I give next the following passage:--

“Further, each lamp had a vase of gold, full of water, in which was

extinguished the fire taken away from the wicks. By this we learn

that every gift demands from our mind a desire towards every cardinal

virtue--a desire so simple that we can feel in ourselves the yearning

of love after union with God. We observe this in Jesus Christ, who

is our mirror in all things; for in every virtue which He practised,

He excelled so lovingly that He sought ardently after union with His

Father. And we shall unite all our yearnings in that loving yearning

which He felt towards His Father in all cardinal virtues. For our

loving yearnings are our golden vases, full of water--that is, of truth

and righteousness--we shall plunge into them our burning wicks, the

acts, that is, of all the virtues which we have practised; we shall

plunge them in and extinguish them, by commending ourselves to His

righteousness, and by uniting ourselves to His adorable merits; without

this the wick of all our virtues would smoke and would have an evil

savour before God and before all His saints.”

Elsewhere, he examines the twelve jewels of the Breastplate, and

sees in them reflections of eternal symbols, as well as unsuspected,

precise, and suggestive analogies. Let us see whether it is not so.

“In the rays of the sun, the topaz surpasses in splendour all precious

stones; and even so does the humanity of our Lord Jesus Christ excel in

glory and in majesty all the saints and all the angels because of His

union with the eternal Father. And in this union the reflection of the

Divine Sun is so clear and glorious that it attracts and reflects in

its clearness all the eyes of saints and angels in immediate vision,

and those also of just men to whom its splendour is revealed. So

likewise does the topaz attract and reflect in itself the eyes of those

who behold it, because of its great clearness. But if you were to cut

the topaz it would darken, while if you leave it in its natural state

it will remain clear. And so, too, if you examine and try to penetrate

the splendour of the eternal Word, that splendour will darken and you

will lose it. But leave it as it is, and follow it with earnest gaze,

and with self-abnegation, and it will give you light.”

Let us next consider the curious correspondences which he discovered in

other precious stones:--

“In this article we compare Christ to the noble sapphire, of which

there are two kinds. The first is yellow with shades of purple and

seems to be mingled with powdered gold; the other is sky-blue, and

in the rays of the sun it gives forth a burning splendour, and one

cannot see through it. And we find all this in our Lord, in this fifth

article of the creed. For when His noble soul rose to heaven, His

body lay in the tomb--yellow, because of the soul’s departure; purple,

because of His bleeding wounds; and mingled with powdered gold because

He was united to the divine nature. And His soul descended into hell,

blue as the sky, so that all his friends rejoiced and were glad in

His splendour; and in His resurrection the splendour becomes so great

and so powerful, both in body and soul, through the illumination of

the Divine Sun, that it darts forth lightnings and burning rays, and

inflames with love all things which it touches. And none can see

through that noble sapphire, Christ, because in His divine nature there

is a depth unfathomable.”

I pass over the amethyst “from which red roses seem to flow forth,” and

as a closing passage from this work, I shall translate the last three

symbols: those of the chrysolite, the emerald, and the jasper.

Ruysbroeck and the Mystics: with selections from Ruysbroeck · 第 31 / 58 题