CHAPTER IV.

LYONS.

I see little alteration at Lyons since I formerly passed through it.

Its manufactories are, nevertheless, flourishing, though less

improvement than could be expected is visible in the external aspect of

the place.

This being Sunday, and the _Féte-Dieu_, the garrison, with flags

flying, drums beating, trumpets sounding, and all in gala dress,

marched through the streets to attend Divine worship. The train was

headed by our old acquaintance General Le Paultre de la Motte, (whom we

left at Lyons on our route to Italy), and his staff; wearing all their

military decorations, attended by a vast procession, including the

whole of the clergy in their rich attires and all the different

religious communities in the town.

The officers were bare-headed--their spurred heels and warlike

demeanour rendering this homage to a sacred ceremony more picturesque.

The gold and silver brocaded vestments and snowy robes of the priests

glittering in the sun, as they marched along to the sound of martial

music, looked very gorgeous; and this mixture of ecclesiastical and

military pomp had an imposing effect.

The streets through which the procession passed were ornamented with

rich draperies and flowers, reminding me of Italy on similar occasions;

and the intense heat of a sun glowing like a fiery furnace, aided the

recollection.

Since I have been on the continent, it has often struck me with

surprise, that on solemn occasions like the present, sacred music has

not been performed instead of military. Nay, I have heard quadrilles

and waltzes played, fruitful in festive associations little suited to

the feelings which ought to have been excited by solemn ceremonials.

Knowing, by experience, the effect produced on the mind by sacred

music, it is much to be wished that so potent an aid to devotional

sentiment should not be omitted, _malgré_ whatever may be said against

any extraneous assistance in offering up those devotions which the

heart should be ever prompt to fulfil without them.

I leave to casuists to argue whether, or how far, music, sculpture, or

painting, may be employed as excitements to religious fervour: but I

confess, although the acknowledgment may expose me to the censure of

those who differ with me in opinion, that I consider them powerful

adjuncts, and, consequently, not to be resigned because _some_--and

happy, indeed, may they be deemed--stand in no need of such incitements

to devotion.

Who that has heard the "_Miserere_" in the Sistine chapel at Rome, and

seen, while listening to it, "The Last Judgment," by Michael Angelo, on

its walls, without feeling the powerful influence they exercised on the

feelings?

The Idler in France · 第 4 / 26 章