I went home, well content with my acquisition.

In order to put it to use as soon as possible, I placed the foot of

the divine Princess Hermonthis upon a heap of papers, scribbled over

with verses, an undecipherable mosaic work of erasures; articles just

begun; letters forgotten and mailed in the table-drawer--an error which

often occurs with absent-minded people. The whole effect was charming,

bizarre, and romantic.

Well satisfied with this embellishment, I went down into the street

with the becoming gravity and pride of one who feels that he has

the ineffable advantage over all the passers-by whom he elbows, of

possessing a fragment of the Princess Hermonthis, daughter of Pharaoh.

I looked upon as sovereignly ridiculous all those who did not possess,

like myself, a paper-weight so notoriously Egyptian; and it seemed to

me that the true occupation of every man of sense was to have a mummy’s

foot upon his desk.

Happily, my meeting some friends distracted me from my infatuation with

the recent acquisition; I went to dinner with them, for it would have

been difficult for me to dine by myself.

When I came back in the evening, my brain slightly confused by a few

glasses of wine, a vague whiff of Oriental perfume delicately tickled

my olfactory nerves: the heat of the room had warmed the sodium

carbonate, bitumen, and myrrh in which the paraschites, who cut open

the bodies of the dead, had bathed the corpse of the princess; it was a

perfume both sweet and penetrating, a perfume that four thousand years

had not been able to dissipate.

The dream of Egypt was Eternity: her odors have the solidity of

granite, and endure as long.

I soon drank to fulness from the black cup of sleep: for an hour or two

all remained opaque. Oblivion and nothingness inundated me with their

sombre emptiness.

Presently my mental obscurity cleared; dreams commenced to graze me

softly in their silent flight.

The eyes of my soul were opened, and I beheld my chamber precisely

as it was. I might have believed myself to be awake, but a vague

perception told me that I slept and that something fantastic was about

to take place.

The odor of the myrrh had intensely increased, and I felt a slight

headache, which--with great reasonableness--I attributed to several

glasses of champagne that we had drunk to the unknown gods, and our

future success.

I peered through my room with a feeling of expectation which nothing

actually justified; the furniture was precisely in place; the lamp

burned upon its bracket, softly shaded by the milky whiteness of its

dull crystal; the water-color sketches shone under their Bohemian

glass; the curtains hung languidly: everything had an air slumbrous and

tranquil.

Presently, however, this calm interior appeared to become troubled:

the woodwork cracked furtively, the log enveloped in cinders suddenly

emitted a jet of blue flame, and the circular ornaments on the frieze

seemed like metallic eyes, watching, like myself, for the things which

were about to happen.

My gaze by chance fell upon the desk where I had placed the foot of the

Princess Hermonthis.

Instead of being immobile, as became a foot which had been embalmed for

four thousand years, it moved uneasily, contracted itself and leaped

over the papers like a frightened frog: one would have imagined it to

be in contact with a galvanic battery. I could quite distinctly hear

the dry sound made by its little heel, hard as the hoof of a gazelle.

I became somewhat discontented with my acquisition, preferring my

paper-weights to be sedentary, and thought it a little unnatural that

feet should walk about without legs; indeed, I commenced to feel

something which strongly resembled fear.

Suddenly I saw the folds of one of my bed-curtains stir, and I heard

a bumping sound, like that of a person hopping on one foot. I must

confess I became alternately hot and cold, that I felt a strange

wind blow across my back, and that my suddenly rising hair caused my

nightcap to execute a leap of several yards.

The bed-curtains parted, and I beheld coming towards me the strangest

figure it is possible to imagine.

It was a young girl, of a deep _café-au-lait_ complexion, like the

bayadere[1] Amani, of a perfect beauty, and recalling the purest

Egyptian type. She had almond eyes with the corners raised, and brows

so black that they seemed blue; her nose was delicately chiselled,

almost Grecian in its fineness of outline, and indeed she might have

been taken for a statue of Corinthian bronze had not the prominence of

the cheekbones and the slightly African lips made it impossible not to

recognize her as belonging beyond doubt to the hieroglyphic race of the

banks of the Nile.

Her arms, slender and turned with the symmetry of a spindle--like

those of very young girls--were encircled by a kind of metal bands

and bracelets of glass beads; her hair was plaited in cords; and upon

her bosom was suspended a little idol of green paste, which, from its

bearing a whip with seven lashes, enabled one to recognize it as an

image of Isis, conductress of spirits. A disk of gold scintillated upon

her brow, and a few traces of rouge relieved the coppery tint of her

cheeks.

As for her costume, it was very strange. Imagine an under-wrapping of

linen strips, bedizened with black and red hieroglyphics, stiffened

with bitumen, and apparently belonging to a freshly unbandaged mummy.

In one of those flights of thought so frequent in dreams, I heard

the rough falsetto of the bric-à-brac dealer, which repeated like

a monotonous refrain the phrase he had uttered in his shop with an

intonation so enigmatical:

“Old Pharaoh will not be pleased--he loved his daughter, that dear man!”

Strange circumstance--and one which scarcely reassured me--the

apparition had but one foot; the other was broken off at the ankle!

She approached the desk where the foot was moving and wriggling with

redoubled liveliness. Once there, she supported herself upon the edge,

and I saw tears form and grow pearly in her eyes.

Although she had not as yet spoken, I clearly discerned her thoughts:

she looked at her foot--for it was indeed her own--with an infinitely

graceful expression of coquettish sadness; but the foot leaped and

coursed hither and yon, as though driven by steel springs.

Two or three times she extended her hand to seize it, but she did not

succeed.

Then commenced between the Princess Hermonthis and her foot--which

appeared to be endowed with a life of its own--a very fantastic

dialogue in a most ancient Coptic dialect, such as might have been

spoken some thirty centuries ago by voices of the land of Ser: luckily,

that night I understood Coptic to perfection.

The Princess Hermonthis cried, in a voice sweet and vibrant as a

crystal bell:

“Well, my dear little foot, you flee from me always, though I have

taken good care of you. I bathed you with perfumed water in a basin of

alabaster; I smoothed your heel with pumice-stone mixed with oil of

palms; your nails were cut with golden scissors and polished with a

hippopotamus tooth; I was careful to select sandals for you, broidered

and painted and turned up at the toes, which made all the young girls

in Egypt envious; you wore on your great toe rings representing the

sacred Scarabæus, and you carried about the lightest body it was

possible for a lazy foot to sustain.”

The foot replied, in a tone pouting and chagrined:

“You well know that I do not belong to myself any longer. I have been

bought and paid for. The old merchant knew perfectly what he was doing;

he always bore you a grudge for having refused to espouse him: this

is an ill turn which he has done you. The Arab who robbed your royal

sarcophagus in the subterranean pits of the necropolis of Thebes was

sent by him: he desired to prevent you from going to the reunion of the

shadowy peoples in the cities below. Have you five pieces of gold for

my ransom?”

“Alas, no! My jewels, my rings, my purses of gold and silver, were all

stolen from me,” answered the Princess Hermonthis, with a sigh.

“Princess,” I then exclaimed, “I never retained anybody’s foot

unjustly; even though you have not got the five louis which it cost me,

I give it to you gladly: I should be in despair to make so amiable a

person as the Princess Hermonthis lame.”

I delivered this discourse in a tone so royal and gallant that it must

have astonished the beautiful Egyptian.

She turned toward me a look charged with gratitude, and her eyes shone

with bluish gleams.

She took her foot--which, this time, let itself be taken--like a woman

about to put on her little shoe, and adjusted it to her leg with much

address.

This operation ended, she took two or three steps about the room, as if

to assure herself that she really was no longer lame.

“Ah, how happy my father will be--he who was so desolated because of my

mutilation, and who had, from the day of my birth, put a whole people

at work to hollow out for me a tomb so deep that he would be able to

preserve me intact until that supreme day when souls must be weighed in

the balances of Amenthi! Come with me to my father--he will receive you

well, for you have given me back my foot.”

I found this proposition natural enough. I enveloped myself in

a dressing-gown of large flowered pattern, which gave me a very

Pharaohesque appearance, hurriedly put on a pair of Turkish slippers,

and told the Princess Hermonthis that I was ready to follow her.

Hermonthis, before starting, took from her neck the tiny figurine of

green paste and laid it on the scattered sheets of paper which covered

the table.

“It is only fair,” she said smilingly, “that I should replace your

paper-weight.”

She gave me her hand, which was soft and cold, like the skin of a

serpent, and we departed.

For some time we spun with the rapidity of an arrow through a fluid and

grayish medium, in which faintly outlined silhouettes were passing to

right and left.

For an instant, we saw only sea and sky.

Some moments afterward, obelisks commenced to rise, porches and flights

of steps guarded by sphinxes were outlined against the horizon.

We had arrived.

The princess conducted me toward the mountain of rosy granite, where we

found an opening so narrow and low that it would have been difficult to

distinguish it from the fissures in the rock, if two sculptured columns

had not enabled us to recognize it.

Hermonthis lighted a torch and walked before me.

There were corridors hewn through the living rock; the walls, covered

with hieroglyphic paintings and allegorical processions, might

well have occupied thousands of arms for thousands of years; these

corridors, of an interminable length, ended in square chambers, in the

midst of which pits had been contrived, through which we descended by

means of cramp-hooks or spiral stairways; these pits conducted us into

other chambers, from which other corridors opened, equally decorated

with painted sparrow-hawks, serpents coiled in circles, and those

mystic symbols, the _tau_, the _pedum_, and the _bari_--prodigious

works which no living eye would ever examine, endless legends in

granite which only the dead have time to read throughout eternity.

At last we issued into a hall so vast, so enormous, so immeasurable,

that the eye could not perceive its confines. Flooding the sight were

files of monstrous columns between which twinkled livid stars of yellow

flame, and these points of light revealed further incalculable depths.

The Princess Hermonthis always held me by the hand, and graciously

saluted the mummies of her acquaintance.

My eyes accustomed themselves to the crepuscular light, and objects

became discernible.

I beheld, seated upon their thrones, the kings of the subterranean

races: they were magnificent, dry old men, withered, wrinkled,

parchmented, blackened with naphtha and bitumen--all wearing golden

headdresses, breast-plates, and gorgets starry with precious stones,

eyes of a sphinx-like fixity, and long beards whitened by the snows of

the centuries. Behind them, their embalmed people stood, in the rigid

and constrained pose of Egyptian art, preserving eternally the attitude

prescribed by the hieratic code. Behind these peoples, contemporary

cats mewed, ibises flapped their wings, and crocodiles grinned, all

rendered still more monstrous by their swathing bands.

All the Pharaohs were there--Cheops, Chephrenes, Psammetichus,

Sesostris, Amenotaph--all the dark rulers of the pyramids and the

nymphs. On the yet higher thrones sat King Chronos, Xixouthros, who was

contemporary with the deluge, and Tubal Cain, who preceded it.

The beard of King Xixouthros had grown so full that it already wound

seven times around the granite table upon which he leaned, lost in a

somnolent revery.

Further back, through a dusty cloud across the dim centuries, I beheld

vaguely the seventy-two preadamite Kings, with their seventy-two

peoples, forever passed away.

After allowing me to gaze upon this astounding spectacle a few moments,

the Princess Hermonthis presented me to Pharaoh, her father, who

vouchsafed me a majestic nod.

“I have recovered my foot again! I have recovered my foot!” cried the

Princess, as she clapped her little hands one against the other with

all the signs of playful joy. “Here is the gentleman who restored it to

me.”

The races of Kemi, the races of Nahasi, all the black, bronze, and

copper-colored nations, repeated in chorus:

“The Princess Hermonthis has recovered her foot!”

Even Xixouthros was visibly affected: he raised his dull eyelids,

passed his fingers over his mustache, and bent upon me his look weighty

with centuries.

“By Oms, the dog of Hell, and by Tmei, daughter of the Sun and of

Truth, there is a brave and worthy fellow!” exclaimed Pharaoh,

extending toward me his sceptre, terminated with a lotus-flower. “What

do you desire for recompense?”

Strong in that audacity which is inspired by dreams, where nothing

seems impossible, I asked the hand of Hermonthis: the hand seemed to me

a very proper antithetic recompense for such a good foot.

Pharaoh opened wide his eyes of glass, astonished by my pleasantry and

my request.

“From what country do you come, and what is your age?”

“I am a Frenchman, and I am twenty-seven years old, venerable Pharaoh.”

“Twenty-seven years old--and he wishes to espouse the Princess

Hermonthis, who is thirty centuries old!” exclaimed at once all the

thrones and all the circles of nations.

Hermonthis alone did not seem to find my request unreasonable.

“If only you were even two thousand years old,” replied the ancient

King, “I would quite willingly give you the Princess; but the

disproportion is too great; and, besides, we must give our daughters

husbands who are durable--you no longer know how to preserve

yourselves: the oldest people that you can produce are scarcely fifteen

hundred years old, and they are no more than a pinch of dust. See

here--my flesh is hard as basalt, my bones are bars of steel!

“I shall be present on the last day of the world with the body and the

features which were mine in life; my daughter Hermonthis will endure

longer than a statue of bronze.

“Then the winds will have dispersed the last particles of your dust,

and Isis herself, who was able to recover the atoms of Osiris, would be

embarrassed to recompose your being.

“See how vigorous I still am, and how well my hands can grip,” he said

to me as he shook my hand _à l’Anglaise_, in a manner that cut my

fingers with my rings.

He squeezed me so hard that I awoke, and found it was my friend Alfred

who was shaking me by the arm to make me get up.

“Ah, you maddening sleepyhead! Must I have you carried out into the

middle of the street, and fireworks exploded in your ears? It’s

afternoon; don’t you remember that you promised to take me with you to

see M. Aguado’s Spanish pictures?”

“_Mon Dieu!_ I didn’t remember it any more!” I answered as I dressed

myself. “We will go there at once; I have the permit here on my desk.”

I went forward to take it; but judge of my astonishment when instead

of the mummy’s foot I had purchased the evening before, I saw the tiny

figurine of green paste left in its place by the Princess Hermonthis!

Short-story masterpieces, Vol. 2 · 第 21 / 27 题