A STUDY IN THE FASTIDIOUS.

I hope this is not going to be embarrassing. If so, it is not my

fault. This is history, please remember, not fiction. I wanted--I am

obliged to say it--pyjamas for winter wear. I know all about pyjamas

for summer wear; what I wanted was pyjamas for winter wear, and I

decided that Agnes should make them. For years I have been trying to

get proper pyjamas--by which I mean pyjamas properly made--but the

haberdasher always smiles depreciation and tells me that the goods he

offers me are what are always worn. Quite so; but what I say is that

out of bed and for the purpose of having your photograph taken Trade

pyjamas are all right; but that in bed they commit untold offences. I

enter my bed clothed; I settle down in it half-naked. The jacket has

run up to my arm-pits; my legs are bare to the knee; my arms to the

elbows; the loosely buttoned front is ruckled up into a funnel, down

which, whenever I move, the bedclothes like a bellows draw a chill

blast of air on to that particular part of my chest which is designed

for catching colds. When I turn over in my dreams I wake to find

myself tied as with ropes. Slumber's chains have indeed bound me. I am

a man in the clothing of a nightmare. The cold, cold sheets catch me

in the most ticklesome delicacies of my back and make me jump again.

Enough.

"Well," said Agnes, "if I am going to make your pyjamas you must tell

me exactly what you want."

"My pyjamas," I said, "shall be buttoned round the ankle and capacious

below the waist--there I ask a Turkish touch. The jacket shall be

buttoned at the wrists and baggy at the shoulder; at the chest it

shall strap me across like an R.F.C. tunic, and it shall be securely

clipped to the trousers."

"Why not have it all in one?"

"What!" I cried, "and parade hotel passages in search of the bath

looking like a clown out of a circus? No, thank you."

"You must make me a pattern then," said Agnes, "or I shan't know what

to do."

I can't make patterns, but I can, and I did, make plans of ground and

first-floor levels, a section and back and front elevations, all to a

scale of one inch to the foot exactly. I also made a full-size detail

of a toggle-and-cinch gear linking the upper storey to the lower.

"I think," Agnes said, "you had better come to the shop and choose the

material."

I thought so too. I wanted something gaudy that would make me feel

cheerful when I woke in the morning; but I also had another idea in

my mind. _Mangle-proof buttons_! Have the things been invented yet?

The archbishop who attended to us deprecated the idea of india-rubber

buttons.

"What kind are you now using?" he asked solicitously.

"At present, on No. 2," I said, "I am using splinters of

mother-of-pearl. Last week, with No. 1, I used a steel ring hanging

by its rim to a shred of linen, two safeties, and a hairpin found on

the floor."

I chose a flannel with broad green and violet stripes, and very large

buttons of vitrified brick which I hoped might break the mangle. These

buttons were emerald in colour and gave me a new idea. _Trimmings_.

"I want to look right if the house catches fire," I told Agnes. "Green

sateen collar to match the buttons--"

"And for the wristbands," said Agnes, catching my enthusiasm.

"And for the wristbands," I agreed; "but," I added, "not at the

ankles. That would make the other people in the street expect me to

dance to them, and I don't know how to."

And now the good work is complete. Toggle and cinch perform their

proud functions, and I sleep undisturbed by Arctic nightmares, for I

have substituted green ties for the stoneware buttons which reduced

my vitality by absorbing heat. My only trouble is my increasing

reluctance to rise in the morning. I don't like changing out of my

beautiful things so early in the day. I am beginning to want breakfast

in bed.

* * * * *

Punch, or the London Charivari, Volume 153, November 14, 1917 · 第 32 / 35 题