CHAPTER XVIII.

Certainly it is a glorious fever that desire To Know! And there are few

sights in the moral world more sublime than that which many a garret

might afford, if Asmodeus would bare the roofs to our survey--viz., a

brave, patient, earnest human being, toiling his own arduous way,

athwart the iron walls of penury, into the magnificent Infinite, which

is luminous with starry souls.

So there sits Leonard, the self-taught, in the little cottage alone;

for, though scarcely past the hour in which great folks dine, it is the

hour in which small folks go to bed, and Mrs. Fairfield has retired to

rest, while Leonard has settled to his books. He had placed his table

under the lattice, and from time to time he looked up and enjoyed the

stillness of the moon. Well for him that, in reparation for those hours

stolen from night, the hardy physical labor commenced with dawn.

Students would not be the sad dyspeptics they are, if they worked as

many hours in the open air as my scholar-peasant. But even in him you

could see that the mind had begun a little to affect the frame. They who

task the intellect must pay the penalty with the body. Ill, believe me,

would this work-day world get on if all within it were hard-reading,

studious animals, playing the deuce with the ganglionic apparatus.

Leonard started as he heard the knock at the door; the Parson's

well-known voice reassured him. In some surprise, he admitted his

visitors.

"We are come to talk to you, Leonard," said Mr. Dale, "but I fear we

shall disturb Mrs. Fairfield."

"Oh, no, sir! the door to the staircase is shut, and she sleeps

soundly."

"Why, this is a French book--do you read French, Leonard?" asked

Riccabocca.

"I have not found French difficult, sir. Once over the grammar, and the

language is so clear; it seems the very language for reasoning."

"True. Voltaire said justly, 'Whatever is obscure is not French,'"

observed Riccabocca.

"I wish I could say the same of English," muttered the Parson.

"But what is this?--Latin too?--Virgil?"

"Yes, sir. But I find I make little way there without a master. I fear I

must give it up" (and Leonard sighed).

The two gentlemen exchanged looks and seated themselves. The young

peasant remained standing modestly, and in his air and mien there was

something that touched the heart while it pleased the eye. He was no

longer the timid boy who had sunk from the frown of Mr. Stirn, nor that

rude personation of simple physical strength, roused to undisciplined

bravery, which had received its downfall on the village-green of

Hazeldean. The power of thought was on his brow--somewhat unquiet still,

but mild and earnest. The features had attained that refinement which is

often attributed to race, but comes, in truth, from elegance of idea,

whether caught from our parents or learned from books. In his rich brown

hair, thrown carelessly from his temples, and curling almost to the

shoulders in his large blue eye, which was deepened to the hue of the

violet by the long dark lash--in that firmness of lip which comes from

the grapple with difficulties, there was considerable beauty, but no

longer the beauty of the mere peasant. And yet there was still about the

whole countenance that expression of goodness and purity which a painter

would give to his ideal of the peasant lover--such as Tasso would have

placed in the _Aminta_, or Fletcher have admitted to the side of the

Faithful Shepherdess.

"You must draw a chair here, and sit down between us, Leonard," said the

Parson.

"If any one," said Riccabocca "has a right to sit, it is the one who is

to hear the sermon; and if any one ought to stand, it is the one who is

about to preach it."

"Don't be frightened, Leonard," said the Parson, graciously; "it is only

a criticism, not a sermon," and he pulled out Leonard's Prize Essay.

Harper's New Monthly Magazine, Volume 2, No. 12, May, 1851. · 第 6 / 14 章