© Universal Pictures Corp.; 16Mar23; LP18788.

WHY DOWN YEAST. © 1921.

Credits: H. K. Ward.

© Super Art Productions (Kenneth Ward, author); title, descr. & 82

prints, 16May21; LU16556.

WHY ELEPHANTS LEAVE HOME. © 1924.

© Pathe Exchange, Inc. (Fred A. Ellis, author); title, descr. & 36

prints, 9Jan24; MU2401.

WHY GEORGE! (Stern Brothers Comedy) (Let George Do It Series) 1926. 2

reels.

Credits: Director, Charles Lamont.

© Universal Pictures Corp.; 8May26; LP22693.

WHY GERMANY MUST PAY. Presented by Screen Classics, Inc. 1918. 5

reels.

Credits: Director general and director, Charles Miller; original

story, Maxwell Karger; scenario, June Mathis, A. S. Le Vino.

© Metro Pictures Corp.; 31Dec18; LP13265.

WHY GET MARRIED? © 1924.

© Associated Exhibitors, Inc. (William M. Conselman, author); title,

descr. & 140 prints, 20Feb24; LU19935.

WHY GIRLS GO BACK HOME. 1926. 6 reels.

Credits: Director, James Flood; story, Catherine Brody; scenario,

Sonya Hovey; adaptation, Walter Morosco.

© Warner Bros. Pictures, Inc.; 3Apr26; LP22564.

WHY GIRLS LEAVE HOME. 1913. 2 reels. A new version of the Edison

comedy.

© Thomas A. Edison, Inc.; 15Sep13; LP1253.

WHY GIRLS LEAVE HOME. 1921. 8 reels. Adapted from the play by William

H. Nigh.

Credits: Director, William H. Nigh.

© Warner Bros.; 20Sep21; LP16977.

WHY GIRLS LOVE SAILORS. © 1927.

© Pathe Exchange, Inc. (Hal Roach, author); title, descr. & 39

prints, 18May27; LU23977.

WHY GIRLS SAY NO. © 1927.

© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 37

prints, 14Jan27; LU23537.

WHY GO HOME? © 1920.

© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 20

prints, 31Jan20; LU14717.

WHY GORILLAS LEAVE HOME. 1929. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Conklin.

© Paramount Famous Lasky Corp.; 11Jan29; LP14.

WHY HENRY LEFT HOME. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

© Metro Pictures Corp.; 9Jan18; LP11915.

WHY HESITATE. (Educational-Christie Comedies) 1925. 2 reels.

Credits: Frank Roland Conklin; director, Archie Mayo.

© Christie Film Co., Inc.; 21Apr25; LP21374.

WHY HURRY. (Educational-Christie Comedies) 1924. 2 reels.

Credits: Director, Harold Beaudine.

© Christie Film Co., Inc.; 27Oct24; LP20694.

WHY HUSBANDS GO MAD. © 1924.

© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 18

prints, 5Jun24; LU20281.

WHY I AM HERE. 1913. 1 reel.

Credits: Director, Ralph Ince.

© The Vitagraph Co. of America (James Oliver Curwood, author);

17Jul13; LP1462.

WHY I WOULD NOT MARRY. 1918. 6 reels.

Credits: Director, Richard Stanton; scenario, Adrian Johnson.

© William Fox (Fox Film Corp., author); 24Nov18; LP13069.

WHY IS A PLUMBER. (Roach Star Comedies) 1929. 2 reels, sd., b&w.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard

Currier.

© Metro-Goldwyn-Mayer Distributing Corp.; 11Mar29; LP198.

WHY JONESVILLE WENT DRY. SEE When Women Go on the Warpath.

WHY KIDS LEAVE HOME. (A Grantland Rice Sportlight) © 1925.

Credits: Producer, John L. Hawkinson.

© Pathe Exchange, Inc. (John L. Hawkinson, author); title, descr. &

20 prints, 6Jul25; MU3092.

WHY LEAVE HOME. 1929. 6,388 ft.

Credits: Director, Raymond Cannon; play, Russell Medcraft, Norma

Mitchell; adaptation, Robert S. Carr; dialogue, Walter Catlett;

editor, Jack Murray.

© Fox Film Corp.; 22Aug29; LP626.

WHY LEE! (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

© Universal Film Mfg. Co., Inc.; 23Apr20; LP15045.

WHY LIFE INSURANCE. 1931. Filmstrip.

© The Northwestern Mutual Life Insurance Co. (Nelson D. Phelps and

Russell Thierbach, authors); 10Sep31; MP3077.

WHY LOVE IS BLIND. 1916. 3 reels.

Credits: Director, George Nicholls.

© Selig Polyscope Co. (William A. McGuire, author); 1Jan16; LP7390.

WHY MEN FORGET. 1922. 5 reels. From the novel "Demos" by George

Gissing.

Credits: Scenario, Denison Clift.

© R-C Pictures Corp.; 14Jan22; LP17457.

WHY MEN LEAVE HOME. © 1913.

© Universal Film Mfg. Co. (Albert Glassmire, author); title, descr.

& 114 prints, 5May13; LU674.

WHY MEN LEAVE HOME. First National. 1924. 8 reels. Adapted from the

play by Avery Hopwood.

Credits: Producer and director, John M. Stahl; adaptation, A. P.

Younger.

© Louis B. Mayer; 12Mar24; LP19986.

WHY MEN LEAVE HOME. First National. Presented by Louis B. Mayer. 1924.

8 reels. From the play by Avery Hopwood.

Credits: Director, John M. Stahl; adaptation, A. P. Younger.

© Louis B. Mayer Productions, Inc.; 12Mar24; LP20057.

WHY MEN WORK. (Hal Roach Comedy) © 1924.

© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 20

prints, 2Oct24; LU20631.

WHY MICE LEAVE HOME. © 1924.

© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20

prints, 20Feb24; MU2444.

WHY MRS. JONES CHOOSES ICE. 1932. 1 reel.

© Guy L. Andre; 19Feb32; MP3252.

WHY MRS. KENTWORTH LIED. Imp. 1916. 3 reels. Adapted from the story by

Hugh Weir.

Credits: Producer, Matt Moore; adaptation, Norbert Lusk.

© Universal Film Mfg. Co., Inc.; 21Apr16; LP8132.

WHY MULES LEAVE HOME. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

© Universal Pictures Corp.; 21Feb27; LP23698.

WHY MULES LEAVE HOME. (Paul Terry-Toons) Educational. Presented by E.

W. Hammons. 1934. 516 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A.

Scheib.

© Moser & Terry, Inc.; 4Sep34; MP4960.

WHY NOT. SEE The Dream Lady.

WHY NOT NOW? (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Director, Eddie Lyons, Eugene DeRue; scenario, Bob McGowan.

© Arrow Film Corp.; 4Apr22; LP17724.

WHY PAY RENT? 1923. 2 reels.

Credits: Director, Jack Blystone.

© William Fox (Fox Film Corp., author); 26Aug23; LP19439.

WHY PAY RENT? 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Dolph Singer, Jack Henley.

© The Vitaphone Corp.; 1Jul35; LP5638.

WHY PAY YOUR RENT? 1924. 1 reel.

Credits: Director, William H. Watson.

© Universal Pictures Corp.; 3May24; LP20147.

WHY PEOPLE BUY LIFE INSURANCE. (Series for the Instruction of Life

Insurance Salesmen, v. 3) 1930. 1 reel.

Credits: W. H. Hoedt.

© The Life Insurance Sales Research Bureau (W. H. Hoedt Studios,

author); 4Jan30; MP1240.

WHY PICK ON ME? © 1918.

© Pathe Exchange, Inc. (Rolin Film Co., author); title, descr. & 36

prints, 10Aug18; LU12737.

WHY SAILORS GO WRONG. 1928. 6 reels, b&w, light amber sequences.

Credits: Director, Henry Lehrman; story, William Conselman, Frank

O'Connor; scenario, Randall H. Faye.

© Fox Film Corp.; 16Mar28; LP25087.

WHY SMITH LEFT HOME. Paramount-Artcraft. Presented by Jesse L. Lasky.

1919. 5 reels.

Credits: Director, Donald Crisp; story, George Broadhurst; scenario,

Elmer Harris.

© Famous Players-Lasky Corp.; 29Sep19; LP14227.

WHY THE KNIGHT ENGINE IMPROVES WITH USE. 1927. 1 reel.

© Willys-Overland, Inc. (Raymond J. Faller, author); 24Sep27;

MP4416.

WHY THE SHERIFF IS A BACHELOR. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

© Selig Polyscope Co. (Tom Mix, author); 10Oct14; LP3505.

WHY THE SUPERIOR WHIPPET SIX IS A HIGH CLASS LOW PRICE CAR. 1929. 1

reel.

© Willys-Overland, Inc. (Raymond J. Faller, author); 18Feb29;

MP5906.

WHY THE WHIPPET IS YOUR 1930 OPPORTUNITY. 1930. 1 reel.

© Willys-Overland, Inc. (Raymond J. Faller, author); 14Jul30;

MP1751.

WHY THE WHIPPET SIX IS A DISTINCTIVE SIX. 1928. 1 reel.

© Willys-Overland, Inc. (Raymond J. Faller, author); 31Aug28;

MP5368.

WHY THE WILLYS SIX WAS UNIVERSALLY ACCEPTED. 1930. 1 reel.

© Willys-Overland, Inc. (Raymond J. Faller, author); 28Feb30;

MP1286.

WHY THERE IS NO SUBSTITUTE FOR WILLYS KNIGHT PERFORMANCE. 1929.

© Willys-Overland, Inc. (Raymond J. Faller, author); 24Apr29; MP214.

WHY THEY LEFT HOME. Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; scenario, C. B. Hoadley.

© Universal Film Mfg. Co., Inc.; 20Aug17; LP11274.

WHY TRUST YOUR HUSBAND. 1921. 5 reels.

Credits: Director, George E. Marshall; story, George E. Marshall,

Paul Cazeneuve; scenario, William M. Conselman.

© William Fox (Fox Film Corp., author); 16Jan21; LP16064.

WHY, UNCLE? Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Bess Meredyth;

scenario, Charles J. Wilson, Jr.

© Universal Film Mfg. Co., Inc.; 11Jan17; LP9972.

WHY WAIT? 1924. 1 reel.

Credits: Director, Slim Summerville.

© Universal Pictures Corp.; 4Jan24; LP19798.

WHY WATER TREATMENT IS NECESSARY IN THE MANUFACTURE OF ICE. © 1926.

© Middle West Utilities Co. (A. J. Authenrieth, author); title & 2

prints, 28Oct26; MU3661.

WHY WOMEN DIVORCE. © 1929.

© American General Film Co. (James Vincent, author); title, descr. &

150 prints, 3Sep29; LU654.

WHY WOMEN LOVE. Presented by Edwin Carewe. 1925. 7 reels. Adapted from

the play "The Sea Woman" by Willard Robertson.

Credits: Director, Edwin Carewe; scenario, Lois Leeson.

© First National Pictures, Inc.; 15Oct25; LP21909.

WHY WOMEN PAY. (A Life Cartoon Comedy) 1926. 1 reel.

© Sherwood-Wadsworth Pictures, Inc.; 16Dec26; LP23443.

WHY WOMEN RE-MARRY. 1923. 5 reels.

Credits: Director, John Gorman; story, Van A. James.

© Associated Photoplays, Inc.; 27Mar23; LP18822.

WHY WORRY? (Star Comedy) 1918. 1 reel.

Credits: Story, Lyons-Moran; scenario, Frank Howard Clark.

© Universal Film Mfg. Co., Inc.; 9Nov18; LP13030.

WHY WORRY. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

© Goldwyn Pictures Corp. (National Film Corporation of America,

author); 7Jun21; LP16656.

WHY WORRY? © 1923.

© Pathe Exchange, Inc. (Sam Taylor, author); title, descr. & 118

prints, 11Aug23; LU19294.

WHY YOU ARE AND WHAT YOU ARE; nos. 1 & 2. © 1925.

© Marinello Co. (Edna Purdy Walsh, author); title, descr. & 2 prints

each, 5Feb25; MU2900, MU2901.

WHYS AND OTHER WHYS. SEE Felix the Cat in Whys and Other Whys.

WICKED. 1931. 5,200 ft., sd.

Credits: Associate producer, John W. Considine, Jr.; director, Allan

Dwan; editor, Jack Dennis.

© Fox Film Corp.; 1Sep31; LP2475.

THE WICKED CAT. © 1922.

© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 14

prints, 4Mar22; MU2121.

THE WICKED CITY. © 1926.

© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 18

prints, 23Jan26; MU3303.

THE WICKED DARLING. 1919. 6 reels.

Credits: Director, Tod Browning; story, Evelyn Campbell; scenario,

Harvey Gates.

© Universal Film Mfg. Co., Inc.; 3Feb19; LP13356.

THE WICKED KASIMIR. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward Bowes.

© Metro-Goldwyn-Mayer Distributing Corp.; 7Apr28; MP5031.

WICKED WEST. (Oswald Cartoon) Snappy. Winkler. 1929. 1 reel.

Credits: Isadore Freleng.

© Universal Pictures Corp.; 27Apr29; LP340.

A WICKED WOMAN. 1934. 8 reels, sd., b&w. From the novel by Anne

Austin.

Credits: Director, Charles Brabin; screenplay, Florence Ryerson,

Zelda Sears; film editor, Ben Lewis; music score, William Axt.

© Metro-Goldwyn-Mayer Corp.; 1Dec34; LP5160.

WICKEDNESS PREFERRED. 1928. 6 reels, sd., b&w.

Credits: Producer and director, Hobart Henley; screenplay, Florence

Ryerson, Colin Clements; titles, Robert Hopkins; film editor,

William Hamilton.

© Metro-Goldwyn-Mayer Distributing Corp.; 28Jan28; LP25216.

WICKLOW GOLD. © 1927.

© George Crommey (John McDonagh, author); title, descr. & 76 prints,

9Jul27; LU24317.

WIDE AWAKE. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Written and directed by Norman Taurog.

© White Productions, Inc.; 22Apr25; LP21395.

WIDE OPEN. Trailer. 1929. 1 reel, sd.

© The Vitaphone Corp.; 25Nov29; MP897.

WIDE OPEN. Vitaphone. 1930. 7 reels. From the novel "The Narrow

Street" by Edwin Bateman Morris.

Credits: Director, Archie Mayo; screenplay, James A. Starr, Arthur

Caesar.

© Warner Bros. Pictures, Inc.; 13Jan30; LP992.

WIDE OPEN FACES. © 1926.

© Pathe Exchange, Inc. (Mack Sennett, author); title, descr. & 40

prints, 23Jan26; LU22307.

WIDE OPEN FACES. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

© Universal Pictures Corp.; 17Aug26; LP23040.

WIDE OPEN FACES. 1938. 7 reels, sd.

Credits: Associate producer, Edward Gross; director, Kurt Neumann;

original story, Richard Flournoy; screenplay, Earle Snell, Clarence

Marks, Joe Bigelow; additional dialogue, Pat C. Flick; film editor,

Jack Ogilvie.

© David L. Loew Productions, Inc.; 24Feb38; LP7852.

THE WIDE OPEN SPACES. © 1924.

© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 34

prints, 30Jun24; LU20348.

THE WIDE OPEN SPACES. Presented by the Masqueraders Club of Hollywood.

1932. 2 reels, sd., b&w.

Credits: Director, Arthur Rosson; story, Walter Weems, Edward Earle;

film editor, Russell Schoengarth.

© RKO Pathe Pictures, Inc.; 25Jan32; LP3419.

A WIDE OPEN TOWN. 1922. 5 reels.

Credits: Producer, Ralph Ince; story, Earle Mitchell; scenario,

Edward J. Montagne.

© Selznick Pictures Corp.; 10Feb22; LP17564.

THE WIDE WRONG WAY. (Is Marriage Scared?) 1917. 28 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

© Essanay Film Mfg. Co.; 10Jan17; LP9962.

THE WIDOW. © 1914.

© American Film Mfg. Co. (Theodosia Harris, author); title & descr.,

14Aug14; 45 prints, 15Aug14; LU3193.

WIDOW BY PROXY. 1919. 5 reels. From the play by Catherine Chisholm

Cushing.

Credits: Director, Walter Edwards; scenario, Julia Crawford Ivers.

© Famous Players-Lasky Corp.; 9Aug19; LP14074.

THE WIDOW DANGEROUS. 1918. 2 reels.

Credits: Director, Allen Watt; story, Alfred Henry Lewis;

adaptation, George H. Plympton.

© Broadway Star Features Co., Inc.; 19Aug18; LP12762.

THE WIDOW FROM CHICAGO. First National and Vitaphone. 1930. 64 min.,

sd.

Credits: Director, Edward Cline; screen version and dialogue, Earl

Baldwin.

© First National Pictures, Inc.; 29Nov30; LP1778.

THE WIDOW FROM CHICAGO. Trailer. 1930. 1 reel.

© The Vitaphone Corp.; 6Oct30; MP1956.

THE WIDOW FROM MONTE CARLO. Presented by Warner Bros. Pictures, Inc.

and The Vitaphone Corp. 1936. 7 reels, sd. Based on the play by Ian

Hay [pseud. of John Hay Beith] and A. E. W. Mason.

Credits: Director, Arthur Greville Collins; screenplay, F. Hugh

Herbert, Charles Belden, George Bricker.

© Warner Bros. Pictures, Inc.; 20Jan36; LP6064.

WIDOW MUGGIN'S WEDDING. © 1914.

© Biograph Co.; title, descr. & 63 prints, 23May14; LU2750.

THE WIDOW OF RED ROCK. 1914. 1 reel.

Credits: Director, Wallie Van [pseud. of Wally Van Nostrand].

© Vitagraph Co. of America (Elizabeth R. Carpenter, author);

20May14; LP2747.

THE WIDOW'S BREEZY SUIT. 1915. 1,000 ft.

Credits: Sally Spotswood; director, Will Louis.

© Thomas A. Edison, Inc.; 1Oct15; LP6547.

A WIDOW'S CAMOUFLAGE. © 1918.

Credits: Director, Allen Curtis.

© National Film Corp. (Tom Gibson, author); title & descr., 25Apr18;

11 prints, 12Apr18; LU12331.

THE WIDOW'S INVESTMENT. © 1914.

© American Film Mfg. Co. (Jessie F. Calif, author); title, descr. &

62 prints, 23Apr14; LU2555.

THE WIDOW'S KIDS. © 1913.

© Biograph Co. (Anita Loos, author); title, descr. & 26 prints,

31Jul13; LU1046.

THE WIDOW'S MIGHT. 1917. 5 reels.

Credits: Director, William C. De Mille; story, Marion Fairfax.

© Jesse L. Lasky Feature Play Co.; 26Dec17; LP11880.

WIDOW'S MIGHT. SEE Careless Lady.

THE WIDOW'S SECOND MARRIAGE. 1912. 650 ft.

© Thomas A. Edison, Inc.; 26Sep12; LP9.

THE WIDOW'S SECRET. Victor. 1915. 2 reels.

Credits: Producer, J. Warren Kerrigan; scenario, Neil Shipman.

© Universal Film Mfg. Co., Inc.; 8Dec15; LP7173.

THE WIDOW'S SUITORS. 1913. 1 reel.

Credits: Charles H. France.

© Thomas A. Edison, Inc.; 27Sep13; LP1314.

THE WIFE. © 1914.

© American Film Mfg. Co. (Harry Pollard, author); title, descr. & 63

prints, 24Feb14; LU2201.

WIFE. © 1914.

© Eclair Film Co., Inc.; title, & 29 prints, 4Jun14; descr.,

23May14; LU2810.

WIFE. © 1914.

© Société Française des Films et Cinématographes Éclair; title,

descr. & 26 prints, 24Apr14; LU2566.

THE WIFE. 1914.

© Klaw & Erlanger (Protective Amusement Co., author); 28May14;

LP3032.

WIFE AGAINST WIFE. Presented by Whitman Bennett. 1921. 6 reels. From

the play "The Price" by George Broadhurst.

Credits: Director, Whitman Bennett; screenplay, Dorothy Farnum.

© Whitman Bennett; 29Aug21; LP16919.

WIFE AGAINST WIFE. Presented by Whitman Bennett. 1921. 6 reels. From

the play "The Price" by George Broadhurst.

Credits: Director, Whitman Bennett; adaptation, Dorothy Farnum.

** © Whitman Bennett; 28Sep21; LP17015.

WIFE AND AUTO TROUBLE. © 1916.

© Triangle Film Corp. (Mack Sennett, author); title, descr. & 356

prints, 28Mar16; LU7935.

WIFE AND AUTO TROUBLE. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Del Henderson.

© Triangle Film Corp. (Mack Sennett, author); 28Feb16; LP8837.

A WIFE AT BAY. Rex. 1916. 2 reels.

Credits: J. Grubb Alexander; producer, Ben Wilson.

© Universal Film Mfg. Co., Inc.; 10May16; LP8260.

THE WIFE BREAKERS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Story and direction, Eddie Lyons, Lee Moran.

© Universal Film Mfg. Co., Inc.; 19Mar19; LP13511.

A WIFE BY PROXY. 1917. 5 reels.

Credits: John B. Clymer, Charles A. Logue; director, John F.

Collins; scenario, June Mathis.

© Columbia Pictures Corp.; 9Jan17; LP9935.

A WIFE BY PURCHASE. SEE God's Law and Man's.

WIFE, DOCTOR, AND NURSE. 1937. 7,700 ft., sd.

Credits: Director, Walter Lang; screenplay, Kathryn Scola, Darrell

Ware, Lamar Trotti; music, Arthur Lange.

© Twentieth Century-Fox Film Corp.; 17Sep37; LP7780.

A WIFE FOR A RANSOM. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

© Universal Film Mfg. Co., Inc.; 5May16; LP8232.

THE WIFE HE BOUGHT. 1918. 5 reels.

Credits: Director, Harry L. Solter; scenario, Harvey Gates.

© Bluebird Photoplays, Inc.; 15Jan18; LP11952.

WIFE, HUSBAND, AND FRIEND. 1939. 7,280 ft., sd. Based on a novel by

James M. Cain.

Credits: Director, Gregory Ratoff; screenplay, Nunnally Johnson;

music director, David Buttolph.

© Twentieth Century-Fox Film Corp.; 3Mar39; LP8967.

WIFE IN DEATH ONLY. © 1915.

© Lucien Muratore; title, descr. & 37 prints, 17Dec15; LU7232.

WIFE IN NAME ONLY. 1923. 5 reels. Adapted from the novel by Bertha M.

Clay [pseud. of Charlotte Mary Brame].

Credits: Director, George W. Terwilliger.

© Pyramid Pictures, Inc.; 23Aug23; LP19343.

WIFE IN SUNSHINE. (Is Marriage Sacred?) 1916. 31 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

© Essanay Film Mfg. Co.; 27Dec16; LP9841.

WIFE INSURANCE. (Superba, no. 4) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story,

Jean W. Yarbrough, Jack Townley; film editor, John Lockert.

© RKO Radio Pictures, Inc.; 9Jul37; LP7296.

WIFE NUMBER TWO. 1917. For Fox Film Corp. 5 reels.

Credits: Adapted and directed by William Nigh.

© William Fox (William Nigh, author); 29Jul17; LP11149.

THE WIFE O' RILEY. 1931. 2 reels.

Credits: Producer, Lou Brock; director, Mark Sandrich; story and

dialogue, Eddie Moran, Charles Lamont, Mark Sandrich; film editor,

Ted Cheesman.

© RKO Radio Pictures, Inc.; 2Mar31; LP2057.

THE WIFE OF GENERAL LING. 1938. 8 reels, sd.

Credits: Producer, John Stafford; director, Ladislaus Vajda;

original story, Dorothy Hope, Peter Cheyney; screen story, Akos

Tolnay; scenario and dialogue, Reginald Long; editor, R. Thomas;

music director, Jack Beaver.

© Gaumont British Picture Corp. of America (Premier Stafford

Productions, Ltd., England, author); 10Jan38; LP8220.

THE WIFE OF STEPHAN TROMBOLT. SEE Wonder of Women.

WIFE OF THE CENTAUR. Presented by Louis B. Mayer. 1924. 7 reels. Based

on the novel by Cyril Hume.

Credits: Director, King Vidor; scenario, Douglas Doty; film editor,

Hugh Wynn.

© Metro-Goldwyn Pictures Corp.; 12Dec24; LP20909.

THE WIFE OF THE PARTY. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

© The Vitaphone Corp.; 18Sep36; LP6602.

THE WIFE OF THE PARTY. SEE Gold Dust Gertie.

A WIFE ON TRIAL. Butterfly. 1917. 5 reels. From the novel "The

Rose-Garden Husband" by Margaret Widdemer.

Credits: Director, Ruth Ann Baldwin; scenario, Leo O. Pierson.

© Universal Film Mfg. Co., Inc.; 21Jul17; LP11123.

WIFE SAVERS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,434

ft. Based on the production by Florenz Ziegfeld of the play "Louie

the Fourteenth" by Arthur Wimperis; from the German of Paul Frank

and Julius Wilhelm.

Credits: Producer, James Cruze; associate producer, B. P. Schulberg;

director, Ralph Ceder; screenplay, Tom J. Geraghty, Grover Jones.

© Paramount Famous Lasky Corp.; 7Jan28; LP24839.

WIFE SHY. (Bobby Vernon Comedies) Educational Film Exchanges, Inc.

1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

© Christie Film Co., Inc.; 5Oct26; LP23190.

WIFE TAMERS. © 1926.

© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 38

prints, 15Mar26; LU22489.

THE WIFE TRAP. Paramount. UFA. Presented by Hamilton Theatrical Corp.

1922. 6 reels. From the play "The Confession" by Ernst Vajda.

Credits: Director, Robert Wullner; adaptation, Joe May, William

Auspitzer.

© Famous Players-Lasky Corp.; 7May22; LP17910.

WIFE TROUBLE. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Wallace McDonald.

© Educational Film Exchanges, Inc.; 26Sep28; LP25756.

WIFE VS. SECRETARY. 1936. 85 min., sd., b&w. From the story by Faith

Baldwin.

Credits: Producer, Hunt Stromberg; director, Clarence Brown;

screenplay, Norman Krasna, John Lee Mahin, Alice Duer Miller; film

editor, Frank E. Hull; music score, Herbert Stothart, Edward Ward.

© Metro-Goldwyn-Mayer Corp.; 26Feb36; LP6177.

WIFE WANTED. 1914. 2 reels.

Credits: Director, Ralph Ince.

© Vitagraph Co. of America (Joseph Allen & Marguerite Bertsch,

authors); 12Jun14; LP2862.

THE WIFE WHO WASN'T WANTED. 1925. 7 reels. From the novel by Gertie de

S. Wentworth-James.

Credits: Director, James Flood; adaptation, Bess Meredyth.

© Warner Bros. Pictures, Inc.; 14Jul25; LP21650.

THE WIFELESS HUSBAND. (Is Marriage Sacred?) 1917. 30 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

© Essanay Film Mfg. Co.; 17Mar17; LP10405.

A WIFE'S AWAKENING. 1921. 6 reels.

Credits: Jack Cunningham; director, Gasnier; scenario, Joseph

Dubray.

© Robertson-Cole; 16Sep21; LP16963.

THE WIFE'S BIRTHDAY. 1929. 2 reels, sd.

Credits: Director, Monte Brice.

© Paramount Famous Lasky Corp.; 25Oct29; LP791.

A WIFE'S FOLLY. Big U. 1917. 2 reels.

Credits: James R. Garey; director, Ben Wilson.

© Universal Film Mfg. Co., Inc.; 8Jan17; LP9942.

A WIFE'S INNOCENCE. Special Laemmle. 1916. 1 reel.

© Universal Film Mfg. Co., Inc.; 13Sep16; LP9104.

THE WIFE'S RELATIONS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Maurice Marshall; story,

Adolph Unger; story and adaptation, Stephen Cooper; film editor,

Arthur Roberts.

© Columbia Pictures Corp.; 14Feb28; LP24991.

A WIFE'S ROMANCE. 1923. 6 reels.

Credits: Direction, Thomas Heffron; adaptation, W. H. Roberts.

© Metro Pictures Corp.; 9Oct23; LP19488.

A WIFE'S SACRIFICE. 1916. For Fox Film Corp. 5 reels.

Credits: Written and produced by J. Gordon Edwards.

© William Fox (J. Gordon Edwards, author); 26Mar16; LP7933.

THE WIFE'S STRATAGEM. 1914. 1 reel.

© Biograph Co.; 22Oct14; LP3582.

A WIFE'S SUSPICION. Gold Seal. 1917. 3 reels.

Credits: Director, George Sargent; story, Willard Mack.

© Universal Film Mfg. Co., Inc.; 3Aug17; LP11193.

WIFEY'S CHARMS. SEE Wir Lassen Uns Scheiden.

WIFEY'S VISIT HOME. © 1914.

© Biograph Co.; title, descr. & 46 prints, 26Mar14; LU2383.

WIFIE'S MA COMES BACK. 1915. 1 reel.

Credits: Written and produced by Arthur D. Hotaling.

© Lubin Mfg. Co. (Arthur D. Hotaling, author); 2Jul15; LP5734.

WIGGLE YOUR EARS. (Our Gang Comedies) 1929. 2 reels, sd., b&w.

Credits: Production, direction, and story, Robert McGowan; editor,

Richard Currier.

© Metro-Goldwyn-Mayer Distributing Corp.; 5Mar29; LP186.

WIGGS TAKES THE REST CURE. 1914. 1 reel.

Credits: Producer, F. J. Grandon.

© Selig Polyscope Co. (W. E. Wing, author); 26Jun14; LP2928.

WIG-WAG. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Ewart

Adamson, Joseph A. Fields; film editor, Edward Mann.

© RKO Radio Pictures, Inc.; 1Mar35; LP5487.

Motion pictures, 1912-1939 · 第 286 / 386 段