CHAPTER XI.

GENEALOGY.

1. Returning, after more than a year's sorrowful interval, to my Sicilian

fields,--not incognisant, now, of some of the darker realms of Proserpina;

and with feebler heart, and, it may be, feebler wits, for wandering in her

brighter ones,--I find what I had written by way of sequel to the last

chapter, somewhat difficult, and extremely tiresome. Not the less, after

giving fair notice of the difficulty, and asking due pardon for the

tiresomeness, I am minded to let it stand; trusting to end, with it, once

for all, investigations of the kind. But in finishing this first volume of

my School Botany, I must try to give the reader some notion of the plan of

the book, as it now, during the time for thinking over it which illness

left me, has got itself arranged in my mind, within limits of possible

execution. And this the rather, because I wish also to state, somewhat more

gravely than I have yet done, the grounds on which I venture here to reject

many of the received names of plants; and to substitute others for them,

relating to entirely different attributes {177} from those on which their

present nomenclature is confusedly edified.

I have already in some measure given the reasons for this change;[47] but I

feel that, for the sake of those among my scholars who have laboriously

learned the accepted names, I ought now also to explain its method more

completely.

2. I call the present system of nomenclature _confusedly_ edified, because

it introduces,--without, apparently, any consciousness of the

inconsistency, and certainly with no apology for it,--names founded

sometimes on the history of plants, sometimes on their qualities, sometimes

on their forms, sometimes on their products, and sometimes on their

poetical associations.

On their history--as 'Gentian' from King Gentius, and Funkia from Dr. Funk.

On their qualities--as 'Scrophularia' from its (quite uncertified) use in

scrofula.

On their forms--as the 'Caryophylls' from having petals like husks of nuts.

On their products--as 'Cocos nucifera' from its nuts.

And on their poetical associations,--as the Star of Bethlehem from its

imagined resemblance to the light of that seen by the Magi.

3. Now, this variety of grounds for nomenclature might patiently, and even

with advantage, be permitted, {178} provided the grounds themselves were

separately firm, and the inconsistency of method advisedly allowed, and, in

each case, justified. If the histories of King Gentius and Dr. Funk are

indeed important branches of human knowledge;--if the Scrophulariaceæ do

indeed cure King's Evil;--if pinks be best described in their likeness to

nuts;--and the Star of Bethlehem verily remind us of Christ's Nativity,--by

all means let these and other such names be evermore retained. But if Dr.

Funk be not a person in any special manner needing either stellification or

florification; if neither herb nor flower can avail, more than the touch of

monarchs, against hereditary pain; if it be no better account of a pink to

say it is nut-leaved, than of a nut to say it is pink-leaved; and if the

modern mind, incurious respecting the journeys of wise men, has already

confused, in its Bradshaw's Bible, the station of Bethlehem with that of

Bethel,[48] it is certainly time to take some order with the partly false,

partly useless, and partly forgotten literature of the Fields; and, before

we bow our children's memories to the burden of it, ensure that there shall

be matter worth carriage in the load.

4. And farther, in attempting such a change, we must be clear in our own

minds whether we wish our nomenclature to tell us something about the plant

itself, or only to tell us the place it holds in relation to other plants:

as, for instance, in the Herb-Robert, would it be well to {179} christen

it, shortly, 'Rob Roy,' because it is pre-eminently red, and so have done

with it;--or rather to dwell on its family connections, and call it

'Macgregoraceous'?

5. Before we can wisely decide this point, we must resolve whether our

botany is intended mainly to be useful to the vulgar, or satisfactory to

the scientific élite. For if we give names characterizing individuals, the

circle of plants which any country possesses may be easily made known to

the children who live in it: but if we give names founded on the connexion

between these and others at the Antipodes, the parish school-master will

certainly have double work; and it may be doubted greatly whether the

parish school-boy, at the end of the lecture, will have half as many ideas.

6. Nevertheless, when the features of any great order of plants are

constant, and, on the whole, represented with great clearness both in cold

and warm climates, it may be desirable to express this their citizenship of

the world in definite nomenclature. But my own method, so far as hitherto

developed, consists essentially in fastening the thoughts of the pupil on

the special character of the plant, in the place where he is likely to see

it; and therefore, in expressing the power of its race and order in the

wider world, rather by reference to mythological associations than to

botanical structure.

7. For instance, Plate VII. represents, of its real size, an ordinary

spring flower in our English mountain fields. It is an average

example,--not one of rare size under rare {180} conditions,--rather smaller

than the average, indeed, that I might get it well into my plate. It is one

of the flowers whose names I think good to change; but I look carefully

through the existing titles belonging to it and its fellows, that I may

keep all I expediently can. I find, in the first place, that Linnæus called

one group of its relations, Ophryds, from Ophrys,--Greek for the

eyebrow,--on account of their resemblance to the brow of an animal

frowning, or to the overshadowing casque of a helmet. I perceive this to be

really a very general aspect of the flower; and therefore, no less than in

respect to Linnæus, I adopt this for the total name of the order, and call

them 'Ophrydæ,' or, shortly, 'Ophryds.'

8. Secondly: so far as I know these flowers myself, I perceive them to fall

practically into three divisions,--one, growing in English meadows and

Alpine pastures, and always adding to their beauty; another, growing in all

sorts of places, very ugly itself, and adding to the ugliness of its

indiscriminated haunts; and a third, growing mostly up in the air, with as

little root as possible, and of gracefully fantastic forms, such as this

kind of nativity and habitation might presuppose. For the present, I am

satisfied to give names to these three groups only. There may be plenty of

others which I do not know, and which other people may name, according to

their knowledge. But in all these three kinds known to me, I perceive one

constant characteristic to be _some_ manner of _distortion_ and I desire

that fact,--marking a {181} spiritual (in my sense of the word) character

of extreme mystery,--to be the first enforced on the mind of the young

learner. It is exhibited to the English child, primarily, in the form of

the stalk of each flower, attaching it to the central virga. This stalk is

always twisted once and a half round, as if somebody had been trying to

wring the blossom off; and the name of the family, in Proserpina, will

therefore be 'Contorta'[49] in Latin, and 'Wreathe-wort' in English.

Farther: the beautiful power of the one I have drawn in its spring life, is

in the opposition of its dark purple to the primrose in England, and the

pale yellow anemone in the Alps. And its individual name will be,

therefore, 'Contorta purpurea'--_Purple_ Wreathe-wort.

And in drawing it, I take care to dwell on this strength of its color, and

to show thoroughly that it is a _dark_ blossom,[50] before I trouble myself

about its minor characters.

9. The second group of this kind of flowers live, as I said, in all sorts

of places; but mostly, I think, in disagreeable ones,--torn and irregular

ground, under alternations of unwholesome heat and shade, and among swarms

of nasty insects. I cannot yet venture on any bold general statement about

them, but I think that is mostly their way; and at all events, they

themselves are in the {182} habit of dressing in livid and unpleasant

colors; and are distinguished from all other flowers by twisting, not only

their stalks, but one of their petals, not once and a half only, but two or

three times round, and putting it far out at the same time, as a foul

jester would put out his tongue: while also the singular power of grotesque

mimicry, which, though strong also in the other groups of their race, seems

in the others more or less playful, is, in these, definitely degraded, and,

in aspect, malicious.

10. Now I find the Latin name 'Satyrium' attached already to one sort of

these flowers; and we cannot possibly have a better one for all of them. It

is true that, in its first Greek form, Dioscorides attaches it to a white,

not a livid, flower; and I dare say there are some white ones of the breed:

but, in its full sense, the term is exactly right for the entire group of

ugly blossoms of which the characteristic is the spiral curve and

protraction of their central petal: and every other form of Satyric

ugliness which I find among the Ophryds, whatever its color, will be

grouped with them. And I make them central, because this humour runs

through the whole order, and is, indeed, their distinguishing sign.

11. Then the third group, living actually in the air, and only holding fast

by, without nourishing itself from, the ground, rock, or tree-trunk on

which it is rooted, may of course most naturally and accurately be called

'Aeria,' as it has long been popularly known in English by the name of

Air-plant. {183}

Thus we have one general name for all these creatures, 'Ophryd'; and three

family or group names, Contorta, Satyrium, and Aeria,--every one of these

titles containing as much accurate fact about the thing named as I can

possibly get packed into their syllables: and I will trouble my young

readers with no more divisions of the order. And if their parents, tutors,

or governors, after this fair warning, choose to make them learn, instead,

the seventy-seven different names with which botanist-heraldries have

beautifully ennobled the family,--all I can say is, let them at least begin

by learning them themselves. They will be found in due order in pages 1084,

1085 of Loudon's Cyclopædia.[51]

12. But now, farther: the student will observe that the name of the total

order is Greek; while the three family ones are Latin, although the central

one is originally Greek also.

I adopt this as far as possible for a law through my whole plant

nomenclature.

13. Farther: the terminations of the Latin family names will be, for the

most part, of the masculine, {184} feminine, and neuter forms, us, a, um,

with these following attached conditions.

(I.) Those terminating in 'us,' though often of feminine words, as the

central Arbor, will indicate either real masculine strength (quereus,

laurus), or conditions of dominant majesty (cedrus), of stubbornness and

enduring force (crataegus), or of peasant-like commonalty and hardship

(juncus); softened, as it may sometimes happen, into gentleness and

beneficence (thymus). The occasional forms in 'er' and 'il' will have

similar power (acer, basil).

(II.) Names with the feminine termination 'a,' if they are real names of

girls, will always mean flowers that are perfectly pretty and perfectly

good (Lucia, Viola, Margarita, Clarissa). Names terminating in 'a' which

are not also accepted names of girls, may sometimes be none the less

honourable, (Primula, Campanula,) but for the most part will signify either

plants that are only good and worthy in a nursy sort of way, (Salvia,) or

that are good without being pretty, (Lavandula,) or pretty without being

good, (Kalmia). But no name terminating in 'a' will be attached to a plant

that is neither good nor pretty.

(III.) The neuter names terminating in 'um' will always indicate some power

either of active or suggestive evil, (Conîum, Solanum, Satyrium,) or a

relation, more or less definite, to death; but this relation to death may

sometimes be noble, or pathetic,--"which {185} to-day is, and to-morrow is

cast into the oven,"--Lilium.

But the leading position of these neuters in the plant's double name must

be noticed by students unacquainted with Latin, in order to distinguish

them from plural genitives, which will always, of course, be the second

word, (Francesca Fontium, Francesca of the Springs.)

14. Names terminating in 'is' and 'e,' if definitely names of women, (Iris,

Amaryllis, Alcestis, Daphne,) will always signify flowers of great beauty,

and noble historic association. If not definitely names of women, they will

yet indicate some specialty of sensitiveness, or association with legend

(Berberis, Clematis). No neuters in 'e' will be admitted.

15. Participial terminations (Impatiens), with neuters in 'en' (Cyclamen),

will always be descriptive of some special quality or form,--leaving it

indeterminate if good or bad, until explained. It will be manifestly

impossible to limit either these neuters, or the feminines in 'is' to Latin

forms; but we shall always know by their termination that they cannot be

generic names, if we are strict in forming these last on a given method.

16. How little method there is in our present formation of them, I am

myself more and more surprised as I consider. A child is shown a rose, and

told that he is to call every flower like that, 'Rosaceous';[52] he is next

{186} shown a lily, and told that he is to call every flower like that,

'Liliaceous';--so far well; but he is next shown a daisy, and is not at all

allowed to call every flower like that, 'Daisaceous,' but he must call it,

like the fifth order of architecture, 'Composite'; and being next shown a

pink, he is not allowed to call other pinks 'Pinkaceous,' but 'Nut-leafed';

and being next shown a pease-blossom, he is not allowed to call other

pease-blossoms 'Peasaceous,' but, in a brilliant burst of botanical

imagination, he is incited to call it by two names instead of one,

'Butterfly-aceous' from its flower, and 'Pod-aceous' from its seed;--the

inconsistency of the terms thus enforced upon him being perfected in their

inaccuracy, for a daisy is not one whit more composite than Queen of the

meadow, or Jura Jacinth;[53] and 'legumen' is not Latin for a pod, but

'siliqua,'--so that no good scholar could remember Virgil's 'siliqua

quassante legumen,' without overthrowing all his Pisan nomenclature.

17. Farther. If we ground our names of the higher orders on the distinctive

characters of _form_ in plants, these are so many, and so subtle, that we

are at once involved in more investigations than a young learner has ever

time to follow successfully, and they must be at all times liable to

dislocations and rearrangements on the discovery of any new link in the

infinitely entangled {187} chain. But if we found our higher nomenclature

at once on historic fact, and relative conditions of climate and character,

rather than of form, we may at once distribute our flora into unalterable

groups, to which we may add at our pleasure, but which will never need

disturbance; far less, reconstruction.

18. For instance,--and to begin,--it is an historical fact that for many

centuries the English nation believed that the Founder of its religion,

spiritually, by the mouth of the King who spake of all herbs, had likened

himself to two flowers,--the Rose of Sharon, and Lily of the Valley. The

fact of this belief is one of the most important in the history of

England,--that is to say, of the mind or heart of England: and it is

connected solemnly with the heart of Italy also, by the closing cantos of

the Paradiso.

I think it well therefore that our two first generic, or at least

commandant, names heading the out-laid and in-laid divisions of plants,

should be of the rose and lily, with such meaning in them as may remind us

of this fact in the history of human mind.

It is also historical that the personal appearing of this Master of our

religion was spoken of by our chief religious teacher in these terms: "The

Grace of God, that bringeth salvation, hath appeared unto all men." And it

is a constant fact that this 'grace' or 'favor' of God is spoken of as

"giving us to eat of the Tree of Life."

19. Now, comparing the botanical facts I have to express, with these

historical ones, I find that the rose tribe {188} has been formed among

flowers, not in distant and monstrous geologic æras, but in the human

epoch;--that its 'grace' or favor has been in all countries so felt as to

cause its acceptance everywhere for the most perfect physical type of

womanhood;--and that the characteristic fruit of the tribe is so sweet,

that it has become symbolic at once of the subtlest temptation, and the

kindest ministry to the earthly passion of the human race. "Comfort me with

apples, for I am sick of love."

20. Therefore I shall call the entire order of these flowers 'Charites,'

(Graces,) and they will be divided into these five genera, Rosa, Persica,

Pomum, Rubra, and Fragaria. Which sequence of names I do not think the

young learner will have difficulty in remembering; nor in understanding why

I distinguish the central group by the fruit instead of the flower. And if

he once clearly master the structure and relations of these five genera, he

will have no difficulty in attaching to them, in a satellitic or

subordinate manner, such inferior groups as that of the Silver-weed, or the

Tormentilla; but all he will have to learn by heart and rote, will be these

six names; the Greek Master-name, Charites, and the five generic names, in

each case belonging to plants, as he will soon find, of extreme personal

interest to him.

21. I have used the word 'Order' as the name of our widest groups, in

preference to 'Class,' because these widest groups will not always include

flowers like each other in form, or equal to each other in vegetative rank;

{189} but they will be 'Orders,' literally like those of any religious or

chivalric association, having some common link rather intellectual than

national,--the Charites, for instance, linked by their kindness,--the

Oreiades, by their mountain seclusion, as Sisters of Charity or Monks of

the Chartreuse, irrespective of ties of relationship. Then beneath these

orders will come, what may be rightly called, either as above in Greek

derivation, 'Genera,' or in Latin, 'Gentes,' for which, however, I choose

the Latin word, because Genus is disagreeably liable to be confused on the

ear with 'genius'; but Gens, never; and also 'nomen gentile' is a clearer

and better expression than 'nomen generosum,' and I will not coin the

barbarous one, 'genericum.' The name of the Gens, (as 'Lucia,') with an

attached epithet, as 'Verna,' will, in most cases, be enough to

characterize the individual flower; but if farther subdivision be

necessary, the third order will be that of Families, indicated by a 'nomen

familiare' added in the third place of nomenclature, as Lucia

Verna,--Borealis; and no farther subdivision will ever be admitted. I avoid

the word 'species'--originally a bad one, and lately vulgarized beyond

endurance--altogether. And varieties belonging to narrow localities, or

induced by horticulture, may be named as they please by the people living

near the spot, or by the gardener who grows them; but will not be

acknowledged by Proserpina. Nevertheless, the arbitrary reduction under

Ordines, Gentes, and Familiæ, {190} is always to be remembered as one of

massive practical convenience only; and the more subtle arborescence of the

infinitely varying structures may be followed, like a human genealogy, as

far as we please, afterwards; when once we have got our common plants

clearly arranged and intelligibly named.

22. But now we find ourselves in the presence of a new difficulty, the

greatest we have to deal with in the whole matter.

One new nomenclature, to be thoroughly good, must be acceptable to scholars

in the five great languages, Greek, Latin, French, Italian, and English;

and it must be acceptable by them in teaching the native children of each

country. I shall not be satisfied, unless I can feel that the little maids

who gather their first violets under the Acropolis rock, may receive for

them Æschylean words again with joy. I shall not be content, unless the

mothers watching their children at play in the Ceramicus of Paris, under

the scarred ruins of her Kings' palace, may yet teach them there to know

the flowers which the Maid of Orleans gathered at Domremy. I shall not be

satisfied unless every word I ask from the lips of the children of Florence

and Rome, may enable them better to praise the flowers that are chosen by

the hand of Matilda,[54] and bloom around the tomb of Virgil.

{191}

23. Now in this first example of nomenclature, the Master-name, being

_pure_ Greek, may easily be accepted by Greek children, remembering that

certain also of their own poets, if they did not call the flower a Grace

itself, at least thought of it as giving gladness to the Three in their

dances.[55] But for French children the word 'Grâce' has been doubly and

trebly corrupted; first, by entirely false theological scholarship,

mistaking the 'Favor' or Grace done by God to good men, for the

'Misericordia,' or mercy, shown by Him to bad ones; and so, in practical

life, finally substituting 'Grâce' as a word of extreme and mortal prayer,

for 'Merci,' and of late using 'Merci' in a totally ridiculous and

perverted power, for the giving of thanks (or refusal of offered good):

while the literally derived word 'Charite' has become, in the modern mind,

a gift, whether from God or man, only to the wretched, never to the happy:

and lastly, 'Grâce' in its physical sense has been perverted, by their

social vulgarity, into an idea, whether with respect to form or motion,

commending itself rather to the ballet-master than either to the painter or

the priest.

For these reasons, the Master name of this family, for my French pupils,

must be simply 'Rhodiades,' which will bring, for them, the entire group of

names into easily remembered symmetry; and the English form of {192} the

same name, Rhodiad, is to be used by English scholars also for all tribes

of this group except the five principal ones.

24. Farther, in every gens of plants, one will be chosen as the

representative, which, if any, will be that examined and described in the

course of this work, if I have opportunity of doing so.

This representative flower will always be a wild one, and of the simplest

form which completely expresses the character of the plant; existing

divinely and unchangeably from age to age, ungrieved by man's neglect, and

inflexible by his power.

And this divine character will be expressed by the epithet 'Sacred,' taking

the sense in which we attach it to a dominant and christened majesty, when

it belongs to the central type of any forceful order;--'Quercus sacra,'

'Laurus sacra,' etc.,--the word 'Benedicta,' or 'Benedictus,' being used

instead, if the plant be too humble to bear, without some discrepancy and

unbecomingness, the higher title; as 'Carduus Benedictus,' Holy Thistle.

25. Among the gentes of flowers bearing girls' names, the dominant one will

be simply called the Queen, 'Rose Regina,' 'Rose the Queen' (the English

wild rose); 'Clarissa Regina,' 'Clarissa the Queen' (Mountain Pink); 'Lucia

Regina,' 'Lucy the Queen' (Spring Gentian), or in simpler English, 'Lucy of

Teesdale,' as 'Harry of Monmouth.' The ruling flowers of groups {193} which

bear names not yet accepted for names of girls, will be called simply

'Domina,' or shortly 'Donna.' 'Rubra domina' (wild raspberry): the wild

strawberry, because of her use in heraldry, will bear a name of her own,

exceptional, 'Cora coronalis.'

26. These main points being understood, and concessions made, we may first

arrange the greater orders of land plants in a group of twelve, easily

remembered, and with very little forcing. There must be _some_ forcing

always to get things into quite easily tenable form, for Nature always has

her ins and outs. But it is curious how fitly and frequently the number of

twelve may be used for memoria technica; and in this instance the Greek

derivative names fall at once into harmony with the most beautiful parts of

Greek mythology, leading on to early Christian tradition.

27. Their series will be, therefore, as follows: the principal subordinate

groups being at once placed under each of the great ones. The reasons for

occasional appearance of inconsistency will be afterwards explained, and

the English and French forms given in each case are the terms which would

be used in answering the rapid question, 'Of what order is this flower?'

the answer being, It is a 'Cyllenid,' a 'Pleiad,' or a 'Vestal,' as one

would answer of a person, he is a Knight of St. John or Monk of St.

Benedict; while to the question, of what gens, we answer, a Stella or an

Erica, as one would answer of a person, a Stuart or Plantagenet. {194}

I. CHARITES.

ENG. CHARIS. FR. RHODIADE.

Rosa. Persica. Pomum. Rubra. Fragaria.

II. URANIDES.

ENG. URANID. FR. URANIDE.

Lucia. Campanula. Convoluta.

III. CYLLENIDES.

ENG. CYLLENID. FR. NEPHELIDE.

Stella. Francesca. Primula.

IV. OREIADES.

ENG. OREIAD. FR. OREADE.

Erica. Myrtilla. Aurora.

V. PLEIADES.

ENG. PLEIAD. FR. PLEIADE.

Silvia. Anemone.

VI. ARTEMIDES.

ENG. ARTEMID. FR. ARTEMIDE.

Clarissa. Lychnis. Scintilla. Mica.

VII. VESTALES.

ENG. VESTAL. FR. VESTALE.

Mentha. Melitta. Basil. Salvia. Lavandula. Thymus.

VIII. CYTHERIDES.

ENG. CYTHERID. FR. CYTHERIDE.

Viola. Veronica. Giulietta.

{195}

IX. HELIADES.

ENG. ALCESTID. FR. HELIADE.

Clytia. Margarita. Alcestis. Falconia. Carduus.

X. DELPHIDES.

ENG. DELPHID. FR. DELPHIDE.

Laurus. Granata. Myrtus.

XI. HESPERIDES.

ENG. HESPERID. FR. HESPERIDE.

Aurantia. Aglee.

XII. ATHENAIDES.

ENG. ATHENAID. FR. ATHENAIDE.

Olea. Fraxinus.

I will shortly note the changes of name in their twelve orders, and the

reasons for them.

I. CHARITES.--The only change made in the nomenclature of this order is the

slight one of 'rubra' for 'rubus': partly to express true sisterhood with

the other Charites; partly to enforce the idea of redness, as

characteristic of the race, both in the lovely purple and russet of their

winter leafage, and in the exquisite bloom of scarlet on the stems in

strong young shoots. They have every right to be placed among the Charites,

first because the raspberry is really a more important fruit in domestic

economy than the strawberry; and, secondly, because the wild bramble is

often in its wandering sprays even more graceful than the rose; and in

blossom and {196} fruit the best autumnal gift that English Nature has

appointed for her village children.

II. URANIDES.--Not merely because they are all of the color of the sky, but

also sacred to Urania in their divine purity. 'Convoluta' instead of

'convolvulus,' chiefly for the sake of euphony; but also because pervinca

is to be included in this group.

III. CYLLENIDES.--Named from Mount Cyllene in Arcadia, because the three

races included in the order alike delight in rocky ground, and in the cold

or moist air of mountain-clouds.

IV. OREIADES.--Described in next chapter.

V. PLEIADES.--From the habit of the flowers belonging to this order to get

into bright local clusters. Silvia, for the wood-sorrel, will I hope be an

acceptable change to my girl-readers.

VI. ARTEMIDES.--Dedicate to Artemis for their expression of energy, no less

than purity. This character was rightly felt in them by whoever gave the

name 'Dianthus' to their leading race; a name which I should have retained

if it had not been bad Greek. I wish them, by their name 'Clarissa' to

recall the memory of St. Clare, as 'Francesca' that of St. Francis.[56] The

{197} 'issa,' not without honour to the greatest of our English moral

story-tellers, is added for the practical reason, that I think the sound

will fasten in the minds of children the essential characteristic of the

race, the cutting of the outer edge of the petal as if with scissors.

VII. VESTALES.--I allow this Latin form, because Hestiades would have been

confused with Heliades. The order is named 'of the hearth,' from its

manifold domestic use, and modest blossoming.

VIII. CYTHERIDES.--Dedicate to Venus, but in all purity and peace of

thought. Giulietta, for the coarse, and more than ordinarily false,

Polygala.

IX. HELIADES.--The sun-flowers.[57] In English, Alcestid, in honour to

Chaucer and the Daisy.

X. DELPHIDES.--Sacred to Apollo. Granata, changed from Punica, in honor to

Granada and the Moors.

XI. HESPERIDES.--Already a name given to the order. {198} Aegle, prettier

and more classic than Limonia, includes the idea of brightness in the

blossom.

XII. ATHENAIDES.--I take Fraxinus into this group, because the mountain

ash, in its hawthorn-scented flower, scarletest of berries, and exquisitely

formed and finished leafage, belongs wholly to the floral decoration of our

native rocks, and is associated with their human interests, though lightly,

not less spiritually, than the olive with the mind of Greece.

28. The remaining groups are in great part natural; but I separate for

subsequent study five orders of supreme domestic utility, the Mallows,

Currants, Pease,[58] Cresses, and Cranesbills, from those which, either in

fruit or blossom, are for finer pleasure or higher beauty. I think it will

be generally interesting for children to learn those five names as an easy

lesson, and gradually discover, wondering, the world that they include. I

will give their terminology at length, separately.

29. One cannot, in all groups, have all the divisions of equal importance;

the Mallows are only placed with the other four for their great value in

decoration of cottage gardens in autumn: and their softly healing {199}

qualities as a tribe. They will mentally connect the whole useful group

with the three great Æsculapiadæ, Cinchona, Coffea, and Camellia.

30. Taking next the water-plants, crowned in the DROSIDÆ, which include the

five great families, Juncus, Jacinthus, Amaryllis, Iris, and Lilium, and

are masculine in their Greek name because their two first groups, Juncus

and Jacinthus, are masculine, I gather together the three orders of

TRITONIDES, which are notably trefoil; the NAIADES, notably quatrefoil, but

for which I keep their present pretty name; and the BATRACHIDES,[59]

notably cinqfoil, for which I keep their present ugly one, only changing it

from Latin into Greek.

31. I am not sure of being forgiven so readily for putting the Grasses,

Sedges, Mosses, and Lichens together, under the great general head of

Demetridæ. But it seems to me the mosses and lichens belong no less

definitely to Demeter, in being the first gatherers of earth on rock, and

the first coverers of its sterile surface, than the grass which at last

prepares it to the foot and to the food of man. And with the mosses I shall

take all the especially moss-plants which otherwise are homeless or

companionless, Drosera, and the like, and as a connecting link with the

flowers belonging to the Dark {200} Kora, the two strange orders of the

Ophryds and Agarics.

32. Lastly will come the orders of flowers which may be thought of as

belonging for the most part to the Dark Kora of the lower world,--having at

least the power of death, if not its terror, given them, together with

offices of comfort and healing in sleep, or of strengthening, if not too

prolonged, action on the nervous power of life. Of these, the first will be

the DIONYSIDÆ,--Hedera, Vitis, Liana; then the DRACONIDÆ,--Atropa,

Digitalis, Linaria; and, lastly, the MOIRIDÆ,--Conîum, Papaver, Solanum,

Arum, and Nerium.

33. As I see this scheme now drawn out, simple as it is, the scope of it

seems not only far too great for adequate completion by my own labour, but

larger than the time likely to be given to botany by average scholars would

enable them intelligently to grasp: and yet it includes, I suppose, not the

tenth part of the varieties of plants respecting which, in competitive

examination, a student of physical science is now expected to know, or at

least assert on hearsay, _something_.

So far as I have influence with the young, myself, I would pray them to be

assured that it is better to know the habits of one plant than the names of

a thousand; and wiser to be happily familiar with those that grow in the

nearest field, than arduously cognisant of all that plume the isles of the

Pacific, or illumine the Mountains of the Moon. {201}

Nevertheless, I believe that when once the general form of this system in

Proserpina has been well learned, much other knowledge may be easily

attached to it, or sheltered under the eaves of it: and in its own

development, I believe everything may be included that the student will

find useful, or may wisely desire to investigate, of properly European

botany. But I am convinced that the best results of his study will be

reached by a resolved adherence to extreme simplicity of primal idea, and

primal nomenclature.

34. I do not think the need of revisal of our present scientific

classification could be more clearly demonstrated than by the fact that

laurels and roses are confused, even by Dr. Lindley, in the mind of his

feminine readers; the English word laurel, in the index to his first volume

of Ladies' Botany, referring them to the cherries, under which the common

laurel is placed as 'Prunus Laurocerasus,' while the true laurel, 'Laurus

nobilis,' must be found in the index of the second volume, under the Latin

form 'Laurus.'

This accident, however, illustrates another, and a most important point to

be remembered, in all arrangements whether of plants, minerals, or animals.

No single classification can possibly be perfect, or anything _like_

perfect. It must be, at its best, a ground, or _warp_ of arrangement only,

through which, or over which, the cross threads of another,--yes, and of

many others,--must be woven in our minds. Thus the almond, though in {202}

the form and colour of its flower, and method of its fruit, rightly

associated with the roses, yet by the richness and sweetness of its kernel

must be held mentally connected with all plants that bear nuts. These

assuredly must have something in their structure common, justifying their

being gathered into a conceived or conceivable group of 'Nuciferæ,' in

which the almond, hazel, walnut, cocoa-nut, and such others would be

considered as having relationship, at least in their power of secreting a

crisp and sweet substance which is not wood, nor bark, nor pulp, nor

seed-pabulum reducible to softness by boiling;--but quite separate

substance, for which I do not know that there at present exists any

botanical name,--of which, hitherto, I find no general account, and can

only myself give so much, on reflection, as that it is crisp and close in

texture, and always contains some kind of oil or milk.

35. Again, suppose the arrangement of plants could, with respect to their

flowers and fruits, be made approximately complete, they must instantly be

broken and reformed by comparison of their stems and leaves. The three

_creeping_ families of the Charites,--Rosa, Rubra, and Fragaria,--must then

be frankly separated from the elastic Persica and knotty Pomum; of which

one wild and lovely species, the hawthorn, is no less notable for the

massive accumulation of wood in the stubborn stem of it, than the wild rose

for her lovely power of wreathing her garlands at pleasure wherever they

are {203} fairest, the stem following them and sustaining, where they will.

36. Thus, as we examine successively each part of any plant, new

sisterhoods, and unthought-of fellowships, will be found between the most

distant orders; and ravines of unexpected separation open between those

otherwise closely allied. Few botanical characters are more definite than

the leaf structure illustrated in Plate VI., which has given to one group

of the Drosidæ the descriptive name of Ensatæ, (see above, Chapter IX., §

11,) but this conformation would not be wisely permitted to interfere in

the least with the arrangement founded on the much more decisive floral

aspects of the Iris and Lily. So, in the fifth volume of 'Modern Painters,'

the sword-like, or rather rapier-like, leaves of the pine are opposed, for

the sake of more vivid realization, to the shield-like leaves of the

greater number of inland trees; but it would be absurd to allow this

difference any share in botanical arrangement,--else we should find

ourselves thrown into sudden discomfiture by the wide-waving and opening

foliage of the palms and ferns.

37. But through all the defeats by which insolent endeavors to sum the

orders of Creation must be reproved, and in the midst of the successes by

which patient insight will be surprised, the fact of the _confirmation_ of

species in plants and animals must remain always a miraculous one. What

outstretched sign of constant Omnipotence can be more awful, than that the

susceptibility to {204} external influences, with the reciprocal power of

transformation, in the organs of the plant; and the infinite powers of

moral training and mental conception over the nativity of animals, should

be so restrained within impassable limits, and by inconceivable laws, that

from generation to generation, under all the clouds and revolutions of

heaven with its stars, and among all the calamities and convulsions of the

Earth with her passions, the numbers and the names of her Kindred may still

be counted for her in unfailing truth;--still the fifth sweet leaf unfold

for the Rose, and the sixth spring for the Lily; and yet the wolf rave

tameless round the folds of the pastoral mountains, and yet the tiger flame

through the forests of the night.

* * * * *

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Proserpina, Volume 1 Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps and in the Scotland and England Which My Father Knew · 第 11 / 14 章