Chapter I.

[Illustration]

The Postmaster’s Daughter

by Louis Tracy

1916

Also by this author: _ Number Seventeen, The Wheel of Fortune, The Terms of

Surrender, The Wings of the Morning, &c._

Contents

I. The Face at the Window

II. P. C. Robinson “Takes a Line”

III. The Gathering Clouds

IV. A Cabal

V. The Seeds of Mischief

VI. Scotland Yard Takes a Hand

VII. “Alarums and Excursions”

VIII. An Interrupted Symposium

IX. He Whom the Cap Fits—

X. The Case Against Grant

XI. P. C. Robinson Takes Another Line

XII. Wherein Winter Gets To Work

XIII. Concerning Theodore Siddle

XIV. On Both Sides of the River

XV. A Matter of Heredity

XVI. Furneaux Makes a Successful Bid

XVII. An Official Housebreaker

XVIII. The Truth at Last

Chapter I.

The Face at the Window

John Menzies Grant, having breakfasted, filled his pipe, lit it, and

strolled out bare-headed into the garden. The month was June, that

glorious rose-month which gladdened England before war-clouds darkened

the summer sky. As the hour was nine o’clock, it is highly probable

that many thousands of men were then strolling out into many thousands

of gardens in precisely similar conditions; but, given youth, good

health, leisure, and a fair amount of money, it is even more probable

that few among the smaller number thus roundly favored by fortune

looked so perplexed as Grant.

Moreover, his actions were eloquent as words. A spacious French window

had been cut bodily out of the wall of an old-fashioned room, and was

now thrown wide to admit the flower-scented breeze. Between this window

and the right-hand angle of the room was a smaller window,

square-paned, high above the ground level, and deeply recessed—in fact

just the sort of window which one might expect to find in a farm-house

built two centuries ago, when light and air were rigorously excluded

from interiors. The two windows told the history of _The Hollies_ at a

glance. The little one had served the needs of a “best” room for

several generations of Sussex yeomen. Then had come some iconoclast who

hewed a big rectangle through the solid stone-work, converted the

oak-panelled apartment into a most comfortable dining-room, built a new

wing with a gable, changed a farm-yard into a flower-bordered lawn, and

generally played havoc with Georgian utility while carrying out a

determined scheme of landscape gardening.

Happily, the wrecker was content to let well enough alone after

enlarging the house, laying turf, and planting shrubs and flowers. He

found _The Hollies_ a ramshackle place, and left it even more so, but

with a new note of artistry and several unexpectedly charming vistas.

Thus, the big double window opened straight into an irregular garden

which merged insensibly into a sloping lawn bounded by a river-pool.

The bank on the other side of the stream rose sharply and was well

wooded. Above the crest showed the thatched roofs or red tiles of

Steynholme, which was a village in the time of William the Conqueror,

and has remained a village ever since. Frame this picture in flowering

shrubs, evergreens, a few choice firs, a copper beech, and some sturdy

oaks shadowing the lawn, and the prospect on a June morning might well

have led out into the open any young man with a pipe.

But John Menzies Grant seemed to have no eye for a scene that would

have delighted a painter. He turned to the light, scrutinized so

closely a strip of turf which ran close to the wall that he might have

been searching for a lost diamond, and then peered through the

lowermost left-hand pane of the small window into the room he had just

quitted.

The result of this peeping was remarkable in more ways than one.

A stout, elderly, red-faced woman, who had entered the room soon after

she heard Grant’s chair being moved, caught sight of the intent face.

She screamed loudly, and dropped a cup and saucer with a clatter on to

a Japanese tray.

Grant hurried back to the French window. In his haste he did not notice

a long shoot of a Dorothy Perkins rose which trailed across his path,

and it struck him smartly on the cheek.

“I’m afraid I startled you, Mrs. Bates,” he said, smiling so pleasantly

that no woman or child could fail to put trust in him.

“You did that, sir,” agreed Mrs. Bates, collapsing into the chair Grant

had just vacated.

Like most red-faced people, Mrs. Bates turned a bluish purple when

alarmed, and her aspect was so distressing now that Grant’s smile was

banished by a look of real concern.

“I’m very sorry,” he said contritely. “I had no notion you were in the

room. Shall I call Minnie?”

Minnie, it may be explained, was Mrs. Bates’s daughter and assistant,

the two, plus a whiskered Bates, gardener and groom, forming the

domestic establishment presided over by Grant.

“Nun-no, sir,” stuttered the housekeeper. “It’s stupid of me. But I’m

not so young as I was, an’ me heart jumps at little things.”

Grant saw that she was recovering, though slowly. He thought it best

not to make too much of the incident; but asked solicitously if he

might give her some brandy.

Mrs. Bates remarked that she was “not so bad as that,” rose valiantly,

and went on with her work. Her employer, who had gone into the garden

again, saw out of the tail of his eye that she vanished with a

half-laden tray. In a couple of minutes the daughter appeared, and

finished the slight task of clearing the table; meanwhile, Grant kept

away from the small window. Being a young man who cultivated the habit

of observation, he noticed that Minnie, too, cast scared glances at the

window. When the girl had finally quitted the room, he laughed in a

puzzled way.

“Am I dreaming, or are there visions about?” he murmured.

Urged, seemingly, by a sort of curiosity, he surveyed the room a second

time through the same pane of glass. Being tall, he had to stoop

slightly. Within, on the opposite side of the ledge, he saw the tiny

brass candlestick with its inch of candle which he had used over-night

while searching for a volume of Scott in the book-case lining the

neighboring wall. Somehow, this simplest of domestic objects brought a

thrill of recollection.

“Oh, dash it all!” he growled good-humoredly, “I’m getting nervy. I

must chuck this bad habit of working late, and use the blessed hours of

daylight.”

Yet, as he sauntered down the lawn toward the stream, he knew well that

he would do nothing of the sort. He loved that time of peace between

ten at night and one in the morning. His thoughts ran vagrom then.

Fantasies took shape under his pen which, in the cold light of morning,

looked unreal and nebulous, though he had the good sense to restrain

criticism within strict limits, and corrected style rather than matter.

He was a writer, an essayist with no slight leaven of the poet, and had

learnt early that the everyday world held naught in common with the

brooding of the soul.

But he was no long-haired dreamer of impossible things. Erect and

square-shouldered, he had passed through Sandhurst into the army, a

profession abandoned because of its humdrum nature, when an

unexpectedly “fat” legacy rendered him independent. He looked exactly

what he was, a healthy, clean-minded young Englishman, with a physique

that led to occasional bouts of fox-hunting and Alpine climbing, and a

taste in literature that brought about the consumption of midnight oil.

This latter is not a mere trope. Steynholme is far removed from such

modern “conveniences” as gas and electricity.

At present he had no more definite object in life than to watch the

trout rising in the pool. He held the fishing rights over half a mile

of a noted river, but, by force of the law of hospitality, as it were,

the stretch of water bordering the lawn was a finny sanctuary. Once, he

halted, and looked fixedly at a dormer window in a cottage just visible

above the trees on the opposite slope. Such a highly presentable young

man might well expect to find a dainty feminine form appearing just in

that place, and eke return the greeting of a waved hand. But the window

remained blank—windows refused to yield any information that

morning—and he passed on.

The lawn dipped gently to the water’s edge, until the close-clipped

turf gave way to pebbles and sand. In that spot the river widened and

deepened until its current was hardly perceptible in fine weather. When

the sun was in the west the trees and roofs of Steynholme were so

clearly reflected in the mirror of the pool that a photograph of the

scene needed close scrutiny ere one could determine whether or not it

was being held upside down. But the sun shone directly on the water

now, so the shelving bottom was visible, and Grant’s quick eye was

drawn to a rope trailing into the depths, and fastened to an iron

staple driven firmly into the shingle.

He was so surprised that he spoke aloud.

“What in the world is that?” he almost gasped; a premonition of evil

was so strong in him that he actually gazed in stupefaction at a blob

of water and a quick-spreading ring where a fat trout rose lazily in

midstream.

Somehow, too, he resisted the first impulse of the active side of his

temperament, and did not instantly tug at the rope.

Instead, he shouted:—

“Hi, Bates!”

An answering hail came from behind a screen of laurels on the right of

the house. There lay the stables, and Bates would surely be grooming

the cob which supplied a connecting link between _The Hollies_ and the

railway for the neighboring market-town.

Bates came, a sturdy block of a man who might have been hewn out of a

Sussex oak. His face, hands, and arms were the color of oak, and he

moved with a stiffness that suggested wooden joints.

Evidently, he expected an order for the dogcart, and stood stock still

when he reached the lawn. But Grant, who had gathered his wits,

summoned him with crooked forefinger, and Bates jerked slowly on.

“What hev’ ye done to yer face, sir?” he inquired.

Grant was surprised. He expected no such question.

“So far as I know, I’ve not been making any great alteration in it,” he

said.

“But it’s all covered wi’ blood,” came the disturbing statement.

A handkerchief soon gave evidence that Bates was not exaggerating.

Miss—or is it Madam?—Dorothy Perkins can scratch as well as look sweet,

and a thorn had opened a small vein in Grant’s cheek which bled to a

surprising extent.

“Oh, it is nothing,” he said. “I remember now—a rose shoot caught me as

I went back into the dining-room a moment ago. I shouted for you to

come and see _this._”

Soon the two were examining the rope and the staple.

“Now who put _that_ there?” said Bates, not asking a question but

rather stating a thesis.

“It was not here yesterday,” commented his master, accepting all that

Bates’s words implied.

“No, sir, that it wasn’t. I was a-cuttin’ the lawn till nigh bed-time,

an’ it wasn’t there then.”

Grant was himself again. He stooped and grabbed the rope.

“Suppose we solve the mystery,” he said.

“No need to dirty your hands, sir,” put in Bates. “Let I haul ’un in.”

In a few seconds the oaken tint in his face grew many shades lighter.

“Good Gawd!” he wheezed. At the end of the rope was the body of a

woman.

There are few more distressing objects than a drowned corpse. On that

bright June morning a dreadful apparition lost little of its grim

repulsiveness because the body was that of a young and good-looking

woman.

If one searched England it would be difficult to find two men of

differing temperaments less likely to yield to the stress of even the

most trying circumstance than Grant and Bates, yet, during some

agonized moments the one, of tried courage and fine mettle, was equally

horrified and shaken as the other, a gnarled and hard-grained rustic.

It was he from whom speech might least be expected who first found his

tongue. Bates, who had stooped, straightened himself slowly.

“By gum!” he said, “this be a bad business, Mr. Grant. Who is she?

She’s none of our Steynholme lasses.”

Still Grant uttered no word. He just looked in horror at the poor husk

of a woman who in life had undoubtedly been beautiful. She was well but

quietly dressed, and her clothing showed no signs of violence. The

all-night soaking in the river revealed some pitiful little feminine

secrets, such as a touch of make-up on lips and cheeks, and the dark

roots of abundant hair which had been treated chemically to lighten its

color. The eyes were closed, and for that Grant was conscious of a deep

thankfulness. Had those sightless eyes stared at him he felt he would

have cried aloud in terror. The firm, well-molded lips were open, as

though uttering a last protest against an untimely fate. Of course,

both men were convinced that murder had been done. Not only were arms

and body bound in a manner that was impossible of accomplishment by the

dead woman herself, but an ugly wound on the smooth forehead seemed to

indicate that she had been stunned or killed outright before being

flung into the river.

And then, the rope and the staple suggested an outlandish, maniacal

disposal of the victim. Here was no effort at concealment, but rather a

making sure, in most brutal and callous fashion, that early discovery

must be unavoidable.

The bucolic mind works in well-scored grooves. Receiving no assistance

from his master, Bates pulled the body a little farther up on the strip

of gravel so that it lay clear of the water.

“I mum fetch t’ polis,” he said.

The phrase, with its vivid significance, seemed to galvanize Grant into

a species of comprehension.

“Yes,” he agreed, speaking slowly, as though striving to measure the

effect of each word. “Yes, go for the police, Bates. This foul crime

must be inquired into, no matter who suffers. Go now. But first bring a

rug from the stable. You understand? Your wife, or Minnie, must not be

told till later. They must not see. Mrs. Bates is not so well to-day.”

“Not so well! Her ate a rare good breakfast for a sick ’un!”

Bates was recovering from the shock, and prepared once more to take an

interest in the minor features of existence. Among these he counted

ability to eat as a sure sign of continued well-being in man or beast.

Grant, too, was slowly regaining poise.

“I hardly know what I am saying,” he muttered. “At any rate, bring a

rug. I’ll mount guard till you return with the policeman. There can be

no doubt, I suppose, that this poor creature is dead.”

“Dead as a stone,” said Bates with conviction. “Why, her’s bin in there

hours,” and he nodded toward the water. “Besides, if I knows anythink

of a crack on t’head, her wur outed before she went into t’river....

But who i’ t’world can she be?”

“If you don’t fetch that rug I’ll go for it myself,” said Grant,

whereupon Bates made off.

He was soon back again with a carriage rug, which Grant helped him to

spread over the dripping body. Then he hastened to the village, taking

a path that avoided the house.

The lawn and river bank of _The Hollies_ could only be overlooked from

the steep wooded cliff opposite, and none but an adventurous boy would

ever think of climbing down that almost impassable rampart of rock,

brushwood, and tree-roots. At any rate, when left alone with the

ghastly evidence of a tragedy, Grant troubled only to satisfy himself

that no one was watching from the house. Assured on that point, he

lifted a corner of the rug, and, apparently, forced himself to

scrutinize the dead woman’s face. He seemed to search therein for some

reassuring token, but found none, because he shook his head, dropped

the rug, and walked a few paces dejectedly.

Then, hardly knowing what he was about, he relighted his pipe, but had

hardly put it in his mouth before he knocked out the tobacco.

Clearly, he was thinking hard, mapping out some line of conduct, and

the outlook must have been dark indeed, judging by his somber and

undecided aspect.

More than once he looked up at the attic window of the cottage which

had drawn his eyes before tragedy had come so swiftly to his very feet.

But, if he hoped to see anyone, he was disappointed, though, in the

event, it proved that his real fear was lest the person he half

expected to see should look out.

He was not disturbed in that way, however. Fish rose in the river;

birds sang in the trees; a water-wagtail skipped nimbly from rock to

rock in the shallows; honey-laden bees hummed past to the many hives in

the postmaster’s garden. These were the normal sights and sounds of a

June morning—that which was abnormal and almost grotesque in its horror

lay hidden beneath the carriage rug.

To and fro he walked in that trying vigil, carrying the empty pipe in

one hand while, with the other, he dabbed the handkerchief at the cut

on his face. He was aware of some singular change in the quality of the

sunlight pouring down on lawn and river and trees. Five minutes earlier

it had spread over the landscape a golden bloom of the tint of

champagne; now it was sharp and cold, a clear, penetrating radiance in

which colors were vivid and shadows black. He was in no mood to analyze

emotions, or he might have understood that the fierce throbbing of his

heart had literally thinned the blood in his veins and thus affected

even his sight. He only knew that in this crystal atmosphere the major

issues of life presented themselves with a new and crude force. At any

rate, he made up his mind that the course suggested by truth and honor

was the only one to follow, and that, in itself, was something gained.

By the time Bates returned, accompanied by the village policeman, and

two other men carrying a stretcher, Grant was calmer, more

self-contained, than he had been since that hapless body was dragged

from the depths. He was not irresponsive, therefore, to the aura of

official importance which enveloped the policeman; he sensed a certain

uneasiness in Bates; he even noted that the stretcher was part of the

stock in trade of Hobbs, the local butcher, and ordinarily bore the

carcase of a well-fed pig.

These details were helpful. Naturally, Bates had explained his errand,

and the law, in the person of the policeman, was prepared for all

eventualities.

“This is a bad business, Mr. Grant,” began the policeman, producing a

note-book, and moistening the tip of a lead pencil with his tongue.

Being a Sussex man, he used the same phrase as Bates. In fact, Grant

was greeted by it a score of times that day.

“Yes,” agreed Grant. “I had better tell you that I have recognized the

poor lady. Her name is Adelaide Melhuish. Her residence is in the

Regent’s Park district of London.”

Robinson, the policeman, permitted himself to look surprised. He was,

in fact, rather annoyed. Bates’s story had prepared him for a

first-rate detective mystery. It was irritating to have one of its

leading features cleared up so promptly.

“Oh,” he said, drawing a line under the last entry in the note-book,

and writing the date and hour in heavy characters beneath. “Married or

single?”

“Married, but separated from her husband when last I had news of her.”

“And when was that, sir?”

“Nearly three years ago.”

“And you have not seen her since?”

“No.”

“You didn’t see her last night?”

Grant positively started, but he looked at the policeman squarely.

“It is strange you should ask me that,” he said. “Last night, while

searching for a book, I saw a face at the window. It was that window,”

and four pairs of eyes followed his pointing finger. “The face, I now

believe, was that of the dead woman. At the moment, as it vanished

instantly, I persuaded myself that I was the victim of some trick of

the imagination. Still, I opened the other window, looked out and

listened, but heard or saw nothing or no one. As I say, I fancied I had

imagined that which was not. Now I know I was wrong.”

“About what o’clock would this be, Mr. Grant?”

“Shortly before eleven. I came in at a quarter past ten, and began to

work. After writing steadily for a little more than half an hour, I

wanted to consult a book, and lighted a candle which I keep for that

purpose. I found the book, and was about to blow out the candle when I

saw the face.”

Robinson wrote in his note-book:—

“Called to _The Hollies_ to investigate case of supposed murder. Body

of woman found in river. Mr. Grant, occupying _The Hollies_, says that

woman’s name is Adelaide Melhuish”—at this point he paused to ascertain

the spelling—“and he saw her face at a window of the house at 10.45

P.M., last night.”

“Well, sir, and what next?” he went on.

“It seems to me that the next thing is to have the unfortunate lady

removed to some more suitable place than the river bank,” said Grant,

rather impatiently. “My story can wait, and so can Bates’s. He knows

all that I know, and has probably told you already how we came to

discover the body. You can see for yourself that she must have been

murdered. It is an extraordinary, I may even say a phenomenal crime,

which certainly cannot be investigated here and now. I advise you to

have the body taken to the village mortuary, or such other place as

serves local needs in that respect, and summon a doctor. Then, if you

and an inspector will call here, I’ll give you all the information I

possess, which is very little, I may add.”

Robinson began solemnly to jot down a summary of Grant’s words, and

thereby stirred the owner of _The Hollies_ to a fury which was

repressed with difficulty. Realizing, however, the absolute folly of

expressing any resentment, Grant turned, and, without meaning it,

looked again in the direction of the cottage on the crest of the

opposite bank. This time a girl was leaning out of the dormer window.

She had shaded her eyes with a hand, because the sun was streaming into

her face, but when she saw that Grant was looking her way she waved a

handkerchief.

He fluttered his own blood-stained handkerchief in brief

acknowledgment, and wheeled about, only to find P. C. Robinson watching

him furtively, having suspended his note-taking for the purpose.

The Postmaster's Daughter · 第 1 / 18 章