SONNET.

The nymph who Pyramus with love inspired

Pierces the wall, with equal passion fired:

Cupid from distant Cyprus thither flies,

And views the secret breach with laughing eyes.

Here silence, vocal, mutual vows conveys,

And whispering eloquent, their love betrays:

Though chained by fear, their voices dare not pass,

Their souls, transmitted through the chink, embrace.

Ah, woful story of disastrous love!

Ill-fated haste that did their ruin prove!

One death, one grave, unite the faithful pair,

And in one common fame their memories share.

No parents can see the deformity of their own children, and

still stronger is this self-deception with respect to the

offspring of the mind.

At parting, Don Quixote addressing himself to Don Lorenzo: "I know not,"

said he, "whether I have already told your worship, but if I have, let

me now repeat the intimation, that when you are inclined to take the

shortest and easiest road to the inaccessible summit of the temple of

fame, you have no more to do, but to leave on one side the path of

poetry, which is pretty narrow, and follow that of knight-errantry,

which, though the narrowest of all others, will conduct you to the

throne of empire in the turning of a straw."

Riches are able to solder abundance of flaws.

Every sheep to its like.

Let every goose a gander choose.

AN ACCOUNT OF THE MARRIAGE OF CAMACHO THE RICH; AND ALSO THE ADVENTURE

OF BASILIUS THE POOR.

"Come with us, and you will see one of the greatest and richest weddings

that has ever been celebrated in La Mancha, or for many leagues round."

"The nuptials of some prince, I presume?" said Don Quixote.

"No," replied the scholar, "only that of a farmer and a country maid: he

the wealthiest in this part of the country, and she the most beautiful

that eyes ever beheld. The preparations are very uncommon: for the

wedding is to be celebrated in a meadow near the village where the bride

lives, who is called Quiteria the Fair, and the bridegroom Camacho the

Rich: she is about the age of eighteen, and he twenty-two, both equally

matched, though some nice folks, who have all the pedigrees of the world

in their heads, pretend that the family of Quiteria the Fair has the

advantage over that of Camacho; but that is now little regarded, for

riches are able to solder up abundance of flaws. In short, this same

Camacho is as liberal as a prince; and, intending to be at some cost in

this wedding, has taken it into his head to convert a whole meadow into

a kind of arbor, shading it so that the sun itself will find some

difficulty to visit the green grass beneath. He will also have

morris-dances, both with swords and bells; for there are people in the

village who jingle and clatter them with great dexterity. As to the

number of shoe-clappers[10] invited, it is impossible to count them; but

what will give the greatest interest to this wedding is the effect it

is expected to have on the slighted Basilius.

"This Basilius is a swain of the same village as Quiteria; his house is

next to that of her parents, and separated only by a wall, whence Cupid

took occasion to revive the ancient loves of Pyramus and Thisbe: for

Basilius was in love with Quiteria from his childhood, and she returned

his affection with a thousand modest favors, insomuch that the loves of

the two children, Basilius and Quiteria, became the common talk of the

village. When they were grown up, the father of Quiteria resolved to

forbid Basilius the usual access to his family; and to relieve himself

of all fears on his account, he determined to marry his daughter to the

rich Camacho; not choosing to bestow her on Basilius, whose endowments

are less the gifts of fortune than of nature: in truth he is the most

active youth we know; a great pitcher of the bar, an excellent wrestler,

a great player at cricket, runs like a buck, leaps like a wild goat, and

plays at ninepins as if by witchcraft; sings like a lark, and touches a

guitar delightfully and, above all, he handles a sword like the most

skilful fencer."

It now began to grow dark, and as they approached the village there

appeared before them a new heaven, blazing with innumerable stars. At

the same time they heard the sweet and mingled sounds of various

instruments--such as flutes, tambourines, psalters, cymbals, drums, and

bells; and, drawing still nearer, they perceived a spacious arbor,

formed near the entrance into the town, hung round with lights that

shone undisturbed by the breeze; for it was so calm that not a leaf was

seen to move. The musicians, who are the life and joy of such festivals,

paraded in bands up and down this delightful place, some dancing, others

singing, and others playing upon different instruments: in short,

nothing was there to be seen but mirth and pleasure. Several were

employed in raising scaffolds, from which they might commodiously behold

the shows and entertainments of the following day, that were to be

dedicated to the nuptial ceremony of the rich Camacho and the obsequies

of poor Basilius.

If he is poor he cannot think to wed Quiteria. A pleasant fancy,

forsooth, for a fellow who has not a groat in his pocket to look for a

yoke-mate above the clouds. Faith, sir, in my opinion a poor man should

be contented with what he finds, and not be seeking for truffles at the

bottom of the sea.

The first thing that presented itself to Sancho's sight was a whole

bullock spitted upon a large elm. The fire it was roasted by was

composed of a middling mountain of wood, and round it were placed six

pots, not cast in common moulds; for they were half-jars, each

containing a whole shamble of flesh; and entire sheep were sunk and

swallowed up in them, as commodiously as if they were only so many

pigeons. The hares ready cased, and the fowls ready plucked, that hung

about upon the branches, in order to be buried in the caldrons, were

without number. Infinite was the wild fowl and venison hanging about the

trees, that the air might cool them. Sancho counted above threescore

skins, each of above twenty-four quarts, and all, as appeared

afterwards, full of generous wines.

There were also piles of the whitest bread, arranged like heaps of wheat

on the threshing-floor, and cheeses, piled up in the manner of bricks,

formed a kind of wall. Two caldrons of oil, larger than dyers' vats,

stood ready for frying all sorts of batter-ware; and, with a couple of

stout peels, they shovelled them up when fried, and forthwith immersed

them in a kettle of prepared honey that stood near. The men and women

cooks were about fifty in number, all clean, all active, and all in good

humor. In the bullock's distended belly were sewed up a dozen sucking

pigs, to make it savory and tender. The spices of various kinds, which

seemed to have been bought, not by the pound, but by the hundredweight,

were deposited in a great chest, and open to every hand. In short the

preparation for the wedding was all rustic, but in sufficient abundance

to have feasted an army.

Sancho beheld all with wonder and delight. The first that captivated and

subdued his inclinations were the flesh-pots, out of which he would have

been glad to have filled a moderate pipkin; next the wine-skins drew his

affections; and lastly the products of the frying-pans--if such

capacious vessels might be so called; and, being unable any longer to

abstain, he ventured to approach one of the busy cooks, and in

persuasive and hungry terms begged leave to sop a luncheon of bread in

one of the pots.

To which the cook answered, "This, friend, is not a day for hunger to be

abroad--thanks to rich Camacho. Alight, and look about you for a ladle

to skim out a fowl or two, and much good may they do you."

"I see no ladle," answered Sancho.

"Stay," said the cook. "Heaven save me, what a helpless varlet!" So

saying, he laid hold of a kettle, and sousing it into one of the

half-jars, he fished out three pullets and a couple of geese, and said

to Sancho, "Eat, friend, and make your breakfast of this scum, to stay

your stomach till dinner-time."

"I have nothing to put it in," answered Sancho.

"Then take ladle and all," quoth the cook; "for Camacho's riches and joy

supply everything."

While Sancho was thus employed, Don Quixote stood observing the entrance

of a dozen peasants at one side of the spacious arbor, each mounted on a

beautiful mare, in rich and gay caparisons, hung round with little

bells. They were clad in holiday apparel, and in a regular troop made

sundry careers about the meadow, with a joyful Moorish cry of "Long live

Camacho and Quiteria! he as rich as she is fair, and she the fairest of

the world!"

Don Quixote hearing this, said to himself, "These people, it is plain,

have never seen my Dulcinea del Toboso; otherwise they would have been

less extravagant in the praise of their Quiteria."

Soon after there entered, on different sides of the arbor, various sets

of dancers, among which was one consisting of four-and-twenty

sword-dancers; handsome, sprightly swains, all arrayed in fine white

linen, and handkerchiefs wrought with several colors of fine silk. One

of those mounted on horseback inquired of a young man who led the

sword-dance, whether any of his comrades were hurt.

"No," replied the youth; "thank Heaven, as yet we are all well;" and

instantly he twined himself in among his companions with so many turns,

and so dexterously, that though Don Quixote had often seen such dances

before, none had ever pleased him so well. Another dance also delighted

him much, performed by twelve damsels, young and beautiful, all clad in

green stuff of Cuenza, having their hair partly plaited, and partly

flowing, all of golden hue, rivalling the sun itself, and covered with

garlands of jessamine, roses and woodbine. They were led up by a

venerable old man and an ancient matron, to whom the occasion had given

more agility than might have been expected from their years. A Zamora

bagpipe regulated their motions, which being no less sprightly and

graceful than their looks were modest and maidenly, more lovely dancers

were never seen in the world.

A pantomimic dance now succeeded, by eight nymphs, divided into two

ranks--"Cupid" leading the one, and "Interest," the other; the former

equipped with wings, bow, quiver, and arrows; the latter gorgeously

apparelled with rich and variously colored silks, embroidered with gold.

The nymphs in Cupid's band displayed their names, written in large

letters on their backs. "Poetry" was the first: then succeeded

"Discretion," "Good Lineage," and "Valor." The followers of "Interest"

were "Liberality," "Bounty," "Wealth," and "Security." This band was

preceded by a wooden castle, drawn by savages, clad so naturally in ivy

and green cloth, coarse and shaggy, that Sancho was startled. On the

front and sides of the edifice was written, "The Castle of Reserve."

Four skilful musicians played on the tabor and pipe; Cupid began the

dance, and after two movements, he raised his eyes, and bending his bow,

pointed an arrow towards a damsel that stood on the battlements of the

castle; at the same time addressing to her the following verses:--

Wit and Wisdom of Don Quixote · 第 57 / 82 题