[Illustration: THE SKATE MENDING TOOK A LONG TIME]
The
Young Ship Builder
BY SOPHIE SWETT
AUTHOR OF
“A CAPE COD BOY,” “CAPTAIN POLLY,” ETC.
[Illustration]
ILLUSTRATED BY JOHN HENDERSON BETTS
THE PENN PUBLISHING COMPANY
PHILADELPHIA
MCMXVIII
COPYRIGHT 1902 BY SOPHIE SWETT
The Young Shipbuilder
CONTENTS
CHAP. PAGE
I WE AND THE “ALIENS” 5
II CYRUS SACRIFICES HIMSELF FOR THE SAKE OF THE “ALIENS” 24
III A LITTLE ALIEN’S WOES 50
IV THE FAMILY DISGRACED 72
V A LADY-LIKE RECREATION 98
VI LOVEDAY GROWS MYSTERIOUS 123
VII A LITTLE JOURNEY INTO THE WORLD 149
VIII A CHANCE MEETING 174
IX A STUDIO TEA 201
X BUSINESS EFFORTS AND A DISCOVERY 224
XI A DIPLOMATIC EFFORT 249
XII A LUNCHEON WITH UNBIDDEN GUESTS 278
XIII LOVEDAY MAKES A SURPRISING ANNOUNCEMENT 303
XIV WE FIND OURSELVES OWN FOLKS AT LAST 326
_The Young Shipbuilder_
CHAPTER I
WE AND THE “ALIENS”
It might be thought that people who lived on Groundnut Hill, in
Palmyra, would have no more story to tell than the needy knife-grinder,
but as Hiram Nute, the essence-peddler, says, “Wherever there’s human
nater and the Lord’s providence, there’s apt to be consid’able goin’
on.”
Perhaps there was more “goin’ on” in our family from the fact that the
human nature is somewhat mixed. There is sure to be an astonishing
variety in any large family, I have observed, even when there are
not, as in ours, two sets of children. But the queer differences
with us are all set down to the fact of mother’s second marriage.
She was Deacon Partridge’s daughter, and she married the Rev. Cyrus
Dill, who was the “stated supply” at Palmyra, the summer that she was
nineteen. He received a call to a small church in a large city, and
three children were born there, Cyrus, Octavia and I. I am Bathsheba.
They named me after my Grandmother Dill, because she was a woman who
feared the Lord. It was my father’s behest, and was so set down in
his will--he died just after I was born. The will was pasted into the
family Bible. Every one said it was a beautiful will, because, while he
had scarcely any material possessions, he yet bequeathed so much.
Grandma Partridge and my mother always cried over it on rainy Sundays,
and to my infant mind it was a scarcely less sacred thing than the
scriptures themselves.
When I was sixteen, I was so light-minded as to wish that Grandma Dill
could have been a woman who feared the Lord and had a pretty name, too.
Long before that time grandma had to weep alone over the will, for
mother had married the young artist who had pitched his white umbrella
tent all summer on the green slope of our orchard, and painted old
“Blue” in its brooding stillness, and with its shifting shadows, and
the beautiful vista of the river through our Norway pines.
An artist! The name savored of unconventionality to grandma, and of
shiftlessness as well, to grandpa. But they gave in--to mother’s
dimple--stern Uncle Horace said. He declared, furthermore, this severe
relative of ours, that grandpa would never have been coerced by the
dimple, if he had not been enfeebled in body and mind by his inveterate
foe, asthma.
Grandma, we learned, as we grew up, was suspected of secretly favoring
the match. She cried and feared that it was not marrying in the Lord,
for the young artist had been reared in a different faith from ours;
but,--dear grandma!--she loved a romance. Stories were not favored in
those days, by the strictest of the sect to which we belonged, and
grandpa was of the strictest. She read them privately, sometimes, with
a deep sense of guilt. When, by great good fortune--and some one’s
oversight--I found one in the Sunday-school library, she would ask me,
with wistful eagerness, if it were “a pretty story.” And although I
never saw her read it, she knew “how it ended” while I was still at the
beginning.
I suppose it was a pretty story, a very pretty drama of human life,
that was played before grandma’s eyes in that summer when Royce
Dupont painted pictures on our orchard slope, and “leaf by leaf the
rose of youth came back” to mother. And in spite of her religious
misgivings--he had a bewildering veneration for the saints--and in
spite of her loyalty to the dead, grandma had a furtive joy in it.
They were married in the autumn, and her artist husband took mother
abroad with him, leaving the children, Cyrus and Octavia and me,
to comfort and make things lively for grandpa and grandma. And our
half-sister and half-brother were born in Paris. That is why Palmyra
people will call them French children, although their father was an
Englishman by birth and only from very remote ancestors was there a
drop of French blood in his veins.
In less than five years mother came back widowed, to the Groundnut
Hill farm, bringing with her Estelle and David, children of two and
three. Cyrus was twelve by that time, and Octavia ten, and I was nine,
a tall slip of a girl, loving my patchwork and my knitting, and to
help Loveday stamp the butter, much better than I loved my book; and
yet wrestling with many more problems than any one wot of under my
sandy-thatched poll.
People said that I looked very much like my father, and perhaps that
was why my mother clung to me with passionate, half-remorseful
tenderness, and wished to take me with her when she married and went
abroad.
Grandfather had set his face firmly against that. A vague impression
remained with me, gathered, perhaps, from Loveday’s remarks, that he
did not wish to give me over to my stepfather’s saints. I had seen his
paintings of them, in strange robes of scarlet, violet and yellow; and
Loveday had whispered darkly of idolatry, a phrase quite beyond my
comprehension, but which made me cry in my bed at night for fear of the
painted saints.
Loveday would read to me on Sunday afternoons about the homely
fishermen who had left their nets upon the Galilean shores to follow in
the footsteps of our Lord. She told me that these were the real saints,
as they were on earth, and we could not hope to know how they looked in
the blessed company beyond. I was comforted, but a horror of saints and
of those who painted them remained with me for years.
I set down these childish vagaries because I think a story is only of
value in so far as it is a transcript of real life, and I mean this
to be as frank as if it were a diary, which no eyes but my own should
ever see. And small things went far toward the shaping of character on
Groundnut Hill--as they do everywhere in this dimly-apprehended scheme
of things.
Something of my horror of those painted saints must have been in time
swallowed up by curiosity, for I remember that when I was ten, a year
after mother’s return with our new brother and sister, I attempted
to transform one of the boys into a saint, according to my unfading
recollection of my stepfather’s paintings, by draping his shoulders
with some old yellow flannel that hung upon the clothes-line. It was
out on the wide lawn, and Cyrus was deep in his Latin book, lying under
the great butternut tree. Three-year-old Rob, Uncle Horace’s son, was
there, for Uncle Horace had married late in life, when one would no
more have expected tender emotions to develop in him than one would
have expected one of our Druid-like old Norway pines to blossom with
wild roses, and his young wife had died, leaving him an infant son.
I draped the folds of yellow flannel about them in as stately a fashion
as I could, but I must confess that there was no semblance of sainthood
about them, nor even anything cherubic, as one might have expected of
their baby faces. They insisted upon thinking I meant them to play
king, and strutted about with grotesque airs. Loveday came out and
reproved me sharply for having vain imaginations, and for not having
forgotten the heathenish pictures; for to my shamefaced astonishment,
she understood just what I was doing.
Dear Loveday! our spiritual, as well as our temporal welfare lay very
near her heart. Perhaps the relation she bore to us could scarcely
be understood outside of New England, and at that time even it was a
survival of the customs of an earlier date--to say nothing of the fact
that Loveday was unique. She was ignorant, she was full of prejudices
and crude notions, and yet there has sometimes come to me, in these
later years, a doubt whether Loveday’s ignorance, with the intuitions
with which love lighted it--love to God and man--were not better than
all the wisdom of the schools.
She had been the “hired girl” when she was twenty; at forty she was the
housekeeper, and the reins of domestic management, always held somewhat
slackly in grandma’s gentle hands, had slipped, almost without any
one’s consciousness, into hers.
And Hiram Nute still continued to woo her, as he had done twenty years
before. “He hadn’t never slacked up a mite on his courtin’,” Loveday
herself admitted. And our “hired man” was relieved of the tasks of
churning, taking in the clothes and chopping wood, during Hiram’s
periodical visits, for Loveday would never permit him to come unless he
made himself useful.
She said matrimony was an ordinance of the Lord, but there ’peared to
be consid’able many that was ready to serve him that way compared to
them that was ready to do their duty just where he had sot ’em. And as
for seein’ them blessed young ones brought up on saleratus bread and
slim morals, she couldn’t do it. This was by no means intended as a
reflection upon grandma, but upon the “back folks,” whom Palmyra was
forced to depend upon for “help.”
Grandma’s hands were wholly filled now by the care of grandpa, whose
feebleness increased year by year, and also, alas! by mother’s need
of her constant attention, for a delicacy of the lungs had developed
in our mother, and her strength failed rapidly. She took her illness
lightly, declaring that it was only the result of the change from
the sunny south of France to bleak New England air. But even on the
healthful Palmyra hills we knew the meaning of that dread word,
consumption, and we older children understood when the neighbors
whispered it to each other with bated breath.
Perhaps it may have been vague thoughts of that country to which I
knew my mother was going soon, that made my mind revert to the painted
saints. In spite of the ill-success of my first experiments, and in
spite of Loveday’s rebuke--for I was a wilful young person in those
days--I took advantage of Cyrus’ absorption in his book to try to make
for him a costume similar to that in the pictures.
The shadows of the butternut tree were heavy; one shaft of yellow
sunset light pierced them and fell directly upon the boy. Finally,
becoming aware that I was dressing him in some fantastic way, he
arose with--not a scowl, even at thirteen Cyrus was too dignified to
scowl--but a sternly rebuking expression upon his face.
The shadows were heavy, as I have said, and the shaft of light was
dazzling. In the one moment that he stood there I saw, with a thrill
of mingled triumph and dismay, that I had evolved one of the painted
saints. But not one of them had such a face as this! Of course, my
later understanding comes to my aid in interpreting its expression, but
it struck my childish mind with a sense of awe.
A narrow, dark face, heavily browed, and the high forehead overhung by
masses of black hair as straight as an Indian’s. Only our Cyrus, and we
had always been obliged to admit that he was a homely boy! But it was
an intense, ascetic, loftily spiritual face. Something in the absurd
toggery, transfigured by the strange effect of light and shadow, and
associated with my dim recollections of the saintly faces, had shown it
to me vaguely as a child of ten could see it. Years afterward, when I
saw a painting of St. John the Baptist on the wall of Estelle’s studio,
in a flash Cyrus came back to me, as he had looked that night under the
old butternut tree.
St. John the Baptist! “Prepare ye the way of the Lord, make his paths
straight!” A prophet with a warning cry. And Cyrus, we used to think,
was one who thought he knew exactly what the way of the Lord was.
But if I go on in this way the end of my story will slip in at the
beginning; or at least I shall show what we all were so plainly that
every one will see just what must have happened. For character is
destiny, although it does sometimes seem as if circumstances got the
upper hand!
Estelle, a toddling mite of three, in trying to make cheeses with her
small pink skirts, as she had seen me do, for my diversions were apt to
be of a more practical nature than the evolution of painted saints, had
tipped herself over into a thistle-bed, just outside the gate, and was
screaming lustily.
Cyrus threw off his robe and rushed to the rescue. He set the
distracted little maid upon her feet, and extracted the thistle-spears
from her corn-silk locks, with a not ungentle hand. But he looked
and spoke sternly--so sternly that the child’s piteous cries were
redoubled. He led or rather dragged her toward the house, saying
severely that bed was the place for naughty little girls. Strangely,
as I thought, neither mother, nor Loveday, nor grandma, nor even Viola
Pringle, now installed as Loveday’s assistant, appeared at the sound of
the small, wrathful voice.
But the youngsters, Dave and Rob, showed themselves rescuing knights
to the distressed damsel. They fell with sturdy fists upon Cyrus,
who weakened, not so much from a desire to return to his Latin, as I
was shrewdly aware, as from a discouraged feeling that the household
discipline was somewhat lax.
The small boys installed the weeping little maid in their somewhat
rickety little wagon, and drew her, shrieking with delight, up and down
the garden path, between the rows of nodding hollyhocks.
There came a sudden, subdued cry for Cyrus from the door. He was wanted
to run with all speed for the doctor. Mother had had a hard fit of
coughing, and there was blood upon her handkerchief.
We thought but little of this, then, we children. Grandma was apt to be
full of alarms. Moreover, we had the strong, odd, childish assurance
that things must always come out right; founded in some strange
prescience, is it? or only in the happy lack of life’s experience?
Surely things would turn out all right, and we would be quite happy
again, although, sometimes, in desperate troubles, not until one had
had a good cry.
But that was the beginning of the end. Very soon after we were
motherless children, although grandma said we were not to feel so,
but always as if she were looking down upon us from the sky. And she
impressed this so firmly upon little Estelle’s mind, that the next
summer, when she was four, the child ran away, upon her chubby legs,
and toiled almost to the summit of old “Blue,” to get to Heaven and
find mother. For old “Blue’s” misty peak melted into the blue of the
sky.
We were almost crazed with fear, for there was a tradition of wild-cats
still upon the mountain. The whole town turned out to search for
her, and it was late in the night when we found her. Footsore and
rain-soaked and hungry, the child’s only regret was that she had
failed to find Heaven and mother. She wept for days, and would not be
comforted. To this day I never hear the hymn about “The dizzy steep of
Heaven” without associating it in my mind with the rugged ascent of old
“Blue” and little Estelle’s weary climb. Many steep ascents lay before
the little feet that climbed that day, but it seemed likely that she
would take them all alike gallantly and fearlessly.
“There’s consid’able to that young one, anyhow.” That was what Loveday
said. Grandpa had never taken to “the new children,” as he called them,
but from the day of little Estelle’s mountain-climb he liked her better.
“She may be some like our folks,” he said, hopefully. “He’s like his
father--he’ll be an alien among us always.” And he shook his fine, old
gray head solemnly over little Dave.
It was out on the porch, and grandma sat near him with her knitting.
Dave--he was six then--suddenly raised an impertinent little grinning
face over the porch railing, as if he understood. Grandma leaned
over and patted the little face playfully, tenderly, and stroked the
curly-thatched head.
Grandpa’s voice grew husky with its weight of evil prophecy:
“Mark my words! he’ll bring trouble on himself and on the whole family
after I’m gone. I depend on you, Cyrus, to do all you can for him.”
Cyrus, seated upon the step, as usual with a book, looked up in a kind
of bewildered surprise. Except to severely rebuke them for being noisy,
and to keep his treasures carefully away from their predatory fingers,
I think Cyrus had been scarcely conscious of the children’s existence.
Now the blood rose slowly to his sallow face and departed, leaving it
pale and set. Cyrus proverbially took things hard. Yet if grandpa had
lived to give other warnings and charges, the impression that this
charge had made might have faded--although Cyrus was tenacious, as well
as intense. But grandpa died within a week, suddenly, of heart disease,
caused by asthma, and Cyrus immediately took serious charge of little
David’s education and morals, and never minded the snubbings that he
brought down on his devoted head from grandma, and even from Loveday,
who didn’t think much of a big boy’s ideas of domestic discipline.
These two episodes, not very important in themselves--of my receiving
an impression that connected Cyrus always vaguely in my mind with the
saints and of grandpa’s charge to Cyrus concerning little David--stand
out in the background of my mind, because, I suppose, of their
connection with crises and changes in our lives.
After grandpa was gone, Loveday recalled often his feeling about the
“alien” children.
“There’s own folks that ain’t own folks, and strangers that is,” said
Loveday, sententiously. “The Lord knows best, and it’s for us to do our
duty.”