HANDS AS THEY ARE SHOOK.

(_NEW STYLE._)

In healthier times, when friends would meet

Their friends in chamber, park, or street,

Each, as hereunder, each would greet.

Tour level hand went forth; you clasped

Your crony's; each his comrade's grasped--

If roughly, neither friend was rasped.

Such was the good old-fashioned one

Of honest British "How d'ye do?"

I think it manly still--don't you?

But _now_, when smug acquaintance hails

A set that would be "smart," but fails,

Another principle prevails.

The arm, in lifted curve displayed,

Droops limply o'er the shoulder-blade,

As needing some chirurgeon's aid:

The wrist is wrenched of JONES and BROWN,

Those ornaments of London Town;

Their listless fingers dribble down:

BROWN reaches to the knuckle-bones

Of thus-excruciated JONES;

BROWN's hand the same affliction owns.

At length his finger-tips have pressed

The fingers of his JONES distressed:

Both curvatures then sink to rest.

A sort of anguish lisped proceeds

Prom either's mouth, but neither heeds

The other's half-heroic deeds.

Exhausted, neither much can say;

Complacent, each pursues his way;

And JONES and BBOWN have lived to-day.

For both have sought by strenuous strain

To demonstrate, in face of pain,

That friends they were, and friends remain.

Ah, wonderful! Can Poets deem

Self-sacrifice a fading dream?

Are salutations what they seem?

Is BROWN some Altruist in disguise,

And JONES an Ibsenite likewise,

That thus they flop and agonise?--

Or are the pair affected fools,

Who catch by rote the silly rules

Of third-rate fashionable schools?

* * * * *

Punch, or the London Charivari, Volume 100, March 28, 1891 · 第 31 / 38 题