Norwater."

Confound the fellow! how he froze at the least hint of patronage. He

went on, holding his head high:

"You are very kind, but I am not poor, unless as poverty is understood

by people of your world. Apart from what my profession brings me I have

something in the way of income. My mother's brother left me a sum of

money that brings in yearly over L200." He went on as Franky regarded

with unaffected interest the man who wasn't poor on two hundred _per

annum_: "The principal--I suppose it tots up to L6,000--I shall

naturally settle on my wife."

He warmed and brightened with the utterance of the word. His cold eyes

grew soft and his brows smoothed pleasantly. He said with a glowing

pride, and a kind of brave shyness that a woman who loved him would have

adored:

"I have said nothing yet to Miss Saxham about my hopes of a

Commission--I suppose for fear of not pulling the thing off. But the

moment it comes along I shall persuade her to marry me. We'll be man

and wife before I fly for the Front."

As cocky as though he had landed the biggest catch in the matrimonial

waters, thought Franky, instead of that great, slangy, galumphing young

woman without a halfpenny at her back. But he did the amiable, in a way

characteristic of Franky, ushering the guest back to the luncheon-room,

introducing "my cousin" to people worth knowing, doing the honours with

a pleasant cordiality that won upon Sherbrand more and more.

Sherbrand took leave directly after lunch, saying that he had to catch

the afternoon express for Bournemouth. He had left his bag and

suit-case in the hall-porter's care. Would Patrine?--Patrine read the

entreaty in the hiatus and yielded to it, saying Yes, she would drive

with him, and see him off from Waterloo.

"It's lovely of you!" Sherbrand said to her gratefully as they rose.

She gave him her cordial smile and a soft glance from the long eyes.

They took leave of their hosts and passed out together, heads slewing as

the tall young figures went by.

Once in a taxi, spinning down Short Street, Sherbrand possessed himself

of the hand he coveted. Its warm strong, answering clasp thrilled him

to speechlessness. He looked at the long white fingers intertwined with

his own, and asked himself whether he were deserving of a happiness too

great to be credited. When her shoulder touched his, its warm creamy

whiteness gleaming through the dead-white of her thin sleeve, his heart

drummed until it seemed as though she could not but hear it. But his

was not the only heart that beat....

"Thank you." It was her rich warm voice speaking close by his ear.

"Thank you for being so nice to my Kittums! She is the truest little

soul going. We have been chums ever since I joined the Club. Never

quarrelled once--until she made up her mind to marry Franky----"

"And now you're going to marry Franky's first cousin." Sherbrand

laughed rather breathlessly. "'Marry' ... 'Marriage.' Two splendid

words with meanings and meanings beyond meanings packed into them.

Isn't it wonderful? ..." He gripped the warm white hand in his strong

brown one. "Pat, your pulses are playing a tune!"

"So are yours," she answered in a low tone.

"What is it?" He bent his head and set his lips in a swift caress to

the back of the white hand. Then he turned it gently over and looked

earnestly at the blue wrist-veins. They were full and throbbing

tumultuously. Her blood was answering to the call of his. He set a

second swift kiss upon them and his voice was unsteady as he said:

"I know the name of the tune, my wonder. Patrine! Love!--it's the

_Wedding March_!"

"Whose? Grieg's, or Wagner's in _Lohengrin_, or Haydn's?"

"Neither Wagner's nor Haydn's nor Grieg's. Yours and mine! I told Lord

Norwater to-day that I meant to make sure of you before I fly for the

Front."

"You're going to the Front? Oh!--why?" Her long eyes looked at him

with sharp terror in them. He answered:

"When the Powers that be offer me a Commission in the Royal Flying

Corps."

"I see." She breathed freely. "And so--we are not to be married until

then?"

"Would you--to-morrow, if I----"

"You know I would!" Her voice broke over him in a wave of tenderness.

"You've made me love you--so dreadfully, Alan. Now if the little tin

gods hear us--the spiteful little gods who spoil people's

lives--something will happen to part us, soon."

His arm went round her and gathered her against him. He said with a

great thrill of triumph:

"If the Great God is for us we can defy the little tin devils! It was

He who made us for each other, brought us together--will bring us closer

still!"

He added, as a handsome boy of nineteen or twenty, dressed at the zenith

of the fashion, and already showing the worn lines of habitual

dissipation, flashed by driven in a silver-grey Lanchester, with a

notorious Cyprian enthroned at his side:

"How can I thank Him enough for what He has done for me? How many

temptations He has helped me resist, that I might come to you clean

to-day!"

"Were any of the temptations like Mrs. Mallison?" She had freed her

hand from his, and now leaned forwards, hiding her clouded face from

Sherbrand under the pretext of following the grey car with her eyes.

"That was little Wyvenhoe with her.... How young he is! And how old

she must be! Why, I've seen her portrait in a Book of Beauty dated

forty years back--with a chignon and waterfall. They called her the

Marble Marvel in those days, didn't they? Before she pitched her cap

over the windmill, and made hay of the Prunes and Prisms. Now she acts

in Music Hall sketches--has a voice like a raven's, paints a

quarter-of-an-inch thick, and exploits Eton boys. Is anything the

matter?"

Sherbrand had suddenly started and pulled his watch out. Now he rapped

on the glass at the back of the chauffeur, leaned out of the window and

spoke to the man, and resumed his seat, answering:

"The matter is that I had forgotten an important appointment. I can

manage to keep it by the skin of my eyelids by taking the three o'clock

train to Bournemouth instead of the two-thirty Express. You won't mind?

You'll come with me and wait for me?"

"Not a little bit! ..." she answered to the one question and to the

other: "Of course I will!"

*CHAPTER LI*

*THE INWARD VOICE*

The taxi, arrested and reversed on its way to Piccadilly Circus, was

soon speeding Westwards. It whirred up Berkeley Street, traversed

Berkeley Square, and turned into a short street ending in railings,

enclosing grass wonderfully green for August, clipped bushes of

evergreens, and some autumn-foliaged planes.

"We'll keep the man. I'll take his number. He'll look after my kit for

me. Let me help you out, dear!"

He opened a gate in the railings and let her through. A large double

house, with many windows, severely screened with brown curtains and wire

blinds, loomed behind them, commanding the oblong patch of London green.

The Modern Gothic porch of a lofty building of smoke-darkened freestone

rose up before them. Patrine said under her breath, realising the

ecclesiastical character of the edifice:

"Great Scott! It's a church!"

But Sherbrand, who had stayed to shut the gate in the railings did not

hear the tabooed expletive. He caught her up and turned the massive

iron handle of the porch-door which was braced by bands of iron with

trefoil heads, and studded with heavy nails. They went down two shallow

steps into an oblong, vaulted chamber, very cool and dark and fragrant,

tesselated with squares of black and white stone. Slabs of black marble

lined the walls to the height of a tall man. An inscription in Early

English lettering, cut into the black background and gilded, caught

Patrine's eye in passing. She read beneath the symbol of the Cross:

[Illustration: Cross. "Sodality of the Blessed Sacrament"]

Under were lists of names, all male, ranged alphabetically. Her quick

eye dropped to the initial S. and found Sherbrand there. But when she

looked for her companion, he was waiting hat in hand, at a door some

distance beyond them.

"You will come in and wait for me?" he whispered as she came towards

him.

"Why not? As well here as anywhere!" He opened the door and she passed

in.

To Patrine's left hand, close to the door by which they had entered, was

a small unpretending altar supporting the tinted image of an emaciated,

bearded monk in a black robe girdled with a white cord. A clustered

pillar of red and white marble supported a shallow basin containing a

little water. Patrine shrugged as Sherbrand dipped his fingers and made

upon brow and breast the sacred Sign. Then he seemed to

hesitate--dipped again and held the wetted finger tips towards her,

evidently courting her touch. She shook her head hastily. Her eyes

swept purposely past his, scanning the vast interior. They were

standing in the shorter southern transept of what was _some_ church.

The vast nave was dark and cool, full of silence and shadow and the

perfume of flowers and incense, mingled with a fragrance far subtler

than these. Pillars of richest Modern Gothic design supported the roof,

whose forest of rich dark timbers showed little adornment, except at the

Sanctuary end. Here coffering, diapering, and gilding made for

splendour; rich marble cased the pillars and floored the stately choir

with its rows of stalls, wrought in dark wood, elaborately carved. The

north transept housed the organ, a towering instrument of many pipes.

The scarlet cushion on the vacant organ-bench, the book of chants left

upon the rack, the black and yellow-white of the well-used keys, the

numbered heads of the stops, showed through the lattice-work of a high

wrought-iron screen, wonderfully painted and gilt. Between Patrine and

the nave was a pulpit of red and white marble like the pillars, with a

carved sounding-board of obviously ancient work. Rows of pews flanked

the wide central aisle and the two smaller, and on the right of a lofty

oaken screen that masked the west door, with the mellow light of a great

rose-window falling on it, towered a huge Crucifix in black marble,

upholding a white tortured Figure whose drooping thorn-crowned Head,

like His hands and feet and side, dripped with crimson.... Patrine

winced at the sight, and turned hastily away.

Now she was looking over the head of Sherbrand, who knelt before her

upright and motionless,--at the High Altar, backed with a noble

triptych, its three panels displaying the Annunciation, the Visitation,

and the Nativity. A silver lamp depending by chains from the centre of

the Sanctuary roof burned with a small steady flame before the

Tabernacle--standing between tall tapers burning in gleaming

candlesticks, and vases of huge white golden-anthered August

lilies--hiding behind its broidered curtains and golden doors, the

Ineffable Mystery.

"Come!" Sherbrand's whisper said, close at her ear as he rose up. She

turned and followed him down a side-aisle. "Sit here!" he signed to her,

pointing to a narrow bench. He waited until she was seated, laid his hat

and stick beside her, gave her a grave smile, bent his knees once more,

looking towards the High Altar and moved noiselessly away.

Turning her head to follow him with her eyes, Patrine saw that the large

dark church was not as empty as she had supposed. Kneeling or seated

figures of men and women were scattered here and there amongst the

wilderness of empty pews. The serried rows of rush-bottomed

kneeling-chairs in either side-aisle showed aggregations of people, ten

or a dozen together, chiefly in the neighbourhood of certain narrow

wooden doors appertaining to small structures that might be little

chapels or vestries, set between groups of pillars in regular sequence

down the length of the side-walls. Still following Sherbrand's figure

with her eyes she saw him knock at one of the doors, wait as though for

an answer, and enter. As the door swung towards her, she saw that it

bore a name in gilt letters within an oval on the upper panel. Each of

the doors, a questing glance satisfied her, bore a name.

Of course the little wooden chapels were confessionals. Was Confession

the important business that necessitated Sherbrand's losing a train and

foregoing the company of Patrine to the station, a favour so eagerly

sought and so ardently received? Her red lips curled a little at the

corners as she turned her face back towards the High Altar, rising

within the low barrier of the red and white marble Communion-rail. So

remote and pure and set apart with its tall, shining lights and gleaming

vases of pure white lilies, its snow-white silk frontal embroidered with

a golden ray-surrounded Chalice, its fair white linen Altar-cloth, with

a running border of Old English lettering in dark rusty red:

"He had borne our Infirmities and Carried out

Sorrows. He was Wounded for our Iniquities.

He was Bruised for our sins."

The words seemed to have a physical as well as mental force and

impressiveness. It was as though they swept from the high white Table

through the fragrant, wax-lit stillness of the Sanctuary, winnowing the

still, spicy air of the dark nave and the lighter side-aisles as with

wide, powerful, unseen wings. And despite the presence of nearly a

hundred people scattered about the great building, the stillness was

extraordinary. It got on the nerves.

Almost awfully upon the nerves. For a long way behind her, where the

shadowy dusk brooded thickest, and the white tortured Figure of the

Crucified hung drooping from the great Cross of black marble against the

background of the towering oak screen, it was as though the first great

drops of a thunder-shower were falling, _pat, pat, pat!_ upon the

pavement below.

Merely a trick of imagination--and yet it tortured. One knew by

sensations like these that one had been frightfully overstrained of

late. One had done lots of things one regretted--several things one

disliked to think of; one thing that made one hate oneself sometimes

with a very fury of intensity, when one wasn't too busy hating _him_.

But since he was drowned, one had felt it scarcely cricket to go on

expending fierce resentment and savage disgust and acute loathing in

that direction. One heaped it on the living of the two gross, sensual

offenders. Oh God! when Sherbrand had said in that tone of triumph:

"_I come to you clean!_"

How inexpressibly one had abominated oneself. How one had shrunk

against the side of the taxicab, pretending to look after wretched

little decadent Wyvenhoe and the unquenchable Mrs. Mallison--feigning

sudden absorption in the Piccadilly shop-windows, to escape those clear

undoubting eyes that pierced one to the very soul. To be thought good

when one was wicked, pure when one was the other thing; believed candid

when one was a living lie. Ah!--that not only pierced but scorched.

If anybody, a month or so back, had asked Patrine: "Are you a

Christian?" she would have retorted: "What are you playing at? Of

course I am--I suppose!" Of late that conjectural Being she had called

God had receded, faded, grown dimmer, and vanished. But here in the

stillness, looking towards the Altar, she was conscious as those

candle-flames went up like prayers from faithful souls, that Good and

Evil were living warring Forces. You chose White or Black deliberately,

and when Death came--it was anything but the end.

Her hair stiffened slightly on her scalp and a light shudder thrilled

through her. She felt with a growing awe, and sense of dreadful

certainty, that Someone was looking at her. And to relieve the

insupportable tension she stretched out her hand, and took a squat,

thick little book from the shelf below the seat in front of her. It was

a copy of the Douai translation from the Latin Vulgate of the Bible, and

there was a purple marker where she opened it, in the middle of the Book

of Job.

"_Power and terror are with Him...._"

That was the first line that caught her eye. A little lower on the page

came:

"_Was it not Him that made life? Hell is naked before Him and there is

no covering for destruction.... He stretched out the North over the

empty place, and hangeth the earth upon nothing._

"_He hath set bounds about the waters, till light and darkness come to

an end...._

"_The pillars of heaven tremble and dread at His beck. By His power the

seas are suddenly gathered together, and His Wisdom hath struck the

proud one._

"_His Spirit hath adorned the heavens ... and seeing we have heard

scarce a little drop of His Word, who shall be able to withstand the

thunder of His greatness?_"

It was like a Voice speaking--a Voice of inconceivable magnitude. It

made one go cold, asking oneself the question: What if sin were an

insult to Him? A scrap of filth flung in the Face of One who created

the atom, the protoplasm, the cell, and the bacillus, and built from

these in His own Image, Man.

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