---- _l._ 14, _signa_.--The MS. has _singna_, a form not uncommon

in such words.

---- _l._ 15, _ora_.--The MS. has _hora_.

_P._ 25, _l._ 2, _Sabbatum_.--Saturday, May 20, 1217. The next day

was Trinity Sunday.

_P._ 28, _l._ 11, _Sabinæ_.--Sabina was a very common term for a

modest woman in low Latin, just as Thais was for a strumpet. See

on the latter word a note in the _Early Mysteries and other Latin

Poems_, p. 131.

---- _l._ 12, _Arabes_.--Arabia, the land of gems and spices, was

believed to contain inexhaustible stores of riches.

_P._ 33, _l._ 4, _Refert ad focariam_.--_Focaria_ was the name

given to the wives or concubines of the priests and clergy, who

had been recently proscribed. It occurs again in the _Apocalypsis

Goliæ_--

Seductam nuncii fraude præambuli,

Capit _focariam_, ut per cubiculi

Fortunam habeat fortunam loculi,

Et per vehiculum omen vehiculi.

I have rendered the word, according to its derivation, by

_fire-side woman_, for it is explained in an old gloss as

_meretrix foco assidens_. See _Ducange in v._ Fuller (Church

Hist. p. 27, folio edit.) makes very needless difficulties on the

meaning of this word, apparently for the sake of introducing some

equally needless jokes. The following article in the _decreta_

of Pope Alexander, printed in the History of Henry of Huntingdon

(Scriptores post Bedam, fol. 1601), p. 589, which one would think

must have passed under his eyes, left little room for doubt;--

“_Ne clerici in sacris ordinibus constituti_ focarias _habeant._

“Clerici in sacris ordinibus constituti, qui mulierculas in domibus

suis sub incontinentiæ nota tenuerint, aut abjiciant eas et

continenter vivant, aut beneficio et officio fiant ecclesiastico

alieni.”

In the statutes of Stephen, Archbishop of Canterbury, MS. Cotton.

Julius D. II. fol. 167, r^o, we find also a chapter--

“_De_ focariis _amovendis._

“Sacerdotibus vero præcipue et spiritualiter in virtute Spiritus

Sancti et sub periculo beneficii districte præcipimus quod

continenter vivant et honeste, concubinas suas a domibus suis

procul expellant, et nullam familiaritatem cum eis de cætero

habeant, nec in propriis domibus nec in alienis, nisi volunt simul

beneficiis et officiis contra hoc agendo privari,” etc.

And again, just after, we have the following title:--

“_De pœna et satisfactione_ focariarum.

“Concubinæ sacerdotum frequenter moneantur ab archidiaconis,

et præcipue a sacerdotibus in quorum parochia morantur, vel ut

contrahant, vel ut claustrum ingrediantur, vel sicut publice

peccaverunt publicam agant pœnetentiam.”

The word _focaria_ is often used by Giraldus Cambrensis. Speaking

of a priest on the Borders of Wales, he says, “More sacerdotum

parochialium Angliæ fere cunctorum damnabili quidem et detestabili,

publicam secum habebat comitem individuam et _in foco focariam_ et

in cubiculo concubinam.” (Wharton, Anglia Sacr. vol. ii. p. 525.)

From this passage it is clear that the name _focaria_ was given to

them because they lived publicly with the priests in their houses,

and _shared their fire-sides_; and from some other circumstances

mentioned in Giraldus, it appears that they were in reality married

to the priests, though the stricter party considered the marriage

to be uncanonical.

_P._ 36, _l._ 2, _Omina_.--The MS. has _Homina_.

---- _Bernard de Rovenac_.--For all that is known of this poet, see

the _Histoire Littéraire de France_, tom. xviii. p. 667.

_P._ 48, _ll._ 7-10, _Regnat nunc impietas_, &c. These four lines

resemble very closely the first four lines of another song, in MS.

Sloane, No. 1580, fol. 160, v^o, which will be printed among the

Poems of Walter Mapes--

Captivata largitas longe relegatur,

Exulansque probitas misere fugatur,

Dum virtuti veritas prave novercatur,

Inperat cupiditas atque principatur.

_P._ 49, _l._ 8, _Wandelardus_.--Perhaps _a Vandal_.

---- _ll._ 15-18. With the little information given in the song,

it is difficult to ascertain who were the four brothers the writer

intended to satirise. This punning way of deriving and explaining

proper names was by no means uncommon during the middle ages. In

a splendid Bible in three volumes folio, written in England early

in the twelfth century, and now preserved in the Library of St.

Geneviève at Paris, the scribe gives the following very curious

account of his family. Its being previously inedited will be a

sufficient excuse for inserting it here.

“Hanc Bibliothecam scripsit Mainerus scriptor Cantuariensis. Sed

ne ab ignorantibus parentelam suam putaretur nothus, sive spurius,

placuit ei nomen proprium suum et nomen propinquorum parentum

suorum scribere et ethimo-logizare. Ipse itaque scriptor inter suos

recto nomine Mainerus nominabatur, quod nomen ei desienter datum

est; Mainerus enim interpretatus est, imitata in sua manu gnatus,

quia peritus fuit et gnarus in arte scribendi. Pater ejus Wimundus

nominabatur, quod nomen interpretatum Latine sonat _hodie mundus_;

poterat enim de eo dici cotidie quod mundus esset, quod mundus in

mundo munde vixit, ad Creatorem suum sine immunditia migravit.

Nomen matris suæ dicebatur Anglice Livena, quod Latine sonat

_lætitia_; fuit enim mulier hylaris, facie decora, moribus ornata

et pudica, et semper in largiendo bona sua pro Dei amore datrix

hilaris; sana et incolumis per .lxxx. annos et plus feliciter

vixit. Avus suus nominabatur Ulgerus, i. ulnas gerens; fuit enim

vir magnus et fortis, qui magnas habebat ulnas. Nomen aviæ suæ

dicebatur Anglice Elvera, quod interpretatur _Dei vidua_, quæ et in

bona viduitate diu vixit. Quatuor habuit fratres et unam sororem,

quorum primus vocabatur Radulphus, i. ratus et adustus, i. firmus

in adolescentia; fortis enim valde juvenis fuit. Secundus dicebatur

Robertus, quia a re nomen habuit, spoliator enim diu fuit et prædo.

Tertius nuncupabatur Giroldus, girovagus enim fuit omnibus diebus

vitæ suæ. Quartus nominabatur Johannes, quod nomen interpretatum

sonat _Dei gratia_; et iste gratiam Dei gratia Dei adeptus est;

fuit enim juvenis ætate, senex moribus, virgo castitate, vita

beatus. Soror ipsius dicebatur Dionisia, id est Deo nitens;

nitebatur enim semper bonis operibus ad Deum venire. Animæ omnium

istorum et animæ omnium fidelium defunctorum per misericordiam Dei

requiescant in pace! Amen!”

_P._ 51. SONG UPON THE TAILORS.--It is scarcely necessary to say

that the three lines which form the theme of this song, are the

commencement of Ovid’s Metamorphoses. Llewellin, Prince of Wales,

invaded the Marches in 1263.

_P._ 53, _l._ 3, _capucium_.--The name capuce was given sometimes

to a separate piece of apparel with which the head was covered, and

at others to the upper part of the tunic of the monks which covered

the head. In the present instance it must be taken in the former

sense. A full account of the different senses of the word will be

found in Ducange.

---- _l._ 6, _almucium_.--The aumuce was a separate article of

clothing which covered both head and shoulders. One of the articles

of the canons for the behaviour of the monks, given by Pope Clement

V., was, “ut almutiis de panno nigro, vel pellibus, caputiorum

loco, uterentur.”

---- _l._ 14, _Tyeis_.--The French and Anglo-Norman form of the

Latin _Teutonicus_. It is the origin of the name of several old

English families.

_P._ 57, _l._ 4, _Cernite_.--The MS. has _scernite_.

_P._ 58, _l._ 2, _Frollo_.--This personage is a famous character in

the fabulous history of Arthur, and is there said to have been King

of Paris under the Romans. When hard pressed by Arthur, who had

conquered “all France and all Germany,” he took refuge in Paris,

and was besieged there. The people in the city beginning to feel

the effects of famine, persuaded Frollo to engage Arthur in single

combat. The battle was said to have taken place in the “isle”

(insula Parisiensis), the part of the French capital included

between the two branches of the Seine, in which, at the present

day, stand Nôtre-Dame and the Palais de Justice, with its beautiful

Sainte-Chapelle. The story of Arthur and Frollo is told at length

in Geoffrey of Monmouth.

---- _ll._ 10, 11, _Arthurus_.--King Arthur, the hero of so many

romances. _Broinsius._ (?) _Constantinus._--Constantine the

Great, whose mother Helena was said to have been a British lady.

_Brennius_: the conqueror of Rome, who, according to the British

history, was a Briton.

_P._ 58, _ll._ 13, 14, _Karolum_--Charlemagne; _Ricardum_--Richard

Cœur-de-Lion: both of whom were the heroes of romances and popular

songs. The same two heroes of French and English fable are

mentioned in a curious passage of the Polychronica of Ralph Higden:

“Quemadmodum Græci suum Alexandrum, Romani suum Octavium, Angli

suum Ricardum, Franci suum Karolum, sic Britones suum Arthurum

præconiantur.” P. 225, in Gale’s Scriptores.

_P._ 59. THE SONG OF THE BARONS.--The transcript of this curious

fragment was communicated to me by Sir Frederick Madden. The

original is written in a contemporary hand on a roll twenty-two

inches long, by three broad, and was evidently intended to be

carried about by the minstrel who was to sing it. On the reverse

had been written a curious interlocutory poem in English of a later

period, entitled, “Interludium de Clerico et Puella.” It was, in

1838, in the possession of the Rev. Dr. Richard Yerburgh, Vicar of

Sleaford, in Lincolnshire.

Such rolls appear to have been in common use. A very curious vellum

roll of the fifteenth century, containing chiefly religious songs

with the music, and, among the rest, a copy of the well-known song

on the battle of Agincourt printed by Percy, has been recently

deposited in the Library of Trinity College, Cambridge. I am

informed that another, of the thirteenth century, has been lately

found among the archives of Sir John Hanmer, Bart., containing

an Anglo-Norman romance previously unknown, on the adventures of

Melors, son of Melians of Cornwall. Among the Sloane MSS. in the

British Museum (No. 809), is an early copy of the curious poem of

Walter de Biblesworth, designed for the instruction of children

in the French language, written in a similar manner on a roll of

parchment, evidently for the purpose of being more easily used in

a school.

---- _l._ 1, _de Warenne ly bon quens ... en Norfolk_.--John, Earl

of Warenne, a staunch supporter of the royal party, in whose cause

we shall soon afterwards find him fighting at Lewes.

---- _l._ 7, _Sire Jon Giffard_.--Sir John Giffard, of Brimsfield,

in Gloucestershire, a firm adherent of the Barons. When Sir

Roger de Clifford delivered Gloucester to Prince Edward, Giffard

fortified his castle of Brimsfield, and greatly annoyed the

royalist garrison of the former place. For an account of his

exploits at this time, see Robert of Gloucester’s Chronicle, pp.

538, 539. He was on the Barons’ party at the battle of Lewes, and

was taken prisoner there; but afterwards, when Simon de Montfort

was in the height of his power, Giffard deserted him. See Robert of

Gloucester, p. 550.

_P._ 60, _l._ 1, _Sire Jon Dayvile_.--Sir John Dayvile, or D’Ayvile

(Robert of Gloucester calls him in one place De Eivile) does not

appear very prominent in these troubles till after the death

of Simon de Montfort at Evesham. He then headed those of the

Barons who established themselves at Chesterford in the Peak, and

afterwards was the chief of those who held the Isle of Ely against

the King. Knighton calls him “homo callidus et bellator fortis.”

See Knighton (in Twysden), col. 2454; Chron. Thomæ Wikes (Gale),

pp. 81, 82; Robert of Gloucester, p. 564.

---- _l._ 7, _De Cliffort ly bon Roger_.--Roger de Clifford first

took part with the Barons, but early in the war deserted them, and

delivered Gloucester castle, which he held for them, to Prince

Edward. He was with the King at Northampton.

---- _l._ 13, _Sire Roger de Leyburne ... ses pertes que Sire

Edward le fist_.--Sir Roger de Leyburn was at first a partizan

of the Barons, and had been taken prisoner at Rochester Castle,

and committed to the custody of John Mareschall. It was on this

occasion, probably, that he was visited with the penalties alluded

to in the song. He was afterwards seduced by the royal party, and

made Warden of the Cinque Ports. He was with the King at the taking

of Northampton, at the defence of Rochester, where he was wounded,

and at Lewes.

_P._ 61, _l._ 16, _Ly eveske de Herefort_.--Peter de Egueblanche,

Bishop of Hereford, a staunch adherent to the King, and, by his

oppressions, exceedingly obnoxious to the Commons. In 1263, the

Barons seized and imprisoned him, and confiscated his treasures. He

was a native of Savoy.

_P._ 62, _l._ 1, _ly pastors de Norwis_.--Simon de Wanton, Bishop

of Norwich, from 1257 to 1265, chaplain to King Henry III., and one

of his justices.

---- _l._ 7, _Sire Jon de Langelé_.--According to the Annales de

Dunstaple, the estates of _G._ de Langley were plundered soon after

the arrest of the Bishop of Hereford:--“idem facientes de maneriis

G. de Langele et ejus bonis.” Vol. i. p. 354. Perhaps this was the

same person.

_P._ 62, _l._ 13, _Sire Mathi de Besile_.--We should perhaps read

_Machi_; Robert of Gloucester and Stow call him _Macy_. He was a

French knight, who had been made Sheriff of Gloucester, after the

King had sworn to the articles of Oxford. The Barons ejected him,

and put another sheriff in his place; Sir Macy came with a body

of armed men and the authority of the King, reinstated himself by

force, and drove away his rival. Sir Roger de Clifford and Sir John

Giffard came against him, besieged and took Gloucester Castle, and

imprisoned him along with the “Freinss bissop” of Hereford, whom

they seized immediately afterwards. Robert of Gloucester mentions

the confiscation of his property:--

“And Sir Jon Giffard nom to him is quic eiȝte echon,

And al that he fond of is, and nameliche at Sserton.”

The song here printed was evidently written just after this event,

and previous to the subsequent desertion of Clifford and others

mentioned in it.

---- _l._ 18, _treget_.--It has been suggested that this word

represents the Latin _treugellum_, a little truce.

---- _l._ 19, _mi Sire Jon de Gray_.--John de Gray held on the

King’s party, and was rewarded for his loyalty by the grant of

various high offices. The circumstance alluded to in the song is

thus told in the Annales de Dunstaple (Ed. Hearne, vol. i. p. 357);

it occurred in the disturbances in London in 1263.--“Quo perpetrato

facinore, cives Londoniarum contra ipsum et alios de consilio regis

in civitate commorantes, insurrexerunt; in tantum quod hospitium

Johannis de Grey extra Ludgate invaserunt, et equos ejus triginta

duo et alia quæcunque ibidem inventa abduxerunt: ipso Johanne cum

difficultate maxima ultra alveum de Flete fugam arripiente. Idem

fecerunt de domibus et bonis Simonis Passelewe.”

---- _l._ 21, _que must_, quod movit.

_P._ 63, _l._ 4, _Sire Willem le Latimer_.--Sir William le Latimer

was a firm adherent of the King, and held at different times

several offices of trust. He suffered considerable losses in the

Barons’ wars. He afterwards appears to have accompanied Prince

Edward to the Holy Land, and was at the siege of Carlaverock in

1300. He died in 1305, at a very advanced age. Knighton calls him

_miles strenuissimus_.

_P._ 63. SONG OF THE PEACE WITH ENGLAND.--It has been suggested

to me that the word _cul_ in this song is only a form of _col_

(collum); and I am told that among the titles of some fables in

the same manuscript there is one of the stork “au long _cul_.” In

this song, however, I am inclined to think such an interpretation

not admissible. It is a rude burlesque not only upon the event to

which it relates, but upon the English in general, and contains

much coarse humour such as is not uncommonly used at the present

day. The grammatical construction is, evidently by design, a

complete confusion of tenses, numbers, and genders. It appears to

me that not a little of the effect it was intended to produce,

depended upon the coarse play upon words involved in the use of

the expression above mentioned. When the reciter introduced King

Henry to his auditors, and they expected he was going to sigh from

his heart, instead of completing the sentence _il suspire de cœur_

(p. 65), _i. e._ ille suspirat de corde, he introduces another

word beginning with the same letter, and says _il suspire de cul_

(ille suspirat de culo). That _Trichart_ in the preceding line

was intended for a pun upon _Richard_, we may conjecture from the

rhymes in the English song on the same person’s name, p. 69. Again,

at p. 66, it would naturally be expected that he would place his

lance against his enemy’s _cœur_; the blow was to be so strong,

that if his opponent did not give way, he would himself suffer in

that part which was in communication with the saddle, and where, of

course, the resistance was concentrated. These jokes must have been

extremely diverting to the class of people for whom this song was

designed.

The Song of the Peace with England had been previously printed by

Mons. Achille Jubinal, well known for his numerous publications

of early French literature, in a very curious volume entitled

“Jongleurs et Trouvères,” 8vo. Paris, 1835. M. Jubinal also gave

a translation into modern French of this song, as well as of the

piece I am now going to mention, in the “Journal de l’Institut

Historique,” Jan. 1835, which has been reproduced in the Histoire

de Saint Louis, by the Marquis de Villeneuve-Trans, 8vo. Paris,

1839, vol. iii. p. 614. In the manuscript from which this song is

printed, it is accompanied by a piece in prose on the same event,

and of a similar character, entitled _Le Chartre de la Pais aus

Anglois_, which I venture to reprint here from M. Jubinal’s book,

as the latter is now out of print, and very scarce. It will be

observed that the same style of gross joking which is found in the

song, runs through the charter; a double meaning was evidently

intended, for example, in the words _qu’il fu fet .i. gros pes

entre, etc._, which might be taken as signifying, in this broken

French, either _grossa pax_, or _grossus peditus_.

_La Chartre de la Pais aus Anglois._

“Ce sache sil qui sont et qui ne sont mi, et qui ne doivent mi

estre, qu’il fu fet .i. gros pes entre ce rai Hari d’Ingleter, et

ce riche homme Loys à Parris, sarra forretier de ce grant forrest

à Normandi. Et quant ce rai Hari d’Ingleter voudra vauchier par

son terre, ce riche homme Loys à Parris voudra donier à ce rai

Hari meismes .ii. poronssores à mester soz son houses, por ester

plus minet; et quant ce rai Hari voudra aler de mort à vie, cestui

riche homme Loys à Parris, devra donier à d’Adouart sa fils

cesti chos meism, souz vise quitement, francement di-je, c’avant

c’arier. C’est donques à saver .i. poronssores quant il voudra

vauchier par son terre à meter soz son houses, por ester plus minet

aussinc comme à sa piere. Et por ce que je véele que ce chos fout

fiens en estable, je véele pendez ma saiele à ce cul par derrier,

avoecques la saiele à mi barons d’Ingleter. L’an de l’incarnacion

nostres sinors Jesoucriet mimes qui souffri mort à la crucefimie

por nous, m. cc. lx. i. ij. et iij., à ce jodi assolier, derrière

ce vendredi, à orre que Marri Masalaine chata ce honissement à

honissier les .v. plais Jesoucriet nostre sinors mimes, qui souffra

mort à la croucefin por nous, et Marri Mauvaise-alaine portez ce

honnissement à la Saint Supoucre; et Marri Mauvaise-alaine véez

l’angiel, et l’angiel pona: “Marri! Marri! quei quieré vous quei?”

Et Marri pona: “Je queres Jhesum qui fout à la crucefimie.” Et

l’angel pona à Marri: “Marri! Marri! aléici, aléici: il ne fout pas

çi, il fout alé cestui matin à Galerrie.”

_P._ 64, _l._ 6, _choison_; from _choir_ (cadere).

_P._ 65, _l._ 6, _gondre Glais grondier_, contra Anglos grunnire.

---- _l._ 9, _à l’art_.--Perhaps it should be _alart_, and is

derived from the Latin _alacriter_.

---- _l._ 11, _la conte à Clocestre_.--Gilbert de Clare, who

succeeded his father in the Earldoms of Hereford and Gloucester in

1262, and was a zealous partizan of the Barons, until he deserted

Simon de Montfort before the battle of Evesham.

---- _l._ 15, _la cont Vincestre_.--Roger de Quincy, Earl of

Winchester. Why his name is introduced so prominently, does not

seem clear. He died in the year following (1264), and the title

became extinct.

_P._ 67, _l._ 3, _Rogier Bigot_.--Roger Bigod, Earl of Norfolk.

_P._ 67, _l._ 18, _Saint Amont_, means, probably, St. Edmund.

_P._ 69. SONG AGAINST THE KING OF ALMAIGNE.--This song was first

printed in Percy’s Reliques of Ancient English Poetry.

---- _l._ 2, _Kyn of Alemaigne_.--It is hardly necessary to say

that this was Richard Earl of Cornwall, the King’s brother.

---- _l._ 3, _Thritti thousent pound_.--The Barons had offered him

this sum, if he would by his intermediation persuade the King to

agree to a peace with them, and at the same time accept the terms

they demanded.

---- _l._ 10, _Walingford_.--The honour of Wallingford had been

conferred on Richard in 1243.

---- _l._ 12.--Windsor was the stronghold of the royal party, and

had been garrisoned by foreigners.

---- _l._ 15, _mulne_.--“After the battle was lost, Richard, King

of the Romans, took refuge in a windmill, which he barricadoed, and

maintained for some time against the Barons, but in the evening

was obliged to surrender. See a very full account of this in the

Chronicle of Mailros.” _Percy._

_P._ 70, _l._ 8.--The Earl of Warenne escaped from the battle, and

fled into France.

---- _l._ 20, _Sire Hue de Bigot_.--Hugh Bigod escaped with the

Earl of Warenne to Pevensey, and from thence to France. He was

cousin to the Hugh Bigod who took part with the Barons, and was

slain at Lewes.

_P._ 71, _l._ 6, _lyard_.--This word (in low Latin _liardus_)

means, properly, a dapple-grey horse; but it is often used, like

several other similar words, as a common name for a horse in

general. I have interpreted it as meaning a hack; but probably the

passage implies a sneer at Edward, who had been more than once

with his army to Dover, in the hope of taking the castle from the

Barons, and the word may mean simply his horse.

_P._ 72, _l._ 13.--The battle of Lewes was fought on Thursday, (?)

May 14, 1264.

_P._ 73, _l._ 36, _in claustro_.--A great part of those of the

King’s party who quitted the field, took shelter in the abbey of

Lewes, where they were besieged by the Barons.

_P._ 74, _l._ 47, _apud Northamptoniam_.--Northampton had been

taken by the King on the third of April preceding.

_P._ 74, _l._ 55, _monasterium, quod Bellum vocatur_.--I have not

found any notice elsewhere of the contributions forced from the

abbies of Battle and Robertsbridge.

_P._ 75, _l._ 1, _monachi Cystercii de Ponte-Roberti_.--There was

an abbey of Cistertian monks at Robertsbridge, in Sussex.

---- _ll._ 73-77.--With these lines may be compared a passage in

Knighton’s Chronicle (ap. Twysden), col. 2445:--“Et sicut Simon

Machabæus surrexit pro fratre suo Juda, ut pro populo Dei et lege

paterna certaret ad mortem; sic et Simon de Monteforti pro Anglia

erexit se, ut pro legibus et libertatibus ejus usque ad mortis

perniciem dimicaret.”

_P._ 76, _l._ 94, _intumuit_.--In the MS. the scribe has written

_intimuit_ in the margin, either as a various reading, or as an

improvement of his own.

_P._ 78, _l._ 128, _bellici_.--The MS. has _vellici_.

_P._ 79, _l._ 145, _gaudii_.--The MS. has _gladii_ in the text,

with _gaudii_ written in the margin.

_P._ 81, _l._ 193, _S. divina gratia præsul Cycestrensis_.--Stephen

de Berkstead, Bishop of Chichester. He was excommunicated for his

staunch adherence to the party of Simon de Montfort.

_P._ 88, _l._ 325, _movisset_.--The MS. has _novisset_.

---- _l._ 330, _for_ proponerat, _read_ proponeret.

_P._ 89, _l._ 252, _invenire_.--The MS. has _inveniere_.

_P._ 94, _l._ 437, _Testis sit Glovernia_.--Alluding to the

delivery of Gloucester to Prince Edward, and his treatment of the

town.

_P._ 102, _l._ 609, _regis et_.--The MS. has _regisset_.

_P._ 104, _l._ 635, _Unius rex, etc._--This line appears to be very

corrupt, as are one or two others in the poem.

The Political Songs of England: From the Reign of John to That of Edward II · 第 23 / 27 段