CHAPTER LIV.

That season of the year was approaching when it is necessary for

foreigners to quit Rome, if they hold their life very dearly; and

Morley Ernstein, though certainly with no thought of malaria, had more

than once proposed to Lieberg to pursue their way to Naples, but for

some reason, best known to himself, the latter had always made some

excuse to delay. In the meantime, he surrounded Morley Ernstein with

temptations of all sorts, upon which we will not dwell, having already

displayed the course which he followed, and the means which he took,

and it being unnecessary to repeat nearly the same story. He did not

succeed, it is true, to any great extent. Some few pieces of

extravagance, Morley certainly was led to commit--some few acts which

he regretted,--not many, but enough to give Lieberg encouragement to

pursue his plan with good hope of success at last; for the water does

not more certainly wear the stone over which it passes, than a

constant familiarity with vicious scenes destroys the moral principle

in the heart of man.

Morley Ernstein would not approach the gaming-table, however, neither

would he drink to anything like excess, though that also was tried by

his dear friend, who well knew, that, as in the case of the Santon,

one folly of such a kind opens the door to vices of all sorts. It may

be asked, what was the object of all this?--it may be said that there

must be a motive for all human actions. Reader, I cannot clearly tell

you what the object was; and Lieberg's conduct certainly seemed more

fiend-like than human. He afterwards indeed uttered some dark words

which were never explained and might be untrue; but if there was not

some deep seated cause of enmity towards Morley Ernstein in his bosom,

arising in circumstances that we know not, we can only guess at his

purposes and motives. To degrade Morley in the eyes of Helen Barham

was certainly one end in view; but besides this, we have seen that his

young companion had on more than one occasion thwarted him in an

object of passion, had mortified his vanity and wounded his pride; and

if we take these causes of offence, acting upon a malignant mind,

together with the natural antipathy that the evil feel towards the

good, and the jealous hatred of a man who sees another preferred by

the being that he loves, the motives may perhaps be considered

sufficient for his conduct. There may indeed have been something

more--I am inclined to believe it was so--but what, I know not.

The struggle was still going on with Morley Ernstein between

temptation and resistance, when, one day, as he was passing along the

Piazza del Popolo, he saw a magnificent carriage, undoubtedly of

English construction, standing before the great hotel, the name of

which I forget, with two or three servants round the door, and the

usual quantity of lackeys, couriers, and ciceroni at the entrance of

the inn. When his eyes first lighted upon it he was at a considerable

distance, and while he was still some thirty yards, a lady came out of

the hotel with a quick step, and entered the vehicle. The door was

closed, the order given where to drive, and the carriage, taking a

turn, dashed past Morley the moment after. There was an earl's coronet

and emblazoned arms upon the panel, and Morley, raising his eyes to

the window, beheld the countenance of Juliet Carr. How often had he

seen that face with joy--ay, even after hope had passed away; and the

first sensation had always been pleasure; but now, there was something

in Juliet's dress and appearance--something in the magnificence of the

equipage--something, perhaps, in his own pre-conceived suspicions

which made the sight of her he loved feel like a heavy blow upon his

heart. She evidently did not see him, and was speaking with a smile to

some one else who was in the vehicle with her. Morley paused for an

instant to recover breath, and then advancing to the inn, determined

to have his doubts satisfied, he asked an English servant, who was

still gazing after the carriage, whose it was.

The man was one of those saucy English footmen who are the disgrace of

many of our noble houses; and to any one but a man of Morley's

distinguished appearance he might have made an insolent reply. To him,

however, he answered, in a civil tone--"The Countess of Clavering,

sir."

"Lord Clavering has not long been married, I think," said Morley, in

as firm a voice as he could command.

"About a month, sir," replied the man, with a grin, "and he has

already gone back to England to attend the house of peers. That was my

lady who just drove away."

Morley turned with his heart burning and his brain whirling round;

but, pausing after he had taken a step or two, with a bitter smile

curling his lip, he took out his card-case, and, walking back, gave

the man a card, saying--"That for Lady Clavering, with my

congratulations."

The attempt to describe the feelings of Morley Ernstein, when the full

agony burst upon him, would indeed be vain. His passionate indignation

approached nearly to madness; his bitter, bitter anguish of spirit

might have tempted him, at that moment, to commit any act which his

worst enemy could wish. He felt it--he knew it to be so--his command

over himself was gone, and he feared to return to the inn where he had

left Lieberg, lest he might be led into some irretrievable step of

folly or of vice. He wandered, then, through the streets of Rome for

several hours, with the hurried pace and unequal step of a man torn by

terrible emotions. He saw nothing that passed him; his eye marked none

of the objects it rested upon; his spirit, busy within itself, seemed

to have lost communication with the bodily senses; and it was nearly

night when he was recalled to himself by some one suddenly seizing his

arm, and exclaiming--"What is the matter, Morley? I have been

following you this half hour, and you do not seem to know where you

are going, or what you are doing."

"Nor do I, Lieberg," replied Morley. "All I have undergone is not

equal to this."

"Nay, nay," said Lieberg; "come back to the hotel, and tell me what is

the matter. By keeping your griefs and anxieties to yourself you more

than double them; and not only that, but you are unjust to me. In

striving to suggest those things which might divert your mind without

knowing what it is that weighs upon it, I very often may propose the

worst things when I wish to offer the best. I beseech you, Morley,

tell me all."

"I will, Lieberg--I will," replied Morley. "I will; but let us go home

first;" and walking quickly on by the side of his companion he took

his way to the hotel, where, casting himself into a chair, he covered

his eyes with his hands for two or three minutes to collect his

thoughts, and then gave Lieberg a hurried and confused account of his

attachment to Juliet Carr, and all that had occurred in the course of

that true love, which had run even more roughly than is usually the

case with the troubled course of human affection.

After he had brought his narrative up to the events of Venice, he

paused, and Lieberg replied--"I had known something of all this,

Morley, but not accurately, and I see I have made several mistakes in

dealing with you. I did not know that you loved her so intensely. You

may think me light, but my passions and attachments are as strong, or

stronger than your own. I believed that you would have acted, if you

truly loved her, as I would have acted under similar circumstances,

that you would have pursued her, struggled against her resolutions,

combated her arguments, set at nought idle vows, and ultimately won

her for your happiness and for her own. But I forgot, Morley, that you

are less experienced in all things than I am, and though passion may

give the impetus to action, it is experience that must guide it to

success. I forgot this, I say, and fancying that you loved her with

one of those half loves, which may be diverted by pleasures and

occupations, or swallowed up in another attachment, I endeavoured to

lead your mind upon a course it could not follow. Now, however, I am

convinced that you do love--at least I believe so, but I shall soon

see, by the steps which you once take when your eyes are open. You

seem to think that she has true affection for you; and, though from

your agitation now, I suppose you have seen her again, and that she

has once more treated you with the same cruel coldness, if you do love

her, you will pursue her with that vigour of determination which will

sweep away all obstacles. There is a might in real passion to which

all inferior things soon bow, and which woman's heart can never

resist, even for an hour, when once convinced that it is truly

present. But that conviction cannot be produced by any sign of

weakness,--you must show her that you love her, as none but strong and

powerful hearts can love. That you are resolved to possess her, or to

die----"

"Vain, vain, vain!" cried Morley, in bitterness of spirit. "It is all

now in vain; she did love me; but driven by some promise extorted by

her father, I suppose, she is now the wife of another!"

Lieberg started, and gazed upon him in surprise, then grasped his arm,

and with his dark star-like eyes fixed on his face, exclaimed--"Take

her from him! What right has he to possess her? Is she not yours?

Yours by the bond of the heart's affection--yours by the tie that is

beyond the earth--yours by the union of spirit with spirit! Talk not

to me of human laws and ordinances, where the soul itself recognises a

rule that is defined. You are her husband, if with the true intensity

of heaven's own fire you love her and she loves you. You are her

husband, I say, and every hour of her union with another is adultery.

Take her from him, Morley--take her from him, be he who he may.

Scruple at no means, stop at no pitiful considerations; it is due to

her as well as to yourself--it is due to her in every sense. Think,

think of the long and lasting misery that she must endure. Do you not

know--are you not sure that every hour she must recollect you? What

human ordinance will blot you out from her memory? What empty words,

spoken at an altar, will erase from her heart the husband of her early

dreams. Morley, if you are a lover--if you are a man--you will spare

that sweet, mistaken girl the hell-fire tenderness of him whom she

cannot love!"

"Hush, hush, hush!" cried Morley. "You will drive me mad!"

"You are mad already, Morley", replied Lieberg, "or you would fly to

her at once. You would show her the brow which she loves, scathed with

the lightning of passion, the form of him to whom she promised heaven,

blighted by the consuming hell of disappointed affection. You would

call upon her to remedy the wrong that she has committed--you would

urge her with those words of power, the omnipotent magic of love, to

save you from despair, destruction, and death, and to give you back

the joy of which she has robbed you."

Thus did he proceed, reader, adding to the words he spoke, that

overpowering eloquence of look, gesture, and tone, which has far more

effect than language, but can never be described. Let it be

remembered, too, that this was addressed to Morley Ernstein at a

moment when the whole powers of his mind were shaken by the agony he

endured, when reason herself tottered on her throne, and despair had

broken down the great prop of all good principle--hope. He sat and

listened, not without a knowledge that there was wrong and evil in the

words he heard; but it was as a man for whom all life's joys and

expectations are extinct, and who, in a moment of frenzied

desperation, takes quietly the cup he knows to be poisoned, and drains

it with a bitter smile.

At length, however, he rose, and said, "Lieberg, I will leave you for

to-night. I cannot converse with any one--my story is scarcely told,

but a few words more will do it. She is married to a man as old as her

father--to a Lord Clavering--"

"Why, he is just gone to England!" exclaimed Lieberg.

"I know it," answered Morley, "and has left her here."

"Fly to her, Morley--fly to her!" cried Lieberg, grasping his

hand--"fly to her this very night!"

"No," answered Morley, "no! Whatever I do, I must have time for

thought."

Thus saying, he left him, and in the silence and solitude of his own

chamber, paced up and down for more than an hour, with the better

spirit within him struggling vehemently against the spell, but too

weak to cast it off by its own efforts.

"I must fly," he said to himself, at length--"I must fly from this

man, or he will destroy me. I will fly speedily, both from him and

from the presence of her who has cast away my happiness and her own.

To-morrow I will seek for the means, and to-night I will see him no

more. I will throw off his dangerous companionship. To avoid evil is

the next thing to conquering it."

He opened the door to call his servant Adam Gray; the old man was

sitting at the other side of the antechamber, and looking eagerly

towards the entrance of his master's room.

"I have knocked twice, sir," he said, "but you did not hear me."

"I was busy with very sad meditations, Adam," replied his master.

"I thought so, sir," answered the old man, simply, "for I saw to-day

the person who always causes them--I wish I might say all--"

"Say nothing, my good Adam--say nothing upon that subject," replied

Morley.

"No; I must not tell anything now, sir," rejoined Adam Gray, "but the

time will come for me to speak."

"You said you knocked," continued Morley, gravely; "what do you want?"

"Why, sir," replied Adam, "there's another person in Rome besides her;

a person whom you will be glad to see, I think; and who will be glad

enough to see you, poor thing!"

"Who is that?" demanded his master; the expression, "poor thing,"

showing him that his old servant spoke of some person he believed to

be attached to him, and making his mind immediately turn to Veronica.

Alas, he never thought of Helen Barham!

"Why, sir, it is the young lady who was for some time with Lady

Malcolm," replied Adam Gray. "Miss Barham, or Miss Helen, as people

always call her. I saw her maid looking about the town with the

courier, about an hour or two ago, and told them where you were, so

just now the courier brought this note for you."

Morley ordered lights into his room, and taking the note, read as

follows:--

"MY DEAR SIR;

"Although, under ordinary circumstances, it might seem strange for me

to ask you to come to see me, yet I feel that it would show a want of

gratitude were I to be in the same city with yourself and not tell you

that I am here. But I have another excuse for that which I acknowledge

I am very willing to do. You are, I dare say, aware, by this time, of

my poor brother's death, and that the property which to my great

regret, he claimed and obtained from you, has descended to me. There

is still, however, some business to settle in regard to it, which I am

sure he would have wished to arrange himself as I propose, if his life

had been spared to do so. In regard to these arrangements, I could

much wish to speak with you, as well as to assure you that I am, ever

most truly,

"Your grateful,

"HELEN BARHAM."

"P.S. I will wait at home to-morrow till you call, unless you let me

know that it is inconvenient to do so on that day."

Morley answered the note at once, and named the hour, and this return

to the ordinary things of life had some effect in calming his mind

again. Twice he asked himself why Adam Gray had called Helen "poor

thing," but he turned his thoughts away from the images to which the

reply gave rise.

Morley Ernstein; or, the Tenants of the Heart · 第 54 / 59 章