37. The Cardinal, a Tragedy, acted at a private house in Black Fryars.

38. The Triumph of Peace, a Masque, presented before the King and

Queen at Whitehall, 1633, by the Gentlemen of the Four Inns of Court.

We shall present the reader with a quotation taken from a comedy of

his, published in Dodsley's collection of old plays, called A Bird in

a Cage, p. 234. Jupiter is introduced thus speaking,

Let the music of the spheres,

Captivate their mortal ears;

While Jove descends into this tower,

In a golden streaming shower.

To disguise him from the eye

Of Juno, who is apt to pry

Into my pleasures: I to day

Have bid Ganymede go to play,

And thus stole from Heaven to be

Welcome on earth to Danae.

And see where the princely maid,

On her easy couch is laid,

Fairer than the Queen of Loves,

Drawn about with milky doves.

Footnotes:

1. Athen. Oxon. p 376

2. Wood, ubi supra.

* * * * *

JAMES HOWEL, Esq;

Was born at Abernant in Carmarthenshire, the place where his father

was minister, in the year 1594[1]. Howel himself, in one of his

familiar epistles, says, that his ascendant was that hot constellation

of Cancer about the middle of the Dog Days. After he was educated in

grammar learning in the free school of Hereford, he was sent to Jesus

College in the beginning of 1610, took a degree in arts, and then

quitted the university. By the help of friends, and a small sum of

money his father assisted him with, he travelled for three years into

several countries, where he improved himself in the various languages;

some years after his return, the reputation of his parts was so great,

that he was made choice of to be sent into Spain, to recover of the

Spanish monarch a rich English ship, seized by the Viceroy of Sardinia

for his master's use, upon some pretence of prohibited goods being

found in it.

During his absence, he was elected Fellow of Jesus College, 1623, and

upon his return, was patronized by Emanuel, lord Scroop, Lord

President of the North, and by him was made his secretary[2]. As he

resided in York, he was, by the Mayor and Aldermen of Richmond, chose

a Burgess for their Corporation to sit in that Parliament, that began

at Westminster in the year 1627. Four years after, he went secretary

to Robert, earl of Leicester, ambassador extraordinary from England to

the King of Denmark, before whom he made several Latin speeches,

shewing the occasion of their embassy, viz. to condole the death of

Sophia, Queen Dowager of Denmark, Grandmother to Charles I. King of

England.

Our author enjoyed many beneficial employments, and at length, about

the beginning of the civil war, was made one of the clerks of the

council, but being extravagant in his temper, all the money he got was

not sufficient to preserve him from a Jail. When the King was forced

from the Parliament, and the Royal interest declined, Howel was

arrested; by order of a certain committee, who owed him no good-will,

and carried prisoner to the Fleet; and having now nothing to depend

upon but his wits, he was obliged to write and translate books for a

livelihood, which brought him in, says Wood, a comfortable

subsistance, during his stay there; he is the first person we have met

with, in the course of this work, who may be said to have made a trade

of authorship, having written no less than 49 books on different

subjects.

In the time of the rebellion, we find Howel tampering with the

prevailing power, and ready to have embraced their measures; for which

reason, at the reiteration, he was not contin[u]ed in his place of

clerk to the council, but was only made king's historiographer, being

the first in England, says Wood, who bore that title; and having no

very beneficial employment, he wrote books to the last.

He had a great knowledge in modern histories, especially in those of

the countries in which he had travelled, and he seems, by his letters,

to have been no contemptible politician: As to his poetry, it is

smoother, and more harmonious, than was very common with the bards of

his time.

As he introduced the trade of writing for bread, so he also is charged

with venal flattery, than which nothing can be more ignoble and base.

To praise a blockhead's wit because he is great, is too frequently

practised by authors, and deservedly draws down contempt upon them. He

who is favoured and patronized by a great man, at the expence of his

integrity and honour, has paid a dear price for the purchase, a

miserable exchange, patronage for virtue, dependance for freedom.

Our author died the beginning of November, 1666, and was buried on the

North side of the Temple church.

We shall not trouble the reader with an enumeration of all the

translations and prose works of this author; the occasion of his being

introduced here, is, his having written

Nuptials of Peleus and Thetis, consisting of a Masque and a Comedy,

[f]or the Great Royal Ball, acted in Paris six times by the King in

person, the Duke of Anjou, the Duke of York, with other Noblemen; also

by the Princess Royal, Henrietta Maria, Princess of Conti, &c. printed

in 4to. 1654, and addressed to the Marchioness of Dorchester. Besides

this piece, his Dodona's Grove, or Vocal Forest, is in the highest

reputation.

His entertaining letters, many of whom were written to the greatest

personages in England, and some in particular to Ben Johnson, were

first published in four volumes; but in 1737, the tenth edition of

them was published in one volume, which is also now become scarce.

They are interspersed with occasional verses; from one of these little

pieces we shall select the following specimen of this author's

poetical talent.

On the Author's Valentine, Mrs. METCALF.

Could I charm the queen of love,

To lend a quill of her white dove;

Or one of Cupid's pointed wings

Dipt in the fair Caftalian Springs;

Then would I write the all divine

Perfections of my Valentine.

As 'mongst, all flow'rs the Rose excells,

As Amber 'mongst the fragrant'st smells,

As 'mongst all minerals the Gold,

As Marble 'mongst the finest mold,

As Diamond 'mongst jewels bright

As Cynthia 'mongst the lesser lights[3]:

So 'mongst the Northern beauties shine,

So far excels my Valentine.

In Rome and Naples I did view

Faces of celestial hue;

Venetian dames I have seen many,

(I only saw them, truck'd not any)

Of Spanish beauties, Dutch and French,

I have beheld the quintessence[3]:

Yet saw I none that could out-shine,

Or parallel my Valentine.

Th' Italians they are coy and quaint.

But they grosly daub and paint;

The Spanish kind, and apt to please,

But fav'ring of the same disease:

Of Dutch and French some few are comely,

The French are light, the Dutch are homely.

Let Tagus, Po, the Loire and Rhine

Then veil unto my Valentine.

Footnotes:

1. Langbaine's Lives of the Poets.

2. Athen. Oxon. p. 281. vol. ii.

3. Bad rhimes were uncommon with the poets of Howel's time.

* * * * *

Sir RICHARD FANSHAW

Was the youngest, and tenth son of Sir Henry Fanshaw of Ware-park in

Hertfordshire; he was born in the year 1607, and was initiated in

learning by the famous Thomas Farnaby. He afterwards compleated his

studies in the university of Cambridge, and from thence went to travel

into foreign countries, by which means he became a very accomplished

gentleman. In 1635 he was patronized by King Charles I. on account of

his early and promising abilities; he took him into his service, and

appointed him resident at the court of Spain[1]. During his embassy

there, his chief business was, to demand reparation and punishment of

some free-booters, who had taken ships from the English, and to

endeavour the restoration of amity, trade and commerce.

When the civil war broke out, he returned to England, having

accomplished the purposes of his embassy abroad, and attached himself

with the utmost zeal to the Royal Standard; and during those

calamitous times was intrusted with many important matters of state.

In 1644, attending the court at Oxford, the degree of Doctor of Civil

Laws was conferred upon him[2], and the reputation of his parts every

day increasing, he was thought a proper person to be secretary to

Charles, Prince of Wales, whom he attended into the Western parts of

England, and from thence into the Isles of Scilly and Jersey.

In 1648 he was appointed treasurer of the navy, under the command of

Prince Rupert, in which office he continued till the year 1650, when

he was created a baronet by King Charles II. and sent envoy

extraordinary to the court of Spain. Being recalled thence into

Scotland, where the King then was, he served there in quality of

secretary of state, to the satisfaction of all parties,

notwithstanding he refused to take the covenant engagements, which

Charles II. forced by the importunity of the Presbyterians, entered

into, with a resolution to break them. In 1651 he was made prisoner at

the battle of Worcester and committed to close custody in London,

where he continued, 'till his confinement introduced a very dangerous

sickness; he then had liberty granted him, upon giving bail, to go for

the recovery of his health, into any place he should chuse, provided

he stirred not five miles from thence, without leave from the

Parliament.

In February, 1659, he repaired to the King at Breda, who knighted him

the April following. Upon his Majesty's reiteration, it was expected,

from his great services, and the regard the King had for him, that he

would have been made secretary of state, but at that period there were

so many people's merits to repay, and so great a clamour for

preferment, that Sir Richard was disappointed, but had the place of

master of requests conferred on him, a station, in those times, of

considerable profit and dignity.

On account of his being a good Latin scholar, he was also made a

secretary for that tongue[3]. In 1661, being one of the burgesses for

the university of Cambridge, he was sworn a privy counsellor for

Ireland, and having by his residence in foreign parts, qualified

himself for public employment, he was sent envoy extraordinary to

Portugal, with a dormant commission to the ambassador, which he was to

make use of as occasion should require. Shortly after, he was

appointed ambassador to that court, where he negotiated the marriage

between his master King Charles II. and the Infanta Donna Catharina,

daughter to King John VI. and towards the end of the same year he

returned to England. We are assured by Wood, that in the year 1662, he

was sent again ambassador to that court, and when he had finished his

commission, to the mutual satisfaction of Charles II. and Alphonso

King of Portugal, being recalled in 1663, he was sworn one of his

Majesty's Privy Council. In the beginning of the year 1644 he was sent

ambassador to Philip IV. King of Spain, and arrived February 29 at

Cadiz, where he met with a very extraordinary and unexpected

salutation, and was received with some circumstances of particular

esteem. It appears from one of Sir Richard's letters, that this

distinguishing respect was paid him, not only on his own, but on his

master's account; and in another of his letters he discovers the

secret why the Spaniard yielded him, contrary to his imperious proud

nature, so much honour, and that is, that he expected Tangier and

Jamaica to be restored to him by England, which occasioned his arrival

to be so impatiently longed for, and magnificently celebrated. During

his residence at this court King Philip died, September 17, 1665,

leaving his son Charles an infant, and his dominions under the regency

of his queen, Mary Anne, daughter of the emperor Ferdinand III. Sir

Richard taking the advantage of his minority, put the finishing hand

to a peace with Spain, which was sufficiently tired and weakened with

a 25 years war, for the recovery of Portugal, which had been

dismembered from the Spanish crown in 1640; the treaty of peace was

signed at Madrid December 6, 1665. About the 14th of January

following, his excellency took a journey into Portugal, where he staid

till towards the end of March; the design of his journey certainly was

to effect an accommodation between that crown and Spain, which however

was not produced till 1667, by the interposition of his Britannic

Majesty. Our author having finished his commission was preparing for

his return to England, when June 4, 1666, he was seized at Madrid with

a violent fever, which put an end to his valuable life, the 16th of

the same month, the very day he intended to set out for England: his

body being embalmed, it was conveyed by his lady, and all his

children, then living, by land to Calais, and so to London, whence

being carried to All Saints church in Hertford, it was deposited in

the vault of his father-in-law, Sir John Harrison. The Author of the

Short Account of his Life, prefixed to his letters, says, 'that he was

remarkable for his meekness, sincerity, humanity and piety, and also

was an able statesman and a great scholar, being in particular a

compleat master of several modern languages, especially the Spanish,

which he spoke and wrote with as much advantage, as if he had been a

native.' By his lady, eldest daughter of Sir John Harrison, he had six

sons, and eight daughters, whereof only one son and four daughters

survived him.

The following is an account of his works,

1. An English Translation in Rhyme, of the celebrated Italian

Pastoral, called Il Pastor Fido, or the Faithful Shepherd, written

originally by Battista Guarini, printed in London, 1644 in 4to. and

1664 8vo.

2. A Translation from English into Latin Verse, of the Faithful

Shepherders, a Pastoral, written originally by John Fletcher, Gent.

London, 1658.

3. In the octavo edition of the Faithful Shepherd, Anno 1664, are

inserted the following Poems of our author, viz. 1st, An Ode upon the

Occasion of his Majesty's Proclamation, 1630, commanding the Gentry to

reside upon their Estates in the Country. 2d, A Summary Discourse of

the Civil Wars of Rome, extracted from the best Latin Writers in Prose

and Verse. 3d, An English Translation of the Fourth Book of Virgil's

Æneid on the Loves of Dido and Æneas. 4th, Two Odes out of Horace,

relating to the Civil Wars of Rome, against covetous, rich Men.

4. He translated out of Portuguese into English, The Lusiad, or

Portugal's Historical Poem, written originally by Luis de Camoens,

London, 1655, &c. folio.

After his decease, namely, in 1671, were published these two

posthumous pieces of his in 4to, Querer per solo Querer, To Love only

for Love's sake, a Dramatic Romance, represented before the King and

Queen of Spain, and Fiestas de Aranjuez, Festivals at Aranjuez: both

written originally in Spanish, by Antonio de Mendoza, upon occasion of

celebrating the Birth-day of King Philip IV. in 1623, at Aranjuez;

they were translated by our author in 1654, during his confinement at

Taukerley-park in Yorkshire, which uneasy situation induced him to

write the following stanzas on this work, which are here inserted, as

a specimen of his versification.

Time was, when I, a pilgrim of the seas,

When I 'midst noise of camps, and courts disease,

Purloin'd some hours to charm rude cares with verse,

Which flame of faithful shepherd did rehearse.

But now restrain'd from sea, from camp, from court,

And by a tempest blown into a port;

I raise my thoughts to muse on higher things,

And eccho arms, and loves of Queens and Kings.

Which Queens (despising crowns and Hymen's band)

Would neither men obey, nor men command:

Great pleasure from rough seas to see the shore

Or from firm land to hear the billows roar.

We are told that he composed several other things remaining still in

manuscript, which he had not leisure to compleat; even some of the

printed pieces have not all the finishing so ingenious an author could

have bestowed upon them; for as the writer of his Life observes,

'being, for his loyalty and zeal to his Majesty's service, tossed from

place to place, and from country to country, during the unsettled

times of our anarchy, some of his Manuscripts falling into unskilful

hands, were printed and published without his knowledge, and before he

could give them the last finishing strokes.' But that was not the case

with his Translation of the Pastor Fido, which was published by

himself, and applauded by some of the best judges, particularly Sir

John Denham, who after censuring servile translators, thus goes on,

A new and nobler way thou dost pursue

To make translations and translators too.

They but preserve the ashes, these the flame,

True to his sense, but truer to his fame.

Footnotes:

1. Short Account of Sir Richard Fanshaw, prefixed to his Letters.

2. Wood, Fast. ed. 1721, vol. ii. col. 43, 41.

3. Wood, ubi supra.

* * * * *

ABRAHAM COWLEY

Was the son of a Grocer, and born in London, in Fleet-street, near the

end of Chancery Lane, in the year 1618. His mother, by the interest of

her friends, procured him to be admitted a King's scholar in

Westminster school[1]; his early inclination to poetry was occasioned

by reading accidentally Spencer's Fairy Queen, which, as he himself

gives an account, 'used to lye in his mother's parlour, he knew not by

what accident, for she read no books but those of devotion; the

knights, giants, and monsters filled his imagination; he read the

whole over before he was 12 years old, and was made a poet, as

immediately as a child is made an eunuch.'

In the 16th year of his age, being still at Westminster school, he

published a collection of poems, under the title of Poetical Blossoms,

in which there are many things that bespeak a ripened genius, and a

wit, rather manly than puerile. Mr. Cowley himself has given us a

specimen in the latter end of an ode written when he was but 13 years

of age. 'The beginning of it, says he, is boyish, but of this part

which I here set down, if a very little were corrected, I should not

be much ashamed of it.' It is indeed so much superior to what might be

expected from one of his years, that we shall satisfy the reader's

curiosity by inserting it here.

IX.

This only grant me, that my means may lye,

Too low for envy, for contempt too high:

Some honour I would have;

Not from great deeds, but good alone,

The unknown are better than ill known,

Rumour can ope the grave:

Acquaintance I would have, but when 't depends

Not on the number, but the choice of friends.

X.

Books should, not business, entertain the light

And sleep, as undisturbed as death, the night:

My house a cottage, more

Than palace, and should fitting be

For all my use, no luxury:

My garden painted o'er

With nature's hand, not art, and pleasures yield,

Horace might envy in his Sabine Field.

XI.

Thus would I double my life's fading space,

For he that runs it well, twice runs his race;

And in this true delight,

These unbought sports, that happy state,

I could not fear; nor wish my fate;

But boldly say, each night,

To-morrow let my sun his beams display,

Or in clouds hide them: I have lived to-day.

It is remarkable of Mr. Cowley, as he himself tells us, that he had

this defect in his memory, that his teachers could never bring him to

retain the ordinary rules of grammar, the want of which, however, he

abundantly supplied by an intimate acquaintance with the books

themselves, from whence those rules had been drawn. In 1636 he was

removed to Trinity College in Cambridge, being elected a scholar of

that house[2]. His exercises of all kinds were highly applauded, with

this peculiar praise, that they were fit, not only for the obscurity

of an academical life, but to have made their appearance on the true

theatre of the world; and there he laid the designs, and formed the

plans of most of the masculine, and excellent attempts he afterwards

happily finished. In 1638 he published his Love's Riddle, written at

the time of his being a scholar in Westminster school, and dedicated

by a copy of verses to Sir Kenelm Digby. He also wrote a Latin Comedy

entitled Naufragium Joculare, or the Merry Shipwreck. The first

occasion of his entering into business, was, an elegy he wrote on the

death of Mr. William Harvey, which introduced him to the acquaintance

of Mr. John Harvey, the brother of his deceased friend, from whom he

received many offices of kindness through the whole course of his

life[3]. In 1643, being then master of arts, he was, among many

others, ejected his college, and the university; whereupon, retiring

to Oxford, he settled in St. John's College, and that same year, under

the name of a scholar of Oxford, published a satire entitled the

Puritan and the Papist. His zeal in the Royal cause, engaged him in

the service of the King, and he was present in many of his Majesty's

journies and expeditions; by this means he gained an acquaintance and

familiarity with the personages of the court and of the gown, and

particularly had the entire friendship of my lord Falkland, one of the

principal secretaries of state.

During the heat of the civil war, he was settled in the family of the

earl of St. Alban's, and accompanied the Queen Mother, when she was

obliged to retire into France. He was absent from his native country,

says Wood, about ten years, during which time, he laboured in the

affairs of the Royal Family, and bore part of the distresses inflicted

upon the illustrious Exiles: for this purpose he took several

dangerous journies into Jersey, Scotland, Flanders, Holland, and

elsewhere, and was the principal instrument in maintaining a

correspondence between the King and his Royal Consort, whose letters

he cyphered and decyphered with his own hand.

His poem called the Mistress was published at London 1647, of which he

himself says, "That it was composed when he was very young. Poets

(says he) are scarce thought free men of their company, without paying

some duties and obliging themselves to be true to love. Sooner or

later they must all pass through that trial, like some Mahometan

monks, who are bound by their order once at least in their life, to

make a pilgrimage to Mecca. But we must not always make a judgment of

their manners from their writings of this kind, as the Romanists

uncharitably do of Beza for a few lascivious sonnets composed by him

in his youth. It is not in this sense that poetry is said to be a kind

of painting: It is not the picture of the poet, but of things, and

persons imagined by him. He may be in his practice and disposition a

philosopher, and yet sometimes speak with the softness of an amorous

Sappho. I would not be misunderstood, as if I affected so much gravity

as to be ashamed to be thought really in love. On the contrary, I

cannot have a good opinion of any man who is not at least capable of

being so."

What opinion Dr. Sprat had of Mr. Cowley's Mistress, appears by the

following passage extracted from his Life of Cowley. "If there needed

any excuse to be made that his love-verses took up so great a share in

his works, it may be alledged that they were composed when he was very

young; but it is a vain thing to make any kind of apology for that

sort of writing. If devout or virtuous men will superciliously forbid

the minds of the young to adorn those subjects about which they are

most conversant, they would put them out of all capacity of performing

graver matters, when they come to them: for the exercise of all men's

wit must be always proper for their age, and never too much above it,

and by practice and use in lighter arguments, they grow up at last to

excell in the most weighty. I am not therefore ashamed to commend Mr.

Cowley's Mistress. I only except one or two expressions, which I wish

I could have prevailed with those that had the right of the other

edition to have left out; but of all the rest, I dare boldly

pronounce, that never yet was written so much on a subject so

delicate, that can less offend the severest rules of morality. The

whole passion of love is intimately described by all its mighty train

of hopes, joys and disquiets. Besides this amorous tenderness, I know

not how in every copy there is something of more useful knowledge

gracefully insinuated; and every where there is something feigned to

inform the minds of wise men, as well as to move the hearts of young

men or women."

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