W.
October 9th, 1911.
Mrs. HERTZ wishes to express her satisfaction with the foreman and
staff of men sent, their behaviour was very quiet, and they did
their best to make the removal as little disagreeable as possible.
Removal from St. Albans to Santa Rosa, Hampstead Green.
October 9th, 1911.
I wish to express my great satisfaction with the manner in which
your foreman and his assistants performed their work.
Yours faithfully, E. H. COLE.
Removal from E. Grinstead to Kensington.
October 9th, 1911.
Miss COBB wishes to say she is very pleased with the way the
moving has been done, and the extreme civility, obligingness
and consideration of the foreman, also the quiet behaviour and
willingness of the men.
Removal from Kensington to Brookfield, Arundel.
October 11th, 1911.
I am glad to avail myself of the opportunity of expressing my
satisfaction with the way in which the removal of my furniture was
carried out.
Yours truly, ARTHUR W. PRITT.
Removal from 87 Maida Vale to Store, thence to 20 York Avenue, Hove,
Sussex.
October 21st, 1911.
I think the goods came out very well indeed after being stored for
three years, and please accept my thanks for your attention.
Yours faithfully, (Mrs.) M. J. THOMPSON.
Removal from Fernielaw, Colinton, N.B., to our Depository, thence
back to the above address.
December 1st, 1911.
We are very pleased indeed with the way you removed the furniture
from here to London, and from London back here, and we give all
praise for doing it so nicely.
Yours truly, PAT TURNBULL.
Removal from 12 Roland Gardens, to 8 Kensington Court Gardens, W.
October 14th, 1911.
In justice to the men employed by you for our removal to this
address, I wish to say that they did their work admirably. They
not only did all that was necessary with care and skill, but were
most helpful to Mrs. Turner and my servants, and their conduct was
all that could have been desired in every way. In the foreman you
possess an invaluable servant and no praise would be too great for
him.
Yours faithfully, E. F. TURNER.
Removal from Summers Place, Billingshurst, to 193 Queen’s Gate, S.W.
December 1st, 1911.
I write a few lines to say how thoroughly pleased I am at the way
in which all our furniture, pictures, china, plate, etc., have been
moved here from Sussex, and how admirably the work has been done by
your foreman and his men at the Sussex end, and by your foreman and
his men at this end; nothing could have been better managed and I am
glad to be able to write you how well all has been managed.
Yours truly, (Mrs.) S. LEYLAND.
Wedding Presents packed and dispatched to Bassein, Burma.
December 16th, 1911.
I am writing to say that we are extremely satisfied with the way
in which our wedding presents were packed by you. We shall highly
recommend you for transport packing to all our friends.
Yours faithfully, (Mrs.) TREVOR HUDSON.
Removal from Surbiton to Store, thence to Epsom.
December 20th, 1911.
I enclose cheque for removing furniture; everything was nicely done
and our furniture none the worse for being stored. I can speak very
highly of the men whose business it was to unpack and place the
furniture; all were most obliging.
(Mrs.) L. BOTTENHAM.
Removal from Upper Chine House, Shanklin, to Montreux, Switzerland.
January 5th, 1912.
This is to certify that I am quite satisfied with the men sent by
Harrods; everything has arrived in good order and they have been
most civil and obliging, and given great satisfaction.
(Mrs.) J. COSTER.
Removal from Kensington to Store.
January 8th, 1912.
I wish to inform you that your men removed the furniture from my
flat in a most workmanlike fashion. The tenants above and below me
said they would not have known that moving was being done, had they
not seen the cases. The Head Porter told me it was the tidiest and
best managed move he had ever seen. A tenant of another flat told
me she had been much struck with the excellent neatness re packing
cases and general work she saw done from her windows (Flat 2.) I
think you may hear from her later on. For myself, I cannot speak too
highly of your excellent methods. You moved for us and stored our
goods for one year some years ago, and when our furniture came back
to us there was absolutely no fault to find, nothing but praise for
excellent care shown. The thing that gave us most pleasure was the
total absence of damp in every instance.
Yours very truly, (Mrs.) M. BREMNER.
Displaying Wedding Presents at the Hans Crescent Hotel.
January 9th, 1912.
I am writing just to express our satisfaction at the way your
packers have done their work in removing and displaying the wedding
presents.
Yours truly, (Mrs.) K. MANWARING.
Removal from Broadstairs, to Upper Norwood, S.E.
January 15th, 1912.
May I take this opportunity of saying how exceedingly well
and carefully the whole move was carried out. Our thanks are
particularly due to your foreman, who was civil and attentive
throughout.
Yours faithfully, CHARLES GARTH.
Removal from Copenhagen to The Hermitage, Ascot.
November 1st, 1911.
I wish to say that I am most satisfied at the way in which the work
has been carried out, and at the condition in which everything has
arrived. I would particularly commend the foreman, who has shown
himself to be a first-rate packer, and I cannot speak too highly of
his civility and diligence.
Yours faithfully, LIONEL C. LIDDELL.
[Illustration: Pianoforte & Musical Instrument Department]
A PUBLIC TELEPHONE IS PROVIDED IN THIS DEPARTMENT FOR CUSTOMERS’ USE.
The prospective purchaser will find this list a reliable guide of
the best English and Continental Pianos. It contains only a small
representation of Harrods’ enormous stocks, but every care has been
taken to make it as representative as possible within the space
limit. The majority of the instruments illustrated are always in
stock at Harrods’, where purchasers have the advantage of testing
the touch and tone of various makes side by side in the most
spacious and elegant showrooms in the Kingdom.
Should it be desired, however, to purchase a Piano direct from
the manufacturers, Harrods will be pleased to send an expert by
appointment to accompany clients and offer advice in the selection
of the instrument.
Any Piano selected from Harrods’ stock which is not approved may be
exchanged free of charge within three months of the date of purchase
for any other make of equal value, provided, of course, it has not
been damaged in any way.
Harrods’ Equitable System of Deferred Payments
(With Surrender Value)
OFFERS SPECIAL FACILITIES FOR ACQUIRING PIANOS BY QUARTERLY
INSTALMENTS, EXTENDING OVER A PERIOD OF ONE, TWO, OR THREE YEARS.
All Pianos in stock are marked at nett cash prices, and when
purchased on above system, in most cases only 10 per cent. is added
to the prices for the full three years.
(There are exceptions and variations in the case of certain makers,
but generally speaking the above rule holds.)
The same terms apply where Harrods allow special discounts off
Manufacturers’ List Prices, the full discounts, ranging from 20
per cent. upwards, are given and only 10 per cent. added for three
years’ purchase.
In addition, should any purchaser of a Piano desire through
unforeseen circumstances to discontinue payments, Harrods are quite
willing to take the instrument back and treat the matter on the
Monthly Hire Scale, and return any balance, provided of course that
the instrument has been properly taken care of, kept in a dry, even
temperature, and been regularly tuned by Harrods.
In the event of any purchase being completed in a shorter period
than that originally arranged a special allowance is made from the
full price.
£ s. d. £ s. d.
Example.--Makers’ List Price 48 guineas 50 8 0
Harrods’ Cash Price 36 guineas 37 16 0
Interest for 3 years 3 16 0
─────────
41 12 0
─────────
Payable by 12 quarterly instalments of £3 9 4.
MONTHLY HIRE TERMS.
UPRIGHT PIANOS Per Month
£ s. d.
By Cramer, Bord, Bond & Bradley, etc. from 0 10 6
By Challen, Cramer, Broadwood, Obermeier,
Max Adolph, etc. from 0 12 6
By Brinsmead, Broadwood, Collard, Hopkinson,
Ibach, Knauss, etc. from 0 15 0
By Broadwood, Pleyel, Brinsmead, Collard,
Schiedmayer, Bechstein, Bluthner, etc. from 0 18 0
GRAND PIANOS
Baby Grands from 25/- per month
By Broadwood, Brinsmead, Collard, Ibach,
Schiedmayer, etc. from 1 11 6
By Pleyel, Bechstein, Erard, Bluthner, etc. from 1 17 6
ORGANS
By various makers from 0 10 6
PIANO PLAYERS (to attach to existing Pianos) from 1 10 0
_A charge is made for adjusting to Pianos._
PLAYER PIANOS
(Combined Instruments)
“Bond & Bradley,” “Auto-player,” etc. 1 11 6
Simplex-Eberhardt, Cecilian, etc. 2 2 0
Broadwood Player Piano, Collard Fortepiano, etc. 2 12 6
MUSIC LIBRARY TERMS for PIANO PLAYERS, etc. 10/6 for 1 month;
21/- for 3 months; 3 Guineas per annum.
Should a hired Piano be purchased, an allowance is made from its
original cash price, according to the amount paid for hire.
DELIVERY CHARGES
Inclusive charge for delivery and collection within 3 miles:--
Uprights 4/- } Beyond this distance and above the
Grands and Player Pianos 6/- } second floor an extra charge is made.
Beyond 12 miles Hired Pianos are sent Carriage forward, hirer paying
rail charges to and fro.
TUNING AND REPAIRING DEPARTMENT.
Harrods employ an efficient staff of Tuners and Regulators, who are
duly qualified to attend and adjust any make of piano.
SCALE OF CHARGES
LONDON DISTRICT (within 4 miles cab radius).
Single 4 times
Tuning. per annum.
Cottage Piano, Trichord 3/6 12/6
Upright Grand Overstrung 4/0 15/0
Horizontal Grand 5/0 18/0
Player Piano (tuning and ordinary attention) 6/0 21/0
SUBURBAN DISTRICTS (within 15 miles radius and not more than 1 mile
from railway station).
Upright or Grand Piano (one instrument) 21/0
Player Piano 27/6
Upright or Grand Pianos (two instruments in the same house) 31/6
COUNTRY DISTRICTS (within 35 miles radius and not more than 2 miles
from railway station).
Upright or Grand (one instrument) 35/0
Player Piano 42/0
Upright or Grand (two instruments in the same house) 52/6
_Contracts arranged for periodical attention to Piano Players, Reed
or Pipe Organs._
These terms are based on the understanding that the tunings are
done periodically when our Tuner visits the district. Special
journeys charged extra. We strongly recommend our customers having
their Pianos properly attended to at regular intervals, in order to
preserve the instrument and keep the required pitch.
_The Tuners have strict instructions not to alter the pitch of any
Piano when tuning unless requested to do so._
EXAMINATIONS MADE AND ESTIMATES SUBMITTED FOR
REPAIRS, PURCHASE, OR EXCHANGE, FREE OF CHARGE.
RETURNED HIRE PIANOS AT REDUCED PRICES.
In consequence of the extensive hiring business done by Harrods, it
is possible to offer at most times a wonderful range of instruments
which have had, as a rule, only slight use.
These comprise models by the most famous makers, and having been
on hire only to the best houses are for all practical purposes as
useful as new instruments.
Harrods cordially invite correspondence from clients unable to visit
the stores, and if customers will kindly indicate their wishes
regarding style and price, suggestions and advice will be gladly
submitted.
Hints on the Proper Care of a Piano.
In order to assist those who are anxious to preserve the quality,
tone, touch, and appearance of their Pianofortes, and obtain the
utmost pleasure from them, HARRODS respectfully submit the following
suggestions:--
Damp is the greatest enemy of a Piano. The instrument should
never be kept in a lower temperature than 60 degrees Fahr.
Extreme heat is also injurious. Pianos should not be placed in a
direct draught--against the outside wall--adjacent to a window or
conservatory, or very near a fire, unless well protected. Should
any noise or jarring sound be heard when a Piano is played, it is
advisable to ascertain the cause before condemning the instrument.
Often it is found to arise from a loose key or candle bracket, or
possibly some hard substance dropped inside, or by some adjacent
ornaments which sound in sympathy with certain chords and notes.
Pianos should be dusted with a soft cloth, and finished with a dry
chamois leather to keep the polish bright. Any dulness of polish due
to natural oils working through the wood can easily be removed, if
attended to at once.
It is important that all Pianos should be regularly tuned and
attended to, whether in constant use or not, by competent tuners.
Examples of popular Instruments and their Nett Cash prices, showing
that Harrods offer the best possible value for all standard makes.
DESIGNS AND ESTIMATES SUBMITTED FOR PIANOS IN SPECIAL PERIOD CASES.
Prices include Carriage to any Station in the United Kingdom.
[Illustration]
[Illustration: UPRIGHTS.]
Makers’ Harrods’
List Price. Cash Price.
Guineas. Maker. Wood. Height. Guineas.
in.
45 BROADWOOD Rosewood 46 36
An ideal boudoir Piano.
63 ,, ,, 51 50
Overstrung Upright Grand.
78 ,, (Barless) ,, 52 62
Fine full tone.
70 BECHSTEIN ,, 51 56
Upright Cottage, full tone.
75 ,, Mahogany 48½ 60
Sheraton inlaid case.
50 COLLARD & COLLARD Rosewood 50 37
Overstrung Upright Grand.
65 BLÜTHNER Ebonized 51 52
Pure clear tone of great beauty.
58 IBACH Rosewood 50 40
Full tone, fine quality workmanship.
85 STEINWAY ,, 51½ 68
Upright Grand, magnificent tone.
63 SCHIEDMAYER Ebonized 50½ 47
High quality and lasting tone.
47 BRINSMEAD ,, 50 37
Upright Grand, excellent value.
60 PLEYEL Rosewood 49 48
Overstrung, handsomely designed case.
44 CHAPPELL ,, 47 35
A dainty Piano for boudoir, sweet tone.
26 CRAMER Ebonized, Rosewood or Oak 44 20
No smaller full compass Piano built.
32 CHALLEN Ebonized or Rosewood 45½ 23
Small cottage Piano. Most suitable for schoolroom, etc.
50 HOPKINSON Rosewood or Black 49 36
Upright Overstrung Grand, fine full tone.
48 OBERMEIER Rosewood 49 30
Overstrung Upright Grand.
42 EBERHARDT Walnut or Rosewood 46 25
Small Overstrung, suitable for small rooms.
60 BRINSMEAD Rosewood 46 45
Charming Small Overstrung, beautiful tone.
60 LIPP ,, 50 48
Vertical Upright Grand.
[Illustration: GRANDS.]
Makers’ Harrods’
List Price. Length. Cash Price.
Guineas. Maker. Wood. in. Guineas.
100 BROADWOOD Rosewood 60 80
Baby Grand, splendid tone.
115 BECHSTEIN Ebonized 72 92
Miniature Grand, full rich tone.
100 COLLARD & COLLARD Rosewood 60 75
Dainty Baby Grand, beautifully finished.
115 BLÜTHNER Rosewood 68 92
The smallest Blüthner Grand.
100 IBACH Ebonized 60 75
Baby Grand, Powerful tone.
120 ERARD Rosewood 70 96
145 STEINWAY ,, 72 116
Miniature size, superb tone.
100 SCHIEDMAYER ,, 60 75
Baby Grand, suitable for trying conditions.
100 BRINSMEAD ,, 60 75
Baby Grand, clear tone, suitable for accompanying.
105 PLEYEL ,, 63 84
High quality finish and easy touch.
130 BECHSTEIN Ebonized 80 104
Boudoir size.
120 BLÜTHNER (Aliquot Scaling) Blackwood 68 96
155 BLÜTHNER (Drawing Room Grand) Rosewood 84 124
125 BROADWOOD (Steel Barless Frame) ,, 67 100
98 CHAPPELL ,, 55 78
Baby Grand, sweet tone and easy touch.
84 CRAMER ,, 60 63
Baby Grand, soundly built, six square legs.
85 LIEHR ,, 59 55
7¼ Octaves, full free tone.
80 MAX ADOLPH ,, 55 50
Smallest Grand made, suitable for quite small rooms.
90 ,, ,, 55 60
Inlaid Sheraton Case and 6 square legs.
93 MAX ADOLPH Satinwood 55 62
95 LIPP ,, 60 76
Magnificent tone and finest quality throughout.
105 OBERMEIER Rosewood 60 58
Three legs in Louis XV style.
90 WINKELMANN Rosewood 63 58
Strongly recommended.
Harrods’ Deferred Payment System involves (in most cases) an extra
cost of 10 per cent. only in three years. See page 817.
EXAMPLES OF PIANO VALUES AT HARRODS.
Harrods will gladly assist Customers unable to visit London by
suggesting suitable instruments. If clients will kindly indicate the
price of instrument desired, size of room, and if for accompaniment
or solos, a suitable selection will be submitted. Every Piano
receives expert overhaul before despatch.
[Illustration: “JOHN RALPH” (London).]
The “JOHN RALPH” pianos are manufactured of selected well-seasoned
material under practical supervision, and although the price is
exceptionally low these instruments may be depended upon for good
service and lasting quality. Iron frames, full trichord, 7 octaves,
check action. Full free tone and easy touch.
Or by 12
quarterly
Height. Width. Cash price. payments
of
Style A, Ebonized Case 44 in. 53 in. 15 gns. £1 9 0
,, A, Mahogany or Solid Oak 44 ,, 53 ,, 16 ,, 1 10 9
In Solid Wood, prepared for
extreme climates 46 ,, 55 ,, 23 ,, 2 4 3
Style B, Rosewood Case. Handsome
Sheraton design 48 ,, 56 ,, 21 ,, 2 0 6
Style C, Upright Grand Overstrung,
Rosewood Case, full rich tone,
good touch 51 ,, 59 ,, 30 ,, 2 17 9
Tropical Model, pinned keys, &c.,
prepared for extreme climates,
in solid wood 51 ,, 59 ,, 30 ,, 2 17 9
[Illustration: “SCHUBERT” (Berlin).]
Overstrung Pianos of Fine Quality, suitable for fair-sized room, and
for accompanying the voice.
Excellent Value.
Or by 12
Height Width Depth Nett quarterly
in. in. in. Cash. payments
of
1. Walnut or Blackwood 44¼ 53 21 19 gns. £1 16 9
2. Rosewood or Black Overstrung 48½ 57 23 25 gns. 2 8 3
3. Mahogany Inlaid Overstrung 51 60 25 32 gns. 3 1 6
[Illustration: “CRAMER”
One of the most satisfactory Pianettes, produced at a low price.]
Or by 12
Height Cash quarterly
in. Price. payments of
Rosewood, Mahogany, Oak, or
Walnut Cases. 44 in. 20 gns. £1 18 6
[Illustration: “CHALLEN” (London).
Most Reliable Instrument,
Good Tone and Touch.]
Cash Price 23 gns.
Or by 12 quarterly payments of £2 4 3
Strongly recommended.
Height, 46 in.
Also supplied in Mahogany Inlaid Case, price 27 gns.
[Illustration: “BOND & BRADLEY” (London).
Excellent Small Upright, Suitable for Schoolroom, etc.
All the latest improvements, Good Finish.]
[Illustration: Rosewood, Price 18 gns. Or by 12 quarterly payments
of £1 14 9
Fumed Oak, Price 19 gns. Or by 12 quarterly payments of £1 16 9
Sheraton Model, Inlaid Case, very handsome design. Price 21 gns.]
“BORD PIANETTES”
Height 44 in. Full Compass.
These Pianettes are renowned for their pure, free tone and great
durability. Supplied in either Solid Walnut, Oak, or Ebonised Cases.
Cash Price, from 19½ gns.
[Illustration: “EBERHARDT” (Berlin).
Highly finished Overstrung Uprights, Sheraton Inlaid Case.
Rosewood, Mahogany, or Ebonised Case.
These Pianos have a sound reputation. The tone and touch are equal
to many more expensive instruments, and they may be relied upon to
stand many years of hard use.]
Or by 12
Height. Compass. Nett. quarterly
in. Octaves Cash. payments of
Small Upright Overstrung 44 7 25 gns. £2 8 3
Rosewood, Walnut or Blackwood.
Boudoir Overstrung 49 7 29 gns. 2 15 9
Rosewood Inlaid.
PIANOS TAKEN IN PART EXCHANGE, FULL VALUE ALLOWED.
RETURNED HIRE PIANOS.--WE FREQUENTLY HAVE A NUMBER OF HIGH-CLASS
PIANOS IN STOCK THAT HAVE ONLY HAD A FEW MONTHS’ WEAR, WHICH ARE
OFFERED AT EXCEPTIONALLY LOW PRICES.
MAKES ALWAYS TO BE SEEN IN HARRODS’ PIANO SALON.
[Illustration: “MAX ADOLPH” (Berlin).
Superior Overstrung Pianos.
Full Tone. Excellent Finish.
Rosewood Case.
A High-Class Piano.
A Moderate Price.]
[Illustration: Small Boudoir Size, 24 Guineas.
Or by 12 quarterly payments of £2 6 3
Upright Grand: Full Round Tone, 30 Guineas.]
[Illustration: “KNAUSS” (Coblenz).]
Upright Grand Overstrung.
A Piano with Great Beauty of Tone.
Very Superior Finish.
Recommended for hard use, and the Tone is especially suitable for
accompanying the Voice.
The “Knauss” Pianos have a favourable reputation of over a quarter
of a century. Cash Price, from 32 Guineas. Or by 12 quarterly
payments of £3 1 6
“GEO. ROGERS & SONS” (London).
Artistic Instruments of sound British Construction. The Tone is
particularly full and free. An Ideal Students’ Piano.
Iron Frame. Overstrung 7¼ Octaves.
Height, 3 ft. 10 in. Width, 4 ft. 10 in.
Cash Price, 31 Guineas.
Or by 12 quarterly payments of £2 19 9
Model No. 3.--Height, 4 ft. 3 in. Width, 4 ft. 10 in. A powerful
Upright Grand, with Rich Mellow Tone.
Cash Price, 37 Guineas.
Or by 12 quarterly payments of £3 11 3
JOHN BROADWOOD & SONS
(London)
These Instruments have a reputation for Fine Tone, combined with
Elegance and Durability.
SMALL UPRIGHT. Rosewood Case. Height, 46 in.
Cash Price, 36 Guineas. Or by 12 quarterly payments of £3 9 3
OVERSTRUNG UPRIGHT GRAND. Chippendale Style. Height, 51 in.
Exceptionally Full Tone of Pure Quality.
Cash Price 50 Guineas. Or by 12 quarterly payments of £4 16 3
BABY GRAND. Length, 5 ft. Width, 4 ft. 9 in.
Very Suitable for Small Rooms. Excellent for Accompaniments.
Cash Price, 80 Guineas. Or by 12 quarterly payments of £7 14 0
[Illustration: “WINKELMANN”
UPRIGHT AND GRAND PIANOS
Strongly Recommended for Quality of Tone and Durability.
In Fine Rosewood or Mahogany Cases.]
UPRIGHT GRANDS--From 36 Guineas.
BABY GRAND--Beautiful Tone and Finish.
With three legs: Cash Price, 58 Guineas.
With six legs: Cash Price, 63 Guineas.
[Illustration: “OBERMEIER” BABY GRAND.]
Thoroughly Reliable and Excellent for either Solo or Accompaniment.
Full Compass. Fine Ivory Keys. Light Touch.
In Plain Rosewood, with 6 square legs in Sheraton style.
Cash Price, 58 Guineas.
In Plain Rosewood, with 3 carved legs, in Louis XV. style.
A most elegant model. Cash Price, 60 Guineas.
[Illustration: “COLLARD & COLLARD” BABY GRAND.
Length 5 ft.
Built on the most scientific principles to ensure Fulness and
Evenness of Tone Quality.
These Instruments uphold these famous makers’ reputation for
Durability and Excellence of Construction.
In Rosewood Case, with 3 artistic legs.
Cash Price 78 Guineas.]
[Illustration: “MAX ADOLPH” (Berlin). BABY GRAND.]
The Smallest Grand Made.
This dainty instrument is particularly suitable for small rooms
where space is a consideration.
The Finish and Design are of the Highest Class, the Tone is sweet
and pleasing, and the Touch easy.
The Size is 4 ft. 7 in. length, and 4 ft. 5 in. breadth.
In Plain Rosewood, with 3 round legs Cash Price 50 Guineas
Ditto with 6 square legs ,, 52 ,,
Ditto Inlaid Case, with 6 square legs ,, 58 ,,
In Fumed Oak, with 6 square legs ,, 55 ,,
In Fine Satinwood, with 6 square legs ,, 60 ,,
In Fine Satinwood and Inlaid ,, 65 ,,
If desired, these Pianos may be supplied upon Harrods’ Deferred
Payment System for One, Two, or Three Years, involving an additional
cost over Three Years of 10 per cent. only.
BECHSTEIN.
Upright Grands.
Solid
Mahogany
Rosewood for
Black or tropical
Height wood. Walnut climates
Model. ft. in. Gns. Gns. Gns.
6 Upright Concert Grand 4 10 115 125 120
7 Upright Drawing-Room Grand 4 5½ 95 105 105
8 Upright Boudoir Grand 4 2¾ 85 90 90
-- Sheraton Design Satinwood 4 2¾ -- 125 --
9 *Small Upright Grand 4 1 70 *75 70
Rosewood.
10 Upright Oblique 4 3 65 67 65
Oak & Steel Mahogany &
Fittings. Brass Fittings.
-- Medieval English Upright 4 0½ 85 90
(As supplied to Their Majesties the King and Queen).
--Mahogany, Adam Design 4 1 75
* Chippendale Mahogany, 68 Guineas.
Horizontal Grands.
Solid
Mahogany
for
tropical
Length Blackwood. Rosewood. climates
Model. ft. in. Gns. Gns. Gns.
A Miniature Grand 6 0 115 120 125
Mahogany, with Six Legs, 125 Gns.
B Boudoir Grand 6 8 130 *140 140
C Drawing-Room Grand 7 4 160 *170 175
D Full Grand 8 0 215 *225 225
E Full Concert Grand 9 0 300 -- 350
* Rosewood Grands of Models B, C, and D have Six Legs.
BLÜTHNER.
Horizontal Grands.
Compass. Length. Rosewood. Blackwood.
Model. Octaves. ft. in. Gns. Gns.
5 Miniature Grand 7¼ 5 8 *115 *110
7 Boudoir Grand 7¼ 6 3 *125 *120
9 Drawing-Room Grand 7¼ 7 0 155 150
10 Drawing-Room Grand 7¼ 7 8 190 180
11 Orchestral Grand 7¼ 9 0 300 275
* With Aliquot Scaling, 10 Guineas extra.
Upright Grands.
Compass. Height. Rosewood Blackwood
Model. Octaves. ft. in. Gns. Gns.
1 Upright Grand 7 4 3 70 65
2 Upright Boudoir Grand 7 4 3 75 70
3 Upright Boudoir Grand 7 4 3 80 75
4 Upright Drawing-Room Grand 7½ 4 6 95 90
Mahogany.
-- Tudor Model 7 4 3 85
-- Sheraton Model 7 4 3 85
RUD IBACH SOHN.
Upright Pianos.
Compass. Height. Rosewood. Blackwood. Walnut.
Style. Octaves. ft. in. Gns. Gns. Gns.
1 Oblique Cottage 7 4 2 58 -- 63
2 Oblique Cottage, Inlaid 7 4 2 -- 63 --
3 Overstrung 7 5 2 78 74 85
4 Overstrung, Engraved 7 4 2 85 80 --
5 Overstrung 7 4 4 95 90 98
6 Overstrung, Engraved 7 4 4 100 95 --
7 Overstrung 7 4 6 115 110 120
Horizontal Grands.
Compass. Length. Blackwood. Walnut. Rosewood.
Style. Octaves. ft. in. Gns. Gns. Gns.
100 Semi-Grand 7¼ 5 10 100 110 110
200 Boudoir Grand 7¼ 6 7 120 130 130
300 Drawing-Room Grand 7¼ 7 9 150 175 175
400 Concert Grand 7¼ 9 0 275 -- 300
Ibach Claviola Player-Piano 4 2 125 -- 130
Ibach Claviola Player-Piano 4 4 140 -- 145
SCHIEDMAYER & SONS.
Upright Pianos.
Rosewood,
Blackwood,
Compass. Height. or Walnut.
Style. Octaves. ft. in. Gns.
10 Upright Grand 7 4 2½ 65
11 Upright Boudoir Grand 7 4 3 *70
27 Upright Grand, Modern Art Style 7 4 2½ 75
12 Upright Drawing-Room Grand 7 4 4 *80
* Also in Dark Mahogany.
Horizontal Grands.
Walnut,
Rosewood, or
Length. Compass. Blackwood.
Style. ft. in. Octaves. Gns.
5 Short Grand 5 0 7 105
4 Boudoir Grand 5 8 7 120
2 Drawing-Room Grand 6 6 7¼ 140
1 Concert Grand 8 2 7¼ 200
SCHIEDMAYER-SIMPLEX PLAYER-PIANO, Height 4 ft. 3 in.,
in Rosewood Case, 100 Guineas nett.
JOHN BROADWOOD & SONS.
JOHN BROADWOOD & SONS have perfected a construction which is a
beautiful simplification of design, and at the same time greatly
facilitates the production of Tone quality of hitherto unattainable
purity.
Upright Pianos.
Model Compass. Height. List Price.
No. Octaves. ft. in. Gns.
16 Bijou Upright, Rosewood Case 7 3 8 40
8 Bijou Upright, Rosewood
Chippendale Case 7 3 10 45
23 Upright Overstrung, Rosewood Case 7 4 2 63
18 Barless Upright Overstrung,
Rosewood Case 7¼ 4 4 78
Horizontal Grands.
Compass. Length. List Price.
Octaves. ft. in. Gns.
Baby Grand, Rosewood Case 7 5 0 100
Quarter Grand Barless, Rosewood Case 7 5 7 125
Boudoir Barless 7¼ 6 7 160
Drawing-Room Barless 7¼ 7 6 225
For Combination Player-Pianos see pages 824, 825 & 826.
Export Models in Rosewood or Mahogany, packed in Zinc and Deal Cases.
Gns.
16 Weight, 616 lbs. Shipping Measurement, 51 ft. 48
22 ,, 672 lbs. ,, ,, 56 ft. 63
Gns.
Baby Grand, Weight, 896 lbs. Measurement, 61 ft. 110
Quarter Grand Barless, Weight, 990 lbs. Measurement, 67 ft. 150
COLLARD & COLLARD.
Horizontal Grands.
List Prices.
Length. Compass. Rosewood. Blackwood. Walnut.
ft. in. Octaves. Gns. Gns. Gns.
Concert Grand 8 6 7¼ 200 -- 235
Drawing-Room Grand 7 10 7¼ 169 -- 190
Boudoir Grand 6 9 7¼ 130 -- 155
Berkeley Grand 6 1 7 110 110 125
Shortest Grand 5 0 7 105 100 115
Upright Grands.
List Prices.
Height. Compass. Rosewood. Blackwood. Walnut.
ft. in. Octaves. Gns. Gns. Gns.
Pianino Overstrung 4 2 7 50 50 50
Upright Grand,
Overstrung 4 4 7¼ 63 63 70
Mahogany.
Upright Grand,
Overstrung 4 4 7¼ -- 75 --
Upright Grand,
Overstrung 4 5 7¼ 78 78 85
Upright Grand,
Overstrung 4 7 7¼ 95 100 105
Combination Player-Piano.
FORTE PIANO, with PERFECTED INTERIOR PLAYER, without increasing the
size, see page 825.
EVERY INSTRUMENT GUARANTEED AND EXCHANGED FREE, IF NOT APPROVED
WITHIN THREE MONTHS.
THE ABOVE PRICES (EXCEPT PLAYER-PIANO) ARE SUBJECT TO HARRODS’
DISCOUNT FOR CASH RANGING FROM 20% UPWARDS.
J. BRINSMEAD & SONS.
Horizontal Grand.
Rose- Walnut or Extreme
Compass. Length. wood. Blackwood. Climates.
Style. Octaves. ft. in Gns. Gns. Gns.
36 Concert Grand 7⅓ 8 0 220 250 200
41 Drawing Room Grand 7⅓ 7 2 165 185 155
34 Boudoir Grand 7⅓ 6 3 -- 120 120
Mahogany.
39 Baby Grand 7⅓ 5 5½ 105 110 100
Overstrung Upright Grands.
Height.
W Carved Panel 7⅓ 4 3 85 90 --
X2 Solid. With
Bevelled Panels. 7⅓ 4 6 80 85 80
X Plain Panels -- 3 11 62 63 --
X1 Plain Panels -- 4 1 -- 63 63
Upright Pianos (Vertical).
Q 3 Bevelled Panels 7 4 4 70 75 --
27 2 Bevelled Panels 7 4 6 -- -- 66
49 Plain Panels 7 4 2 55 58 --
17 Solid Mahogany Case 7 -- -- -- 52
16 Plain Panels -- -- 45 47 --
Estimates and Designs submitted for Pianos in French, Mediæval and
Art Moderne Cases.
CHAPPELL & Co.
Rosewood
or
Length. Compass. Blackwood.
ft. in. Octaves. Gns.
Bijou Grand, Rosewood 5 0 7 98
Mignon Grand, Rosewood 6 0 7 114
Height.
Upright Grand 4 6 7 83
Upright Grand 4 3 7 66
Upright Grand 4 1 7 60
Walnut, Oak,
or
Mahogany.
Overstrung Upright 3 11 7 48
Boudoir Upright 3 11½ 7 44
Yacht Piano 3 4½ 5 38
Student’s Piano 3 8 5 32
J. B. CRAMER & Co.
Rosewood
or
Height. Compass. Blackwood.
ft. in. Octaves. Gns.
Overstrung Upright Grand 4 3 7¼ 70
Overstrung Upright Grand 4 3 7 60
Overstrung Upright Grand 4 4 7 50
Boudoir Cottage 4 1 7 42
Vertical Pianino 4 1 7 36
Pianette 3 8 7 26
Length. Oak.
Portable Piano -- 5 20
Baby Grand 4 9 -- 84
GEORGE ROGERS & SONS, London.
Length. Compass.
ft. in. Octaves. Gns.
Baby Grand 5 0 7¼ 95
Vocalist Model No. 1 3 10 7¼ 42
Model No. 3 Overstrung 4 3 7¼ 50
Osborne Model 4 2½ 7¼ 65
Height.
Students’ or School Piano 3 11 7 40
PLEYEL.
Horizontal Grands.
Specially manufactured to suit all Climates, with Complete Metal Frames.
All are Overstrung.
Rosewood or
Length. Width. Compass. Blackwood.
ft. in. ft. in. Octaves. Gns.
1 Extra Model Full Concert Grand 9 0 5 2 7¼ 250
1B Concert Grand 8 9 5 0 7¼ 200
2 Drawing-Room Grand 7 1 4 10 7¼ 150
3 Boudoir Grand 6 4 4 10 7¼ 120
3B Bijou Grand 5 3 4 9 7 105
3 Reversed Grand. Curved side
to the left 6 4 5 0 -- 140
-- Double Grand. Keyboard each end 8 0 4 9 7 200
-- Orchestral Double Grand 8 1 4 11 7¼ 250
3B Bijou Grand. Style “Louis XVI.” 5 6 4 10 from 130
Upright Grands.
Rosewood or
Height. Width. Depth. Compass. Blackwood.
ft. in. ft. in. ft. in. Octaves. Gns.
4 Upright Grand. Overstrung 4 9 5 3 2 4 7¼ 110
5 Upright Grand. Oblique 4 6 5 0 2 0 7¼ 90
6 Grand Oblique. Overstrung 4 3 4 10 2 1 7 80
6B Oblique 4 3 4 10 2 1 7 70
Overstrung, Solid Mahogany.
8 Cottage, ¼ Oblique 4 3 4 10 2 1 7 63
9 New Model. Overstrung 4 1 4 9 2 1 7 60
-- New Model 4 1 4 9 2 1 -- 65
In Sheraton Mahogany Case.
9 New Model 4 1 4 10 2 2 -- from 80
Overstrung, Style “Louis XVI.”
-- Pedalier. 40
For Organ Practice, 30 Notes, C C C to F.
Walnut Cases from 5 Guineas net, extra.
LIPP & SOHN.
Horizontal Grands.
Rosewood or
Length. Width. Compass. Blackwood.
ft. in. ft. in. Octaves. Gns.
Mimigrand 5 0 4 9½ 7¼ 95
Satinwood.
Mimigrand 5 0 4 9½ 7¼ 125
Rosewood or
Blackwood.
Enfant Grand 5 9 4 10 7¼ 110
Boudoir Grand 6 6 5 1 7¼ 140
Upright Grands.
Rosewood or
Height. Width. Depth. Compass. Blackwood.
ft. in. ft. in. ft. in. Octaves. Gns.
A Upright Oblique 4 2 4 9½ 2 0 7 60
Plain Beaded Panel.
AA Upright Oblique 4 2 4 9½ 2 0 7 60
Three Plain Panels.
B Small Upright Grand 4 3 4 11½ 2 2½ 7 71
BB Upright Drawing-Room
Grand 4 4½ 5 0 2 3 7 82
STEINWAY.
Horizontal Grands.
Length. Compass. Weight.
ft. in. Octaves. lbs. Gns.
Miniature Grand. Black 5 10 7⅓ 605 140
Miniature Grand. Rosewood ,, ,, ,, 145
Boudoir Grand. Black 6 0 7⅓ 700 175
Boudoir Grand. Rosewood ,, ,, ,, 180
Drawing-Room Grand. Black 6 10 7⅓ 750 220
Drawing-Room Grand. Rosewood ,, ,, ,, 225
Concert Grand. Black 8 10 7⅓ 1040 340
Concert Grand. Rosewood ,, ,, ,, 350
Upright Grands.
Height. Compass. Weight.
ft. in. Octaves. lbs. Gns.
Vertegrand. Black 4 3½ 7⅓ 625 85
Vertegrand. Rosewood ,, ,, ,, 90
Style R. Black 4 6 7⅓ 725 125
Style R. Rosewood ,, ,, ,, 130
Style X. Sheraton Mahogany 4 3 7⅓ 725 110
STEINWAY-WELTE PLAYER PIANO, Cash price, £275
WELTE-MIGNON PLAYER PIANO, Cash price, £195
Welte Player to attach to existing pianos, £125.
EVERY INSTRUMENT GUARANTEED AND EXCHANGED FREE IF NOT APPROVED
WITHIN THREE MONTHS.
THE ABOVE PRICES ARE SUBJECT TO HARRODS’ SPECIAL DISCOUNT FOR CASH,
RANGING FROM 20% UPWARDS.
IF DESIRED, THESE PIANOS MAY BE SUPPLIED UPON HARRODS’ DEFERRED
PAYMENT SYSTEM FOR ONE, TWO, OR THREE YEARS.
PLAYER-PIANOS.
Harrods offer the finest value and hold by far the largest and most
varied range of these popular instruments. Any instrument supplied
may be exchanged within 3 months if unsuitable.
“BROADWOOD” PLAYER-PIANOS.
Made throughout by JOHN BROADWOOD & SONS.
The experience of the House (which extends back for nearly 200
years), combined with the most modern inventions, enables John
Broadwood & Sons to place on the market a most complete and
highly-perfected Player-Piano. The Player mechanism interferes in
no way with the use of the instrument as a Pianoforte.
“BROADWOOD” UPRIGHT PLAYER-PIANOS.
[Illustration: (Piano and Player made throughout in Broadwood’s Factory.)]
Specifications:
Style 50.
Overstrung Scale. Compass, 7 Octaves. Rosewood Case.
Under Damper Action.
Height, 4 ft. 5 in. Width 5 ft. 3 in.
Makers’ List Price, 100 Guineas. Cash Price, 80 Guineas.
Style 51.
Patent Steel Barless Frame. Overstrung Scale.
Compass, 7¾ Octaves. Rosewood Case. Under Damper Action.
Height, 4 ft. 7 in. Width, 5 ft. 3 in.
Makers’ List Price, 135 Guineas. Cash Price, 108 Guineas.
“Broadwood” Player-Pianos are all Full Scale.
“BROADWOOD” PLAYER-GRAND.
Can be supplied specially prepared for extreme climates.
All Broadwood Player-Pianos are Full Scale and have Automatic
Tracking device which ensures perfect results.
[Illustration: Miniature Grand, Length 5 ft. 10 in.]
Makers’ List Price, 175 Guineas. Cash Price, 140 Guineas.
Steel Barless Grand, Length 6 ft. 3 in.
Makers’ List Price, 225 Guineas. Cash price, 180 Guineas.
“KASTNER-BROADWOOD” PLAYER-PIANOS.
(Broadwood Pianos, with the famous “Autopiano” action.)
UPRIGHT PLAYER PIANOS.
Makers’
List Price Cash Price
65-Note Scale 95 Guineas 76 Guineas
65-Note and 88-Note Scale (interchangeable)
165 ,, 132 ,,
Ditto, but with Kastonome Action 180 ,, 144 ,,
AUTOGRANDS (BROADWOOD PIANOFORTES).
(Iron Frame.)
Makers’
List Price Cash Price
65-Note Scale 175 Guineas 140 Guineas
Full Scale Action 185 ,, 148 ,,
Ditto, but with Steel Barless Grand
(Broadwood Patent) 250 ,, 200 ,,
“THE AUTOPIANO.”
(KASTNER’S PATENTS.)
Autopianos are supplied with various makes of Pianos, all of the
highest quality. Perfect expression may be obtained by means of the
Patent devices now incorporated; and easy pedalling is combined
with a satisfying “attack” whenever desired.
Uprights from 72 Guineas
Grands from 140 ,,
Complete Catalogue on application.
THE “ELECTRELLE” PLAYER.
[Illustration: A Reliable Electric Player, which can be incorporated
into ANY ORDINARY UPRIGHT PIANO.]
The expense of running it is almost nil, the current being taken
from the ordinary house supply or from batteries.
The performer has entire control of the expression, and the effects
are wonderful. Its features are:--
No foot pumping. Takes ordinary rolls. Transposes into different
keys. No interference with Piano for hand playing. Casework of Piano
is not touched in any way. Price 48 Guineas.
Estimates will be gladly submitted for Cases in any of the Historic
Furniture Styles. Carriage paid to any Railway Station in the United
Kingdom.
PLAYER-PIANOS, ETC.
The Player-Piano is one complete instrument, a combination of piano
and the means to play it artistically, even by those possessing
little or no musical knowledge. All interested may enjoy the
advantage of testing the tone and control of various Player-Pianos
in Harrods’ Showrooms.
A PLAYER-PIANO ANSWERS EXACTLY THE SAME PURPOSE FOR HAND PLAYING AS
AN ORDINARY PIANO.
HARRODS’ “AUTO-PLAYER.”
[Illustration: A fully guaranteed instrument at a low price. Sound
London-built Piano. The player-action simple, yet entirely effective
and reliable.]
There is no finer value obtainable.
Cash Price, 42 Guineas.
THE “JOHN RALPH” PLAYER-PIANOS.
Full-Toned Upright Grand, with Overstrung Scaling. Finished in fine
Rosewood.
Model B. With very sensitive Action, Melody Stops, Automatic
Tracking Device, ensuring perfect results. 65-Note Scale.
Cash Price, 52 Guineas.
Model C. With Full Scale Action, Automatic Pedal and Solo Devices.
Capable of splendid results. Very easy pedalling. Cash Price, 68
Guineas.
[Illustration: “SIMPLEX-EBERHARDT” PLAYER-PIANO.]
A highly-artistic instrument, the Piano being a good class Berlin
Overstrung Model, with great beauty and Tone.
Cash Price, 76 Guineas.
Any of these Instruments may be acquired by Harrods’ System of
Deferred Payments, involving only a slight increase on the cash
prices.
Pianos taken in part exchange, full market value allowed.
“SIMPLEX-SCHIED-MAYER” PLAYER-PIANO.
Every part of the finest Workmanship. A very effective combination.
Cash Price, 100 Guineas.
ELECTRA MUSIC ROLLS.
Standard 65-Note or Full Scale Rolls at same prices.
Prices from 1/0 to 4/0
These rolls are equal and in many points superior to any rolls yet
produced, although the prices are the lowest ever offered.
Special Features of these Rolls are:--Self-adjusting flanges; fine
quality paper, perfect registration; metal frictionless ends;
correct musical indications; perfect alignment; patent overlap end
fastener.
Full particulars and list on application.
Suitable for any standard 65-Note or Full Scale Player.
“COLLARD” FORTE-PIANO.
An efficient Player, incorporated into a Collard Overstrung Piano,
without any increase in size.
Wonderful Control of Expression.
Made throughout by Collard and Collard.
Cash Price, 95 Guineas.
LIBRARY SYSTEM FOR MUSIC ROLL SUPPLY.
Harrods have made arrangements whereby one of the largest Libraries
of Music Rolls is accessible to owners of Players.
Circulating Library System.
All transportation charges payable by the Subscriber.
Number of Rolls per Month, 24.
£ s. d.
One Year 3 3 0
Six Months 2 2 0
Three Months 1 8 6
One Month 0 10 6
Number of Rolls per Month, 12.
£ s. d.
One Year 2 2 0
Six Months 1 8 6
Three Months 0 18 6
One Month 0 7 6
Subscriptions are payable in advance.
“BLUTHNER” PLAYER-PIANO.
Style A. 65-Note. Maker’s List Price, 135 Guineas. Cash Price, 108
Guineas.
Style B. 65-and 88-Note. With Transposing and Melody Device. There
is no finer instrument made. Maker’s List Price, 210 Guineas. Cash
Price, 168 Guineas.
“BLUTHNER” GRAND PIANO-PLAYER.
(With Aliquot Scaling.) With both 88-and 65-Note Action. Containing
every device of recognised value. Net Cash Price, £300.
“CECILIAN” PLAYER-PIANOS.
Very sensitive Player, producing most artistic results with a
minimum of effort.
British Model Cash Price 72 Guineas
Hopkinson Model ,, 100 ,,
Chappell Model ,, 108 ,,
Schiedmayer Model ,, 130 ,,
The instruments are also supplied with 88-Note Action, at a slightly
enhanced price.
PLAYER꞊PIANOS.
All Makes and all Prices. Harrods hold the most varied stock of
Player Goods to be seen anywhere.
[Illustration: THE WELTE-MIGNON.
STEINWAY PIANO, without Keyboard. Compass 80 Notes. The Welte-Mignon
consists of an Upright Pianoforte with a pneumatic attachment, which
is actuated by electricity instead of foot power. This attachment
represents the highest possible development of the pneumatic
piano-player, inasmuch as it furnishes a reproduction of the actual
interpretation placed upon the written score of a great composer
by the great modern executant. The Welte-Mignon catches the great
masters in the act of playing and fixes their style for ever.
Cash Price, £195.]
[Illustration: THE “SOLOPHONOLA.”
There is no more expressive “Player” manufactured. The control is
completely at the command of the player and allows immense scope for
individuality in playing. The lightness and delicacy of touch will
astonish those who have not personally tested these instruments.
Upright Grands. Model I. and II. Cash Price, 132 Guineas.
Upright Grand (Ronisch Piano). Cash Price, 180 Guineas.
Horizontal Grand (with Solophonola) may be used in the ordinary way
for hand playing. Cash Price, 232 Guineas.
Ronisch Grand (with Solophonola). Cash Price, 260 Guineas. ]
THE “LEWIS” GRAND AUTOMATIC ORGAN.
Played either from the keyboard or by the internal player for fine
organ music. Specifications will be sent on application and designs
and estimates submitted for Automatic Organs suitable either for
church or home. Prices from £150, erected free within 50 miles of
Harrods.
“ST. CECILIA” ORGANS WITH ORGANOLA.
The “ORGANOLA” is a substitute for the most skilled fingers,
and will enable anyone old or young to play the Organ with the
expression and technique of an accomplished musician, even though
never having played an organ before. Extra cost fitted into St.
Cecilia Organs £38 10 0
THE STEINWAY-WELTE.
[Illustration: EXACT AND INDIVIDUAL RENDERINGS OF CLASSICAL MUSIC
PLAYED BY THE WORLD’S GREATEST ARTISTS.]
Steinway Upright Grand Piano, with keyboard, may be used as an
ordinary piano for hand playing, or with the marvellous Welte
Player. Cash Price, £275.
“I had heard a great deal about the WELTE, and am more than
delighted after having heard it play. What I found most astonishing
was the perfect reproduction of the touch, even to the finest
shadings. In short, the WELTE is not only human, but super-human.
“MARK HAMBOURG.”
THE WELTE PLAYER.
FOR EXISTING GRAND OR UPRIGHT PIANOS.
Easily adjusted to any piano.
The Welte Player reproduces on a Grand or Upright Pianoforte, from
the Music Roll, the artist’s rendering in the same accurate and
astonishing manner as the other Welte instruments. Cash Price, £125.
MUSIC STOOLS.
SUITABLE FOR USE WITH PLAYERS.
[Illustration: Adjustable Seat, very comfortable. Upholstered in
various styles. Price 21/0]
[Illustration: Ottoman Stool, with adjustable seat and receptacle
for music rolls. Well finished in solid woods. Price 37/6]
PIANO-PLAYERS to attach to existing Grand or Upright Pianos.
[Illustration: “SIMPLEX” PIANO-PLAYER. Adapted without trouble to
existing Grand or Upright Pianos. Rosewood, Mahogany or Black. May
be played by anyone without musical knowledge. Cash Price, from 38
Guineas.]
THE “CECILIAN” PIANO-PLAYER. This Player is provided with every
desirable device for expression, control, and only very slight
effort is required to use it. Cash Price, from 40 Guineas.
“CLAVIOLA” PIANO-PLAYER. A highly artistic instrument, having
an extended compass, which avoids mutilation of the original
compositions.
Easy pedalling, and absolute control of expression.
Cash Price, from 50 Guineas.
[Illustration: “CHASE & BAKER” PIANO-PLAYER.
Very simple control of expression. A well-constructed instrument
which can be fully recommended for hard use.
Cash Price, from 34 Guineas.]
Any of the Instruments described can be supplied in Special
Construction for extreme climates. An extra charge is made of from
10 to 15%
ORGANS
Suggestions and full particulars gladly submitted for suitable
instruments for Schools, Chapels, &c.
PORTABLE ORGANS.
Walnut Case, 3 Octaves £4 4 0
Oak Case, 4 Octaves, 2 sets Reeds,
Viola, Flute and Forte Stops 6 6 0
THE LATEST “ESTEY” FOLDING ORGAN.
Four octaves compass, well voiced, ample wind power. Provided with
strong leather handles for safe and easy moving. Furnished in Oak
only.
Cash Price, 7 gns.
Larger Size, with two full 4-Octave sets Of Reeds and Octave
coupler. Suitable for extreme climates.
Cash Price, 12 gns.
BELL ORGANS
(Canadian).
Half a Century’s Reputation.
[Illustration: “QUEEN’S” MODEL.]
Makers’ Harrods’
List Price Cash Price
Traveller Organ 12 gns. 8 gns.
Portable ,, 14 ,, 9 ,,
Diadem Model (low top) 22 ,, 13 ,,
,, ,, (high top) 24 ,, 14 ,,
Choir Model 26 ,, 14 ,,
Queen’s Model (low top) 31 ,, 17 ,,
,, ,, (high top) 33 ,, 19 ,,
,, ,, (pipe top) 35 ,, 20 ,,
With Action 253 1 gn. extra.
,, 254 3 ,,
,, 257 3 ,,
,, 258 7 ,,
Cathedral Model 55 gns. 31 gns.
Regal Model (low top) 70 ,, 37 ,,
,, ,, (high top) 75 ,, 39 ,,
,, ,, (pipe top) 80 ,, 42 ,,
With Action 413 3 gns. extra.
,, 461 7 ,,
Student’s Model
(2 Manuals & Pedals) 85 gns. 46 gns.
[Illustration: “ESTEY” ORGANS.
375,000 have been sold.]
Style 14. Walnut Case, 2 Full Sets powerful tone. Cash Price, £9 15 0
Style 844. 13 stops. In Handsome Walnut Case, High Top with Bevelled
Mirror. Height, 6 ft. 11 in. Cash Price, 20 gns.
Style H 40. 16 Stops. Chancel Style in Oak with Panelled Back,
suitable for Small Church, &c. Good full tone. Cash Price, 28 gns.
“Estey” 2 Manual and Pedal Organ, 15 Stops, 10 Rows of Reeds, with
full accessories. Cash Price, 80 gns.
MASON AND HAMLYN ORGANS.
Portable Organs Cash Price, from 6 gns
Mission Organs ,, ,, ,, 8 ,,
Chancel Organs ,, ,, ,, 12 ,,
Drawing Room Organs with high
tops and bevelled mirrors, very
handsome designs.
Cash Price, from 14 ,,
LISZT ORGANS.
With bench and pedal point.
Cash Price, from 80 ,,
LISZT ORGAN.
Two Manual and Pedal Organ.
Cash Price, from 145 ,,
Full illustrated Catalogue on Application.
“PACKARD” ORGANS.
Strongly recommended for their sound construction and clear
pipe-like tone. Handsome High Tops with Bevelled Mirror.
Style Cash Price
340. 10 Stops, 4 Sets of Reeds 14 gns.
345. 15 ,, 7 ,, ,, 17 ,,
374. 15 ,, 7 ,, ,, 20 ,,
379A. 14 ,, 10 ,, ,, 25 ,,
699. 15 ,, 11 ,, ,, 32 ,,
Chapel Styles.--Low Top with Panelled Backs, supplied with above
Specifications and at same price as with High Tops.
“KARN” CANADIAN ORGANS.
Can be supplied in various cases of beautiful design. The tone is
extremely rich in quality, and these Organs may be depended upon to
perform satisfactorily in trying climates.
[Illustration: Style G.
A popular Chancel Style in Solid Oak, Handsome Panelled Back, with
21 Stops and 12 Sets of Reeds. Rich, full tone with plenty of
variety.
Cash Price, 27 gns.]
Style E.
Suitable for Home use. Handsome High Top with Bevelled Mirror and
Music Receptacle. Carved Walnut. 13 Stops, 6 Sets of Reeds. Fine
tone.
Cash Price, 17 gns.
[Illustration: “KARN” STUDENT’S ORGAN. STUDENT’S DOUBLE MANUAL PEDAL
ORGAN. Price, 45 gns. Cash.]
Or by our Quarterly Payment System. Five complete Rows of Reeds--two
on each Manual and one on Pedals. 10 Stops.
Accessories: Wind Indicator, Oak Bench, Balance Swell, Grand Organ,
Side Blower, also Double Foot Blowers--arranged to fold up when not
required.
Remarks: Contains a total of 274 Reeds; Pedals are R.C.O. Scale and
Removable; Manuals extend well over pedals; one stop draws complete
row of reeds; Top Lid made to open.
_Carriage paid to any Railway Station._
PIPE ORGANS: Estimates and Specifications submitted for Pipe Organs
for all purposes, Expert advice given.
“ST. CECILIA” PIPE ORGANS.
The Tone is produced, exclusively, from full-scale ORGAN PIPES of
the finest quality which are the same as used in the largest Two
and Three-Manual Church Organs. The ST. CECILIA ORGAN is built in
several models, but the smallest pattern is far superior to the
largest and most costly “American” Reed Organ or Harmonium. It
possesses much more variety of tone and also greater carrying power;
for blending with and supporting the voice it is unequalled.
The ingenious Pneumatic Action introduced enables the “double bass”
stop to give a Pedal Organ effect, actuating from the Manual. On
this stop only the lowest note held in a Bass chord is sounded,
thus it removes the difficulty of using the Pedals, while preserving
the effect, and a perfect 16-feet Pedal Bass is obtained. For those
that prefer a Pedal Board, special Models are manufactured.
Cash Prices, from £50.
Specifications furnished on application.
[Illustration]
“ST. CECILIA” ORGANS WITH ORGANOLA.
The “ORGANOLA” is a substitute for the most skilled fingers,
and will enable anyone old or young to play the Organ with the
expression and technique of an accomplished musician, even though
never having played an organ before. Extra cost fitted into St.
Cecilia Organs £38 10 0
THE “POSITIVE” PIPE ORGAN.
FOR CHURCH, HOME AND SCHOOL.
THE “POSITIVE” ORGAN--an entirely British invention and
production--was originally designed as a real Organ to replace the
Reed Instruments hitherto commonly in use in Village Churches,
Mission Rooms, etc. Real Organ Pipes alone are used to produce the
tone. A skilled organist is not required, since, from its single
keyboard, anyone who can play a Harmonium correctly can obtain
perfectly the absolute effect of a Two-Manual and Pedal Organ, and
can also transpose.
The precise effect of skilful pedalling is obtained by A PATENT
PEDAL-BASS STOP, which plays in the 16 ft. tone the LOWEST NOTE ONLY
of any chord or succession of chords. The effect of a second manual
is obtained by PATENT MELODIC SOLO STOPS, whereby the melody of a
hymn or voluntary is made to stand out above the accompaniment. To
obtain these effects NO SPECIAL SKILL IS NECESSARY. The TRANSPOSER
enables the pitch of a tune to be changed to bring the music within
the reach of the singer or congregation. The “Positive” Organ can
easily be blown by the feet or by a hand-blower. The “Positive”
Organ occupies no more floor-space than a Harmonium.
SCHOOL ORGAN.
Three stops with swell, decorated front Cash price £45 0 0
PATTERN 40.
Four Stops, of ample power for Churches, etc., seating up to 250
persons Cash Price £70 0
“POSITIVE” SELF-PLAYING
ORGANS.
With swell Cash price £110 0 0
Other Specifications, Designs, and Prices sent post free on
application.
[Illustration]
THE BACH ORGAN.
BY
Thomas Lewis, London.
Suitable either for small Church, or for the practice of Two-Manual
and Pedal Music.
Lower Manual, CC to C, 61 notes.
Upper Manual, CC to C, 61 notes.
Pedal Organ, CCC to F, 36 notes.
Tubular Pneumatic Action throughout, with a perfect touch, having
sufficient firmness to ensure good Technique.
The quality of this organ is of the usual excellence found in all
instruments by this famous builder.
In Oak Case, floor space required, 5 ft. 6 in. by 2 ft. only. Cash
Price, 60 Guineas.
With Carved Oak Case, Couplers and Swell, Cash Price, 80 Guineas,
or by Deferred Payments.
Absolutely the finest instrument procurable for a Student, as the
touch and scale of keys and pedals are correct in every detail
[Illustration]
THE “LEWIS” GRAND AUTOMATIC ORGAN.
Played either from the keyboard or by the internal player for fine
organ music. Specifications will be sent on application and designs
and estimates submitted for Automatic Organs suitable either for
church or home. Prices from £150, erected free within 50 miles of
Harrods.
GRAMOPHONES.
(His Master’s Voice.)
[Illustration]
Style 4.--Genuine Gramophone. Oak Cabinet, strong single spring
motor, 10 in. turn-table, taper arm, exhibition soundbox, Model B
speed indicator, flower horn (as illustration). £5 10 0
Or with wood horn, £6 7 6
[Illustration: Style 1.--Genuine Gramophone. Plain Oak Cabinet,
wooden grill, single spring motor, taper arm, exhibition junior
soundbox, 10 in. turn-table, (as illustration). £3 10 0]
Style 5. Genuine Gramophone. Oak Cabinet, double spring motor,
10 in. turn-table, taper arm, exhibition soundbox, Model B speed
indicator, large flower horn £7 10 0
Or with wood horn 8 10 0
Style 2.--Genuine Gramophone. Oak Cabinet, single spring motor,
10 in. turn-table, small taper arm, exhibition soundbox, flower
horn £4 10 0
Or with wood horn 5 10 0
[Illustration: Style 7.--Genuine Gramophone. Oak or Mahogany
Cabinet, with hand-carved pilasters, latest triple spring motor,
taper arm, exhibition soundbox, 12 in. turn-table, speed indicator,
large flower horn (as illustration). £11 0 0]
Or with wood horn (as illustration). £12 0 0
HARRODS’ stock the following Records. Gramophone, Zono, Twin, Odeon,
and Jumbo.
Lists of new Records, published monthly, will be forwarded regularly
free to those desirous of receiving same.
For the convenience of customers separate rooms are provided for
trying records.
Style 13. Genuine Gramophone.
Cabinet Grand, figured mahogany, horn enclosed in cabinet, triple
spring motor, 12 in. turn-table, speed indicator, gramophone taper
arm, exhibition soundbox, drawer for holding needles, and specially
constructed chambers for holding Record albums. £40 0 0
[Illustration: Style 12A.--Genuine Gramophone.
Cabinet grand polished mahogany, with chamber for holding records,
old brass fittings, wooden grill, triple spring motor, 12 in.
turn-table, improved cast iron horn of wonderful tonal quality,
taper tone arm, speed indicator, exhibition soundbox, the latest
model (as illustration) £35]
[Illustration: Style 10.--Genuine Gramophone.
Cabinet Grand, inlaid fumed oak, horn enclosed in cabinet, triple
spring motor taper arm, exhibition soundbox, 12 in. turn-table,
speed indicator, £20 0 0 (as illustration).]
Gramophone Records. (His Master’s Voice).
10 in. black label, 3/6
12 in. ,, ,, 5/6
10 in. violet ,, 4/6
12 in. ,, ,, 6/6
Celebrity Records.
Melba, Tetrazzini, Patti, Clara Butt, Kirkby Lunn, Calvé, Geraldine
Farrar, all 12/6 each.
Caruso, 8/- & 12/6
John M‘Cormack, 9/-
Plancon, 12/6
Zono Twin Record, 12 in., 4/-
double-sided, 10 in., 2/6
Odeon Records, 10¾d.
double-sided, 4/-
Jumbo Records, 10 in. double-sided, 2/6
Full lists on application.
Style 11.--Genuine Gramophone.
Cabinet Grand, mahogany inlay, horn enclosed in cabinet, triple
spring motor, taper arm, exhibition soundbox, 12 in. turn-table,
speed indicator, £25 0 0
[Illustration: Style 14.--Genuine Gramophone.]
Cabinet Grand, figured Circassian wood, horn enclosed in cabinet,
triple spring motor, 12 in. turn-table, speed indicator, gramophone
taper arm, exhibition soundbox, drawer for holding needles,
specially constructed chambers for holding record albums, (as
illustration). £50 0 0
[Illustration: Style 8.--Genuine Gramophone. Fumed Oak Case, double
spring motor, taper arm, exhibition soundbox, 12 in. turn-table,
Speed indicator (as illustration) £12 10 0]
Style 9.--Genuine Gramophone. Same design as No. 8. Mahogany French
polished, brass gilt fittings, wooden grill, double spring motor,
taper arm and patent goose neck, exhibition soundbox, 12 in.
turn-table, speed indicator, £15 0 0
[Illustration: Style 3.--Genuine Gramophone. Oak Cabinet, inlaid,
wooden grill, latest single spring motor, taper arm, exhibition
soundbox, Model B speed indicator, 10 in. turn-table, (as
illustration). £5 10 0]
Style 9A.--Genuine Gramophone. Polished mahogany inlay, wooden
grill, brass gilt fittings, new iron horn, double-spring motor, 12
in. turn-table, taper arm and patent goose neck speed indicator. £20
0 0
[Illustration: Style 6.--Genuine Gramophone. Panelled French
Polished Quartered Oak Cabinet, wooden grill, double spring motor,
taper arm, exhibition soundbox, 12 in. turn-table, speed indicator,
(as illustration). £8 8 0]
DISC TALKING MACHINES.
[Illustration: Style C, £1 11 6]
Style A. Light Oak Cabinet, single spring motor, flower horn, 19/6
Style B. Oak Cabinet, single spring motor, flower horn, plays 10-in.
and 12-in. records, £1 5 6
Style C. Oak Cabinet, strong motor, taper tone arm, seamless flower
horn, £1 11 6
Style D. Oak Cabinet, worm gear, silent running motor, speed
indicator, taper tone arm, new flower shape seamless horn, £2 7 6
Style E. Fumed Oak Cabinet, best English manufacture, worm gear,
silent running motor, speed indicator, taper tone arm, new flower
shape seamless horn, superior tone, £2 15 6
Style F. Solid Oak Cabinet, 14½ by 14½ by 7 in., double spring
motor, taper tone arm, 12 in. turn-table, speed indicator, wood
horn, £3 17 6
Style G. Portable Hornless Machine, oak cabinet, single spring
motor, £1 8 0
[Illustration]
Style H. A neat and compact Model, with wood internal horn, oak
cabinet, single spring motor, wood doors in front of sound chamber,
taper tone arm, £2 5 0
Style I. Oak Cabinet, black and white boxwood marqueterie inlaid
doors and sides, sound chamber of polished oak, worm gear motor,
will play two 10-in. records with one winding, speed indicator,
taper tone arm, crescendo sound box, £3 3 0
CINCH ZONOPHONE.
Oak Cabinet, size 14½ by 12 by 10½ inches, Zonophone taper arm,
10-inch turn-table, new Zonophone sound box, interior wood horn.
Price £2 12 6
RECORD ALBUMS.
Record Albums, to hold 12 records, 10 in., 1/8, 3/0, 4/0
Ditto, ditto, to hold 12 records, 12 in. 2/3, 3/9, 5/0
[Illustration: GRAMOPHONE STAND.
Gramophone Stand, polished mahogany or oak, with cupboard to hold
six 12-inch and six 10-inch albums. Price £3 16 6
Ditto, inlaid Sheraton £4 17 6]
[Illustration: BASSANOPHONE.
(Sheraton Cabinet).
Silent motor, nickeled throughout, plays ten 12-inch records with
one winding, 12-inch turn-table, speed indicator, special soft
tone sound box, automatic stopping device, which stops the record
immediately it is finished. Price £31 10 0]
[Illustration: TITLE OF RECORD DIVISION SLIP]
HARRODS’ UNIVERSAL RECORD CARRIER
(Rose’s Patent.)
The record titles are visible at a glance. Each record division has
a transparent pocket to hold the printed or written title of the
record, which can be easily replaced with any new title required.
For 12-in. records, carrier holding 28 records, 8/9
For 10-in. records, carrier holding 30 records, 7/3
GRAMOPHONE RECORD CASES.
Cowhide leather, to hold 24 (10 in.) records, 11/6
,, ,, ,, (12 in.) ,, 12/9
Gramophone Needles, 8d. per box of 200, or 3/0 per 1,000;
Melba Needles, 1/6 per box of 200.
[Illustration: GRAMOPHONE CARRYING CASES.
These cases do not take the horn.]
Stiff Cowhide,
canvas, lined
lined green green
baize. baize.
For Style No. 1 14/9 25/6
,, ,, 2 16/9 26/6
,, ,, 3 14/9 25/6
,, ,, 4 16/9 26/6
,, ,, 5 17/6 30/0
,, ,, 7, 7A 17/6 30/0
GRAMOPHONE HORN BASKETS.
For Styles Nos. 2 and 4, 16/9; Nos. 5, 7 and 7A, 19/6
POLYPHON MUSICAL BOXES.
(Self-acting)
30 Notes, Polished Imitation Rosewood £ s. d.
Case, including 6 tunes 1 5 5
41 Notes, Polished Walnut Case,
price including 6 tunes 1 17 6
46 Notes, Polished Walnut Case,
price, including 6 tunes 2 17 6
56 Notes, Polished Inlaid Walnut
Case, price, including 6 tunes 4 7 6
78 Notes, Polished Inlaid Walnut
Case, price, including 6 tunes 6 8 6
TUNES FOR POLYPHON MUSICAL BOXES.
30 Notes, 0/5; 41 Notes, 0/7; 46 Notes, 1/1;
56 Notes, 1/5; 78 Notes, 2/3 each.
[Illustration: MUSICAL BOXES.]
Musical box, 6 airs, 3¼ inch barrel 25/6
,, 6 ,, 4¾ ,, 32/6
,, 8 ,, 6 ,, 42/6
,, 10 ,, 8 ,, 2/17/6
,, 12 ,, 10¾ ,, 3/18/6
,, 6 ,, 4¾ ,, with bells 3/3/0
,, 8 ,, 6 ,, ,, 3/12/6
,, 12 ,, 12¾ ,, ,, 7/15/0
,, 8 ,, 9 ,, ,, and drums 4/10/6
SMALL SIZE MUSICAL BOXES.
2 airs, 7/11; 3 airs, 10/9; 4 airs, 13/9; 6 airs, 18/9
VIOLINS.
[Illustration]
£ s. d.
Violin (Full Size) Red Colour 0 4 10
,, ,, ,, or Brown 0 6 3
,, ,, Orange Colour, Oriental Varnish 0 9 0
,, ,, Red or Brown Colour, Purfled,
Ebony Fittings 0 14 0
,, ,, do. do. Superior 0 18 6
,, ,, Red or Brown Colour, Barnabette 1 2 6
,, ,, Red Varnish, Grandini 1 8 6
,, ,, Copy of Stradivarius 1 17 6
,, ,, ,, Stainer 2 2 0
,, ,, ,, Guarnerius 2 18 6
,, ,, Buthod, Light Red Oil Varnish 3 10 6
,, ,, Thibouville 4 7 6
,, ,, Copy of Nicolas Lupot 5 5 0
,, ,, Stradivarius, Copy, special
transparent Oil Varnish of
great beauty, resembling the
Varnish of fine Cremona instruments 8 10 0
LADIES’ VIOLINS. Between ¾ and Full Size.
Copy of Italian Masters 0 9 6
,, Very Fine Varnish 0 19 6
,, Amati 1 15 0
,, Italian Masters 2 15 0
VIOLINS (Small Size).
¼ ½ ¾
Violins, Red or Brown Varnish 4/6 4/6 4/6
,, ,, ,, 5/6 5/11 6/3
,, Compagnon, Purfled, Ebony Fittings 7/3 7/9 8/3
,, Imitation of Old Masters 8/6 8/11 9/3
,, Labelled Stradivarius 10/6 11/9 12/6
,, Italian Copy, Selected Wood 17/9 18/3 18/9
MANDOLINES (Italian).
[Illustration]
Rosewood, Machine Head 0 7 11
,, ,, Inlaid 0 10 6
,, ,, Tulip Wood 0 12 6
,, ,, Pearl Inlaid 0 15 0
,, ,, Copy of De Meglio 1 5 6
,, ,, Do. do. Superior Finish 1 17 6
,, ,, Richly Inlaid 2 5 6
,, ,, De Meglio 2 9 6
,, ,, ,, Superior 3 9 6
GUITARS.
[Illustration: FRENCH GUITARS.]
Maple, G. S. Frets, Varnished Sound
Board, Machine Head 0 18 9
,, ,, Pearl Rosette, Machine Hd. 1 5 6
Rosewood, G. S. Frets, Pearl Rosette, Machine Head 1 12 6
,, do. Inlaid Borders, Machine Hd. 2 5 0
,, ,, Fancy Pearl Rosette, Fine
Inlaid Borders, Machine Hd. 2 15 6
,, ,, Pearl Inlaid Sound Board, Nickel Machine 4 4 0
SPANISH GUITARS.
£ s. d.
Mahogany, Machine Head 0 14 0
Walnut, Inlaid, Machine Head 0 17 9
Rosewood ,, ,, ,, Superior 1 1 0
,, Pearl Inlaid, Machine Head 2 2 0
TENORS.
Red Shaded Varnish 0 9 11
Oriental ,, 0 12 6
Breton Yellow ,, 1 1 0
Italian Copy, fine wood 1 9 6
,, ,, ,, ,, superior 2 12 6
Ruggieri, Imitation, old 2 2 0
VIOLONCELLOS.
Well-seasoned wood, good finish 1 10 0
,, ,, ,, Oriental Varnish 1 19 6
Steiner, Orange Red Varnish 2 12 6
Breton, Yellow Varnish 3 12 6
Barnabette, Brown ,, 3 17 6
Grandini, fine figured wood 5 18 6
Double Bass, Flat Back, 3 strings 4 17 6
,, ,, Purfled, well finished, 4 strings 5 15 0
,, ,, Cremona Copy 8 8 0
,, ,, Violin Shape 11 5 0
[Illustration: BANJOS (Ordinary).
(5 Strings), 6 and 7 Strings to order.]
Nickel Hoop, Walnut Neck, Peg Head 0 15 9
(Temletts) Nickel Hoop, 12 Fittings,
Walnut Neck, Peg Head 1 1 0
(Temletts) Nickel Hoop, 16 Fittings 1 5 0
Do. do. 18 Fittings, Ebony
Finger Board 1 11 6
(Temletts) Nickel Hoop, 20 Fittings,
Special Finger Board, Pearl Inlaid
Positions 2 7 6
(Temletts) Nickel Hoop, Canadian Walnut Neck,
22 brets (3 complete Octaves), 24 Fittings 3 7 6
ZITHER BANJOS.
(5 Strings), 6 and 7 Strings to order.
Walnut Neck, Machine Head 1 1 0
Do. do. Better Finish 1 5 0
(Temletts) Walnut Neck, Machine Head 1 12 6
,, ,, Ebony Fingerboard,
Rosewood Veneered outside Hoop 2 2 0
(Temletts) Walnut Neck, with 2 Veneers
of Ebony and Sycamore Fingerboard,
Pearl Stars and Position Dots 3 3 0
Rosewood Veneered outside Hoop, Inlaid
with Pearl, Nickel-plated inside
Hoop, Rosetree Neck with 4 Veneers 4 4 0
Rosewood Veneered outside Hoop,
Registered Grooved Neck, German
Silver Machine Head, Pearl Inlaid
Positions 6 6 0
[Illustration: MANDOLINE BANJOS.]
Walnut Back, Mahogany Neck 0 17 9
Rosewood Back, Walnut Neck,
Covered Machine Head 1 5 6
Rosewood Do. do. do. Superior 1 11 6
Cases for Mandoline Banjos (American Cloth) 0 2 11
VIOLIN BOWS.
Full Size 1/8, 1/11, 2/6, 3/6, 5/3, 6/3, 10/6
Pernambuco Wood, full, G.S. Mounted 14/0
,, ,, full, Silver Mounted 23/6
¾ Size 1/4, 2/0, 2/9, 3/6, 7/3
½ ,, 1/4, 2/0, 2/9
¼ ,, 1/4, 2/0, 2/9
[Illustration: VIOLIN CASES.]
£ s. d.
Violin Case, Wood, Black Varnish,
Full Lined 0 3 3
Do., do., do., Spring Clasps 0 4 3
Do., do., do., Hook Clasps, Bent
Ends 0 5 9
[Illustration]
Shaped Violin Case, Wood, Black
Varnish, Full Lined 0 8 9
Do., do., do., Imitation Walnut,
Full Lined, Leather Bag, handle 0 12 9
Do., do., do., Superior Finish 0 17 9
Do., do., do., Wood Covered Imitation
Leather, Full Lined, 10/9 and 0 14 3
Do., do., do., Wood, Covered real
Black Leather, Full Lined Silk
Plush Lining 2 2 0
Do., do., do., Wood, Covered Real
Brown Crocodile Leather 2 2 0
Do., do., do., Solid Oak, Silk Plush
Lining 32/6 and 1 17 6
[Illustration]
Violin Case, The Reliance, Superior
American Cloth 0 9 6
Do., do., do., Brown Basil Leather,
Scarlet Lining 1 0 0
Do., do., do., Brown Cowhide,
Velvet Lining 1 12 0
Japanned Tin Airtight Violin Case,
Lined Baize, for extreme climates 2 7 6
Violin Case Cover, Waterproof
Canvas 8/6 and 0 10 6
Tenor Case, Wood, Black Varnish 0 6 6
Do., do., do., Shaped 0 13 9
Do., do., do., Imitation Walnut 1 3 6
Do., do., do., American Cloth
Lined 10/0 and 0 14 3
Violoncello Cases, Wood, 21/0, 32/0 2 0 0
Do., do., do., Waterproof Canvas,
Leather Bound 14/9 and 0 18 9
BANJO CASES.
American Cloth 0 5 6
,, ,, Stitched, with Lock 0 7 9
Basil Leather, Nickel Lock 1 0 0
Cowhide ,, ,, 1 5 0
Waterpf. Canvas Bag, Leather Bound 0 5 6
Green Baize Bags 0 1 11
GUITAR CASES.
American Cloth 0 5 11
,, ,, Stitched, with Lock,
Superior 0 9 6
Brown Basil Leather, Swansdown
Lining, with Lock 1 1 6
Leather, Cowhide, with Lock 1 11 6
Waterpf. Canvas Bag, Leather Bound 0 5 6
[Illustration: MANDOLINE CASES.]
American Cloth, open on top 0 3 0
,, ,, superior stitched 0 6 6
Cowhide 0 15 0
Waterproof Canvas, Leather Bound 0 3 11
CONCERTINAS.
[Illustration: Concertinas (German) 2/11, 3/9, 5/6, 8/3, 11/9]
CONCERTINAS, ANGLO-GERMAN.
(Lachenal’s Make.)
Mahogany. Rosewood.
20 Keys . . . £1 1 0 £1 5 6
22 ,, . . . 1 4 6 1 9 6
24 ,, . . . 1 6 6 1 10 6
26 ,, . . . 1 9 6 1 13 6
ENGLISH CONCERTINAS.
(Lachenal’s Make.)
48 Keys, Double Action Screwed Notes, and Warranted
3⅜ Octaves, from G below to Second C above Stave.
Mahogany in Deal Box £1 19 6
Rosewood, in Mahogany Box 2 10 6
Rosewood, 5-fold Bellows, Superior Tone and Finish 2 19 6
Rosewood, Best Finish, 5-fold Morocco Bellows, Key
Holes Bushed to prevent rattling, in Rosewood Box 3 19 6
Rosewood, 5-fold Bellows, Best Finish, German
Silver Keys, in Rosewood Box 5 7 6
ACCORDIONS.
[Illustration: IMPERIAL ACCORDION]
Accordions, German, 10 Keys, 3/11, 5/6, 7/6, 9/6, 12/9
,, ,, 19 ,, Chromatic 19/6
,, ,, ,, ,, 23/6
,, ,, ,, ,, 29/6
ORGAN ACCORDIONS.
[Illustration]
Organ Accordions, 3 Octaves, 1 Stop, in Box £3 16 9
,, ,, ,, Superior 4 4 0
Stand for Organ Accordion, 10/6
TOY SYMPHONY INSTRUMENTS.
Drum, 4/6; Cuckoos, 2/6 and 4/11; Quails, 1/6 and 2/6; Triangle,
1/0; Rattle, 1/6; Nightingale, 6d.; Trumpets in C and G, 2/11 each.
Bells, 2/0. Set of Instruments for Hayden and Rombergs Toy Symphony,
Best London Manufacture, Per Set 23/0.
DUMB KEYBOARDS.
[Illustration]
Dumb Keyboard Oak Case, 2 Octaves £1 19 6
,, ,, ,, 3 Octaves 2 18 6
METRONOMES.
(FRENCH.)
Without With
Bell. Bell.
Mahogany, with Fixed Key 7/6 11/0
Walnut, Ditto 7/9 11/3
[Illustration]
SUPERIOR QUALITY.
The movements are very carefully made, and mechanism mathematically
regulated.
Without With
Bell. Bell.
Mahogany 10/9 15/3
Walnut 11/3 15/9
English 15/9 25/6
Pinfolds, Brass 3/6 --
,, Nickel Plated 6/3 --
Pocket Tape, Metronomes 1/6 --
TAMBOURINES.
Tambourines, 9 in. Beech Hoop 1/0
,, 9 in. Scalloped, Beech Hoop 1/2
,, 10 in. ,, ,, ,, 1/4
,, 9 in. Painted Hoop, 3 pairs Jingles 1/5
,, 10 in. Painted Black and Gold,
4 Pairs Jingles 1/8
,, Oak Hoop, 10 in. 6 Pairs Nickel Jingles 2/6
,, Oak Hoop, 10 in., 12 pairs Brass Jingles,
3 Brass Bells 4/3
─────────────────────────────────────────────────
Violin Strings, A, D and E, 3d., 4d., 6d., 10d. each.
,, ,, G 3d., 4d., 6d., ,,
,, ,, G, Real Silver 1/0, 1/6 ,,
,, ,, Acribelle Firsts 4d., 6d. ,,
Tenor Strings, A and D 4d., 6d., 10d. ,,
,, ,, G 4d., 6d. ,,
,, ,, C 6d., 8d. ,,
Violoncello Strings, A and D 6d., 8d. ,,
,, ,, G 8d., 1/0 ,,
,, ,, C 8d., 1/0 ,,
Double Bass ,, Firsts 1/6, 2/3 ,,
,, ,, ,, Seconds 2/6, 3/0 ,,
,, ,, ,, Thirds, Gut 4/0, 5/6 ,,
,, ,, ,, ,, covered 4/6 ,,
Guitar Strings, D, A, E Silk or Wire
covered 4d., 6d. ,,
First, Second, Third, same as Violin.
Banjo Strings, 1st, 2nd, 3rd, Gut 3d. ,,
,, ,, Silk or Wire covered 4d. ,,
,, ,, Steel Wire, 1st 2nd, 3rd
and 5ths 1d., 2d. ,,
Mandoline Strings, 1st and 2nd Steel 1d., 2d. ,,
,, ,, 3rds and 4ths 2d., 4d. ,,
Zither Strings Per Set 3/11, 4/9
Harp Strings, Set of 5 Octaves, Gut 13/9, 16/9
,, ,, Set 8 covered Strings 8/6
,, ,, Single Strings, First Octave 2½d.
,, ,, ,, ,, Second ,, 3½d.
,, ,, ,, ,, Third ,, 5d.
,, ,, ,, ,, Fourth ,, 8d.
,, ,, ,, ,, Fifth ,, 9d.
CONDUCTORS’ BATONS.
Baton, White Wood Sycamore, polished 0/6
,, ,, ,, jointed, with Ferrule, in
two parts 0/8
Do. do. plain Ebony 1/0
,, ,, Ebony, 3 plain Silver Mounts, 5/6, 7/6
,, ,, ,, 3 Engraved Silver Mounts
8/6, 12/6, 16/6
,, Ivory Jointed, 3 Silver Mounts, in Satin
Lined Case 40/0
,, Ebony, Jointed, 3 Silver Mounts, in
Satin Lined Case 22/6
,, Ivory, 3 Silver Mounts, Engraved 48/0, 58/0
,, Cases, Velvet or Satin Lined 5/6
,, ,, ,, Leather covered 9/0
AUTO-HARPS.
[Illustration]
Auto-Harp. 6 Bars £0 7 11
Monopol, 6 Bars, 24 Strings, small size 0 10 6
Orpheus, 11 Bars, 33 Strings 1 10 6
Erato, 12 Bars, 36 Chords, 37 Strings 1 18 0
MISCELLANEOUS.
Violin Bridges 2d., 4d., 6d.
,, Pegs 2d., 4d.
,, Tailpieces, fitted with Gut 6d.
,, Chin Rests 6d., 1/0, 1/6, 2/11
,, Mutes 3d., 4d., 6d., 9d.
Banjo Pegs 2d., 4d.
,, Bridges 2d., 4d., 6d.
Guitar Bridge Pins 1d.
,, Capodastras, German Silver 1/0
Resin, for Violin and Violoncella 3d., 4d., 6d., 8d.
Piccolo Cases 2/11, 4/6, 6/6
Flute Cases 2/11, 6/6, 10/6
,, Cleaners or Mops 3d., 9d.
Clarionet Reed 2d., 3d., 4d.
Oboe Reed 1/0, 1/6
Bassoon Reed 11d.
Violoncello End Pins, adjustable 2/0, 3/6
Mandoline Plectra, real Tortoiseshell 1½d. each
String Wallets, Leather, 4 pockets 1/9
Tuning Forks, Blue Steel, Best Quality 10d.
Pitch Pipes, German Silver, in Metal
Case, A, C or G, 3d. each 1/0, 1/4, 1/8
Nigger Bones 1/0, 1/4, 1/8
,, ,, Ebony each 1/0, 1/2
MUSIC STANDS.
Folding Music Stand, Iron, Bronze connected Desk 2/6, 2/11, 4/3
Do., do., do. Brass Rod 5/3
Do., do., do. all Brass 10/0, 12/0, 18/6, 25/6
Do., do., do. Nickel Plated 7/6, 17/9
Duet Folding Music Stand, Bronzed Iron, double Desk 10/0
Do., do., do. all Brass 30/0
Music Stand Cases, Waterproof 1/9, 2/3
Do., do. American Cloth 1/11
Table Music Stand, Bronzed Iron 3/9
Do., do., do. Brass 7/6
[Illustration]
[Illustration]
B♭ Cornet, Central Bell, B♭ and A Shanks £ s. d.
0 18 9
Do. German Silver Valves, Detached Bell, B♭ and A Shanks 1 3 0
B♭ Cornet, Full Bore, Detached Bell, Curtois Model,
German Silver Valves, Single Water Key, B♭ and A Shanks 1 15 6
Do. do. do. Nickel Plated 2 5 6
B♭ Cornet, First Quality, Detached Bell, English Model, German
Silver Valves, Full Bore, Water Key, B♭and A Shanks 2 15 6
Do. do. do. Nickel Plated 3 2 0
B♭ Cornet, Concert Model, superior Quality, German Silver
Valves, Water Key, B♭ and A Shanks 4 17 6
Do. do. do. Nickel Plated 5 5 0
Do. do. do. Silver Plated 5 19 6
E♭ Soprano Cornet, Full Bore, German Silver Valves, Water Key 2 18 6
Do. Best Quality 4 7 6
[Illustration]
E♭ Tenor Saxhorn, German Silver Valves 1 18 6
F and E♭ Tenor Saxhorn, superior Quality, German Silver
Valves, Full Bore, Silver Plated Valve Tops and Mouthpiece,
Water Key 4 2 6
B♭ Baritone Saxhorn, Ger. Sil. Valves 2 7 6
Do. do. Superior Quality 4 15 6
B♭ Euphonium, Three Valves, Ger. Sil. 2 17 6
Do. do. Superior Quality, Full Bore, Water Key 4 19 6
B♭ Euphonium, 4 German Silver Valves 3 9 6
Do. do. Superior Qual., Full Bore 6 19 6
E♭ Bombardon, German Silver Valves 4 7 0
Do. do. Superior Qual., Water Key, Large Proportions 7 12 6
B♭ Bombardon, German Silver Valves 5 12 6
Do. do. Superior Qual., Water Key, Large Proportions 10 10 0
B♭ Helicon Bass, 3 German Silver Valves 5 18 6
B♭ Tenor Slide Trombone, Water Key 1 2 0
Do. do. Superior Qual., Improved Water Key 3 3 0
G Bass Slide Trombone, Tuning Slide and Water Key 1 9 6
Do, do. Superior Qual. 3 17 6
[Illustration]
BAND FLUTES, F, OR THIRD FLUTES.
Cocus Wood, 1 G.S. Key and Tips 0 4 3
,, ,, 4 ,, Plain Head 0 7 6
,, ,, 4 ,, Slide ,, 0 11 9
[Illustration]
PICCOLOS, D, E♭, OR F.
(Continental Make).
Cocoa or Ebony, G.S. Tipped. £ s. d.
1 G.S. Key, Slide Head 0 2 3
4 ,, ,, 0 3 0
5 ,, ,, 0 3 6
6 ,, ,, 0 3 11
6 ,, ,, Superior Quality 0 8 6
6 ,, ,, D or E♭ Superior Quality, 14/9, 23/6 & 1 9 6
Boehm System, D or E♭, G.S. Tips and G.S. Keys,
Ebony 86/6 and 5 18 6
[Illustration]
FLAGEOLETS.
Cocus Bark, D or E♭ 0 2 0
,, ,, ,, 1 Brass Key 0 2 11
,, ,, B♭ 0 4 3
,, Wood, 1 G.S. Key, with Flute Head 0 5 6
,, ,, 4 ,, ,, ,, 0 7 6
,, ,, 5 ,, ,, ,, 0 8 6
,, ,, 6 ,, ,, ,, 0 9 6
,, ,, 6 ,, ,, Slide Head 0 14 0
BAND FLUTES, B♭. (English).
Cocus Wood, 1 G.S. Key & Tips, 1/11 0 2 11
,, ,, 1 ,, Key, Slide Head 0 4 9
,, ,, 4 ,, ,, Plain ,, 0 5 11
,, ,, 4 ,, ,, Slide ,, 0 8 0
,, ,, 6 ,, ,, Plain ,, 0 7 9
,, ,, 6 ,, ,, Slide ,, 0 9 3
,, ,, 6 ,, ,, ,, 0 15 0
[Illustration]
CONCERT FLUTES, D. (English).
Cocus Wood, 1 G.S. Key, Plain Head 0 5 9
,, ,, 1 ,, Slide Head 0 7 6
,, ,, 4 ,, ,, 0 11 6
,, ,, 6 ,, ,, 0 13 9
,, ,, 8 ,, ,, 0 16 11
,, ,, 8 ,, ,, 1 7 6
CONCERT FLUTES (French).
Superior Quality, Key of D.
Cocoa or Ebony, 5 G.S. Keys & Tips 1 2 6
,, ,, 6 ,, ,, ,, 1 5 0
,, ,, 8 ,, ,, ,, 2 2 0
Boehm System, Conical Bore, Cocoa or Ebony, G.S. Keys
and Tips 5 18 6
Do. do. do. Keys on Plates, Superior Quality 8 8 0
[Illustration]
CLARIONETS, A, B♭, C OR E♭.
Boxwood, 13 Brass Keys 1 4 9
Ebony or Cocoa, 13 G.S. Keys and Tips, 2 Rings 1 15 6
Cocoa or Ebony, 13 G.S. Keys, 2 Rings, Stamped 2 2 0
Jerome Thibouville Lamy, Cocoa or Ebony, 14 G.S. Keys,
C Sharp Key 2 10 0
Do. do. 15 G.S. Keys, C Sharp and Double B♭ Keys 2 15 0
Oboe, Cocoa or Ebony, 13 G.S. Keys, 2 Rings 2 15 6
Do. do. 15 G.S. Keys, New Model, 3 Rings, Cocoa or Ebony 6 6 0
Do. do. 16 G.S. Keys, 4 Rings 9 9 0
[Illustration]
HUNTING AND POST HORNS.
Brass. Copper.
Post Horn, Straight, 10 in. 1/6 1/9
,, ,, 12 ,, 1/10 2/2
,, ,, 26 ,, 2/8 3/0
,, ,, 10 ,, G. S. Mouthpiece
-- 3/0
,, Long Model, 2 ,, Turns
3/9 --
,, ,, 3 ,, Large Size
4/3 --
[Illustration]
[Note: original page copy trimmed at right causing a partial loss of
prices at various points below]
B♭ Field Bugle, Regulation Model,
Copper, with G.S. Lipped Mouthpiece 0 12
Do. do. in C with B♭ Crook 0 12
B♭ Field Bugle, Regulation Model,
Superior Quality 0 19
B♭Bugle, Copper, G.S. Lipped
Mouthpiece, suitable for Boy Scouts 0 10
Bugle Cord and Tassels, Green, Red,
or Tricolour 0 1
MAIL OR COACH HORNS.
German Silver Rim and Brass. Copper.
Mouthpiece 30 in. 4/9 5/6
Do. do. 40 in. 5/9 6/11
Do. do. 48 ,, 6/9 7/11
CYMBALS. Per pair.
Brass Cymbals. 6 in 2/2
,, 8 ,, 3/3
,, 10 ,, 4/9
,, 12 ,, 7/6
,, 14 ,, 10/6
SIDE DRUMS.
Side Drum, 12 in. Brass Seamed
Shell, Belt Hook 0 15
Do. do. 14 in. 0 19
Do. do. 15 ,, Stout Brass
Seamed Shell, Belt Hook and Knee Rest 1 5
BASS DRUMS.
Bass Drum, 30 in., Ash Shell, Cord
and Buff Braces 2 15
Do. do. 32 in., Polished
Ash Shell, Cord and Buff Braces 3 8
BRASS TOY DRUMS.
(Regulation Pattern, Sticks included.)
1 Vellum Head 10 in., 3/11 12 in., 5
2 ,, Heads, 10 in. Royal Arms, 4
12 in., 6/6
TRIANGLES. (Best Quality)
Polished Steel, with Beater, Extra Stout, 3 in.
1/0; 4 in., 1/3; 6 in., 1/9; 8 in., 2/2;
in., 2/9; 12 in., 3/2.
CASTANETS.
Large
Ordinary. Size.
Boxwood, per Set (2 pairs) 0/10 1/0
Rosewood ,, ,, 1/3 1/6
Ebony ,, ,, 1/3 1/6
GRELOTS, OR WRIST BELLS
Bells fitted on Elastic Bracelet per pair 0
OCARINAS (MEZETTI’S)
No. P I Best Quality only.
640 Small size, Best Varnish, Lilliputian
Model 0
642 Medium do. do. 1
644 Large do. do. 1
645 ,, extra best do. do. 1/
With Nickelled Tuning Slide, Nos. P I 643 an
644, 1/4 extra. No. P I 645, 1/11 extra.
Side Drum Sticks 1/0, 1/6, 2/0 pair
Side Drum Carriage, Black or Brown,
Leather Buckles, Ring 1/6, 2
Bass Drum Sticks 2/11, 5/
Bass Drum Carriage, Black Leather,
Buckle and Swivel 3/
Cornet Mouthpieces 0/9, 1/0, 1
Cornet Mutes 1/0, 1/11, 2
Cornet Cases, Wood, Lined 3/3, 4/6
5/11, 8/
Cornet Cases, American Cloth 6/
[Note: end of original page with some loss of text, complete after now ]
[Illustration: MUSIC DEPARTMENT]
A PUBLIC TELEPHONE IS PROVIDED IN THIS DEPARTMENT FOR CUSTOMERS’ USE.
A large Selection of the Principal Songs and Vocal Duets, Pianoforte
Solos and Duets, Dance Music, in addition to those mentioned in
Catalogue, etc., kept in stock, at prices ranging from one-third to
one-sixth below the full published prices.
Music not kept in stock can be procured at similar Prices as in
Catalogue.
Customers are particularly requested when ordering Songs to state
the Key or Voice they require; also, if possible, give name of
Composer and Publisher.
Music procured to order, or sent through post, cannot be exchanged
or allowed for under any circumstances.
TUTORS, STUDIES, EXERCISES, ETC.
AMERICAN ORGAN:
Stainer’s American Organ Tutor 1/8
BANJO:
Dallas’ Banjo School 1/11
Ellis’ Banjo School (5 strings) 1/11
Ellis’ Banjo School (6 and 7 strings) 1/11
CONCERTINA:
Francis & Day’s German 0/4½
FLUTE:
Young’s Flute and Piccolo Tutor 1/1½
Chappell’s Flute Tutor 1/6
GUITAR:
Ellis’ Practical School for Guitar 1/6
Madame Pratten’s Tutor, two parts, each 2/1
HARMONIUM:
King Hall, The Harmonium 1/6
MANDOLINE:
Dallas’ Mandoline Tutor 1/11
Ellis’ Mandoline Tutor 2/3
Francis & Day’s Mandoline Tutor 1/1½
Turner’s Mandoline Tutor 1/6
ORGAN:
Dr. Stainer’s Organ 1/6
PIANOFORTE:
Beringer Pianoforte Tutor 1/11
Beringer Daily Technical Studies, complete 3/5
Beringer Daily Technical Studies (without scales) 2/8
Bertini’s 25 Easy Studies. Op. 100 0/9
Cramer’s Pupil’s Daily Exercises and Scales 0/9
Cramer’s Studies, in four books, each 1/0
Czerny’s 101 Exercises, in two books, each 0/8
Czerny’s 101 Exercises, complete 1/4
Czerny’s Etude de Vélocite, in two books, each 1/0
Engel (Carl) Pianoforte School, four parts, each 1/1½
Hamilton’s Pianoforte Tutor 1/4
Ditto, cloth 2/4
Heller’s (Stephen) Studies, fifteen books each 2/0
Hemy’s Royal Modern Piano Tutor 1/6
Ditto, cloth 3/0
Kalkbrenner, Indispensable Scales 0/6
Macfarren’s Comprehensive Scales 2/0
Pauer (E.), The Pianoforte 1/6
Plaidy’s Technical Studies 1/6
Schloesser, Complete Scale and Arpeggio Tutor 2/0
Schmidt (Alois), Five Finger Exercises 0/6
Simplicity Piano Tutor (Johnstone) 2/1
Smallwood’s Celebrated Tutor 1/6
Ditto, cloth 3/0
Smallwood’s 55 Melodious Exercises 1/4
Sunbeam (Large Note) Pianoforte Tutor 1/1½
VOCAL:
Behnke’s Voice Training Exercises for Soprano,
Mezzo, Contralto, Tenor, Baritone, Bass, each 1/6
Concone’s 25 Lessons, Medium Voice 1/1½
Concone’s 40 Lessons, Contralto 1/1½
Concone’s 40 Lessons, Baritone or Bass 1/1½
Concone’s (J.), 50 Lessons, Medium Voice 1/1½
Garcia, Hints on Singing 2/8
Holland’s Voice Production, in separate Voice
Parts (Soprano, Mezzo, Contralto, Tenor, and
Bass), each 1/1½
Marchesi’s Method 3/10
Righini’s Vocal Studies (Edition A:
Soprano and Tenor; Edition B:
Mezzo, Contralto, and Baritone), each 1/11
Randegger’s Singing Primer 3/0
Shakespeare, Art of Singing, three parts, each 1/11
Tosti’s (F. P.) Solfeggi, two books, each 1/11
VIOLONCELLO:
Swert’s Violoncello 1/6
VIOLIN:
Spohr’s Violin School, New Edition 3/0
Tours (B.), The Violin 1/6
Farmer’s Violin Tutor 1/8
Loder’s Violin Tutor. Edited by Carrodus 1/11
ZITHER:
Carl Fittig’s Zither Tutor 1/6
RUDIMENTS OF MUSIC, HARMONY, ETC.
Clark’s Catechism of the Rudiments of Music 0/9
Davenport’s Elements of Music 0/9
Goss’s Harmony 3/10
Hamilton’s Catechism of the Rudiment of Harmony and
Thorough Bass 0/9
Hamilton’s Dictionary of 3,500 Musical Terms 0/9
Macfarren’s Harmony 3/10
Macpherson’s Harmony 3/5
Pinsuti, Hints to Students on Singing 0/9
Prout’s Counterpoint 3/10
Prout’s Harmony 3/10
PROGRESSIVE STUDIES. Edited by FRANKLIN TAYLOR. 26 Books. Each 0/9
1. Five Finger Studies Part 1
2. ,, ,, ,, 2
3. Scales ,, 1
4. ,, ,, 2
5. Broken Chords ,, 1
6. ,, ,, ,, 2
7. Broken Chords Part 3
8. ,, ,, ,, 4
9. ,, ,, ,, 5
10. Left Hand ,, 1
11. ,, ,, 2
12. ,, ,, 3
13. Left Hand Part 4
14. Arpeggio ,, 1
15. ,, ,, 2
16. ,, ,, 3
17. Velocity ,, 1
18. ,, ,, 2
19. Velocity Part 3
20. ,, ,, 4
21. ,, ,, 5
22. ,, ,, 6
23. ,, ,, 7
NOVELLO’S MUSIC PRIMERS.
Limp Paper. Boards.
Harmony. (Dr. Stainer) 1/6 1/11
The Harmonium. (King Hall) 1/6 1/11
The Organ. (Dr. Stainer) 1/6 1/11
The Pianoforte. (E. Pauer) 1/6 1/11
Limp Paper. Boards.
The Rudiments of Music. (W. H. Cummings) 0/9 1/1½
Singing. (Randegger) 3/0 3/10
The Violin. (B. Tours) 1/6 1/11
Violoncello. (J. de Swert) 1/6 1/11
ALBUMS OF PIANOFORTE MUSIC. SUITABLE FOR PRESENTS.
Beethoven Sonatas, paper 3/10
Ditto, cloth 5/8
Gavotte and Minuet Album, in cloth 3/0
Mendelssohn, Complete Pianoforte Compositions,
including the Lieder ohne Worte, paper 5/8
Ditto, cloth 8/0
Mendelssohn, Lieder ohne Worte, cloth 3/5
Mendelssohn, Lieder ohne Worte, paper 1/11
Ditto, paper 0/9
Mendelssohn, Lieder ohne Worte, full music size, cloth 5/8
Mendelssohn, Lieder ohne Worte, full music size, paper 3/10
March Album (45), by various composers, in cloth 3/0
Mozart Sonatas, complete 2/3
Ditto, cloth 3/10
PIANOFORTE SOLOS.
ADAM, LEON:
Liselotte (Air de Ballet) 1/4
Lancelot (Air de Ballet) 1/4
ALBERT, L.:
Cherry (Two Step) 1/4
ALSTYNE, E. V.:
I’m Afraid to Come Home in the Dark
(Two Step) 1/4
ANDERSON, J. G.:
Rodie Dear (Two Step) 1/4
ASCHER, J.:
Alice. Transcription 1/6
BADARZEWSKA:
Maiden’s Prayer 0/6
BACHMANN:
Les Sylphes 1/4
BATISTE:
Andante, G 0/6
BEETHOVEN:
Adieu to the Piano 0/6
Five Brilliant Waltzers 0/6
Idyll in G 1/4
Moonlight Sonata 0/8
Sonata Pathétique 0/10
Sonatas, complete, paper 3/10
Ditto, cloth 5/8
BERGER:
Joyeux negres 1/4
March Electrique 1/4
BERLIN, J.:
Alexander’s Rag Time (Two Step) 1/4
BLAKE, C. D.:
Grand March 0/8
BLON, FRANZ VON:
Sizilletta 1/4
BOCCHERINI:
Celebrated Minuet 0/6
BOGGETTI, E.:
Bewitching Gavotte 1/4
BOHM (CARL):
Lyric Suite 2/3
Musical Souvenir 2/3
BONHEUR, THEO.:
Imps’ Revels 1/4
Dance of the Witches 1/4
Zinga Mazurka 1/4
BOREL-CLERC:
La Maxixe 1/6
La Flickette 1/4
BOROWSKI, F.:
Madrigal 1/4
Valsette 1/4
Menuet 1/4
La Coquette 1/4
Melodie 1/4
BRAHMS:
Hungarian Dances (21) 2/3
Drei Intermezzi, Op. 117 2/8
BRATTON, J. W.:
Spangles (Two Step) 1/4
In a Pagoda (Two Step) 1/4
Jungle Jubilee (Two Step) 1/4
Teddy Bears’ Picnic 1/4
BUCALOSSI, E.:
Incidental Music to Monsieur Beaucaire 1/11
BUNNING, H.:
Three Dances from
Robin Hood 2/0
BURGMULLER, F.:
March, Norma 0/6
CHOPIN:
Funeral March (Marche Funèbre) 0/6
Ballades 1/3
Etudes 1/3
Impromptus 1/3
Mazurkas 1/8
Nocturnes 1/3
Polonaises 1/3
Preludes 1/3
Scherzos 1/3
Valses 1/3
CHAMINADE, C.:
Pastel 1/4
Pas de Sylphes 1/4
Les Noces d’Or 1/4
Tristesse 1/4
Expansion 1/4
Danse Creole 1/4
La Lisonjera 1/8
Caprice Humorestique 1/4
Pas des Amphores (Second Air de Ballet) 1/4
Serenade, Op. 29 1/4
Studio, Op. 66 1/4
Les Sylvains, Op. 60 1/4
Arabesque, Op. 61 1/4
Le Morina, Op. 67 1/4
Air de Ballet, Op. 30 1/4
Valse Caprice, Op. 33 1/4
Automne, 2nd Study 1/4
Fileuse, 3rd Study 1/8
2nd Gavotte, Op. 121 1/4
Toccata, Op. 39 1/4
Pas des Echarpes (3rd Air de Ballet) 1/4
Callirhoe (4th Air de Ballet) 1/4
Contes Blues, 1, 2, 3, Op. 122 each 1/4
Pastorelle, Op. 114 1/4
Sous le Masque 1/4
Valse Romantique, Op. 115 1/4
Variations, Op. 120 1/8
Pierrette (Air de Ballet, Op. 41) 1/4
Chanson Napolitaine 1/4
Ballade, Op. 86 1/4
Vert Galant, Op. 85 1/4
Valse Tendre, Op. 119 1/4
Ritournelle 1/4
Sous Bois 1/4
CLARKE, R. C.:
Cock a Hoop (Two Step) 1/6
CLARKE, S.:
Marche aux Flambeaux 1/0
CLERICE:
La Kraquette 1/4
COOPER, CHARLES PASTON:
Four Album Leaves 3/0
COSTA, SIR M.:
March of the Israelites (The) 1/0
COSTA, P. MARIO:
Frangesa March 1/4
COWEN, F. H.:
Four English Dances 1/11
Suite of Old English Dances 2/8
CREMIEUX:
Cherries (Two Step) 1/6
Away Down Indiana (Two Step) 1/6
CZIBULKA, A.:
La Stéphanie Gavotte 0/6
Hearts and Flowers 1/4
Songe d’Amour après le Bal 1/4
DAVIS, P.:
Paprika (Two Step) 1/4
DEBUSSY, CLAUDE:
Children’s Corner 3/10
Two Arabesques 2/0
DE GRAU:
Il Corricolo 0/6
DELIBES, LEO:
Coppelia Valse 2/0
Pizzicati from Sylvia 1/4
DUBOURG, CH.:
The Apache’s Dance 1/4
DUNKEL’S:
Ghosts (Two Step) 1/6
DURAND, A.:
Chaconne, Op. 62 1/4
Iere Valse, Op. 83 1/4
Second Valse, A flat, Op. 86 1/6
Pomponette 1/4
Six Valses (in book) 3/10
DVORAK:
Slavische Tanzes, 2
books each 2/4
ECKERSLEY, R.:
Fire-Flies (Two Step) 1/4
EILENBERG, R.:
German Patrol 1/4
March of the Mountain Gnomes 1/4
ELGAR, E.:
Chanson de Nuit 1/0
Pomp and Circumstance March 1/6
Salut d’Amour 1/4
Wand of Youth (2 Suites) each 2/3
EWING, M.:
Policeman’s Holiday (One or Two Step) 1/4
FINCK, H.:
In the Shadows 1/4
Pirouette 1/4
On the Road to Zag-a-Zig 1/4
Pelissiana No. 1 (on Pelissier Songs) 1/4
FUCIK, J.:
Entry of the Gladiators March 1/4
GALLATLY:
Bogey Walk (One or Two Step) 1/4
Tortoise Patrol (One Step) 1/4
GANNE, LOUIS:
Marche Americaine 1/4
La Tzigane Mazurka 1/4
La Mousmé 1/4
Marche Lorraine 1/4
La Czarine 1/4
La Scandinave 1/4
La Housard 1/4
GANZ, W.:
Qui Vive, Galop de Concert 1/4
GERMAN:
Intermezzo (Henry VIII.) 1/6
Masque (As You Like It) 1/11
3 Dances (Henry VIII.) 1/6
3 Dances (Tom Jones) 1/6
3 Dances (Nell Gwynne) 2/0
4 Dances (Merrie England) 2/0
Gipsy Suite Dances 2/8
Colombine 1/4
GHYS:
Air le Roi (Louis XIII.) 0/6
GILLET:
Loin du Bal 1/4
Lettre de Manon 1/4
Pendant le Bal 1/6
Reponse a Manon 1/6
GODARD, B.:
Au Matin 1/4
Deuxieme Mazurka 1/4
1st Valse 1/4
2nd ,, 1/8
GODFREY:
Madam Butterfly (Selection) 1/4
Lady Madcap (Selection) 1/6
Dollar Princess (Selection) 1/4
Orchid 1/6
Girl from Kay’s 1/6
Messenger Boy 1/6
Reminiscences of England,
Ireland, Scotland, Wales each 1/6
The Bohemians 1/4
Country Girl 1/6
Belle of New York 1/4
Duchess of Dantzic 1/6
Runaway Girl 1/6
Artist’s Model (Selection) 1/4
Gaiety Girl (Selection) 1/4
Shop Girl (Selection) 1/4
La Poupée 1/4
Little Christopher Columbus (Selection) 1/4
Yeoman of the Guard (Selection) 1/6
La Cigale (Selection) 1/4
Girl in the Train (Selection) 1/4
Gondoliers (Selection) 1/6
Holy City (Adams) 1/6
Queen of the Earth (Pinsuti) 1/4
Tosca (Puccini) 1/4
Toreador 1/6
Three Little Maids 1/6
Cingalee 1/6
Veronique 1/6
Earl and the Girl 1/6
Catch of the Season 1/4
GOUNOD, C.:
Ave Maria (transcription) 1/0
Dodelinette 1/4
Funeral March of a Marionette 1/4
Marche Romaine 1/6
Meditation sur le Ire
Prelude (Bach) 1/4
Sérenade (transcription) 1/4
GREIG:
Op. 1 Four Pieces 1/3
,, 3 Poetic Tone Pictures 1/3
,, 6 Humoresken 1/3
,, 7 Sonata, E minor 1/8
,, 12 Lyrische Stückchen. Heft 1 1/3
,, 17 Nordische Tanzen Volksweisen 1/3
,, 19 No. 2 Nordweigischer Brautzug 0/10
,, 19 Aus dem Volksleben 1/3
,, 24 Ballade 1/3
,, 28 Album Leaves 1/3
,, 29 Improvten Norweg. Pop. Songs 1/3
,, 38 Lyrische Stückchen. Heft 2 1/8
,, 40 Holberg Suite 1/3
,, 41 Klavier Stüche nach eignen
Liedern, 2 books, each 1/3
,, 43 Lyrische Stückchen. Heft 3 1/8
,, Peer Gynt Suite 1/3
,, 47 Lyrische Stückchen. Heft 4 1/3
,, 54 Lyrische Stückchen. Heft 5 1/3
HALL, R. B.:
New Colonial March 1/4
HAMBOURG, MARK:
Gavotte (A minor) 1/6
HANDEL:
Dead March in Saul 0/6
Harmonious Blacksmith 0/6
Largo 0/6
March in Scipio 0/6
HAYDN:
Gipsy Rondo 0/6
Toy Symphony, Piano and Parts 1/8
Toy Symphony, String Parts 1/0
HELLER, STEPHEN:
Tarantelle in A flat 0/6
HENSELT, A.:
Si oiseau j’étais 0/6
Song of Love (Liebeslied) 0/5
HIGGS, H. M.:
Girls of Gottenberg (Selection) 1/6
Count of Luxembourg (Selection) 1/6
Merry Widow (Selection) 1/6
Moonstruck Two Step (Our Miss Gibbs) 1/6
Mousmé, The (Selection) 1/6
Our Miss Gibbs (Selection) 1/6
Arcadians (Selection) 1/6
Quaker Girl (Selection) 1/6
Yip-I-addy-I-ay (Two Step) 1/6
HOFFMAN:
Mocking Bird 0/8
HOFFMAN, M.:
Way Down in Colon Town 1/4
HILL, W.:
March in G 1/0
HOWGILL, J. S.:
Weymouth Chimes Gavotte 1/6
HUMPERDINCK, E.:
Miracle, The (Selection) 1/4
JENSEN:
Songs and Dances, 2 books, each 0/9
The Mill 1/0
Wanderbilder, 2 books, each 1/3
JOHNSON, W.:
Harry Lauder Songs for Piano 1/0
JOHNSON, LEE:
Ramona 1/6
JONES, SIDNEY:
Geisha (Selection) 1/4
Greek Slave (Selection) 1/4
King of Cadonia (Selection)
1/4
JOYCE, A.:
I’ll Dance Till de Sun Breaks Thro’
(Two Step) 1/4
Mickey’s Birthday 1/4
JUNGMAN:
Heimweh (Home) 0/6
KAPS (KARL):
Bustlin’ Billy (Two Step) 1/4
KETELBEY, A. W.:
Dairymaids (Selection) 1/6
Spring Chicken (Selection) 1/6
Little Michus (Selection) 1/6
Miss Hook of Holland (Selection) 1/6
KLAY, KAROLY:
Liebeslied 1/4
Abendlied 1/4
Slavonic Dance 1/4
Sunshine Intermezzo 1/4
KIEFERT, C.:
Come, Sweet Morning 1/4
San Toy (Selection) 1/4
Violets (Wright) 1/4
KETTERER:
Caprice Hongroise 0/6
Gaetana Mazurka 0/6
L’Argentine 0/6
KRAL, J. N.:
Hoch Habsburg March 1/4
KUHE:
Better Land (Cowen) 1/6
Cavalleria Rusticana (Selection) 1/4
Come Back to Erin 1/6
Lost Chord (Sullivan ) 1/6
KUSSNER, A.:
Moon Moths 1/11
Hesitation 1/4
The Evening Hour 1/4
Dance of the Wood Nymphs 1/4
LACK, T.:
Cabaletta 1/4
Sonnet 1/4
Valse Arabesque 2/0
LEDUC:
La Chatelaine 0/6
LESTRANGE, Z.:
Hobble Skirt Walk (One Step) 1/4
LANGE, G.:
Blumenlied 0/6
Edelweiss 0/6
Herzelied 1/4
LANSING:
Darkie’s Dream 1/4
LASSON:
Crescendo 1/0
LEHMANN, L.:
Cobweb Castle (6 Pieces) 3/6
LIEBICH, I.:
Musical Box 1/4
LINCKE, PAUL:
Berliner Luft March 1/4
Nigger’s Birthday 1/4
O ihr Weiber March 1/6
LUTZ, M.:
Pas de Quatre (Faust) 1/4
MACBETH, A.:
Intermezzo, Forget-me-not 1/4
MACDOWELL:
Fireside Tales 3/0
Woodland Sketches 3/0
Sea Pieces 3/10
In Lilting Rhythm 1/11
Forgotten Fairy Tales 1/11
New England Idylls 3/10
In Passing Moods 3/10
MACKLIN, C.:
Tres Moutarde (One or Two Step) 1/4
MAGNUS, D.:
Barcarolle (Tales of Hoffmann) 1/4
MALEMBERG, C.:
Dresdina (A Stately Measure) 1/4
MARTI, E.:
Confidences 1/4
MASCAGNI, P.:
Intermezzo Cavalleria Rusticana 1/4
MATTEI, TITO:
Grand Valse 1/8
MELLAINE, M.:
Valse Arabesque 1/4
MENDELSSOHN:
Andante and Rondo Capriccioso 0/8
A Fragment 1/4
Complete Pianoforte Compositions paper 5/8
,, ,, cloth 8/0
Lieder ohne Worte, cloth 3/5
,, full music size, cloth 5/8
,, ,, ,, paper 1/11
Large Print 3/10
Seven Marches 1/11
Six Christmas Pieces 0/8
Two Musical Sketches 0/6
War March in Athalie 0/8
Wedding March 0/6
MEYERBEER:
Grand March Prophête 1/0
MICHAELMAS, T.:
Czardas (6 Numbers) each 1/4
Turkish Patrol 1/4
MILLS (KERRY):
Whistling Rufus 1/4
At a Georgia Camp Meeting 1/4
MORET, N.:
Hiawatha 0/6
Moonlight Serenade 1/4
Poppies 1/4
Silverheels 1/4
MONCKTON, LIONEL:
Soldiers in the Park March 1/6
MOZART, W.:
Sonatas, complete. By A. Zimmerman 2/3
,, ,, ,, cloth 3/10
MOSZKOWSKI:
Album Espagnole, Op. 21 1/6
Serenata, Op. 15 1/4
Spanish Dances, complete 2/6
Valse Brilliante (A flat) 1/4
MYDDLETON, W. H.:
Down South 1/4
NEVIN, E.:
O’er Hill and Dale (4 Pieces) 2/3
May in Tuscany (6 Pieces) 2/3
Album, 2 vols each 2/3
Venezia 3/0
Narcissus 1/0
Rosary 1/4
NOWOTNY, J.:
Aller Ehren March 1/4
O’NIELL, NORMAN:
Blue Bird, complete 2/8
Blue Bird, 4 Dances 1/11
OEHME, ROBERT:
8 Morceaux, in Album 1/11
4 Morceaux, in Album 1/11
OESTEN:
Carnival de Venise 0/6
Gondolied 0/6
PADEREWSKI, J. J.:
Chant du Voyager, complete 2/0
Legende, Op. 16, No. 1 1/4
Mélodie, Op. 16, No. 2 1/4
Mélodie, Op. 8, No. 3 1/0
Menuet in A 1/4
Minuet, Op. 14, No. 1 1/4
Nocturne, Op. 16, No. 4 1/4
Scherzino, Op. 10, No. 3 1/0
Un Moment Musical 1/0
PAUER, E.:
La Cascade 1/6
PIERNE:
Serenade in A or A flat, each 1/0
POWELL, S.:
Ein Liebeslied 1/4
PRIDHAM:
Battle March of Delhi 1/4
PRYOR:
Arcade Girl (Two Step) 1/6
Baby Parade 1/6
Coon Band Contest 1/4
Passing of Rag Time 1/6
Whistler and his Dog 1/6
RACHMANINOFF:
Prelude in C sharp minor 1/0
RANDOLPH, L. A.:
Manuella (Two Step) 1/4
REISSIGER:
Fairy Waltz 0/5
RAFF:
Cavatina, Op. 85 0/6
Fileuse, Op. 157 1/4
Polka de la Reine 0/10
Riguadon, Op. 204 1/4
Tarantelle 0/9
RESCH:
True Love Gavotte 0/6
REEVES, E.:
Lion’s Tail (Two Step) 1/4
Hobomoko Indian Romance 1/4
Billy Possums’ Parade (Two Step) 1/4
REINHARDT, H.:
Spring Maid (Selection) 1/6
RIMMER, W.:
Coster’s Wooing 1/4
ROBERTS, O.:
Carnival (Two Step) 1/4
ROBINSON, H.:
Pearl (One Step) 1/4
RITTER:
Les Courriers 1/4
ROSEY:
Honeymoon March 1/4
ROUBIER:
Joyeuse Réunion 1/0
Marche des Troubadours 1/4
Une Fête a Trianon 1/0
ROYLE, P.:
Iola, a New Dance 1/4
RUBINSTEIN:
Melody in F 0/6
Polka Boheme 1/4
Romance in E flat 1/0
SCHARWENKA:
Polish Dance, complete 3/10
Polish Dance, No. 1 1/0
SCHULOFF:
Carnival de Venice 0/8
Grande Valse Brillante 0/8
SCHUTT, E.:
A la bien aimee 1/4
Etude Mignonne 1/4
Valse Lente 1/4
Carnaval Mignon 2/8
SCHYTTE, L.:
Berceuse 1/4
SCHUMANN:
Arabesque 0/6
Merry Peasant 0/6
Nachstück 0/6
Schlummerlied 0/6
SCOTTO AND CHRISTINE:
Ah si vous voulez 1/6
Petite Tonkinoise 1/4
SIBELIUS:
Romance 1/4
Valse Triste 1/8
SMITH, SYDNEY:
Adieu, En Route (Concert), Fairy Queen
(Galop), Faust (Gounod), Jeunesse Dorée
La Harpe Eolienne, Le Jet d’Eau,
Maypole Dance, Sleigh Bells,
Tannhaüser, William Tell, each 1/4
SMALLWOOD, W.:
Fairy Barque 1/4
SMITH, SEYMOUR:
Dorothy, Old English Dance 1/4
SMITH, VERE:
Grotesques (Selection) 1/6
SOMERVELL, A.:
Spring Fancies 1/6
SOUSA:
Jack Tar March 1/4
Fairest of the Fair March 1/4
Glory of the British Navy March 1/4
Bride Elect March 1/4
Directorate March 1/4
Free Lance March 1/4
Hands Across the Sea March 1/4
Imperial Edward March 1/4
Invincible Eagle March 1/4
King Cotton March 1/4
Man Behind the Gun March 1/4
El Capitan March 1/4
Powhatan’s Daughter March 1/4
Liberty Bell March 1/4
Stars and Stripes March 1/4
Washington Post March 0/9
Washington Post March Album 0/9
SPINDLER, F.:
All Souls’ Day and Resolution 1/4
Husarenritt 1/4
SPINK, G. A.:
Bill Simmonds (Two Step) 1/4
STEWART DOUGLAS:
A Fragment 1/0
STRAUS, O:
Chocolate Soldier (Selection) 1/6
My Hero (Chocolate Soldier) 1/6
THALBERG:
Home, Sweet Home 0/6
Last Rose of Summer 0/8
THOMAS, A.:
Gavotte from Mignon 1/4
THOME, F.:
Andante Religioso 1/8
Badinage 1/4
Clair de Lune 1/6
Illusions 1/4
L’Extase 1/4
Simple Aveu 1/4
Sous les Feuilles 1/4
THURBAN:
Brooklyn Cake Walk 1/4
Mumblin Mose 1/4
TRINKAUS, G. J.:
Dutch Kiddies (Two
Step) 1/4
TSCHAIKOWSKY:
Casse Noisette Suite 1/1½
Symphony Pathetique 1/11
Chant sans Paroles, Romance (Op. 5),
Valse Scherzo (Op. 7),
Mazurka de Salon (Op. 9, No. 3),
Humoreske (Op. 10, No. 2),
Thème et Variations (Op. 19, No. 6),
Barcarolle (Op. 37, No. 6),
En Traineau (Op. 37, No. 11),
Valse de Salon (Op. 51, No. 1),
Nocturne (Op. 10, No. 1),
Feuillett d’Album (Op. 19, No. 3),
each 1/4
TURNER:
Fairy Wedding Waltz 0/6
VALVERDE, J.:
Danse du Paraguay 1/4
VIVIANI:
Silver Trumpets 1/6
VANDERVELL:
Immer Wieder Gavotte 1/4
Au Secours March 1/4
WACHS, P.:
Capricante 1/4
Loin du Monde 1/4
WAGNER:
March, Tannhaüser 0/6
Double Eagle March 1/4
Lohengrin (Selection) 1/4
Tannhaüser (Selection) 1/4
WEBER:
Invitation pour le Valse 0/6
Last Valse 0/6
WELY:
Les Cloches du Monastère 0/6
Titania 1/4
WEST, A. H.:
Famous Patrol 1/4
Imperial Patrol 1/4
WEST, G. F.:
Cujus Animam (Rossini)
1/4
Kyrie Eleison 1/0
Nazareth (Gounod) 1/4
WHITE, M. V.:
From the Ionian Sea 2/0
WHITNEY:
Mosquitoes’ Parade 1/4
Old Daddy Peg Leg (Two Step) 1/4
WIDOR:
Serenade 1/4
WINDEATT, C:
Top Dog (One Step) 1/4
WINTERBOTTOM, W.:
Dorothy (Selection) 1/6
Iolanthe (Selection) 1/6
Mikado (Selection) 1/6
Ruddigore (Selection) 1/6
WOLLENHAUPT:
Grand Marche Militaire 1/0
La Gazelle 0/9
Valse Styrienne 0/9
WURM, M.:
Ginger (Two Step) 1/4
WYMAN:
Silvery Waves 1/0
YRADIER:
La Paloma 1/4
ZULUETA, PEDRO DE:
Fluffly Ruffles (Two Step) 1/6
ALL MUSIC NOT IN STOCK PROCURED TO ORDER.
SMALLWOOD’S EASY PIECES FOR CHILDREN.
Little Buds. Nos. 1 to 69 ... ... ... ... ... 0/4 each
1. Far Away.
2. Liquid Gem.
3. Her Bright Smile.
4. What are the Wild Waves.
5. The Gipsy Countess.
6. Fading Away.
7. Happy be Thy.
8. Chime Again.
9. Postman’s Knock.
10. Thy Voice is Near.
11. The Bridge.
12. Echo of Lucerne.
13. I Built a Bridge.
14. Warblings at Eve.
15. The Wishing Cap.
16. Flower Gatherers.
17. Excelsior.
18. Home They Brought.
19. O, Fair Dove.
20. Kathleen Aroon.
21. God Bless the Prince of Wales.
22. The Young Recruit.
23. Hark, the Goat Bells.
24. Pulaski’s Banner.
25. God Bless Our Sailor Prince.
26. Violet Bells.
27. Dear England.
28. Let the Hills Resound.
29. Spring Bloom.
30. O, ye Tears.
31. When the Ship Comes Home.
32. Tell Me Where do Fairies.
33. When Sparrows Build.
34. Why do Summer Roses Fade?
35. Down where the Bluebells Grow.
36. The Birdie’s Ball.
37. The Gipsy’s Life.
38. She Sang Among the Flowers.
39. Your Boy in Blue.
40. Almond Blossoms.
41. Jenny of the Mill.
42. Annie o’ the Banks o’ Dee.
43. Beautiful Leaves.
44. Heartsease Waltz.
45. Only One to Bless.
46. Pretty Snowdrop Redowa.
47. Oh! Chide not My Heart.
48. Lily’s Polka.
49. Rondo on Osborne Quadrille.
50. Rondo on the Gipsy Quadrille.
51. Great Globe Quadrille.
52. As You Like It Polka.
53. Musical Box.
54. The Swiss Girl.
55. Canary Quadrille (Extract).
56. Royal Greek March.
57. Loved Voices.
58. Garden of Memories Waltz.
59. Aladdin (Chinese Dance).
60. Fairy Wedding Chimes.
61. The Cuckoo’s Concert.
62. Créole Waltz.
63. The Shah’s State March.
64. Chappies Polka.
65. Across the Still Lagoon.
66. Enchantress.
67. Circassia.
68. Toujours Prêt Marche.
69. Pick Me Up Polka.
A SERIES OF POPULAR AND CLASSICAL PIECES.
Easily arranged and Fingered for the Pianoforte by Albert Dufaure.
0/8 each.
* 1. Carnival of Venice.
2. Happy Peasant.
3. Heimweh (Home).
4. Gondollied.
* 5. Cloches du Monastère.
6. Wedding March.
7. Marche Funebre.
8. Harmonious Blacksmith.
9. Mai Blume.
10. Maiden’s Prayer.
11. Il Corricolo.
12. La Consolation.
*13. March from Scipio.
14. Bridal March.
15. Ecoutez-moi.
*16. Silvery Waves.
*17. True Love Gavotte.
18. Slumber Song.
19. Shepherd Boy.
20. Air Louis XIII.
21. Bluette.
22. Gavotte Célèbre.
23. Gaetana Mazurka.
*24. Gipsy Rondo.
25. Melody in F.
26. Pasquinade.
27. Invitation to the Waltz.
28. Grand March.
29. Stéphanie Gavotte.
30. Home, Sweet Home.
Those marked * may be had as Duets, 1/0 each.
PIANOFORTE DUETS
Hungarian Dances (21) Brahms 3/0
Album Classique 1/6
Album Espagnol (Moszkowski) 1/11
Dance of the Witches (Bonheur) 1/4
Dodelinette (Gounod) 1/4
Dresdina (Malemberg) 1/4
Duet in D (Diabelli) 0/10
Fairy Queen (Galop de Concert) (S. Smith) 1/8
Funeral March of a Marionette (Gounod) 1/8
Golden Bells (S. Smith) 1/8
Husarenritt (Spindler) 1/4
La Czarine (Ganne) 1/4
La Mousmé (Ganne) 1/4
Le Jet d’Eau (S. Smith) 1/8
March Album (17 Celebrated Marches) 1/6
March, Eli (Costa) 1/0
Marche aux Flambeaux (Clarke) 1/4
Marche de Troubadours (Roubier) 1/4
Maypole Dance (S. Smith) 1/8
Nell Gwynn Dances (German) 3/0
Parade March (Stanislaus) 1/4
Pas de Echarpes (Chaminade) 1/4
Qui Vive, Galop de Concert (Ganz) 1/8
Salut d’Amour (Elgar) 1/4
Silver Trumpets (Viviani) 1/6
Simple Aveu (Thome) 1/8
Sleigh Bells (S. Smith) 1/8
Spanish Dances, Op. 12 (Moszkowski) 3/3
Tarantelle (Raff) 0/9
Three Dances, Henry VIII (German) 2/3
Vienesse Dance (Carl Malemberg) 1/4
Warblings at Eve (B. Richards) 1/4
War March, Athalie (Mendelssohn) 1/4
NEW DANCE ALBUMS.
0/9 each.
Feldman’s, Sheard’s, Francis & Day’s, Chappell’s, Phillips & Page,
Witmark’s, Metzler, etc.
BALL ROOM GUIDES.
Coote’s “How to Dance” 0/9
Crompton’s “Guide to Dancing” 0/9
WALTZES.
A 1000 Kisses (Joyce) 1/4
Adoree (Legrand) 1/4
A Jamais (Joyce) 1/4
Amoureuse (Berger) 1/4
Amour Passager 1/6
Arcadians 1/6
Awakening of Love (Lotter) 1/4
Bal Blanc (Berger) 1/4
Barcarolle (Tales of Hoffmann) 1/4
Beauty’s Eyes (Leslie) 1/6
Beatrice (Steiner) 1/4
Belle of New York (Coote) 1/4
Bid Me Good-bye (De Comors) 1/6
Bitter Sweet (Lowthian) 1/4
Blue Danube (Strauss) 0/8
Brise de Vienne (Berger) 1/4
Brudeslein Fein (Fall) 1/4
Caressante (Lambert) 1/6
Carissima (Douglas) 1/6
C’est Toi (Fyscher) 1/4
Ce que Femme Veut (Berger) 1/4
Chanson de mon Cœur (Joyce) 1/6
Chemin d’Amour (Cremieux) 1/4
Chocolate Soldier (Strauss) 1/6
Choristers (Phelps) 1/4
Christmas (Margis) 1/6
Ciribiribim (Bucalossi) 1/4
Claudine (Zulueta) 1/6
Con Amore (Jullien) 1/4
Corisande (G. de Breville) 1/4
Corona (Finden) 1/6
Country Girl (Kiefert) 1/6
Dans les Fleurs (Berger) 1/4
Dans les Larmes (Berger) 1/4
Daybreak (Brunet) 1/4
Declaration (Waldteufel) 1/4
Doctrinen (Strauss) 1/4
Dollar Princess (Kiefert) 1/4
Donau Wellen (Ivanovici) 1/4
Dorothy (Bucalossi) 1/6
Douce Souvenance (Waldteufel) 1/4
Dream Faces (Meissler) 1/4
Dreaming (Joyce) 1/4
Druid’s Prayer (Davson) 1/4
Duchess of Dantzic (Kiefert) 1/6
Earl and the Girl (Kiefert) 1/6
Eldorado (Royle) 1/4
Electra (Lambelet) 1/4
Elfentanz (Lehar) 1/4
Espana (Waldteufel) 1/4
Estudiantina (Waldteufel) 1/4
Eternal Waltz (Fall) 1/4
Eternelle Folie (Aga) 1/4
Etincelles (Waldteufel) 1/4
Eton Boating Song (Kaps) 1/4
“Evening News” Prize Waltz (Maclean) 1/4
Extase (Renaud) 1/4
Fascination (Marchetti) 1/6
Fiancailles (Wesley) 1/6
Fiddle and I (Roeder) 1/4
Folie d’Amour (Fauchey) 1/6
Frou Frou (Henri Chatau) 1/4
Fuji-San (Conway) 1/4
Garden of Sleep (Bucalossi) 1/6
Geisha (Jones) 1/4
Girl in the Train (Fall) 1/4
Gitana (Bucalossi) 1/4
Gold and Silver (Lehar) 1/4
Gondoliers (Bucalossi) 1/6
Griserie (Cremieux) 1/6
Innocence (Moret) 1/4
I Want You (Barthelemy) 1/4
Il me disait (Ferreres) 1/4
In Old Madrid (Meissler) 1/4
Jeunesse Dorée (Waldteufel) 1/4
Juin Charmant (Godin) 1/4
Kissin’ is no Sin 1/6
La Cigale (Coote) 1/4
La Faute des Roses (Berger) 1/4
La Fuite d Amour (Turney) 1/4
La Lettre de Manon (Gillet) 1/4
La Poupée (Coote) 1/4
Lazyland (Squire) 1/4
L’heure Supreme (Lotter) 1/4
La Vie Parisiene (Klay) 1/4
Les Deux Marthe (Ewers) 1/4
Les Baisers (Margis) 1/6
Le Desir d’Amour (G. de Breville) 1/4
Le Dernier Adieu (Brockett) 1/4
L’Amour d’Ophelia (Loreto) 1/4
L’Amour Veille (Petzl) 1/4
Les Yeux d’Amour (Odele) 1/4
L’Etoile Polaire (Waldteufel) 1/4
Liebeslieder (Klay) 1/4
Life’s Lullaby (Lane) 1/4
Life’s Rainbow (Benyon) 1/6
Lion du Pays (Berger) 1/4
Love Kiss (Pryor) 1/6
Love (Raimon) 1/6
Lucerne (Davis) 1/4
Luna (Lincke) 1/4
Lustige Bruder (Volstedt) 1/4
Luxembourg (Lehar) 1/6
Lysistrata (Lincke) 1/4
May I have the Pleasure (Lincke) 1/4
M’Amour (Labite) 1/4
Malmaison (Zulueta) 1/4
Mandalay (Beverley) 1/4
Merry Widow (Lehar) 1/6
Messalinette (Berger) 1/4
Mensonge (Marti) 1/4
Mia Carissima (Dyck) 1/6
Midsummer (Marigold) 1/4
Mikado (Bucalossi) 1/6
Mirabelle (Forster) 1/6
Miss Hook of Holland (Williams) 1/6
Mondaine (Bose) 1/4
Monte Christo (Kotlat) 1/4
My Queen (Coote) 1/4
Myosotis (Lowthian) 1/4
My True Love (Faulkner) 1/4
Nuages Roses (Berger) 1/4
Nuit Enchantee 1/4
Orchid (Godfrey) 1/6
Our Miss Gibbs 1/6
Over the Waves (Sobre las Olas) (Rosas) 1/4
Pendant le Flirt (Berger) 1/4
Petite Announce (Berger) 1/4
Petite Source (Margis) 1/4
Phryne (Zulueta) 1/6
Pink Lady (Caryll) 1/6
Plaisir’s Inconnus (Virgo) 1/4
Pleurez mes yeux (Berger) 1/4
Poet’s Dream (Beresford) 1/4
Pompadour (Royle) 1/6
Prière (Cremieux) 1/4
Quaker Girl (Monckton) 1/6
Quand L’Amour Meurt (Cremieux) 1/6
Quand L’Amour Refleurit (Cremieux) 1/4
Ravissante (Godin) 1/4
Reflections (Brunet) 1/4
Regrets (Berger) 1/4
Regrets (Wade) 1/4
Reve de Rosette (Grimston) 1/6
Remembrance (Joyce) 1/4
Reine du Danube (Berger) 1/6
Reponse à Amoureuse (Berger) 1/4
Reviens (Fragson and Christine) 1/4
Rose ma Mie (Tellam) 1/4
San Toy (Kiefert) 1/4
Santiago Valse Espagnole (Corbin) 1/4
Serments de Femme 1/4
Sheila (Nemo) 1/4
Shop Girl (Bucalossi) 1/4
Silber Wellen (England) 1/4
Snow Flakes (Semon) 1/6
Songe d’Automne (Joyce) 1/4
Sonia (Zulueta) 1/6
Sourire d’Avril (Depret) 1/6
Sphinx (Popy) 1/6
Spring Maid (Reinhardt) 1/6
Sympathie (Mezzacapo) 1/4
Sur la Plage (Waldteufel) 1/4
Sweet Dreamland (Klay) 1/4
Sweet Thoughts (Wurm) 1/4
Swing Song (Hollaender) 1/6
Tesoro Mio (Beccuci) 1/4
Thine Alone (Meissler) 1/6
Toreador (Royle) 1/4
Toujours Aimes (Michiels) 1/4
Tout Passe (Berger) 1/4
Twilight (Marigold) 1/4
Valse Blanche (Margis) 1/6
Valse Bleue (Margis) 1/6
Valse d’Automne (Lambert) 1/6
Valse Decembre (Godin) 1/4
Valse Enchantee (Berger) 1/4
Valse Frivole (Delmas) 1/4
Valse Ninon (Godin) 1/4
Valse Vivette (Wyatt) 1/4
Valse Paulette (Odele) 1/4
Valse Ravissante (Godin) 1/4
Valse Rose (Margis) 1/6
Valse Rouge (Klay) 1/4
Valse Septembre (Godin) 1/4
Valse Triste (Berger) 1/4
Venetia (Lowthian) 1/6
Venetian Song (Bucalossi) 1/6
Venus on Earth (Lincke) 1/4
Veronique (Messager) 1/6
Versmachtliebe (Lincke) 1/4
Vision of Salome (Joyce) 1/4
Vision d’Amour (Joyce) 1/4
Vision (Waldteufel) 1/4
Waltz Dream (Strauss) 1/6
When the Birds Begin to Sing (Joyce) 1/4
Whisper and I Shall Hear 1/4
Whirl of the Waltz (Lincke) 1/4
White Heather (Oliver) 1/6
Wiener Frauen (Lehar) 1/6
Yip-I-addy-I-ay (Bosc) 1/6
Zu Dir (Steiner) 1/4
LANCERS.
Arcadians 1/6
Belle of Brittany (Lancers) 1/4
Belle of New York (Coote) 1/4
Carmen (Godfrey) 1/4
Catch of the Season (Williams) 1/4
Chocolate Soldier (Straus) 1/6
Christopher Columbus 1/4
Cingalee (Bucalossi) 1/6
City of Pleasure (Williams) 1/4
Circus Girl (Williams) 1/6
Country Girl (Williams) 1/6
Dairymaids 1/6
Dollar Princess 1/4
Dorothy (Bucalossi) 1/6
Duchess of Dantzic (Godfrey) 1/6
Earl and the Girl (Godfrey) 1/6
Floradora (Williams) 1/4
Gaiety Girl (Jones) 1/4
Geisha (Kiefert) 1/4
Girl in the Train (Fall) 1/4
Girls of Gottenberg (Higgs) 1/6
Greek Slave (Kiefert) 1/4
Havana 1/6
King of Cadonia 1/4
La Cigale (Coote) 1/4
La Poupée (Coote) 1/4
Lady Madcap (Godfrey) 1/6
Miss Hook of Holland 1/6
Orchid (Godfrey) 1/6
Our Miss Gibbs 1/6
Quaker Girl (Higgs) 1/6
Runaway Girl (W. Williams) 1/6
San Toy (Kiefert) 1/4
Shop Girl (Coote) 1/4
Sousa Lancers (on his Famous Melodies) 1/4
Spring Chicken (Godfrey) 1/6
Stars and Stripes (Klay) 1/4
Three Little Maids (Godfrey) 1/9
Tom Jones (Williams) 1/6
Toreador (Williams) 1/6
Veronique (Messager) 1/6
Waltz Dream (Strauss) 1/6
White City (Kaps) 1/4
Yeoman of the Guard (Sullivan) 1/6
SCHOTTISCHES.
Killicrankie (Rose) 1/4
Future Mrs. ’Awkins (Jones) 1/4
Highland 1/0
Hopscotch (Rose) 1/4
GALOPS.
Flic-Flock (Hertel) 1/4
John Peel 1/4
Post Horn (Koenig) 1/4
Sleigh Race (Caldicott) 1/4
HARMONIUM.
Elliott’s Voluntaries. In 6 books, each 0/9
Farmer’s Celebrated Voluntaries. 18 books, each 0/9
Hatton’s 17 Original Pieces 0/10
Hile’s Voluntaries. 5 vols., scarlet cloth, each 3/9
March (by Hill) 1/0
Wély’s Four Grand Offertories 0/10
ORGAN.
Batiste’s 67 Preludes, Interludes, and Voluntaries 0/10
Clarke’s 15 Marches 3/0
Dead March in Saul, arranged by Best 1/4
Eighteen Short Organ Voluntaries 0/10
Elliott’s 60 Voluntaries. 6 books, each 0/9
Hatton’s 11 Original Pieces for Small Organ 0/10
Hile’s Short Voluntaries. 5 vols., scarlet cloth, each 3/9
Johnson’s 13 Concluding Voluntaries 0/10
Lost Chord (Sullivan). Dr. Spark 1/6
Smart’s 50 Preludes and Interludes 0/10
Twenty-three Voluntaries (André and Hesse) 0/10
War March, Athalie (Mendelssohn) 1/0
Wély’s Four Grand Offertories (Op. 35) 0/10
Wedding March (Mendelssohn) 1/0
VIOLIN AND PIANO MUSIC.
Albums Célebre. (5 vols.) 1/6
Allegro Brilliant (Ten Have) 2/0
Andante in G (Batiste) 1/0
Andante Religioso (Thomé) 1/8
Benedictus (Mackenzie) 1/6
Berceuse de Jocelyn (Godard) 1/4
Blumenlied (Lange) 1/0
Broken Melody (Van Biene) 1/4
Cavatina (Raff) 1/0
Czarine (Ganne) 1/4
Four Dances (Cowen) 2/3
Four Marches (B. Tours) 1/11
Gavotte, Mignon (Thomas) 1/11
Geisha (Selection) 1/8
Gondoliers, Selection (Farmer) 2/0
Intermezzo, Cavalleria Rusticana 1/4
Intermezzo, Forget-me-Not (Macbeth) 1/6
L’Extase (Thomé) 1/4
La Paloma (Yradier) 1/4
Largo (Handel) 1/0
Madrigal (Simonetti) 1/0
Melody in F (Rubinstein) 1/0
Menuet (Paderewski) 1/4
Merry Peasant (Schumann) 1/0
Pizzicati from Sylvia (Delibes) 1/8
Romance (Svendsen) 1/6
Romanza (Simonetti) 1/0
Serenade (Gounod) 1/0
Serenade (Pierné) 1/0
Serenata (Braga) 0/9
Simple Aveu (Thomé) 1/8
Six Scotch Airs (Brandon) 1/4
Six Welsh Airs (Brandon) 1/4
Songe d’Amour (Czibulka) 1/4
Sous les Feuilles (Thomé) 1/8
Spanish Dances, Op. 12 (Moszkowski) 2/6
Thirty Melodies (B. Tours) complete 1/11
Three Dances (German) 2/3
War March (Mendelssohn) 1/4
NEW AND POPULAR SONGS.
Compass given in first key only.
ADAMS, STEPHEN: Keys. Compass.
Adieu, Marie F, G & A♭ C to F 1/6
Babylon E♭, E, F, G, A♭ B♭ to E♭ 1/6
Ben the Bo’sun D & E♭ A to D 1/6
Blue Alsatian Mountains D, E♭ & F D to F♯ 1/6
By the Fountain E, F & G B to E 1/6
By the Waters E♭, F, G & A♭ B to E 1/6
Children of the City, The D & F A to D 1/6
City of Light C, D, E♭ G to E 1/6
Cry of the Little Ones C, D♭ & E♭ A to C 1/6
Cup of Life E♭, F, G, A♭ D to E♭ 1/6
Fiona C, D, E♭ & F C to E 1/6
Forge and the Bell E♭ & F B to E 1/6
Genevieve D & F A to A 1/6
Good Company F, G & A C to F 1/6
Holy City, The A♭, B♭, C & D♭ C to E♭ 1/6
Idle Words C, D♭ & E♭ G to E 1/6
Island of Dreams C, E♭ & F C to E 1/6
Light of the World E♭, F, G & A♭ C to E 1/6
Little Hero, The B♭, C & D B♭ to D 1/6
Maid of Malabar D, E & F D to E 1/6
Maid of the Mill, The E♭, F, G & A♭ D to E♭ 1/6
Midshipmite, The B♭, C & D B♭ to D 1/6
Mona C, E♭, E & F B to E 1/6
Nirvana B♭, C, D & E♭ C to E♭ 1/6
Owl, The B♭, C & E♭ A to D 1/6
Roses A♭, B♭, C & D♭ D to E 1/6
Shadowland C, E & F G to C 1/6
Star of Bethlehem E♭, F, G & A♭ B♭ to E♭ 1/6
Stars of Normandie C, D & E♭ C to D 1/6
They all Love Jack D, E♭ & F A to D 1/6
This Work-a-day World A♭ & B♭ A to E♭ 1/6
Thora D, E♭, F & G A to D 1/6
Valley by the Sea C, D♭ & E♭ G to C 1/6
Veteran’s Song C, D & E♭ C to D 1/6
Warrior Bold, A B♭ & C B♭ to E♭ 1/6
Young Royalist B♭ & C A to E 1/6
ADDISON:
Don’t Cry C, D & F C to D 1/4
A. D. E. W.:
Eton Boating Song C C to C 1/4
AIDE HAMILTON:
Brown Eyes or Blue Eyes B♭ D to E 1/6
Remember or Forget D & F D to C♯ 1/6
AITKEN, G.: Keys. Compass.
Marie, my Girl C, D & E C to E 1/6
Jest Her Way B♭, C & D C to D 1/6
A. L.:
Bois Epais E♭, & F C to E♭ 1/6
Celia F & G C to E 1/4
Come, Sweet Morning D, E & G B to D 1/4
Ellen Bawn D♭ & E♭ D♭ & E♭ 1/6
Good-morrow, Gossip Joan D B to G 1/6
How Deep the Slumber of
the Floods E♭ & F D to E♭ 1/6
La Charmante Marguerite D & E A to F♯ 1/4
Lass with the Delicate Air E & G D to E 1/6
Shepherd’s Lament E & G D to E 1/4
Shepherdess B♭, C & D B♭ to E♭ 1/4
Swiss Girl’s Lament D♭, E♭ and F C to F 1/6
When Love is Kind F & A♭ C to F 1/6
Yea and Nay F, G & A C to F 1/4
ALLITSEN, F.:
An Old English Love Song A, C & E♭ A to D 1/6
Lift Thy Heart A♭, B♭ & C B♭ to E♭ 1/6
Like as the Heart Desireth C, E♭ A to D 1/6
Lord is my Light, The B♭, C & E♭ A to E♭ 1/6
Song of Thanksgiving E, F & G C to E♭ 1/6
There’s a Land D, E♭, F, G A to D 1/6
Two Songs (Since we Parted and Absence) (Low, High) 1/4
ARCHER:
In Love with the Man in
the Moon C D to E 1/4
ARDITI, L.:
Rosebuds C & D B to A 1/4
ASCHER, J.:
Alice, where art thou? A♭, B♭, C & D♭ C to E♭ 1/4
AYLWARD, F.:
An Anthem of Love C, E♭ B to E 1/6
At Rest and Each Rose (Low and High) 1/6
A Tree Song B♭, C, D B to D 1/6
Beloved, it is Morn C, D & F C to C 1/6
Love’s Coronation E♭, F, G & A D to D 1/6
My Sweetheart’s Love is Mine E♭, E, F & G C to E♭ 1/4
Song of the Bow E, F & G B to C 1/6
BACH, J. S.:
My Heart ever Faithful C & D D to E 0/8
BALFE, M. W.:
Come into the Garden, Maud C & D E to F 1/4
Good-night, beloved E♭ & G E♭ to F 1/6
I Dreamt that I Dwelt E♭ E♭ to G 0/8
Killarney E, F, G & A B to E 1/4
Then you’ll remember me B♭ E♭ to F 0/8
Compass given in first key only.
BARNARD, D’AUVERGNE: Keys. Compass.
Bid Love Awake F, A♭ & B♭ C to D 1/4
Bid me to Love E♭, G & B♭ B to C 1/4
Gallant Salamander D & E B♭ to D 1/4
Trust you still D, E♭ & F C to E 1/4
BARNBY, L.:
When the Tide Comes in C, D, E♭ & F G to E 1/4
BARRI, O.:
Good Shepherd, The D, E♭, F & G A to D 1/4
Old Brigade, The F, G, A♭, A & B A to C 1/4
BARRY, K.:
To-morrow E, F & G C to E 1/4
A Flower E♭, E & F B♭ to E♭ 1/4
Grey Dove’s Feather C, E♭ & E C to C 1/6
Jeunesse D, E♭, F & G B to D 1/4
Madame Domette F, G & A♭ C to D 1/6
Invitation C & D♭ C to E 1/4
Sleepy Song D, F & G A to D 1/4
Times Roses E♭, E, F & G A to E♭ 1/4
BATTEN, R.:
April Morn B♭, C & D B♭ to B♭ 1/6
Harvest Dance B♭ & C B♭ to D 1/6
My Cherubie F, G & A C to F 1/6
Peace and Rest A♭, B♭, C & D B to E 1/6
Savannah Lullaby C, D & E♭ A to F 1/6
Sweetest Flower A, C & D♭ C♯ to C♯ 1/6
Woodland Madrigal B♭, C & D B to F 1/6
BATTEN, MRS. G.:
Love Song of Har. Dyal C min. & E min. B to D 1/4
BEHREND, A. H.:
Auntie F & A C to D 1/4
Daddy F & A♭ C to D 1/6
Gift C, E♭ & B♭ to C 1/6
BEMBERG, H.:
Aime Moi G♭ & A♭ C to G 1/4
Among the Roses A♭ & B E to F 1/4
Chant Hindou B♭, C & D B to E 1/4
Chant Venitien D♭ & E♭ B to F 1/4
My Own True Love F & G D to E 1/4
Nympheset Sylvains D♭, E♭, E & F A♭ to A♭ 2/0
Répose toi E♭ & F B to E♭ 1/4
Soupir D, E & F B♭ to E♭ 1/4
Winged Messages E♭, F & G B♭ to E♭ 1/4
Serenade E♭, F & G C to E♭ 1/4
’Tis Snowing E♭ & F E to E 1/4
Souvenance A♭, B♭ & C B to E 1/4
BERESFORD, A.:
Margery Green E♭, F & G B♭ to E♭ 1/4
BEVAN, F.:
Admiral’s Broom D, E & F A to C 1/4
Everlasting Day, The E♭, F, G & A B♭ to D♭ 1/6
Flight of Ages G, A♭, B♭ & C B to D 1/6
The Old Soldier A, B♭ & C B to C 1/6
BISHOP, SIR H. R.:
Home, Sweet Home D & F D to D 0/6
BIZET, G.:
Love, the Vagrant D & E D to F♯ 1/4
Song of the Toreador E, F & G A to E 1/4
BLUMENTHAL, J.:
Across the Far Blue Hills. G, B♭ & D F♯ to D 1/4
An Evening Song E ♭, F & A♭ B♭ to E♭ 1/6
Life F & G G to D 1/6
Loyal Lovers E♭ & G B♭ to C 1/6
Message, The D & F B to F♯ 1/4
My Queen C, D & E C to E 1/4
Sunshine and Rain F, G & A A to D 1/6
Venetian Boat Song B♭ & D B to F 1/4
BOHM:
Still as the Night B♭, C & D A to E 1/4
BONHEUR, THEO.:
King’s Own C & D C to D 1/4
BRAGA, G.:
Serenata E♭, F & G B to E 1/0
BRAHMS, J.:
Wiegenlied (Lullaby) E♭ & F E to E 1/0
BRAUN, C.:
Birthday of Love C, D♭ & E♭ C to E 1/4
BROADWOOD, L. E.:
Jess Macfarlane C & E C to D 1/6
Keys of Heaven A E to E 1/4
BUCK, D.:
When the Heart is Young C, D & E♭ C to E 1/4
BUNNING, H.:
Humility C & E♭ D to E 1/4
Sunshine and Butterflies E♭, F & G D to E♭ 1/4
Pearl, A. E♭, F & G C to E♭ 1/4
CAPEL, J. M.:
Love, could I only tell thee C, D & F C to D 1/6
Loraine, Loraine, Lorrée Medium Key 1/6
Out of the Deep A min., B♭ min., C min. A to E 1/4
Star and Rose B♭ & D C to E♭ 1/6
CARACCIOLO, LUIGI:
Unless G, A♭, B♭ & C G to E 1/4
CARYLL, I:
Lazily, Drowsily B ♭ & D B to B 1/4
Look in Mine Eyes A♭, B♭ & C C to E 1/4
Oh, Honey, my Honey E♭ & F C to C 1/4
Over the Hills C & D B to G 1/4
Keys. Compass.
CELLIER, A.:
Queen of My Heart E♭ & F B♭ to E♭ 1/6
CHAMBERS, B.:
There is a Green Hill
Far Away E♭ B♭ to E♭ 1/4
CHAMINADE, E.:
Amoroso C & E B to F 1/4
As in October E♭ & G B to E 1/4
Alone D min., E min., F♯ min. A to D 1/4
Berceuse C & E B to E 1/4
Birds’ Noel D, E & G A to E 1/4
Captive Love C & E♭ C to E 1/4
Come, my love, to me E♭ & F B♭ to E♭ 1/4
Dreams C min., A min. C to E 1/4
Gems F & G B to F 1/4
In Happy Mood G, A & C A to D 1/4
Invocation D & F A to D 1/4
I would believe E♭, F & A♭ B to E 1/4
Love’s Garden F & A C to E 1/4
Madrigal C, D & E♭ C to E 1/4
My Heart Sings F & A A♭ to F 1/4
Near My Beloved F & A C to D 1/4
Ninette E, F & G B to E 1/4
Ritournelle D♭, E♭ & F B to E 1/4
Rondel G & A D to F 1/4
Serenata D & F C to E 1/4
Separation E, F & A♭ B to C 1/4
Silver Ring D♭ & F A to E 1/4
Skies are Blue A to C C to E 1/4
Song of Faith F, G & B♭ C to D 1/4
Spanish Love Song D♭, E♭ & F A to D 1/4
Thine A♭, B♭ & D C to D 1/4
To the Unknown A & C B to E 1/4
Voisinage C & D C to E 1/4
Where’er love has pass’d G, A & B♭ D to E 1/4
CHESHAM, E. F.:
Longshoreman E & F B to C 1/4
CHEVALIER, H.:
Greeting, A B♭, C & D B to D 1/4
CHEVALIER, A.:
Coster’s Serenade -- -- 1/4
Future Mrs. ’Awkins -- -- 1/4
My Old Dutch D, E♭ & F B to D 1/4
Nipper’s Lullaby -- -- 1/4
Nasty way he sez it -- -- 1/4
Our Bazaar -- -- 1/4
Our Little Nipper -- -- 1/4
Sich a Nice Man -- -- 1/4
Wot cher; or, Knock’d ’em
in the Old Kent Road -- -- 1/4
You can’t help liking him -- -- 1/4
Yuss; or, the Coster’s
Courtship -- -- 1/4
CLARIBEL:
Children’s Voices G & B♭ D to D 1/6
Come Back to Erin C & E♭ B to G 1/6
Strangers Yet E♭ & F E♭ to D 1/6
CLARKE, E.:
Sincerity D, E♭ & F A to D 1/4
Slippers and Rice E♭ D to F 1/4
Three Little Birds F & A♭ C to D 1/4
CLARKE, R. C.:
A Dedication D, F & G B to D 1/6
Betty’s Way D, E♭ & F A to D 1/6
Hands and Lips E♭ & F B♭ to E♭ 1/0
Master and Man C & E♭ C to E 1/6
O, My Garden Full of
Roses B♭, D & E C to D 1/6
Take your Lute and Sing B♭, C & D B♭ to E♭ 1/6
A Bowl of Roses B♭, D & E B♭ to D 1/0
You’ll Get Heaps o’
Lickin’s G B to E 1/6
CLAY, F.:
Gipsy John D & E A to D 1/6
I’ll Sing thee Songs of
Araby E♭, F & A B♭ to E♭ 1/6
Sands o’ Dee, The C & E♭ B to E 1/4
She Wandered Down the
Mountain Side C & E♭ C to G 1/6
CLUTSAM:
Madrigal C & E♭ B to D 1/6
Creole Cradle Song E, F & G B to D♯ 1/4
Croon, Croon C, E♭ & F A to D 1/4
Curly-Headed Babby C, D, E & F B to D 1/4
De Blue-Tailed Fly C, E♭ & F B to D 1/4
Folk Song G, A & B♭ C to D 1/6
I know of two bright eyes E♭, F, G, A♭ C to C 1/4
Vanity Fair F min., G min., A min. C to E♭ 1/6
Ritornello B♭, C & D♭ D to F 1/6
COATES, ERIC:
Gwenny C, D♭ & E A to E 1/6
Stone Cracker John D & E♭ A to D 1/6
COENEN:
Come unto Me D, F & G C to D 1/4
Lovely Spring D & F A to F 1/4
COOKE, E.:
I Dream’d a Dream E♭, F, G & A♭ B to E♭ 1/4
This Green Lane C & E♭ B to E 1/6
Two Marionettes B & G D to F 1/4
COOKE (WADDINGTON):
Visitors G & A D to E 1/6
COOPER, P.:
A Leave-taking G D to G 1/4
I love You so G & B♭ C to E 1/4
When love is dead E & G B to E 1/4
CORBETT, F.:
Butterflies C & A♭ D to E 1/6
Compass given in first key only.