WOLFGANG ROMATZ.

112.

St. Germains, August 27, 1778.

I WRITE to you very hurriedly; you will see that I am not in Paris.

Herr Bach, from London [Johann Christian], has been here for the last

fortnight. He is going to write a French opera, and is only come for

the purpose of hearing the singers, and afterwards goes to London to

complete the opera, and returns here to put it on the stage. You may

easily imagine his joy and mine when we met again; perhaps his delight

may not be quite as sincere as mine, but it must be admitted that he is

an honorable man and willing to do justice to others. I love him from my

heart (as you know), and esteem him; and as for him, there is no doubt

that he praises me warmly, not only to my face, but to others also,

and not in the exaggerated manner in which some speak, but in earnest.

Tenducci is also here, Bach's dearest friend, and he expressed the

greatest delight at seeing me again. I must now tell you how I happen to

be at St. Germains. The Marechal de Noailles lives here, as you no

doubt know, (for I am told I was here fifteen years ago, though I

don't remember it.) Tenducci is a great favorite of his, and as he

is exceedingly partial to me, he was anxious to procure me this

acquaintance. I shall gain nothing here, a trifling present perhaps, but

at the same time I do not lose, for it costs me nothing; and even if I

do not get anything, still I have made an acquaintance that may be very

useful to me. I must make haste, for I am writing a scena for Tenducci,

which is to be given on Sunday; it is for pianoforte, hautboy, horn, and

bassoon, the performers being the Marechal's own people--Germans, who

play very well. I should like to have written to you long since, but

just as I had begun the letter (which is now lying in Paris) I was

obliged to drive to St. Germains, intending to return the same day, and

I have now been here a week. I shall return to Paris as soon as I can,

though I shall not lose much there by my absence, for I have now only

one pupil, the others being in the country. I could not write to you

from here either, because we were obliged to wait for an opportunity to

send a letter to Paris. I am quite well, thank God, and trust that both

of you are the same. You must have patience--all goes on slowly; I

must make friends. France is not unlike Germany in feeding people with

encomiums, and yet there is a good hope that, by means of your friends,

you may make your fortune. One lucky thing is, that food and lodging

cost me nothing. When you write to the friend with whom I am staying

[Herr Grimm], do not be too obsequious in your thanks. There are some

reasons for this which I will write to you some other time. The rest

of the sad history of the illness will follow in the next letter. You

desire to have a faithful portrait of Rothfischer? He is an attentive,

assiduous director, not a great genius, but I am very much pleased with

him, and, best of all, he is the kindest creature, with whom you can do

anything--if you know how to set about it, of course. He directs

better than Brunetti, but is not so good in solo-playing. He has more

execution, and plays well in his way, (a little in the old-fashioned

Tartini mode,) but Brunetti's style is more agreeable. The concertos

which he writes for himself are pretty and pleasant to listen to, and

also to play occasionally. Who can tell whether he may not please? At

all events, he plays a thousand million times better than Spitzeger,

and, as I already said, he directs well, and is active in his calling.

I recommend him to you heartily, for he is the most good-natured man!

Adieu!

113.

Paris, Sept. 11, 1778.

I HAVE received your three letters. I shall only reply to the last,

being the most important. When I read it, (Heina was with me and sends

you his regards,) I trembled with joy, for I fancied myself already in

your arms. True it is (and this you will yourself confess) that no

great stroke of good fortune awaits me; still, when I think of once more

embracing you and my dear sister, I care for no other advantage. This is

indeed the only excuse I can make to the people here, who are vociferous

that I should remain in Paris; but my reply invariably is, "What would

you have? I am content, and that is everything; I have now a place I can

call my home, and where I can live in peace and quiet with my excellent

father and beloved sister. I can do what I choose when not on duty. I

shall be my own master, and have a certain competency; I may leave when

I like, and travel every second year. What can I wish for more?" The

only thing that disgusts me with Salzburg, and I tell you of it just as

I feel it, is the impossibility of having any satisfactory intercourse

with the people, and that musicians are not in good repute there,

and--that the Archbishop places no faith in the experience of

intelligent persons who have seen the world. For I assure you that

people who do not travel (especially artists and scientific men) are but

poor creatures. And I at once say that if the Archbishop is not prepared

to allow me to travel every second year, I cannot possibly accept the

engagement. A man of moderate talent will never rise above mediocrity,

whether he travels or not, but a man of superior talents (which,

without being unthankful to Providence, I cannot deny that I possess)

deteriorates if he always remains in the same place. If the Archbishop

would only place confidence in me, I could soon make his music

celebrated; of this there can be no doubt. I also maintain that

my journey has not been unprofitable to me--I mean, with regard to

composition, for as to the piano, I play it as well as I ever shall. One

thing more I must settle about Salzburg, that I am not to take up the

violin as I formerly did. I will no longer conduct with the violin; I

intend to conduct, and also accompany airs, with the piano. It would

have been a good thing to have got a written agreement about the

situation of Capellmeister, for otherwise I may have the honor to

discharge a double duty, and be paid only for one, and at last be

superseded by some stranger. My dear father, I must decidedly say that

I really could not make up my mind to take this step were it not for the

pleasure of seeing you both again; I wish also to get away from Paris,

which I detest, though my affairs here begin to improve, and I don't

doubt that if I could bring myself to endure this place for a few years,

I could not fail to succeed. I am now pretty well known--that is, the

people all know ME, even if I don't know them. I acquired considerable

fame by my two symphonies; and (having heard that I was about to leave)

they now really want me to write an opera, so I said to Noverre, "If you

will be responsible for its BEING PERFORMED as soon as it is finished,

and will name the exact sum that I am to receive for it, I will remain

here for the next three months on purpose," for I could not at once

decline, or they would have thought that I distrusted myself. This was

not, however, done; and I knew beforehand that they could not do it,

for such is not the custom here. You probably know that in Paris it is

thus:--When the opera is finished it is rehearsed, and if these stupid

Frenchmen do not think it good it is not given, and the composer has

had all his trouble for nothing; if they approve, it is then put on the

stage; as its popularity increases, so does the rate of payment. There

is no certainty. I reserve the discussion of these matters till we meet,

but I must candidly say that my own affairs begin to prosper. It is no

use trying to hurry matters--chi va piano, va sano. My complaisance has

gained me both friends and patrons; were I to write you all, my fingers

would ache. I will relate it to you personally and place it clearly

before you. M. Grimm may be able to help CHILDREN, but not grown-up

people; and--but no, I had better not write on the subject. Yet I must!

Do not imagine that he is the same that he was; were it not for Madame

d'Epinay, I should be no longer in this house. And he has no great cause

to be so proud of his good deeds towards me, for there were four houses

where I could have had both board and lodging. The worthy man does not

know that, if I had remained in Paris, I intended to have left him next

month to go to a house that, unlike his, is neither stupid nor tiresome,

and where a man has not constantly thrown in his face that a kindness

has been done him. Such conduct is enough to cause me to forget a

benefit, but I will be more generous than he is. I regret not remaining

here only because I should have liked to show him that I do not require

him, and that I can do as much as his Piccini, although I am only

a German! The greatest service he has done me consists in fifteen

louis-d'or which he lent me bit by bit during my mother's life and

at her death. Is he afraid of losing them? If he has a doubt on the

subject, then he deserves to be kicked, for in that case he must

mistrust my honesty (which is the only thing that can rouse me to rage)

and also my talents; but the latter, indeed, I know he does, for he once

said to me that he did not believe I was capable of writing a French

opera. I mean to repay him his fifteen louis-d'or, with thanks, when I

go to take leave of him, accompanied by some polite expressions. My poor

mother often said to me, "I don't know why, but he seems to me somehow

changed." But I always took his part, though I secretly felt convinced

of the very same thing. He seldom spoke of me to any one, and when he

did, it was always in a stupid, injudicious, or disparaging way. He

was constantly urging me to go to see Piccini, and also Caribaldi,--for

there is a miserable opera buffa here,--but I always said, "No, I will

not go a single step," &c. In short, he is of the Italian faction; he is

insincere himself, and strives to crush me. This seems incredible, does

it not? But still such is the fact, and I give you the proof of it. I

opened my whole heart to him as a true friend, and a pretty use he made

of this! He always gave me bad advice, knowing that I would follow it;

but he only succeeded in two or three instances, and latterly I never

asked his opinion at all, and if he did advise me to do anything, I

never did it, but always appeared to acquiesce, that I might not subject

myself to further insolence on his part.

But enough of this; we can talk it over when we meet. At all events,

Madame d'Epinay has a better heart. The room I inhabit belongs to her,

not to him. It is the invalid's room--that is, if any one is ill in

the house, he is put there; it has nothing to recommend it except the

view,--only four bare walls, no chest of drawers--in fact, nothing. Now

you may judge whether I could stand it any longer. I would have written

this to you long ago, but feared you would not believe me. I can,

however, no longer be silent, whether you believe me or not; but you

do believe me, I feel sure. I have still sufficient credit with you to

persuade you that I speak the truth. I board too with Madame d'Epinay,

and you must not suppose that he pays anything towards it, but indeed I

cost her next to nothing. They have the same dinner whether I am there

or not, for they never know when I am to be at home, so they can make no

difference for me; and at night I eat fruit and drink one glass of wine.

All the time I have been in their house, now more than two months, I

have not dined with them more than fourteen times at most, and with the

exception of the fifteen louis-d'or, which I mean to repay with thanks,

he has no outlay whatever on my account but candles, and I should really

be ashamed of myself more than of him, were I to offer to supply these;

in fact I could not bring myself to say such a thing. This is my nature.

Recently, when he spoke to me in such a hard, senseless, and stupid way,

I had not nerve to say that he need not be alarmed about his fifteen

louis-d'or, because I was afraid of offending him; I only heard him

calmly to the end, when I asked whether he had said all he wished--and

then I was off! He presumes to say that I must leave this a week

hence--IN SUCH HASTE IS HE. I told him it was impossible, and my reasons

for saying so. "Oh! that does not matter; it is your father's wish."

"Excuse me, in his last letter he wrote that he would let me know in his

next when I was to set off." "At all events hold yourself in readiness

for your journey." But I must tell you plainly that it will be

impossible for me to leave this before the beginning of next month, or

at the soonest the end of the present one, for I have still six arias to

write, which will be well paid. I must also first get my money from Le

Gros and the Duc de Guines; and as the court goes to Munich the end of

this month, I should like to be there at the same time to present my

sonatas myself to the Electress, which perhaps might bring me a present.

I mean to sell my three concertos to the man who has printed them,

provided he gives me ready money for them; one is dedicated to Jenomy,

another to Litzau; the third is in B. I shall do the same with my

six difficult sonatas, if I can; even if not much, it is better than

nothing. Money is much wanted on a journey. As for the symphonies, most

of them are not according to the taste of the people here; if I have

time, I mean to arrange some violin concertos from them, and curtail

them; in Germany we rather like length, but after all it is better to be

short and good. In your next letter I shall no doubt find instructions

as to my journey; I only wish you had written to me alone, for I would

rather have nothing more to do with Grimm. I hope so, and in fact it

would be better, for no doubt our friends Geschwender and Heina can

arrange things better than this upstart Baron. Indeed, I am under

greater obligations to Heina than to him, look at it as you will by the

light of a farthing-candle. I expect a speedy reply to this, and shall

not leave Paris till it comes. I have no reason to hurry away, nor am I

here either in vain or fruitlessly, because I shut myself up and work,

in order to make as much money as possible. I have still a request,

which I hope you will not refuse. If it should so happen, though I hope

and believe it is not so, that the Webers are not in Munich, but still

at Mannheim, I wish to have the pleasure of going there to visit them.

It takes me, I own, rather out of my way, but not much--at all events it

does not appear much to me. I don't believe, after all, that it will

be necessary, for I think I shall meet them in Munich; but I shall

ascertain this to-morrow by a letter. If it is not the case, I feel

beforehand that you will not deny me this happiness. My dear father, if

the Archbishop wishes to have a new singer, I can, by heavens! find none

better than her. He will never get a Teyberin or a De' Amicis, and the

others are assuredly worse. I only lament that when people from Salzburg

flock to the next Carnival, and "Rosamunde" is given, Madlle. Weber

will not please, or at all events they will not be able to judge of her

merits as they deserve, for she has a miserable part, almost that of a

dumb personage, having only to sing some stanzas between the choruses.

She has one aria where something might be expected from the ritournelle;

the voice part is, however, alla Schweitzer, as if dogs were yelping.

There is only one air, a kind of rondo in the second act, where she has

an opportunity of sustaining her voice, and thus showing what she can

do. Unhappy indeed is the singer who falls into Schweitzer's hands; for

never while he lives will he learn how to write for the voice. When I

go to Salzburg I shall certainly not fail to plead zealously for my dear

friend; in the mean time you will not neglect doing all you can in her

favor, for you cannot cause your son greater joy. I think of nothing

now but the pleasure of soon embracing you. Pray see that everything

the Archbishop promised you is made quite secure, and also what I

stipulated, that my place should be at the piano. My kind regards to all

my friends, and to Herr Bullinger in particular. How merry shall we

be together! I have all this already in my thoughts, already before my

eyes. Adieu!

114.

Nancy, Oct. 3, 1778.

PRAY excuse my not having told you of my journey previous to leaving

Paris. But I really cannot describe to you the way in which the whole

affair was hurried forward, contrary to my expectations, wish, or

will. At the very last moment I wanted to send my luggage to Count

Sickingen's, instead of to the bureau of the diligence, and to remain

some days longer in Paris. This, I give you my honor, I should at once

have done had I not thought of you, for I did not wish to displease

you. We can talk of these matters better at Salzburg. But one thing

more--only fancy how Herr Grimm deceived me, saying that I was going by

the diligence, and should arrive at Strassburg in five days; and I did

not find out till the last day that it was quite another carriage, which

goes at a snail's pace, never changes horses, and is ten days on the

journey. You may easily conceive my rage; but I only gave way to it when

with my intimate friends, for in his presence I affected to be quite

merry and pleased. When I got into the carriage, I received the

agreeable information that we should be travelling for twelve days. So

this is an instance of Grimm's good sense! It was entirely to save money

that he sent me by this slow conveyance, not adverting to the fact that

the expense would amount to the same thing from the constant living at

inns. Well, it is now past. What vexed me most in the whole affair was

his not being straightforward with me. He spared his own money, but not

mine, as he paid for my journey, but not for my board. If I had stayed

eight or ten days longer in Paris, I could have paid my own journey, and

made it comfortably.

I submitted to this conveyance for eight days, but longer I could not

stand it--not on account of the fatigue, for the carriage was well hung,

but from want of sleep. We were off every morning at four o'clock, and

thus obliged to rise at three. Twice I had the satisfaction of being

forced to get up at one o'clock in the morning, as we were to set off at

two. You know that I cannot sleep in a carriage, so I really could not

continue this without the risk of being ill. I would have taken the

post, but it was not necessary, for I had the good fortune to meet with

a person who quite suited me--a German merchant who resides in Paris,

and deals in English wares. Before getting into the carriage we

exchanged a few words, and from that moment we remained together. We did

not take our meals with the other passengers, but in our own room,

where we also slept. I was glad to meet this man, for, being a great

traveller, he understands it well. He also was very much disgusted with

our carriage; so we proceed to-morrow by a good conveyance, which does

not cost us much, to Strassburg. You must excuse my not writing more,

but when I am in a town where I know no one, I am never in a good humor;

though I believe that if I had friends here I should like to remain,

for the town is indeed charming--handsome houses, spacious streets, and

superb squares.

I have one request to make, which is to give me a large chest in my room

that I may have all my things within my reach. I should like also

to have the little piano that Fischietti and Rust had, beside my

writing-table, as it suits me better than the small one of Stein. I

don't bring many new things of my own with me, for I have not composed

much. I have not yet got the three quartets and the flute concerto I

wrote for M. de Jean; for when he went to Paris he packed them in the

wrong trunk, so they are left at Mannheim. I can therefore bring nothing

finished with me except my sonatas [with violin]; M. Le Gros purchased

the two overtures from me and the sinfonie concertante, which he thinks

exclusively his own; but this is not the case, for I have it still fresh

in my head, and mean to write it out again as soon as I am at home.

The Munich company of comedians are, I conclude, now acting? [in

Salzburg.] Do they give satisfaction? Do people go to see them?

I suppose that, as for the operettas, the "Fischermadchen" ("La

Pescatrice" of Piccini), or "Das Bauernmadchen bei Hof" ("La Contadina

in Corte," by Sacchini), will be given first? The prima donna is, no

doubt, Madlle. Keiserin, whom I wrote to you about from Munich. I have

heard her, but do not know her. At that time it was only her third

appearance on any stage, and she had only learned music three weeks [see

No. 62]. Now farewell! I shall not have a moment's peace till I once

more see those I love.

115.

Strassburg, Oct. 15, 1778.

I GOT your three letters safely, but could not possibly answer them

sooner. What you write about M. Grimm, I, of course, know better than

you can do. That he was all courtesy and civility I do not deny; indeed,

had this not been the case, I would not have stood on such ceremony

with him. All that I owe M. Grimm is fifteen louis-d'or, and he has only

himself to blame for their not being repaid, and this I told him. But

what avails any discussion? We can talk it over at Salzburg. I am very

much obliged to you for having put my case so strongly before Father

Martini, and also for having written about me to M. Raaff. I never

doubted your doing so, for I am well aware that it rejoices you to see

your son happy and pleased, and you know that I could never be more so

than in Munich; being so near Salzburg, I could constantly visit you.

That Madlle. Weber, or rather MY DEAR WEBERIN, should now receive a

salary, and justice be at last done to her merits, rejoices me to a

degree natural in one who feels such deep interest in all that concerns

her. I still warmly recommend her to you; though I must now, alas! give

up all hope of what I so much wished,--her getting an engagement in

Salzburg,--for the Archbishop would never give her the salary she now

has. All we can now hope for is that she may sometimes come to Salzburg

to sing in an opera. I had a hurried letter from her father the day

before they went to Munich, in which he also mentions this news. These

poor people were in the greatest distress about me, fearing that I must

be dead, a whole month having elapsed without any letter from me, (owing

to the last one being lost;) an idea that was confirmed by a report in

Mannheim that my poor dear mother had died of a contagious disease. So

they have been all praying for my soul. The poor girl went every day for

this purpose into the Capuchin church. Perhaps you may laugh at this? I

did not; on the contrary, I could not help being much touched by it.

To proceed. I think I shall certainly go by Stuttgart to Augsburg,

because I see by your letter that nothing, or at least not much, is to

be made in Donaueschingen; but I will apprise you of all this before

leaving Strassburg. Dearest father, I do assure you that, were it not

for the pleasure of soon embracing you, I would never come to Salzburg;

for, with the exception of this commendable and delightful impulse, I

am really committing the greatest folly in the world. Rest assured

that these are my own thoughts, and not borrowed from others. When my

resolution to leave Paris was known, certain facts were placed before

me, and the sole weapons I had to contend against or to conquer these,

were my true and tender love for my kind father, which could not be

otherwise than laudable in their eyes, but with the remark that if my

father had known my present circumstances and fair prospects, (and had

not got different and false impressions by means of a kind friend,) he

certainly would not have written to me in such a strain as to render me

wholly incapable of offering the least resistance to his wish; and in my

own mind I thought, that had I not been exposed to so much annoyance

in the house where I lived, and the journey come on me like a sudden

thunder-clap, leaving me no time to reflect coolly on the subject, I

should have earnestly besought you to have patience for a time, and to

let me remain a little longer in Paris. I do assure you that I should

have succeeded in gaining fame, honor, and wealth, and been thus enabled

to defray your debts. But now it is settled, and do not for a moment

suppose that I regret it; but you alone, dearest father, you alone can

sweeten the bitterness of Salzburg for me; and that you will do so,

I feel convinced. I must also candidly say that I should arrive in

Salzburg with a lighter heart were it not for my official capacity

there, for this thought is to me the most intolerable of all. Reflect on

it yourself, place yourself in my position. At Salzburg I never know how

I stand; at one time I am everything, at another absolutely nothing.

I neither desire SO MUCH nor SO LITTLE, but still I wish to be

SOMETHING--if indeed I am something! In every other place I know what my

duties are. Elsewhere those who undertake the violin stick to it,--the

same with the piano, &c., &c. I trust this will be regulated hereafter,

so that all may turn out well and for my happiness and satisfaction. I

rely wholly on you.

Things here are in a poor state; but the day after to-morrow, Saturday

the 17th, I MYSELF ALONE, (to save expense,) to please some kind

friends, amateurs, and connoisseurs, intend to give a subscription

concert. If I engaged an orchestra, it would with the lighting cost me

more than three louis-d'or, and who knows whether we shall get as

much? My sonatas are not yet published, though promised for the end of

September. Such is the effect of not looking after things yourself, for

which that obstinate Grimm is also to blame. They will probably be full

of mistakes, not being able to revise them myself, for I was obliged

to devolve the task on another, and I shall be without my sonatas in

Munich. Such an occurrence, though apparently a trifle, may often bring

success, honor, and wealth, or, on the other hand, misfortune.

116.

Strassburg, Oct. 20, 1778.

You will perceive that I am still here, by the advice of Herr Frank and

other Strassburg magnates, but I leave this to-morrow. In my last

letter I mentioned that on the 17th I was to give a kind of sample of

a concert, as concerts here fare worse than even at Salzburg. It is, of

course, over. I played quite alone, having engaged no musicians, so that

I might at least lose nothing; briefly, I took three louis-d'or. The

chief receipts consisted in the shouts of Bravo! and Bravissimo! which

echoed on every side. Prince Max of Zweibrucken also honored the concert

by his presence. I need not tell you that every one was pleased. I

intended then to pursue my journey, but was advised to stay till the

following Saturday, in order to give a grand concert in the theatre.

I did so, and, to the surprise, indignation, and disgrace of all the

Strassburgers, my receipts were exactly the same. The Director, M. de

Villeneuve, abused the inhabitants of this most detestable town in the

most unmeasured terms. I took a little more money, certainly, but

the cost of the band (which is very bad, but its pay very good), the

lighting, printing, the guard at the door, and the check-takers at the

entrances, &c., made up a considerable sum. Still I must tell you that

the applause and clapping of hands almost deafened me, and made my ears

ache; it was as if the whole theatre had gone crazy. Those who were

present, loudly and publicly denounced their fellow-citizens, and I told

them all that if I could have reasonably supposed so few people would

have come, I would gladly have given the concert gratis, merely for the

pleasure of seeing the theatre well filled. And in truth I should have

preferred it, for, upon my word, I don't know a more desolate sight than

a long table laid for fifty, and only three at dinner. Besides, it was

so cold; but I soon warmed myself, for, to show the Strassburg gentlemen

how little I cared, I played a very long time for my own amusement,

giving a concerto more than I had promised, and, at the close,

extemporizing. It is now over, but at all events I gained honor and

fame.

I have drawn on Herr Scherz for eight louis-d'or, as a precaution, for

no one can tell what may happen on a journey; and I HAVE is better than

I MIGHT HAVE HAD. I have read the fatherly well-meaning letter which you

wrote to M. Frank when in such anxiety about me. [Footnote: "Your sister

and I confessed, and took the Holy Communion," writes the father, "and

prayed to God fervently for your recovery. Our excellent Bullinger

prays daily for you also."] When I wrote to you from Nancy, not knowing

myself, you of course could not know, that I should have to wait so

long for a good opportunity. Your mind may be quite at ease about the

merchant with whom I am travelling; he is the most upright man in the

world, takes more care of me than of himself, and, entirely to oblige

me, is to go with me to Augsburg and Munich, and possibly even to

Salzburg. We actually shed tears when we think that we must separate. He

is not a learned man, but a man of experience, and we live together

like children. When he thinks of his wife and family whom he has left in

Paris, I try to comfort him, and when I think of my own people he speaks

comfort to me.

On the 31st of October, my name-day, I amused myself (and, better still,

others) for a couple of hours. At the repeated entreaties of Herr Frank,

de Berger, &c., &c., I gave another concert, by which, after paying the

expenses, (not heavy this time,) I actually cleared a louis-d'or! Now

you see what Strassburg is! I wrote at the beginning of this letter that

I was to leave this on the 27th or 28th, but it proved impossible, owing

to a sudden inundation here, when the floods caused great damage. You

will probably see this in the papers. Of course travelling was out of

the question, which was the only thing that induced me to consent to

give another concert, being obliged to remain at all events.

To-morrow I go by the diligence to Mannheim. Do not be startled at this.

In foreign countries it is expedient to follow the advice of those who

know from experience what ought to be done. Most of the strangers who

go to Stuttgart (N.B., by the diligence) do not object to this detour of

eight hours, because the road is better and also the conveyance. I

must now, dearest father, cordially wish you joy of your approaching

name-day. My kind father, I wish you from my heart all that a son can

wish for a good father, whom he so highly esteems and dearly loves. I

thank the Almighty that He has permitted you again to pass this day in

the enjoyment of perfect health, and implore from Him the boon, that

during the whole of my life (and I hope to live for a good many years to

come) I may be able to congratulate you every year. However strange,

and perhaps ridiculous, this wish may seem to you, I do assure you it is

both sincere and well-intended.

I hope you received my last letter from Strassburg. I wish to write

nothing further of M. Grimm, but it is entirely owing to his stupidity

in pressing forward my departure so much, that my sonatas are not yet

engraved, or at all events that I have not got them, and when I do I

shall probably find them full of mistakes. If I had only stayed three

days longer in Paris, I could have revised them myself and brought them

with me. The engraver was desperate when I told him that I could not

correct them, but must commission someone else to do so. Why? Because,

being resolved not to be three days longer in the same house with Grimm,

I told him that on account of the sonatas I was going to stay with Count

Sickingen, when he replied, his eyes sparkling with rage, "If you leave

my house before you leave Paris, I will never in my life see you again.

In that case do not presume ever to come near me, and look on me as your

bitterest enemy." Self-control was indeed very necessary. Had it not

been for your sake, who knew nothing about the matter, I certainly

should have replied, "Be my enemy; by all means be so. You are so

already, or you would not have prevented me putting my affairs in order

here, which would have enabled me to keep my word, to preserve my honor

and reputation, and also to make money, and probably a lucky hit; for if

I present my sonatas to the Electress when I go to Munich, I shall

thus keep my promise, probably receive a present, and make my fortune

besides." But as it was, I only bowed, and left the room without saying

a syllable. Before quitting Paris, however, I said all this to him,

but he answered me like a man totally devoid of sense, or rather like

a malicious man who affects to have none. I have written twice to Herr

Heina, but have got no answer. The sonatas ought to have appeared by the

end of September, and M. Grimm was to have forwarded the promised copies

immediately to me, so I expected to have found them in Strassburg; but

M. Grimm writes to me that he neither hears nor sees anything of them,

but as soon as he does they are to be forwarded, and I hope to have them

ere long.

Strassburg can scarcely do without me. You cannot think how much I am

esteemed and beloved here. People say that I am disinterested as well as

steady and polite, and praise my manners. Every one knows me. As soon

as they heard my name, the two Herrn Silbermann and Herr Hepp (organist)

came to call on me, and also Capellmeister Richter. He has now

restricted himself very much; instead of forty bottles of wine a day,

he only drinks twenty! I played publicly on the two best organs that

Silbermann has here, in the Lutheran and New Churches, and in the Thomas

Church. If the Cardinal had died, (and he was very ill when I arrived,)

I might have got a good situation, for Herr Richter is seventy-eight

years of age. Now farewell! Be cheerful and in good spirits, and

remember that your son is, thank God! well, and rejoicing that his

happiness daily draws nearer. Last Sunday I heard a new mass of Herr

Richter's, which is charmingly written.

117.

Mannheim, November 12, 1778.

I arrived here safely on the 6th, agreeably surprising all my kind

friends. God be praised that I am once more in my beloved Mannheim!

I assure you, if you were here you would say the same. I am living at

Madame Cannabich's, who, as well as her family and all my good friends

here, was quite beside herself with joy at seeing me again. We have not

yet done talking, for she tells me of all the events and changes that

have taken place during my absence. I have not been able to dine once at

home since I came, for people are fighting to have me; in a word, just

as I love Mannheim, so Mannheim loves me; and, though of course I don't

know it positively, still I do think it possible that I may get an

appointment here. But HERE, not in Munich, for my own belief is that the

Elector will soon once more take up his residence in Mannheim, for he

surely cannot long submit to the coarseness of the Bavarian gentlemen.

You know that the Mannheim company is in Munich. There they hissed the

two best actresses, Madame Toscani and Madame Urban. There was such

an uproar that the Elector himself leant over his box and called out,

"Hush!" To this, however, no one paid any attention; so he sent down

Count Seeau, who told some of the officers not to make such a noise, as

the Elector did not like it; but the only answer he got was, that they

had paid their money, and no man had a right to give them any orders.

But what a simpleton I am! You no doubt have heard this long ago through

our....

I have now something to say. I may PERHAPS make forty louis-d'or here.

To be sure, I should have to stay six weeks, or at most two months, in

Mannheim. Seiler's company is here, whom you no doubt already know by

reputation. Herr von Dalberg is the director. He will not hear of my

leaving this till I have written a duodrama for him, and indeed I did

not long hesitate, for I have often wished to write this style of drama.

I forget if I wrote to you about it the first time that I was here.

Twice at that time I saw a similar piece performed, which afforded me

the greatest pleasure; in fact, nothing ever surprised me so much, for

I had always imagined that a thing of this kind would make no effect. Of

course you know that there is no singing in it, but merely recitation,

to which the music is a sort of obligato recitativo. At intervals there

is speaking while the music goes on, which produces the most striking

effect. What I saw was Benda's "Medea." He also wrote another, "Ariadne

auf Naxos," and both are truly admirable. You are aware that of all the

Lutheran Capellmeisters Benda was always my favorite, and I like those

two works of his so much that I constantly carry them about with me.

Conceive my joy at now composing the very thing I so much wished! Do you

know what my idea is?--that most operatic recitatives should be treated

in this way, and the recitative only occasionally sung WHEN THE WORDS

CAN BE THOROUGHLY EXPRESSED BY THE MUSIC. An Academie des Amateurs is

about to be established here, like the one in Paris, where Herr Franzl

is violin leader, and I am at this moment writing a concerto for violin

and piano. I found my dear friend Raaff still here, but he leaves this

on the 8th. He has sounded my praises here, and shown sincere interest

in me, and I hope he will do the same in Munich. Do you know what that

confounded fellow Seeau said here?--that my opera buffa had been hissed

at Munich! Fortunately he said so in a place where I am well known;

still, his audacity provokes me; but the people, when they go to Munich,

will hear the exact reverse. A whole flock of Bavarians are here, among

others Fraulein de Pauli (for I don't know her present name). I

have been to see her because she sent for me immediately. Oh! what a

difference there is between the people of the Palatinate and those

of Bavaria! What a language it is! so coarse! and their whole mode of

address! It quite annoys me to hear once more their hoben and olles

(haben and alles), and their WORSHIPFUL SIR. Now good-bye! and pray

write to me soon. Put only my name, for they know where I am at the

post-office. I am so well known here that it is impossible a letter for

me can be lost. My cousin wrote to me, and by mistake put Franconian

Hotel instead of Palatine Hotel. The landlord immediately sent the

letter to M. Serrarius's, where I lodged when I was last here. What

rejoices me most of all in the whole Mannheim and Munich story is that

Weber has managed his affairs so well. They have now 1600 florins;

for the daughter has 1000 florins and her father 400, and 200 more as

prompter. Cannabich did the most for them. It is quite a history about

Count Seeau; if you don't know it, I will write you the details next

time.

I beg, dearest father, that you will make use of this affair at

Salzburg, and speak so strongly and so decidedly, that the Archbishop

may think it possible I may not come after all, and thus be induced

to give me a better salary, for I declare I cannot think of it with

composure. The Archbishop cannot pay me sufficiently for the slavery of

Salzburg. As I said before, I feel the greatest pleasure at the thought

of paying you a visit, but only annoyance and misery in seeing myself

once more at that beggarly court. The Archbishop must no longer attempt

to play the great man with me as he used to do, or I may possibly play

him a trick,--this is by no means unlikely,--and I am sure that you

would participate in my satisfaction.

118.

Mannheim, Nov. 24, 1778.

The Letters of Wolfgang Amadeus Mozart — Volume 01 · 第 58 / 66 题