CHAPTER IX

LOVE, JEALOUSY AND MUSIC

The telephone bell in her apartment was ringing as Miss Holland entered

from her stroll, radiantly happy and at peace with all the world. She

took the receiver from the maid.

"Dr. Morris? Yes, I shall be home this evening, and glad to see you, of

course. Bring your violin and come by eight-thirty. Yes--yes. I meant to

have called you and apologized for my somewhat cavalier desertion of you

last night. I am sorry I was rude, I didn't mean to be, but come and let

me ask you to forgive me." Her tone was adorable and melted the sullen

mood of the man at the other end of the wire.

Having sworn that he would not see her again, having 'phoned to make an

appointment at which he meant to utter as bitter reproaches as he dared,

he appeared promptly at the hour set, ready to implore her grace and

accept with gratitude any smallest favor, any ray of hope she might see

fit to bestow upon him.

Like many another professional man in New York, in order to cater to the

class in society in which he hoped to establish his reputation and

clientele, Morris had found it necessary to live in a style which far

exceeded his income, although that was a good one for a man still young

in his profession. He was not popular with men, who regarded him as

rather theatrical and a _poseur_, but his music, a certain deference of

manner, a more romantic quality than is to be generally found among

American business men, gave him a great vogue with women, and he

cultivated them, especially the older ones, and they made life very

pleasant for him, introduced him to the right people, and gave him much

good advice now and then.

One of the smartest of these social leaders said practically one day:

"My dear boy, why do you let all these rich girls marry those silly

foreigners, without an idea to bless themselves with--dukes, debts and

diseases seem synonymous; you are not only clever, but you have the one

gift, saving the title, that commends these creatures to our girls."

He smiled his inscrutable smile and bowed. "And that is?"

"You seem to have found the lost art of making pretty speeches, and

paying a woman the small attentions that we all like so well. If I were

a man," went on this dreadful dame, "I should never forget to kiss my

wife and send her flowers and remember all the family anniversaries. It

is by attention to such small details as this that a man may purchase

immunity in larger and more important matters. I know this is most

immoral, but it makes the wife happy, the husband comfortable, and would

go far to decimate the divorce rate, so what more could you ask?"

"Perhaps I owe this to the fact that my father was a Hungarian

nobleman--oh, just a trumpery little title, with nothing to pay for the

necessary gold lace, so when he came to America he decided, like so many

of the revolutionists of that period, to be ultra-American, and dropped

even the foreign spelling of the name, changing the 'itz' to plain

'r-i-s,'" he answered. "I'm sure my music belongs to the other side of

the Atlantic."

"That accounts for it all," she said. "There is absolutely no reason why

you shouldn't marry almost any woman you want to. Why not find one who

can give you millions in money and the social position you need without

taking a generation to create one? I hope you haven't any foolish

entanglements," she added.

He flushed, but did not answer, and when a few weeks later he and Silvia

Holland had played together for some charitable entertainment, his

venerable mentor had sought him out, ready to bestow her blessing at the

earliest possible moment, approving his practical judgment and his good

taste. That was a long time ago.

He had resented the implication at the time; to do him justice, had

Silvia been penniless she would still have attracted him as no other

woman ever had. It was partly her personal charm, partly her music. It

may be true that the world of art is still the world, but it is a very

different world from that in which most of us live and move and have our

being, and Morris was conscious when her fingers touched the keys, and

he took up his bow and drew it across the strings of his violin, that

they entered upon a new and boundless universe in which sound superseded

all other mediums of communication, and seemed to take the place of

mere mundane sensation. Whether his passion for Silvia grew out of their

music, or the wonder of the music was a result of the perfect accord of

their natures, he could not tell. They had become one in his mind.

He fervently hated her various public activities. Here again the

ancestral traits dominated. He thought of her as a great lady, and being

that, she should have been content without anything more. Rushing madly

about doing things for other people implied a certain loss of caste. But

until the previous evening his discontent had been free from the bitter

draught of jealousy. There had been safety in the number of Miss

Holland's admirers, and when he was surest that she did not in any way

return his feeling for her, there had been balm in the thought that she

was too busy elevating the condition of her own sex to have much time to

waste upon any member of his. Instinctively he knew, when he intercepted

the first look between the lady of his dreams and his erstwhile college

associate, that the hour had come that he had dreaded. Silvia Holland

had at last met a man whom, consciously or unconsciously, she

acknowledged king. His rival was there, upon the threshold of her life,

and he was a rival to be feared. That he might also be a rival in his

profession, that he was so rich that he was far above the straits in

which Morris found himself more and more frequently involved, only added

to the flame that consumed him; life without Silvia herself would be

dull, colorless, objectless; life without her music would be but "wind

along the waste."

He had no patience with the theories of the newer medical practitioners

who refuse to be frightened by the cry of "professional ethics" or by

the demand that practice shall be "regular" whether the patient survives

or not; and yet while he denounced all forms of mental therapeutics, he

was conscious of a strain of superstition which he could in no wise

overcome. Weird folk-lore and uncanny rites kept up by some of the

primitive people of Hungary had had a strange fascination for him when

he was abroad. In himself, he found a singular mixture of the primeval

savage, and the ultra refined that approaches decadence. Of one thing

alone he was certain. To lose Silvia was to lose his soul; without her

there was neither here nor hereafter. Ruthlessly as he had brushed aside

the one woman in his life who came between them, he was prepared to

thrust out of his way any man who sought to become a part of her life.

It was in this mood that he entered her presence, and in this mood he

accepted her _amende honorable_, which she made with charming humility,

but when she would have led him to the music-room, for once he

hesitated.

"In a few minutes," he said, "but just now there is something I must say

to you. It is true that I was deeply hurt last night, but your regret,

so graciously expressed, emboldens me to think that you would not

willingly hurt me." He stopped, and she looked at him with a rather

puzzled air. "We have been friends for a great while," he said

irrelevantly.

"Yes," she said cordially, and somewhat relieved. "Haven't we? And what

a friendship it has been! A triangular affair, like a loving cup--you

and I and some one of the great masters of melody. Shall it be Chopin

to-night, or shall we begin with something lighter and finish with the

Twelfth Nocturne, as usual?"

She led the way, and stood by the piano, rippling her fingers over the

keys, and he stood before her, his face white and intense with feeling.

He laid his strong, brown fingers over the white ones, and raised them

to his lips, and Silvia laughed a trifle nervously. It was one of his

old-world ways that she liked, but disapproved with all proper

democratic fervor.

"Has it indeed been a loving cup from which we have drunk?" he said,

with passionate sadness. "I dare not think so, I dare not even hope so

much grace! And yet how is it possible that a man should feel what I

feel for you unless there is a response, little as he may deserve

it----"

He paused, and she took away her hand, and laid it lightly on his

shoulder as he sank down on the seat before the piano.

"Please don't," she said gently. "Don't you see that you are quite

right? If it were really, truly love that had come to you, I should feel

it also, there could be no question of doubting or daring; no thought of

hopelessness. Some time you will know that this is true, when some other

heart speaks to yours in the unmistakable tone of the one only love of

your heart. Each of us has his place in life, and in the lives of those

with whom we come in contact. No one can ever have your place; I can't

tell you how much rest and happiness you have brought me when I have

been a-weary of this world. Come, Orrin, don't rob me of my friend that

I may lose a lover."

By a herculean effort he restrained his feelings, and answered lightly,

"You shall keep your friend, my sorceress of song," but he added under

his breath, "Look to it, when the lover comes, for you may still lose

_him_." Then he took up his violin, and the night became a splendid

harmony, despite the discord that raged in his soul.

An American Suffragette · 第 9 / 21 章