OUR BOOKING-OFFICE.

(_BY MR. PUNCH'S STAFF OF LEARNED CLERKS._)

"In a few days," says the puff preliminary of _The Coming_ (CHATTO

AND WINDUS), "you and all your friends will be reading and discussing

this most strange and prophetic novel." Perhaps. But what we shall

be saying about it depends largely, I suppose, upon our definition

of the term prophetic; also a little upon our feeling with regard to

good taste and the permissible in fiction. My own contribution will

be a sincere regret that a writer as gifted as Mr. J.C. SNAITH should

have attempted the obviously impossible. His theme, symbolised by a

wrapper-design of three figures silhouetted against a golden sunrise,

is a second advent of the Messiah, embodied in the person of a village

carpenter named (with palpable significance) _John Smith_, whom local

prejudice sends, not inexcusably, to a madhouse, where he dies, after

converting the inmates and instituting a campaign of universal peace.

Frankly, the chief interest of such a wildly fantastic idea lies in

watching just how far Mr. SNAITH can carry it without too flagrant

offence. That his treatment is both sincere and careful hardly lessens

my feeling that the whole attempt is one to be deplored. Humour of the

intentional kind has, of course, no place in the author's scheme. How

remote is its banishment you may judge when I tell you that the Divine

message is represented as given to mankind in the form of a wonderful

play, which instantly achieves world-wide fame, being performed by no

fewer than fifty companies in America alone. The problem (to name but

one) of the resulting struggle between plenary inspiration and the

conditions of a fit-up tour is only another proof of my contention

that there are more things in heaven and earth than can be treated

in realistic fiction, and that Mr. SNAITH'S good intentions have

unfortunately betrayed him into selecting the least possible.

* * * * *

If _Humphrey Thorncot_ and his sister _Edith_ had not bored one

another and grown touchy--I judge by their reported conversations--in

a house with green shutters in Chelsea, they would never have gone

to St. Elizabeth, which is a Swiss resort, and would never have met

the East-Prussian family of the _von Ludwigs_ in the year before the

War. And _Humphrey_ would never have fallen (temporarily) in love

with _Hulda von Ludwig_, nor would _Karl von Ludwig_ have fallen

(permanently) in love with _Edith Thorncot_. The troubles and miseries

of this latter couple are related by Mr. HUGH SPENDER in _The Gulf_

(COLLINS). Papa _von Ludwig_ objects so violently to all this

love-making that he eventually succumbs to a regular East-Prussian

stroke of apoplexy which all but leads to a charge of parricide

against _Karl_ by his base brother, _Wilhelm_. _Karl_ is really too

good for this world. He objects to atrocities and refuses at the risk

of his own life to shoot innocent Belgian villagers. Being imprisoned,

he escapes by means of a secret sliding panel and an underground

passage which leads him, not immediately, but after many vicissitudes,

to America. There he is joined by his faithful _Edith_, who defies the

Gulf caused by the War, and marries him. Mr. SPENDER appears to have

been in some doubt as to whether he should write the story of two

souls or the history of the first few weeks of the War. Eventually

he elects to do both, and his novel consequently suffers somewhat in

grip. He certainly paints a very vivid picture of events in the first

period of active operations. May I hint a doubt, by the way, whether

in 1913 a French Professor would have mentioned HINDENBURG as one of

Germany's most important men? Whatever he may have been in Germany,

HINDENBURG was for the outside world a later discovery.

* * * * *

_Further Memories_ (HUTCHINSON) is justly called by its publishers

a "fascinating volume." The designation will not surprise those who

enjoyed the late Lord REDESDALE'S former book of recollections. The

present collection is a little haphazard (but none the worse for

that), its chapters ranging over such diverse subjects as Gardens

and Trees, QUEEN VICTORIA, BUDDHA, and the Commune. Certainly not

the least interesting is that devoted to the story of the Wallace

Collection, of which Lord REDESDALE was one of the trustees. His

account of the origin and devolution of the famous treasures will

invest them with a new interest in the happy days when they shall

again be visible. Mr. EDMUND GOSSE contributes a foreword to the

present volume, in which he draws a pathetic picture of the author,

still unconquerably young, despite his years, facing the future with

only one fear, that of the unemployment to which his increasing

deafness, and the break-up of the world as it was before the War,

seemed to be condemning him. _Further Memories_ was, we are told,

undertaken as some sort of a safeguard against this menace of

stagnation. It was a measure for which we may all be glad, as we can

share Mr. GOSSE'S thanksgiving that the writer's death, coming when

it did, saved him, as he had wished, "from all consciousness of

decrepitude."

* * * * *

When an unstable young wife, getting tired of a pedantic husband in

the way so familiar to students of novels, goes off with a companion

more to her taste, anyone can foresee trouble, or what would there be

to write about? When, further, her detestable lover, seeking change

and fearing the financial lash of his properly indignant parent,

terminates the arrangement, even an observer of real life can

guess that her return to her rightful lord and master must entail

disagreeables; but only a reader well brazened in modern fiction could

expect Don Juan promptly to make love to and marry the husband's

sister without a word of apology to anyone. This kind of rather

unsavoury dabbling in problems best left to themselves generally

concludes with the decease of most of the characters and a sort

of clearing up, and to this rule, after many years and pages of

discomfort, MARY E. MANN'S new story, _The Victim_ (HODDER AND

STOUGHTON), is no exception. Not a very attractive programme, but all

the same the volume has one or two redeeming features. For one thing,

the sister is clearly and attractively drawn, and so is the picture on

the wrapper, though it represents no particular incident to be traced

in the pages of the volume which it adorns. Writing more strongly than

is perhaps her wont, Mrs. MANN has taken some trouble to emphasise the

fact that in these cases of uncontrolled passion the major penalty

of guilt is borne not by the offenders themselves but by the first

generation succeeding. This does need saying occasionally, I suppose,

and to that extent _The Victim_ redeems itself from the charge of

trivial unpleasantness.

* * * * *

Mr. J. RATH has really discovered a new type of heroine, new at least

this side the Atlantic. His farm-bred _Sadie_, a Buffalo shirt-packer,

classifies men by the sizes of their shirts, has no use for any

swain with a chest measurement under forty, and eventually in a most

original way finds her hero in _Mister 44_ (METHUEN), an enormous

Canadian engineer and sportsman. She is no chicken herself and has

a passion to be free of the city and out in the great open. _Sadie_

is more than big; she is beautiful, burnished-copper-haired, sincere

and kind, and, though I think the author "gets this over" quite well

I liked her best before she found her man and her _Robinson Crusoe_

adventures among the islands of Ontario, and was giving back chat to

the little foreman in the factory. Here she is a pure delight; and

in these days, when a knowledge of the American language may come in

handy at any moment, this amiable romance may well be recommended as

an attractive manual of first-aid in the matter.

* * * * *

Without professing to be a student of Mrs. DIVER'S books I know enough

about them to be worried by the commonplaceness of _Unconquered_

(MURRAY). Like so many other authors she has succumbed to the lure

of the War-novel. There may be a public for tales of this kind, but

I have not yet read one that approaches artistic success. Here we

are spared nothing. _Sir Mark Forsyth_ goes to France in the early

days, is first of all reported "missing, believed killed," and then

officially reported "killed." Of course he turns up again, but such

a physical wreck that the minx whom he was to have married breaks

off the engagement. Naturally the sweet girl, friend of _Mark's_

childhood, undertakes to fill the gap. The minx, _Bel Alison_, is so

scathingly drawn that from sheer perversity I found myself hunting

for one good point in her character; but without a find. On the other

hand, _Lady Forsyth_, _Mark's_ mother, and a quiet, capable man called

_Macnair_, are admirably put before us. Yet at best there remains

the conviction that the War is terribly real that these attempts to

romance about it are almost bound to be as superficial as they are

superfluous.

* * * * *

[Illustration: DURING THE RAID. _Disappointed Player_. "HARD LINES! I

HAD AN EASY FIVE SHOT THAT WOULD HAVE RUN ME OUT."]

* * * * *

"Lost, between Ryde Pier and Southsea, Black Satin Bag, containing

keys and eyeglasses. Reward given."--_Portsmouth Paper_.

A chance for the local mine-sweepers.

Punch, or the London Charivari, Volume 153, November 14, 1917 · 第 35 / 35 题