© Universal Film Mfg. Co., Inc.; 10Nov16; LP9489._Motion pictures, 1912-1939

CATALOG OF COPYRIGHT ENTRIES

_Cumulative Series_

Motion Pictures

1912-1939

[Illustration: ☆ THE ☆ LIBRARY ☆ OF ☆ CONGRESS ☆]

1951

L. C. card, 51-60018

For sale by the Register of Copyrights,

Library of Congress, Washington 25, D.C.

Price $18

Table of Contents

Page

Motion Pictures, 1912-39 1

Index 985

Series List 1229

Preface

_Motion Pictures, 1912-1939_, is a cumulative catalog listing works

registered in the Copyright Office in Classes L and M between August 24,

1912, and December 31, 1939. Prior to that period motion pictures were

registered in the category of photographs. These earlier works have not

been included in this catalog because of the difficulty of identifying

the motion pictures so registered.

The information given in each entry for the motion pictures in this

catalog has been obtained from the record books of the Copyright Office,

the original application for the registration of the copyright claim,

and descriptive material deposited with the application and film in the

sources indicated that a particular motion picture was based on a

published book or story or on a previously existing dramatic work, the

name of the author and the title of such work have been verified, when

possible, by reference to the records of the Copyright Office and the

Official Catalog of the Library of Congress. Information from other

reference tools was supplied in the entry only in the case of missing

numbers and titles of parts of a serial, and in the few cases when that

occurred the number or title is given in brackets. The descriptive

material mentioned above is not available for all films. The film itself

could not be examined because, in the case of published motion pictures,

it was the policy to return the film to the claimant as soon as

registration was completed, and in the case of unpublished motion

pictures only representative prints taken from the film were deposited.

Each entry contains information which 1) is descriptive of the film, and

2) identifies the copyright claimant and the author of the motion

picture as given in the application, the date on which the term of

portion of the entries varies considerably in fullness, depending on the

completeness of the information contained in the sources used.

In the case of each entry the name of the copyright claimant is that

given at the time of registration. Any information relating to renewal

copyrights or to subsequent changes of ownership recorded in the

statutory search fee to the Register of Copyrights. In addition,

information relating to renewal copyrights can be secured by referring

to the _Catalog of Copyright Entries_ covering the period in which the

renewal registration was made.

In the case of unpublished works the entry contains the date of the

deposit of the title, description, and prints. For published works the

entry contains the date of publication, rather than the date of the

deposit of the copies (or copy, as the case may be). Deposit of the

published copies has, however, been made as shown by the records in the

This catalog is a part of the _Catalog of Copyright Entries: Cumulative

Series_. The publication of these catalogs is authorized by sections 210

and 211 of Title 17 of the United States Code. Section 210 provides in

part: "The current catalog of copyright entries and the index volumes

herein provided for shall be admitted in any court as prima facie

evidence of the facts stated therein as regards any copyright

registration."

The purpose of these catalogs is three-fold: 1) to meet the

administrative needs of the Copyright Office; 2) to provide the legal

profession, publishers, authors, and others interested in copyright

easily consulted, compact index volumes listing the registrations in the

several classes of works; and 3) to produce reference tools useful to

libraries, to industry, and to research personnel by making available in

printed form bibliographical information on record in the Copyright

Office, much of which is not available elsewhere.

Of the same nature as the present _Catalog of Copyright Entries:

Cumulative Series_, but issued before the series was established, is the

two-volume work, _Dramatic Compositions Copyrighted in the United

States, 1870-1916_. Supplemental volumes to this earlier work and to the

present work are under consideration, as well as cumulative volumes for

other classes of material.

Catalog entries for motion pictures registered subsequent to 1939 and

for copyright renewals which have been or are presently being registered

are available in the issues of the _Catalog of Copyright Entries_,

covering the particular period of registration. A description (including

price and instructions for ordering) of each part of the present _Third

Series_, published semiannually, and of other publications of the

The Copyright Office welcomes inquiries, suggestions, and comments on

the content and organization of any of its catalogs. Please address

communications of this nature to the Chief of the Cataloging Division,

August 24, 1912—December 31, 1939

Class L, Motion-picture photoplays 35,301

Class M, Motion pictures other than photoplays 15,811

——————

Total 51,112

Class M contains many animated cartoons and newsreels as well as

nontheatrical films. The letter P or U has been added to the class

symbol preceding the registration number for each entry to indicate

whether the respective film was registered as a published or as an

unpublished work.

How To Use This Catalog

This catalog consists of three parts: _Motion Pictures, 1912-1939_,

which is a list of main entries under title; an _Index_ of names; and a

_Series List_. Each part is arranged alphabetically.

Motion Pictures, 1912-1939

The elements which constitute each entry in this section are given below

in the order in which they appear. The name of the claimant, copyright

date, and registration number are always given; other information varies

in completeness depending upon its applicability to the film being

described and the amount of the data available.

1. _Title._ Main title, followed, as applicable, by subtitle,

translated title, alternate title, and series title.

Cross-references are made for alternate and translated titles.

Series titles are given in the _Series List_. In those instances

when the name of a performer precedes the title of the film, the

name has been dropped unless it is an essential part of the title.

For example: _Sarah Bernhardt in Queen Elizabeth_. The entry in

this catalog is given under the title _Queen Elizabeth_, with a

cross-reference from the title above. An entry under the

performer's name in inverted form appears in the _Index_. Similar

index entries are made when the performer's name is an essential

part of the title of the film; for example: _Giovanni Martinelli

Singing Celeste Aida by Giuseppe Verdi_.

2. _Production statement._ The name of the producing company is

given if it differs from that of the claimant (see 8 below). The

name of a foreign producing company is followed by the city or

country in which the company is located. Trade names such as

_Imp_, _Rex_, _First National_, etc., are given in brief form. The

names of companies or persons responsible for release or

distribution follow next.

3. _Date._ The year date appearing in the copyright date (see 9

below) is given here. It is preceded by the copyright symbol ©

when it applies to an unpublished motion picture. For serials,

inclusive dates are given.

4. _Sponsor._ Following the date is the name of the organization

(other than the producing company) which is responsible for the

production of the motion picture or which cooperates with the

producing company in the making of the picture.

5. _Physical description._ A full physical description contains

information relating to 1) the length of the film, given in

running time, footage, or number of reels; 2) color or black and

white versions; 3) sound or silent versions; 4) width of the film.

Few of the entries in this catalog contain full physical

descriptions, because the records of the Copyright Office were

incomplete on these points. Filmstrips are distinguished by the

use of the term _frames_, preceded by a numeral indicating the

number of frames.

6. _Notes._ Certain information which helps describe the motion

picture more completely is given in the form of notes:

a. Information is supplied relating to the novel, drama, or

other work upon which a picture is based. Included are the

title and author of such work when known. The name of the

author is given as it appears in the Copyright Office records,

followed by the established form of the author's real name,

enclosed in brackets, when a pseudonym has been used.

b. When a single motion picture is made up of a number of

separately titled parts, these titles are listed.

c. The title under which a picture was previously released

either in the United States or abroad is given.

d. When two separate pictures are included on a single reel, and

only one is registered, the title of the other is given, if

known, after the phrase, "On same reel with."

7. _Credits._ The name of each person associated with the production

of the picture is given, preceded in each case by a term

indicating the nature of his contribution; i.e., producer,

supervisor, director, writer, music composer, etc. For some of the

earlier pictures the nature of the contribution is not available

for all persons. In such cases the names of these persons appear

first in the list of credits.

8. _Claimant and author of motion picture._ Following the copyright

symbol © the name of the copyright claimant is given as it appears

in the application for registration. Address (city or country)

follows the name if the claimant is also a foreign producing

company. The name of the author of the photoplay as given in the

application follows next when it differs from that of the

claimant. The presence of two asterisks before the copyright

symbol indicates that the name of the author was not stated in the

application.

9. _Copyright date._ For published motion pictures the date of

publication is given. For unpublished motion pictures the date, or

dates, of receipt in the Copyright Office of the title,

description, and prints taken from the motion picture are given.

10. _The Copyright registration number_ is preceded by 1) the class

letter L (motion-picture photoplays) or M (motion pictures other

than photoplays), and 2) the letter P or U designating,

respectively, published and unpublished works.

In the case of serial entries information relating to the entire serial

precedes that relating to individual numbers or episodes of the serial.

When the name, or the form of the name, of the copyright claimant of a

serial changes, each name precedes its respective entries. The copyright

symbol © always appears immediately before both the name of the

in a sequence of issues, arrangement of the duplicates is by copyright

date. Omission of an item in a sequence does not necessarily mean that

the item has not been registered for copyright; it may be included in

the catalog under its specific title if the source information did not

give the serial title.

Index

The second section of this catalog is a list of the names of the persons

and organizations associated with the production of the motion pictures

listed in the first section, and of the authors of the novels, dramas,

or other works upon which these motion pictures have been based. The

names of the persons listed in the statements of credits in the main

entries are not included. The name of each person or organization is

used as a heading, the form of which is either that appearing in the

Official Catalog of the Library of Congress, or that most frequently

found in the records of the Copyright Office. Similar names have been

listed separately unless it is clear that they identify the same person

or organization. Cross-references from different forms of the same name

and from pseudonyms are included in the list.

Brief forms of names, particularly in the case of trade names, appear in

the list when it has not been possible to identify exactly the full form

of the name.

Under each heading are listed alphabetically the titles of the motion

pictures associated with it, together with their respective year dates,

or, for serials, the word _serial_, enclosed in parentheses, in lieu of

a date. An asterisk preceding the title indicates that the name

appearing in the heading is that of the copyright claimant.

Series List

The third section of this catalog lists the series titles which are

contained in the main entries. The titles of the series are frequently

given in varying forms. For each series, therefore, an established form,

based on that most frequently used, is given as the heading. Following

the heading are references to other series titles which appear to be

related because the names are similar and the claimants are the same.

Listed below the headings are, first, the names of the claimants, and,

second, the titles of the motion pictures. Dates of the respective

motion pictures follow the titles. In the case of serials the word

_serial_, enclosed in parentheses, is used in lieu of date.

The lists of titles under each series may be incomplete for the period

covered by this catalog, because only those titles have been included

which are so identified in the sources used in compiling this catalog.

For some motion pictures two series titles are given, both of which are

entered separately, since it has not been possible to differentiate

between main series and subseries from the information available.

Abbreviations and Symbols

The following list includes abbreviations and symbols used in this

catalog with specific copyright or bibliographic meanings. Definitions

are not given for abbreviations in common use.

a.k.a. —also known as

b&w —black and white

d.b.a. —doing business as

descr. —description

ft. —feet

LP —published motion-picture photoplays

LU —unpublished motion-picture photoplays

min. —minutes

mm —millimeters

MP —published motion pictures other than photoplays

MU —unpublished motion pictures other than photoplays

pseud. —pseudonym

sd. —sound

si. —silent

t.a. —trading as

Motion Pictures

1912-1939

An alphabetical list, under title, of the complete entries for the

motion pictures which were registered for copyright during the period

covered by this catalog. For full information relating to the contents

of the entries see _How To Use This Catalog_, pp. vii.

MU5138.

title, descr. & 16 prints, 20Dec39; MU9815.

Credits: Director, Leonce Perret.

prints, 2Jan20; LU14583.

THE ABC OF POTTERY MAKING—THE COIL METHOD. 1938. 1 reel.

THE A. B. C. OF SAFETY. (Ford Educational Library) Ford Motion Picture

Laboratories. 1922. 2 reels.

A 1 SOCIETY. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Ben Stoloff;

story, Zion Myers.

prints, 4Nov21; LU17161.

THE ABANDONED ROOM. SEE Love Without Question.

3Jan14; LU1897.

L'ABBÉ CONSTANTIN. SEE Bettina Loved a Soldier.

LU3655.

ABE LYMAN & BAND. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

ABE LYMAN AND HIS ORCHESTRA. 1928. 1 reel each, sd.

16Oct17; LU11566.

ABIE'S IMPORTED BRIDE. 1925. 7 reels.

Credits: Written and directed by Roy Calnek.

ABIE'S IRISH ROSE. 1929. 12 reels. From the novel by Anne Nichols.

Credits; Producer and director, Victor Fleming; scenario, Jules

Furthman.

ABOUT THE MURDER OF THE CIRCUS QUEEN. SEE The Circus Queen Murder.

ABOVE ALL LAW. 1922. 8 reels.

Credits: Director, J. May.

ABOVE THE ABYSS. 1915. 2 reels.

ABOVE THE CLOUDS. 1933. 7 reels.

Credits: Director, Roy William Neill; story, George B. Seitz;

screenplay, Albert DeMond.

ABRAHAM LINCOLN. 1924. 12 reels.

Credits: Frances Marion; director, Philip Rosen.

ABRAHAM LINCOLN. Presented by Joseph M. Schenck. 1930. 10 reels, sd.

Credits: Director, D. W. Griffith; story and production, John W.

Considine, Jr.; adaptation, Stephen Vincent Benet; continuity and

dialogue, Stephen Vincent Benet, Garrit Lloyd.

LP1585.

ABRAHAM LINCOLN. 1933. 2 reels. Contents.—pt. 1. The Pioneer.—pt. 2.

The Statesman.

MP3877.

ABROAD IN OLD KENTUCKY. SEE The Moonshiner's Daughter.

ABSCHIEDSWALZER (FAREWELL WALTZ). 1939. 9 reels, sd. Suggested in part

by the novel by Jacques Thery as translated into English by Peter

Olman; music by Frederick Chopin.

Credits: Ernst Marischka; director, Geza von Bolvary; music

director, Alois Melichar.

f., author); 15Jan39; LP8656.

ABSENT MINDED. (Bull's Eye Comedy) Bluebird. 1925. 1 reel.

Credits: Director, George S. Summerville.

ABSENT-MINDED. SEE Wallace Ford in Absent-Minded.

27Nov12; LU136.

AN ABSENT-MINDED CUPID. 1914. 1 reel.

Credits: Ashley Miller.

Credits: Producer, Charles H. France.

prints, 26Apr13; LU644.

ABSENT-MINDED MOTHER. 1914. 1 reel.

Credits: Charles H. France.

ABSOLUTE QUIET. 1936. 7 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, George B.

Seitz; story, George F. Worts; screenplay, Harry Clork; film editor,

Conrad A. Nervig; music score, Franz Waxman.

ABSORBING JUNIOR. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

THE ABYSMAL BRUTE. Jewel. 1923. 8 reels. Suggested by the story by

Jack London.

Credits: Director, Hobart Henley.

THE ABYSMAL BRUTE. SEE Conflict.

THE ABYSS. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE ACADEMY AWARD REVIEW OF WALT DISNEY CARTOONS. 1937. 6 reels, sd.,

color.

& 13 prints, 4Apr32; descr., 14Apr32; MU3254.

ACCENT ON BEAUTY. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary Justin Herman; editor, Leslie Roush; narrator,

Alois Havrilla.

ACCENT ON GIRLS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

ACCENT ON YOUTH. Presented by Adolph Zukor. 1935. 8 reels, sd. From

the play by Samson Raphaelson.

Credits: Producer, Douglas MacLean; director, Wesley Ruggles;

screenplay, Claude Binyon; film editor, Otho Lovering.

ACCIDENT IS THE BEST POLICY. 1916. 1 reel.

AN ACCIDENT POLICY. 1915. 1,000 ft.

Credits: Written and produced by Edwin McKim.

prints, 11Dec24; LU20889.

AN ACCIDENTAL ALIBI. 1913. 1 reel.

Credits: John Adair.

THE ACCIDENTAL HONEYMOON. 1918. 5 reels.

Credits: Directed and written by Leonce Perret.

descr. & 54 prints, 30Dec12; LU221.

ACCIDENTAL WEALTH. (Star Comedy) 1922. 1 reel.

ACCIDENTS CAN HAPPEN. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

ACCIDENTS WILL HAPPEN. (Star Comedy) 1922. 1 reel.

ACCIDENTS WILL HAPPEN. 1930. 2 reels, sd.

Credits: Director, Morton Blumenstock; story, William K. Wells,

David Freedman; dialogue director, Max E. Hayes.

ACCIDENTS WILL HAPPEN. 1937. 7 reels.

Credits: Director, William Clemens; story, George Bricker;

screenplay, George Bricker, Anthony Coldeway.

THE ACCOMPLISHED MRS. THOMPSON. 1914. 1 reel.

Credits: Director, Wilfrid North.

LP2746.

ACCORDING TO SENIORITY. 1913. 1 reel.

Credits: Director, Harry Lambart.

LP1581.

ACCORDING TO THE CODE. 1916. 5 reels.

Credits: Charles Michelson; director, E. H. Calvert.

ACCORDING TO THEIR LIGHTS. 1915. 2,000 ft.

Credits: Scenario and direction, Eugene Nowland.

ACCORDING TO VALUE. Laemmle. 1915. 1 reel.

Credits; Producer, Frank Lloyd; scenario, Harvey Gates.

ACCORDION JOE. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Ted Sears, Grim

Natwick.

THE ACCOUNTING. 1915. 3 reels.

descr. & 94 prints, 25Nov13; LU1664.

AN ACCURSED INHERITANCE. SEE The Sins of the Fathers.

THE ACCURSED WOMAN. SEE In the Web of Intrigue.

ACCUSED. Released through United Artists. 1937. 8 reels, sd.

Credits: Producer, Marcel Hellman; director, Thornton Freeland;

screenplay, Zoe Akins, George Barraud; dialogue, Zoe Akins;

additional dialogue, George Barraud; music director, Percival

Mackey.

ACCUSING EVIDENCE. Special Big U. 1916. 1 reel.

Credits: Director, Allen Dwan.

prints, 15Apr14; LU2507.

THE ACCUSING FINGER. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Director, James Hogan; screenplay, Madeleine Ruthven, Brian

Marlow, John Bright, Robert Tasker; film editor, Chandler House.

THE ACCUSING PEN. 1915. 1,000 ft.

THE ACCUSING VOICE. 1916. 3 reels.

Credits: Director, Harry Davenport.

LP8238.

THE ACE. SEE Hell In the Heavens.

ACE DRUMMOND. 1936. 2 reels each. Based on the newspaper feature

created by Captain Eddie Rickenbacker. © Universal Productions, Inc.

Credits: Directors, Ford Beebe, Cliff Smith; screenplay, Wyndham

Gittens, Norman S. Hall, Ray Trampe.

1. Where East Meets West. © 11Sep36; LP6591.

2. The Invisible Enemy. © 11Sep36; LP6592.

3. The Doorway of Doom. © 16Sep36; LP6599.

4. The Radio Riddle. © 23Oct36; LP6656.

5. Bullets of Sand. © 30Oct36; LP6674.

6. Evil Spirits. © 9Nov36; LP6696.

7. The Trackless Trail. © 18Nov36; LP6715.

8. The Sign in the Sky. © 25Nov36; LP6729.

9. Secret Service. © 2Dec36; LP6742.

10. The Mountain of Jade. © 4Dec36; LP6756.

11. The Dragon Commands. © 14Dec36; LP6788.

12. The Squadron of Death. © 21Dec36; LP6795.

13. The World's Akin. © 29Dec36; LP6815.

ACE HIGH. 1918. 5 reels.

Credits: Direction, story, and scenario, Lynn Reynolds.

ACE HIGH. 1919. 2 reels.

Credits: Director, George Holt; story, W. Pigott; scenario, Karl

Coolidge.

ACE OF ACES. 1933. 8 reels, sd. From the story "The Bird of Prey" by

John Monk Saunders.

Credits: Associate producer, Sam Jaffe; director, J. Walter Ruben;

screenplay, John Monk Saunders, H. W. Hanemann; editor, George

Hively; music director, Max Steiner.

descr. & 88 prints, 10Nov26; LU23318.

THE ACE OF CADS. Paramount. Presented by Adolph Zukor and Jesse L.

Lasky. 1926. 8 reels.

Credits: Associate producer, William LeBaron; director, Luther Reed;

story, Michael Arlen; adaptation and screenplay, Forrest Halsey.

THE ACE OF CLUBS. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayers.

THE ACE OF DIAMONDS. 1915. 1 reel.

THE ACE OF HEARTS. 1921. 6 reels.

Credits: Gouverneur Morris; director, Wallace Worsley.

THE ACE OF SCOTLAND YARD. 1929. 2 reels each. © Universal Pictures

Corp.

Credits: Director, Ray Taylor; story and continuity, Harold M.

Atkinson.

1. The Fatal Circlet. © 25Jul29; LP544.

2. A Cry in the Night. © 5Aug29; LP582.

3. The Dungeon of Doom. © 20Aug29; LP634.

4. The Depths of Limehouse. © 24Sep29; LP720.

5. Menace of the Mummy. © 24Sep29; LP721.

6. Dead or Alive. © 14Oct29; LP783.

7. Shadows of Fear. © 18Oct29; LP784.

8. The Baited Trap. © 28Oct29; LP797.

9. A Battle of Wits. © 1Nov29; LP822.

10. The Final Judgment. © 9Nov29; LP847.

THE ACE OF SPADES. 1925. 2 reels each. © Universal Pictures Corp.

Credits: Director, Henry McRae; story, Isadore Bernstein, William

Lord Wright.

1. The Fatal Card. © 20Aug25; LP21764.

2. No Greater Love. © 20Aug25; LP21765.

3. Whirling Waters. © 22Aug25; LP21747.

4. Fires of Sacrifice. © 30Sep25; LP21872.

5. Thundering Hoofs. © 7Oct25; LP21888.

6. Flung from the Sky. © 20Oct25; LP21929.

7. The Trail of Terror. © 28Oct25; LP21961.

8. The Lariat of Death. © 2Nov25; LP21969.

9. Fingers of Fate. © 20Nov25; LP22032.

10. The Road to Ruin. © 20Nov25; LP22033.

11. The Chasm of Peril. © 7Dec25; LP22091.

12. The Avalanche. © 12Dec25; LP22114.

13. The Fury of Fate. © 18Dec25; LP22159.

14. The Chasm of Courage. © 24Dec25; LP22175.

15. A Deal of Destiny. © 24Dec25; LP22176.

ACE OF SPADES. 1931. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

THE ACE OF THE SADDLE. 1919. 6 reels.

Credits; Director, Jack Ford; story, B. J. Jackson; scenario, George

Hively.

ACES UP. (Toby the Pup Series) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

ACES WILD. (Tom Howard Comedies) Educational. Presented by E. W.

Hammons. 1933. 10 min., sd.

Credits: Producer, Larry Kent; director, Aubrey Scotto; story, Tom

Howard; dialogue staged by Max E. Hayes.

AN ACHING TOOTH IS NO EXCUSE. SEE A Tin Soldier.

ACHING YOUTH. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Director, Fred L. Guiol; story and supervision, Leo

McCarey; titles, H. M. Walker; editor, Richard Currier.

Credits: Producer, E. A. Marlin.

prints, 24Jul13; LU985.

THE ACID TEST. 1914. 2 reels.

LP2601.

prints, 3Feb15; LU4350.

THE ACID TEST. (Tom Howard Comedies) Educational Pictures. 1932. 11

min., sd.

Credits: Director, Aubrey Scotto; story, Tom Howard.

THE ACQUITTAL. Universal Jewel. 1923. 7 reels. From the play by Rita

Weiman.

Credits: Director, Clarence Brown; adaptation, Raymond L. Schrock.

ACQUITTED. 1916. 5 reels. Adapted from the story by Mary Roberts

Rinehart.

Credits: Scenario, Ray Somerville.

ACQUITTED. 1929. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Frank R. Strayer;

screenplay and dialogue, Keene Thompson; film editor, Dave Berg.

ACROBATIC ACTS. Powers. 1916. 1/2 reel.

descr., 15Nov27; MU4460.

THE ACROBATS DREAM. Powers. 1915. 1/2 reel.

ACROSS SWIFTCURRENT PASS ON HORSEBACK. 1913. 1 reel.

ACROSS THE ATLANTIC. 1928. 7 reels.

Credits: Director, Howard Bretherton; story, John Ransom;

adaptation, Harvey Gates.

ACROSS THE ATLANTIC VIA ZEPPELIN WITH LADY DRUMMOND HAY. (Movietone

Act) 1929. Presented in conjunction with Hearst Newspapers. 3 reels,

sd.

Credits; Nils T. Granlund.

ACROSS THE BORDER. SEE Sarah Padden in Across the Border.

ACROSS THE BURNING TRESTLE. 1914. 1 reel. An adaptation of "In

Christmas Canyon."

Credits: Director, Richard R. Ridgely; adaptation, Francis Lynde.

ACROSS THE CONTINENT. 1922. 6 reels.

Credits: Director, Philip E. Rosen; story, Byron Morgan.

17 prints, 17Jan14; LU1969.

ACROSS THE DEAD LINE. 1922. 5 reels.

Credits: Producer, Jack Conway; story, Clarence B. Kelland;

scenario, George C. Hull.

217 prints, 8Dec24; LU20855.

ACROSS THE DESERT. 1915. 1 reel.

Credits; Producer, Burton L. King; story, F. M. Willis.

descr. & 106 prints, 12Oct21; LU17077.

ACROSS THE FOOTLIGHTS. Big U. 1915. 2 reels.

Credits: Producer, Burton King; scenario, Leonora Dowlan.

ACROSS THE GRAND CANYON. (Paramount-Burton Holmes Travel Picture)

1921. 1 reel.

MP2076.

ACROSS THE GREAT DIVIDE, 1915. 1,000 ft. Adapted from the story "With

Clear Rights" by Charles W. Tyler.

Credits: Direction and scenario, Edward C. Taylor.

ACROSS THE HALL. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

ACROSS THE LINE. Victor. 1916. 1 reel.

Credits: Written and produced by Jacques Jaccard.

Based on the melodrama by Charles E. Blaney.

Credits: Written and produced by Edwin Carewe.

prints, 27Oct14; LU3721.

ACROSS THE PACIFIC. 1926. 8 reels. From the novel by Charles E.

Blaney.

Credits: Director, Roy Del Ruth; adaptation, Darryl Francis Zanuck.

ACROSS THE PLAINS. 1939. 6 reels, sd.

Credits: Associate producer, Robert Tansey; director, Spencer

Bennett; original screenplay, Robert Emmett; film editor, Robert

Golden.

ACROSS THE RIO GRANDE. Bison. 1916. 3 reels.

Credits: Producer, Jacques Jaccard; story, George Marshall.

ACROSS THE ROCKIES TO THE PACIFIC. (Westward Movement, no. 5) 1921. 1

reel.

15Jan21; MP1881.

ACROSS THE SEA. (Romantic Journeys) Educational Pictures. Presented by

E. W. Hammons. 1933. 907 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

ACROSS TO SINGAPORE. 1928. 7 reels, b&w, blue sequences. From the book

"All the Brothers Were Valiant" by Ben Ames Williams.

Credits: Producer and director, William Nigh; adaptation, Ted Shane;

continuity, Richard Schayer; film editor, Ben Lewis.

ACT YOUR AGE. (Kennedy, no. 1) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story,

Charles Roberts, George Jeske; film editor, John Lockert.

ACTION. 1921. 5 reels.

Credits: Producer, Jack Ford; story, J. Allen Dunn; scenario, Harvey

Gates.

Credits: Producer, John L. Hawkinson.

20 prints, 26Mar25; MU2937.

ACTION FOR SLANDER. Presented by Alexander Korda. Released through

United Artists. 1937. 8 reels, sd. From the novel by Mary Borden.

Credits: Producer, Victor Saville; director, Tim Whelan; screenplay.

Miles Malleson; additional dialogue, Ian Dalrymple; film editors,

Hugh Stewart, Jack Dennis; music director, Muir Mathieson.

ACTIONS SPEAK LOUDER THAN WORDS. Presented by Adolph Zukor and Jesse

L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

A. Edison, Inc.

Credits: Acton Davies; director, Walter Edwin.

MU309.

descr. & 66 prints, 26Feb14; LU2226.

THE ACTOR. (Benny Rubin Talkie) 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story and dialogue, Benny Rubin.

THE ACTOR'S ADVICE TO HIS SON. SEE Lionel Atwill in The Actor's Advice

to His Son.

THE ACTOR'S BOARDING HOUSE. 1915. Split reel.

ACTORS FROM THE JUNGLE. 1915. 1 reel.

prints, 13Nov13; LU1570.

THE ACTRESS. 1913. 1 reel.

Credits: Richard Ridgely.

THE ACTRESS. 1928. 8 reels, sd., b&w. From the play "Trelawney of the

Wells" by Sir Arthur Wing Pinero.

Credits: Director, Sidney Franklin; screenplay, Albert Lewin,

Richard Schayer; titles, Joe Farnham; film editor, Conrad A. Nervig.

31Jul14; LU3110.

AN ACTRESS'S ROMANCE. SEE Adrienne Lecouvreur.

ACUTE APPENDICITIS (LAY). 1930. 1 reel.

MP1752.

ACUTE APPENDICITIS (PROFESSIONAL). 1929. 2 reels.

MP1757.

AD MAN. SEE No Marriage Ties.

ADAM AND EVA. 1923. 8 reels.

ADAM AND EVE. 1920. 1 reel.

ADAM AND EVE A LA MODE. Presented by Rainbow Comedies. 1919. 2 reels.

Credits: Director, Jesse Robbins.

ADAM AND EVIL. 1927. 7 reels, b&w.

Credits: Director, Robert Z. Leonard; original screenplay, F. Hugh

Herbert, Florence Ryerson; titles, Ralph Spence; film editor, Leslie

F. Wilder.

ADAM BEDE. 1915. 2 reels.

ADAMS AND SOME EVES. 1918. 1 reel.

Credits: Written and directed by Chester M. DeVonde.

ADAM'S EVE. 1929. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Florence Ryerson, Colin

Clements.

ADAM'S RIB. Paramount. Presented by Jesse L. Lasky. 1923. 10 reels.

Credits: Producer and director, Cecil B. De Mille; story and

scenario, Jeanie Macpherson.

THE ADDED ITEM MAKES FOR PROFIT. 1931. 1 reel. Contents.—Friday

Planning.—Featuring the Dairy Department.—Sell Extra Staples the Day

Before a Holiday.—Party Menus Mean Big Orders.—Proper Care of Fresh

Produce.

prints, 25Oct22; MU2207.

ADELE LENARR, JUVENILE SONGSTRESS AND ACROBATIC DANCER, SINGING AND

DANCING: A. ROAD TO FAME [and others] 1927. 1 reel.

ADELE ROWLAND, STORIES IN SONG. 1928. 1 reel.

ADIOS. SEE The Lash.

ADMINISTERING THE LIFE INSURANCE ESTATE. (Educational Film Service, v.

24) 1931. 1 reel.

THE ADMIRABLE CRICHTON. SEE Male and Female.

THE ADMIRALS, FOUR BOYS AND A UKULELE OFFER A PROGRAM OF POPULAR

SONGS: A. YANKEE ROSE [and others] 1927. 1 reel.

ADMISHUN TEN PINS. 1921. 2 reels.

ADMISSION 5¢. (Pepper Pot, no. 2) 1933. 1 reel, sd.

Credits: Narrator, Leo Donnelly.

ADMISSION FREE. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson,

Rudolph Eggeman.

ADOBE BRICK MAKING. 1939. 1 reel.

Credits: Producer, Louis Myll.

26Feb15; LU4548.

18Aug13; LU1124.

THE ADOPTED SON. 1917. 6 reels.

Adapted from the story by Max Brand [pseud. of Frederick Faust].

Credits: Supervision, Maxwell Karger; director, Charles Brabin;

adaptation, Albert Shelby Le Vino.

ADORABLE. 1933. 7,700 ft., sd.

Credits: Director, Wilhelm Dieterle; story, Paul Frank, Billie

Wilder; screenplay, George Marion, Jr., Jane Storm; editors, Irene

Morra, R. W. Bischoff.

THE ADORABLE DECEIVER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Phil Rosen; story, Harry O. Hoyt; continuity,

Doris Anderson.

ADORABLE DORA. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Director, Harry Sweet.

THE ADORABLE SAVAGE. 1920. 5 reels. From the novel by Ralph Stock.

Credits: Director, Norman Dawn; scenario, Doris Schroeder.

ADORATION. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, Frank Lloyd; story, Lajos Biro; continuity,

Winifred Dunn.

ADORATION. 1928. 2 reels.

Credits: Written and directed by Andrew L. Stone.

ADRIENNE LECOUVREUR; or, AN ACTRESS'S ROMANCE. 1913. 1,783 ft. Adapted

from the play by Mme. Sarah Bernhardt.

Credits: Adaptation, Sarah Bernhardt.

ADRIENNE LECOUVREUR. SEE Dream of Love.

descr. & 46 prints, 20Mar14; LU2349.

ADVANTAGES OF THE NEW SUPERIOR WHIPPET. 1929. 1 reel.

ADVENTURE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.

1925. 6,602 ft. From the novel by Jack London.

Credits: Producer and director, Victor Fleming; screenplay, A. P.

Younger, L. G. Rigby.

THE ADVENTURE HUNTER. 1915. 1 reel.

Credits: Producer, E. A. Martin; scenario, Wallace C. Clifton.

LU4401.

AN ADVENTURE IN HEARTS. Paramount-Artcraft. 1919. 5 reels. Adapted

from the novel "Captain Dieppe" by Anthony Hope [pseud. of Anthony

Hope Hawkins] and the play by Harrison Garfield Rhodes.

Credits: Director, James Cruze; scenario, Elmer Harris.

ADVENTURE IN MANHATTAN. 1936. 8 reels. Suggested by "Purple and Fine

Linen" by May Edginton.

Credits: Director, Edward Ludwig; story, Joseph Krumgold;

screenplay, Sidney Buchman, Harry Sauber, Jack Kirkland; film

editor, Otto Meyer; music director, Morris Stoloff.

ADVENTURE IN SAHARA. 1938. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Sam Fuller; screenplay,

Maxwell Shane; film editor, Otto Meyer; music director, M. W.

Stoloff.

10Jan13; LU256.

ADVENTURE MAD. U. F. A. Released by Paramount. 1928. 6 reels.

Credits: Director, Lothar Mendes; scenario, Robert Liebman.

THE ADVENTURE OF CHARLES AUGUSTUS MILVERTON. SEE The Adventure of the

Missing Rembrandt.

THE ADVENTURE OF THE MISSING REMBRANDT. (Sherlock Holmes Series) 1932.

8 reels. Adapted from "The Adventure of Charles Augustus Milverton"

by Sir Arthur Conan Doyle.

Credits: Director, Leslie S. Hiscott; screen adaptation, Cyril

Twyford, H. Fowler Mear.

THE ADVENTURE OF THE RIVAL UNDERTAKERS. 1914. 1 reel.

LP2626.

THE ADVENTURE SHOP. 1918. 5 reels. Story adapted from "The Green

Gullabaloo" by Bud Fisher.

Credits: Director, Kenneth Webb; scenario, George H. Plympton.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

prints, 9Jan15; LU4144.

Sinclair.

Credits: Director, Alice Blaché; scenario, Harry Chandlee, Lawrence

McCloskey.

11Oct17; LU11526.

THE ADVENTURER. 1917. 1 reel.

Credits: Written and produced by Charlie Chaplin.

THE ADVENTURER. 1920. 6 reels, b&w, tinted sequences.

Credits: Director, J. Gordon Edwards; adaptation, E. Lloyd Sheldon.

THE ADVENTURER. 1928. 5 reels, b&w.

Credits: Story, Leon Abrams; screenplay, Jack Cunningham; film

editor, Sam S. Zimbalist.

THE ADVENTURER. SEE The Beautiful Mrs. Reynolds.

THE ADVENTURES AND EMOTIONS OF EDGAR POMEROY. Presented by Samuel

Goldwyn. 1920-21. 2 reels each. From the stories by Booth

Credits: Directors, Paul Bern, E. Mason Hopper, Mason N. Litson;

scenario, Eleanor Flori, Barbara Kent.

ADVENTURE'S END. 1937. 7 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original

story, Ben Ames Williams; screenplay, Ben Graumer Kohn, Scott

Darling, Sid Sutherland; film editor, Charles Craft.

Isabel" by Jacques Futrelle.

ADVENTURES IN THE JUNGLES. 1939. 3 reels, sd.

Credits: Producer, Edward Warren.

108 prints, 10Jan18; LU11929.

Credits: Producer, Hardee Kirkland.