AN OLD-FASHIONED DITTY.

I've tried in much bewilderment to find

Under which phase of loveliness in thee

I love thee best; but oh, my wandering mind

Hovers o'er many sweets, as doth a bee,

And all I feel is contradictory.

I love to see thee gay, because thy smile

Is sweeter than the sweetest thing I know;

And then thy limpid eyes are all the while

Sparkling and dancing, and thy fair cheeks glow

With such a sunset lustre, that e'en so

I love to see thee gay.

I love to see thee sad, for then thy face

Expresseth an angelic misery;

Thy tears are shed with such a gentle grace,

Thy words fall soft, yet sweet as words can be,

That though 'tis selfish, I confess, in me,

I love to see thee sad.

I love to hear thee speak, because thy voice

Than music's self is yet more musical,

Its tones make every living thing rejoice;

And I, when on mine ear those accents fall,

In sooth I do believe that most of all

I love to hear thee speak.

Yet no! I love thee mute; for oh, thine eyes

Express so much, thou hast no need of speech!

And there's a language that in silence lies,

When two full hearts look fondness each to each,

Love's language that I fain to thee would teach,

And so I love thee mute.

Thus I have come to the conclusion sweet,

Nothing thou dost can less than perfect be;

All beauties and all virtues in thee meet;

Yet one thing more I'd fain behold in thee--

A little love, a little love for me.

Chambers's Edinburgh Journal, No. 307 New Series, Saturday, November 17, 1849 · 第 14 / 19 题