Start counting with the half-crown marked _a_, and remove each penny as

you come to it on counting up to nine, and the conditions are fulfilled.

No. XCV.--A BUSINESS ANAGRAM

This smart advertisement of a polish known as “Old Dutch Cleanser”

appeared in an American paper:--

[Illustration:

Cleans

Scrubs

Scours

Polishes

Old Dutch Cleanser]

If the eyes of the proprietor should fall upon this column, he will be

surprised to find that his catch words _Cleans_, _Scrubs_, _Scours_,

_Polishes_, can be recast into a perfect anagram, singularly appropriate

to the powder advertised.

The opening words of the anagram are “O rub on, sir.”--Can our solvers

complete the sentence?

No. XCVI.--A NEW CHESS PUZZLE

By Henry E. Dudeney.

Replace all these 51 pieces on the chessboard, so that no Queen attacks

another Queen, no Rook another Rook, no Bishop another Bishop, and no

Knight another Knight.

╔═══╤═══╤═══╤═══╤═══╤═══╤═══╤═══╗

║ Q │#Q#│ Q │#Q#│ Q │#Q#│ Q │#Q#║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║###│ B │#B#│ B │#B#│ B │#B#│ ║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║ │#B#│ │###│ │###│ B │###║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║###│ B │#B#│ B │#B#│ B │#B#│ ║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║ R │#R#│ R │#R#│ R │#R#│ R │#R#║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║###│ N │#N#│ N │#N#│ N │###│ ║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║ N │#N#│ N │#N#│ N │#N#│ N │#N#║

╟───┼───┼───┼───┼───┼───┼───┼───╢

║#N#│ N │#N#│ N │#N#│ N │#N#│ N ║

╚═══╧═══╧═══╧═══╧═══╧═══╧═══╧═══╝

No account is to be taken of the intervening pieces, but each type of

piece is to be considered as if it stood alone upon the board.

No. XCVII.--A GOOD KNIGHT’S TOUR

Here is a beautifully symmetrical specimen of the Knight’s tour:--

[Illustration]

No. XCVIII.--A KNIGHT’S TOUR

Here is another beautifully symmetrical Knight’s tour:--

[Illustration]

It starts from the corner square, and the second half of the course has

dotted lines.

79. MISSING WORDS

He ...... himself much on his skill,

In many a burglary tried;

But when he ...... open the till

There was only a ...... inside.

The missing words are spelt with the same six letters.

No. XCIX.--A KNIGHT’S TOUR

Here is quite a curious pattern described by another Knight’s tour:--

[Illustration]

80. AN ENIGMA

Three-fourths of me an act display,

Three-fourths a bed for man;

Three-fourths have legs that cannot stray,

Three-fourths have legs that can.

I have a back without a spine;

An arm without a bone is mine.

81. A CHARADE

My first is the French for my second,

My whole a narcotic is reckoned.

No. C.--A GOOD PATTERN

Here is a very symmetrical Knight’s tour, in which half of the moves are

indicated by dotted, and half by unbroken lines:--

[Illustration]

82. PALINDROME WORDS

The letters of this sentence “Arrive to vote at it,” can be so recast as

to form two palindrome words, or words that read alike from either end.

What are they?

No. CI.--A KNIGHT’S TOUR

Here is another specimen of the Knight’s tour, which is beautifully

symmetrical--

[Illustration]

Half of the course is marked with dotted lines.

83. AN ENIGMA

Sweet till I lose my head,

Sweet-hearted then I show;

Decapitate again, I spread,

And cannot be below.

Served so once more, I am not dead,

But with fresh beauty glow.

No. CII.--A KNIGHT’S POETIC TOUR

On the board below a verse of eight lines runs on the course of a

Knight’s move from square to square:--

╔══════╤══════╤══════╤══════╤══════╤══════╤══════╤══════╗

║ │ │ │ │ │ │ │ ║

║ sor │ to │ king │ good │ say │ luck │ loy │ eth ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ and │ moth │ a │ soon │ dis │ our │ to │ bad ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ place│ ry │church│ his │ force│ is │ hat │ al ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ er │ queen│ him │ wight│ he │ to │ may │ truth║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ man │ his │ and │ and │ chess│ es │knight│ op’s ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ a │ sneer│ the │ and │ un │ lawn │ of │ tates║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ cas │ that │ at │ less │ pawn │ no │ bish │ lant ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ │ │ │ │ │ │ │ ║

║ eth │ faith│ tles │ hath │ the │ gal │ in │ love ║

╚══════╧══════╧══════╧══════╧══════╧══════╧══════╧══════╝

Can you disentangle the little poem?

84. TOMMY’S MONEY BOX

“Dad,” said little Tommy, “give me as much as I have in my purse, and I

will put a shilling in my money-box.” This was done, and the process was

repeated for three more days. How much had Tommy originally in his

purse, which was now quite empty?

No. CIII.--THE MANX RABBITS

This is the way to draw three rabbits so that they have but three ears

among them all:--

[Illustration]

85. AN ENIGMA

Two articles of English make,

And three from foreign source.

All these together you must take

Where dramas run their course.

No. CIV.--SCORING A CENTURY

On this table is shown in ten different ways how exactly 100 can be

arrived at by the use of the nine digits, each appearing only once.

╔══════╤══════╤══════╤══════╤══════╤══════╤══════╤══════╤══════╗

║ 1 │ 2 │ 3 │ 4 │ 5 │ 6 │ 7 │ 8 │ 9 ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ 1 │ 1 │ 4 │ 95³⁄₇│ 56 │ 98 │ 6 │ 15 │ 15 ║

║ 3 │ 45 │ 53 │4¹⁶⁄₂₈│ 34 │ 1 │ 2 │ 2 │ 36 ║

║ 5 │ 7 │ 6 │ │ 7 │ ³⁄₆ │ -- │ 79 │ 47 ║

║ 8 │ 9 │ 8 │ │ 1 │ ²⁷⁄₅₄│ 8 │ ⁸⁄₄ │ -- ║

║ 9 │ -- │ -- │ │ -- │ │ 9 │ ⁶⁄₃ │ 98 ║

║ -- │ 62 │ 71 │ │ 98 │ │ 1 │ │ 2 ║

║ 26 │ 38 │ 29 │ │ 2 │ │ 3 │ │ ║

║ 74 │ │ │ │ │ │ 4 │ │ ║

║ │ │ │ │ │ │ 75 │ │ ║

╟──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────┼──────╢

║ 100 │ 100 │ 100 │ 100 │ 100 │ 100 │ 100 │ 100 │ 100 ║

╠══════╧══════╧══════╧══════╧══════╧══════╧══════╧══════╧══════╣

║9 × 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 = 100. ║

╚══════════════════════════════════════════════════════════════╝

86. IF WE COULD CHOOSE

“If it were possible, I should choose,” said young Hopeful, “a life

double as long.”

“Yes,” said old Sobersides, “and you might turn it to better account if

it was also begun old.”

How did their actual words bear this out?

No. CV.--SEEING THROUGH A VEIL

On a piece of clear tracing paper draw with pen and ink a close network

of lines, such as is shown in this diagram, near enough together to

conceal type of ordinary size.

[Illustration]

Place this on the page of a book, and challenge any one to read a

sentence, or even a word, through it, saying that you can do so easily.

How can you succeed?

87. A CHARADE

Lop head and tail, and you will find

I have both tail and head.

Or if for spirits you’ve a mind

Set my tail first instead.

Life, as “a vapour full of woes,”

With many a darker page,

My whole in picture will disclose,

For “all the world’s a stage!”

No. CVI.--THE PAPER RINGS

In the diagram a strip of paper is shown (1), with its ends simply

gummed together; (2), with a single twist; and (3), with a double twist.

Can you decide, without actual experiment, what will be the result in

each case if these are cut completely round, as is indicated by the

dotted lines?

[Illustration]

88. MISSING WORDS

A glowing ........ window, graced

With ........ that true art has traced.

89. ANSWER BY ANAGRAM

How do the actual letters of these words in their union prove that

anæsthetics are “blessed in pain?”

No. CVII.--THE MAGIC BUTTONS

Make two parallel cuts with a penknife along the centre of a slip of

leather or other material, and below them a hole of the same width. Pass

a piece of string under the slit, and through the hole, and tie two

buttons, each much larger than the hole, to the ends of the string.

[Illustration]

How can the string be released without removing either of the buttons?

No. CVIII.--THE CAPTIVE SCISSORS

Fasten a pair of scissors securely with a piece of string to some

convenient article, as is shown in this diagram:--

[Illustration]

Can you release them without cutting or unfastening the string?

90. A BURIED QUOTATION

“What sin was it, sonny?” said an American negress to her lover, when

she sat on his best hat, which was flattened. Wearily he heard her

musical laugh, and arose to go. His hobby was botany, but not hers, for

she was then a merry girl. “Bother the flowers! I would prefer this

mellow pine-apple, Leonidas,” she said; “I guess we Ethiopians just love

fruit!”

No. CIX.--A PRIMITIVE TRAP

This diagram represents in the simplest outline a primitive wolf-trap.

[Illustration]

The dotted line is a gate opening into a circular enclosure. How was the

trap set and the wolf caught?

91. LADIES AT A SALE

They .... the dress with grip so keen

That half the .... gives way;

And home return with purses lean

To .... of “bargain-day!”

What are the missing words?

No. CX.--A SPINNING NEEDLE

To balance a needle on the head of a pin, push the pin into the cork of

a wine bottle, and the needle into a separate cork.

[Illustration]

With the aid of three forks, as is shown in the picture, the needle may

be balanced and spun round on the head of the pin.

92. MISSING WORDS

Air--“_Three fishers went sailing_.”

Three ...... went sailing out into the west,

Out into the west as the sun sank low;

Each thought as they ...... of the lad she loved best,

For they all had ......, and each had a beau.

But seas will rise, and spirits will sink,

And they all were too ill of ...... to think,

So these ...... ...... back moaning.

Each missing word has the same six letters.

No. CXI.--AFTER DINNER

This diagram shows how, as an after-dinner trick, four similar

wineglasses can be placed on the table

[Illustration]

so that the centres of the lowest parts of their stems are equidistant

from each other.

93. A CHARADE

Lurking in riddles oft my first is found;

My second should in ample stores abound,

Or help to make the sweetest songster heard.

Peculiar, and quite proper, is my third.

My whole has found with England’s monarch grace,

The verdant home of many a goodly race.

No. CXII.--SECOND SIGHT

Ask any one, with this diagram to work upon, to think of any number

between 5 and 15, and, while your back is turned, to count up to it,

beginning at the lowest step, and saying one, two, three, four, and so

on, as each step of cards or single card is reached in the direction

indicated by the arrow. When the number thought of has been thus arrived

at, tell him to stop, and beginning afresh on that card, to count one,

two, three, etc., _backwards_, this time _skipping over the double six_

and the 3 steps until he again reaches the number thought of, and

notices which card he has touched last.

[Illustration]

How can you, without having seen any of his movements, at once find that

card?

No. CXIII.--AN AFTER DINNER TRICK

Cut a wedge out of an apple, as is indicated in the diagram, and make

six gashes as is shown.

[Illustration]

When this has been done, challenge anyone to divide the apple into six

pieces by only two straight cuts, so that there shall be one of the

gashes in each piece.

94. ALIKE TO THE EYE

Accent my head,

An opening I appear

In other fashions said

I charm all far and near.

No. CXIV.--A TOY BOOMERANG

Cut out in cardboard a boomerang as nearly as possible of the size and

pattern given here:--

[Illustration: BOOMERANG]

Place it flat on the back of the first three fingers of the left hand,

sloping them upward; then flick it smartly with the second finger of the

right hand. It will fly off and return to your lap. Try it.

95. LONDON BY ANAGRAM

Here are two simple sentences:--

A lamp shines out for thee.

Win me best by tears.

Can you recast the letters, so that they form the names of two of the

most important buildings in London?

96. HEARD ON THE BRIGHTON BEACH

It was low tide; two children were throwing pebbles into the sea, and

sending their excited collie in pursuit of them. The Puzzle Editor, who

was on holiday, quickened perhaps by the salt air, bethought him of this

appropriate riddle:--What is the difference between that dog and a

hungry man?

No. CXV.--IN THE GRIP OF A RADISH

Cut a radish in half, press the lower surface firmly against a plate, as

is shown in the diagram:--

[Illustration]

and you can lift the plate, to which it clings as closely as a boy’s wet

leather disc to the pavement.

97. FIND THE ANIMAL

A part of me in rain,

A part in hail must be,

A part belongs to pain,

A part in bones we see,

A part in gleaming gold,

A part in common copper.

A part in peace behold,

A part in any topper;

Two parts are heard in sound,

And in our finals found.

No. CXVI.--ELASTIC PAPER

The countryman who cut one hole in his door for the cat and another for

the kitten would find it difficult to pass a penny through a hole the

size of a shilling cut in a stout piece of paper.

This diagram shows how easily it can be done:--

[Illustration]

Fold the paper across the centre of the hole, place the penny in the

fold, and bend the lower corners of the paper upwards. This elongates

the opening, and the coin falls through.

98. A SMART ENIGMA

Men commonly say I am clever,

Book-learning I never could boast;

Yet I turn the leaves inside the cover,

And when I am found I am lost.

99. MISSING WORDS

.... is like a ..... or what is most

Comparative, a ..... is like a . ...;

For when their substances in liquor sink

Both properly are said to be in drink.

One of the letters of the two short words is used twice in the longer

word.

No. CXVII.--THE NIMBLE SIXPENCE

Place a sixpence on the tablecloth, and over it set a tumbler, as is

shown in the picture below.

[Illustration]

How can you pocket the sixpence without removing the glass, or having it

removed?

100. A PIED PROVERB

~abdeefiinnnoopprrrsssttuw~

101. SELF-DEFINED

A wordy warfare waged with wit,

In youth its joys none need descry;

But where our elders take to it

Its name points loss of dignity.

No. CXVIII.--HOW TO DRAW A SPIRAL

How can you draw such a spiral as this with very simple appliances?

[Illustration]

This spiral is drawn rapidly without removing the pencil from the paper.

102. FIND THE HERO

My first’s in garb, but not in dress;

My next’s in praise, but not in bliss;

My third’s in man, but not in miss;

My fourth’s in we.

My fifth’s in boar, but not in hog;

My sixth’s in cat, but not in dog;

My next’s in calm, but not in fog;

My eighth’s in we.

My ninth’s in rope, but not in twine;

My tenth’s in light, but not in shine;

My next’s in four, but not in nine;

My twelfth’s in we.

No. CXIX.--FOR HANDY FINGERS

Take a piece of stout paper or thin cardboard, about 10 in. by 8 in.,

and cut it as is shown below, removing the parts that are shaded in the

diagram.

[Illustration]

If you hold this between a plain wall, or other surface, and a strong

light, you will, with a little practice, be able to cast a shadow

similar to one or other of these Madonna heads, which will vary in

intensity and expression with the positions of the paper and the light.

No. CXX.--THE FOUR KINGS

This excellent and easy little card trick will commend itself for

fireside use in the long evenings.

Take the four Kings from a pack, and two other cards. Hold the Kings

thus, in the form of a fan--

[Illustration]

hiding the two other cards behind the King of Diamonds.

After showing them, place the six cards at the bottom of the pack. Now

move the lowest card to the top, and the two next cards to any part of

the pack, apparently leaving but one King at the bottom. Ask some one to

cut the pack, and all the Kings will be found together. Some appropriate

patter will help the effect.

103. PROVERB BY ANAGRAM

Can you recast this sentence--

A defeat whose test is very sure--

so that the same letters form an appropriate proverb?

No. CXXI.--DOMINO SQUARE

Its cells add up in columns and rows to 22, and those of the corner

squares add up to 10 and 12 respectively.

┌───┬───┬───┬───┬───┬───┬───┐

│ 6 │ 2 2 │ 0 6 │ 5 1 │

├ ┼───┼───┼───┼───┼───┼───┤

│ 1 │ 5 │ 4 │ │ 3 │ 3 │ 6 │

├───┼ ┼ ┤ ├ ┼ ┼ ┤

│ 3 │ 3 │ 4 │ │ 3 │ 4 │ 5 │

├ ┼───┴───┘ └───┴───┼───┤

│ 0 │ │ 0 │

├───┼───┬───┐ ┌───┬───┼ ┤

│ 2 4 │ 6 │ │ 5 4 │ 1 │

├───┼───┼ ┤ ├───┼───┼───┤

│ 4 │ 2 │ 6 │ │ 2 5 │ 3 │

├ ┼ ┼───┼───┼───┼───┼ ┤

│ 6 │ 6 │ 0 0 │ 3 1 │ 6 │

└───┴───┴───┴───┴───┴───┴───┘

104. PHONETIC MISSING WORDS

’Tis ..... that no one takes a .....

To .... a .... of ....s;

A .... may often take a ....

To .... away the ....s.

No. CXXII.--THE TALKING HEAD

This, though quite an old illusion, may be a mystery to some of our

readers, so we give it a place among our many curiosities.

[Illustration]

The table is placed on the middle of a platform, well away from the

background, and the head, which is very much alive, is prepared to

answer questions, or to whistle, or to sing, at the will of the

audience. “How it is done” will be explained.

105. A QUEER OBSTACLE

I’m in everyone’s way,

Yet no one I stop.

My four horns each day

Horizontally play,

And my head is nailed on at the top.

No. CXXIII.--A GENERAL OF THE LIGHT BRIGADE

[Illustration]

With a little ingenuity, and by slightly warming the wax, and shredding

the matches for some effects, all sorts of comical figures can be

contrived, similar in character to this dignified general on his

high-stepping charger.

106. AN OLD ENIGMA

(By a former Fellow of Trinity College, Dublin.)

Take five from five, and then

Put fifty in the middle;

Twice ten times five times ten

Will finish off my riddle,

And bring it to your ken

As fit as any fiddle!

No. CXXIV.--ANOTHER BOOMERANG

Cut out in cardboard a cross similar to that shown in this diagram:--

[Illustration]

Place one of its limbs under the thumbnail of the left hand, and give

the next projecting limb a sharp flick with the middle finger of the

right hand. The little boomerang will fly sharply forward, and

invariably return rapidly on its tracks. Try it.

107. PHONETIC GAPS

Can you fill these gaps with words of similar sound?

No ..... will ..... before the wind

A ..... will ... before it;

We cannot .... the ...., or find

That earthly powers ..... o’er it.

The gaps in line 1 take words that sound alike; so do those in line 2;

and so do the other three in lines 3 and 4.

No. CXXV.--A PICTURE CHARADE

Can you fill in the missing words so as to complete this picture

charade?

[Illustration]

My first may .... candle ...,

My second then ..... ..;

My whole in ..... moves .....

....... an oar or ...

108. SOUND SENSE

We seem to sound a note of lavish bounty;

Reverse us, and we indicate a county.

109. A CRYPTOGRAM

~FTHNMLKBRNGSLLCTTN~

~LLSKMTMXTTLLTSTHN!~

Can you so deal with this as to form a rhyming couplet?

No. CXXVI.--WALNUTS AND COBS

_A good after dinner trick_

Place four walnuts and four cobnuts in a row, as indicated on the

diagram.

[Illustration]

Now, moving always two that stand together, transfer them to some other

positions along the line, and in four such moves leave them so that the

large and small nuts range alternately. It may, of course, be done with

large and small coins, or with other things that are at hand.

110. A BURIED PROVERB

Yet I see them all! on golden wings that fly

Old memories steal anew;

With a tear, with a sigh, with an old, old cry

They return in ghostly hue!

111. DOUBLETS

Here is another exercise in Doublets, from Lewis Carroll’s book on the

subject:--

Turn ELM into OAK by seven links, introducing the name of another tree

as one of them.

No. CXXVII.--A PICTURE RIDDLE

Can you read in this picture the question of our riddle?

[Illustration]

112. TWO POSERS

1.

My dear Mr Bird,

We are giving a ball;

First second we third,

Pray give us your all.

2.

Second, I did my first and last,

Till I became my whole;

And told the tale of my repast,

A sad and greedy soul.

No. CXXVIII.--BUY A BROOM

Here is an excellent example of how a characteristic figure may be

contrived by shredding, warming, and uniting a few wax matches:--

[Illustration]

Many similar figures can be made by handy fingers.

113. A CHARADE

My whole, industrious, wends his way

His daily task to meet;

Behead, transpose, and lo! a sound

Of music soft and sweet;

Behead again, I make my way

With swiftness past belief;

Again, and where the fields are gay

My bounty brings relief.

No. CXXIX.--JEU DE PARQUET

(_For the children_)

An old book, published more than 100 years ago, gives the following

samples of patterns which may be formed with very simple materials:--

[Illustration]

All that is needed for this pastime is a set of 128 coloured triangles,

64 of each colour, with which an endless variety of patterns can be

arranged by the exercise of taste and ingenuity.

114. LINES BY AN OLD OXBRIDGE DON

’Tis an absurdity to say

Women should try for a B.A.

To College honours forward looking;

They’d best confine themselves to cooking!

How could a Girton girl retort, using the same words?

115. LESS AND MORE

Eight letters (start with b)

Three syllables contain;

Take one away, and see

Four syllables remain!

116. BURIED BEASTS

Can you dig out nineteen beasts that are buried in these lines?--

Ireland’s lot heals slowly. Troubles came long ago--at times in

battalions--to attack and harass her. Ambitious democrats now

countermine famous enthusiasts nearly akin to heroes. Anarchy enables

cowards to sow hot terror and all amazement.

117. PALINDROMIC VERSE

Can you recast the following sentences so that their words form a verse

of four lines, which makes good sense, with lines that rhyme

alternately, when read from either end?:--

Fading slowly day dies, mournful winds sigh, Stars are waking brightly;

owlet holding high revel flies hooting, breaking nightly silence.

118. AN ANAGRAM IN THE MAKING

“The Observatory at Greenwich, in England,” has been turned into an

excellent anagram, which starts--_On landing here begin_--Can you

complete it?

119. AN ENIGMA

No man at all am I

And, if you turn me round,

To hear my warning cry

Not any men are found.

120. ASK A SAILOR

How can our sailors fare the best

When times are harder?

How do they greet with merry jest

An empty larder?

121. AN ENIGMA

I lose my head when I am here,

Transpose me I am three;

Look in a book, you find me there,

And with me her and he.

122. MISSING WORDS

Jack did ....... that he could square

The circle to a .......;

His friends ....... that a brain so rare

Required attention ........

The missing words are spelt with the same seven letters.

123. A HUMAN PRODIGY

My father is my son,

And I’m my mother’s mother;

My daughter and sister are one,

I’m grandam to my brother!

How was this?

124. A CHARADE

Catch my first with nimble wit,

Add a simple word;

Then my whole may help a bit

Opportunely heard.

125. A PARADOX

My mate and I from home did start,

Some little space we were apart.

When we had run a mile or more

We kept our distance, as before;

Shade of Colenso! could this be,

When twice as fast as I ran he?

126. AN ENIGMA

(_From Lewis Carroll’s Papers_.)

A monument all men agree

Am I in all sincerity,

Half cat, half hindrance made.

If head and tail removed should be,

Then most of all you strengthen me.

Replace my head, the stand you see

On which my tail is laid.

127. A CHARADE

I’m known to the poorest and worst,

And my worth by a child may be reckoned;

The least thing in nature is double my first,

And my whole is just half of my second.

128. WHAT IS IT?

My first without its head and tail

Is one and undivided;

My second shows its teeth, is frail,

And as a rule one-sided.

The two to hold my first avail,

My busy toil provided.

129. BURIED TOWNS

In each of these sentences a town is buried:--

His sister played the piano while we sang.

I saw Nell out here last evening.

The general rode a large black mare.

I have ordered a cab at half-past one.

Meet me in the lane at half-past nine.

Can you dig them out?

130. A GOOD ANAGRAM

“The leaning tower of Pisa, in Tuscany, Italy.” The first seven words of

its anagram are “A funny spot in a sweet city.” Can you complete the

anagram by adding four more appropriate words?

131. MISSING WORDS

When they found that catacomb

Near the ....... at Rome

’Twas the ....... discussion of the season;

But the ....... effect

Of the skeletons select

Deprived the poor Professor of his reason!

132. A CHARADE

My first is pretence,

My second a dandy;

When fogs are most dense

My whole will be handy.

133. A DECISIVE ANAGRAM

Can you prove by anagram that, whatever may be true of other plays

accredited to Shakespeare, Bacon had certainly no hand in “Much Ado

About Nothinge,” if we adopt the old spelling of the final word?

134. RATHER OBSCURE

Use all your wits to guess my all,

Can any guess it right?

Transposed, and never seen at all,

It still is felt in sight.

Behead, transpose, then let it be,

And you at last a clue may see.

135. SHUFFLE THE LETTERS

Can you recast “Insanitary” and “Sanitary Reform” so as to form two very

appropriate anagrams?

136. A CHARADE

Pictured Puzzles and Word Play A Companion to the Twentieth Century Standard Puzzle Book · 第 3 / 12 段