CHAPTER XII

The Mother of the Crow tells of the life and death of Djorak

in his own country.

All this time Smaly and Redy had remained in the great kitchen. Suddenly

they heard a voice say:

"It's confoundedly cold in this disgusting kitchen."

"Hullo, who is that?" asked Smaly and Redy together.

"It's I," replied the Mother of the Crow.

Peering about them they discovered her where she had been left forgotten

under the table, still sitting in her oyster-shell.

"I'm cold," she said again.

"What can we do for you?" exclaimed Redy pityingly.

"Yes, how can we help?" asked Smaly.

"Take me back to my tree of coral."

"They won't let us go out of here," exclaimed Redy and Smaly.

"Then put the Tea-Cosy over me," suggested the poor old Mother of the

Crow, whose teeth were chattering in her beak.

And so it was done.

There was no longer anything to see but a Tea-Cosy. The Mother of the

Crow was completely hidden.

"Now I'm nice and warm," said the Mother of the Crow.

It was really quite a new experience for Smaly and Redy to hold a

conversation with a Tea-Cosy. The Mother of the Crow was a great

chatterbox, and she knew a thing or two, and several things more after

that.

"What are you doing here?" asked the Tea-Cosy.

Redy and Smaly folded their hands, and began:

We wish to have three girls,

Fine, sweet----

"I know, I know," interrupted the Tea-Cosy, "but I meant what are you

doing here in the great kitchen?"

"We're waiting for the sun to go down," was the response.

"And you can't leave till then," replied the Tea-Cosy. "Then tell me a

story, a nice long story. I love long stories," added the Tea-Cosy with

enthusiasm.

[Illustration: TEA-COSY]

"Are you equally fond of telling long stories?" asked Redy and Smaly,

both seized with the same idea.

"I like it even better than gooseberry-fool and candy-sugar

caterpillars," replied the Tea-Cosy in a voice that trembled with

excitement.

[Illustration: KISIKA IN HER SEDAN-CHAIR

_Page 165_]

[Illustration: "WE'RE WAITING FOR THE SUN TO GO DOWN"]

"Then," said Smaly, "tell us the whole history of the Prisoner."

"Ah," replied the Tea-Cosy, "the Historian has the monopoly of the local

chronicles. We others can't even remember what happens in this country.

But I can tell you what the Prisoner's life was like before he came here

and was put in his sugar-cane prison."

"We know that they cut off his head," interrupted Smaly.

"Of course if you know all about it it's not worth while my telling you

the story, it will be so short," said the Tea-Cosy huffily.

Smaly managed to soothe the Tea-Cosy, which then told them the following

story:

"THE STORY OF DJORAK

"My story begins on a Saturday, which was also market-day. There was a

great crowd in all the streets. The chariot where Djorak was seated with

the Executioner could barely force a way through the mass of people.

Every one who had the leisure to do so followed the chariot of the

condemned; others, who had not, took the time out of their work, or

their luncheon hour. Servants out shopping followed it with their laden

baskets on their arms. Great ladies sent away their sedan-chairs so that

they might fight their way on foot, where no vehicles, however small,

could have passed, so dense was the crowd.

"When he arrived at the scaffold Djorak sat down. He was a little pale,

which is not to be wondered at, for it was enough to put any man out.

"The Executioner vested himself in his red robe, and taking out of his

chariot a small grindstone he began to sharpen the pair of scissors with

which he was going to cut off Djorak's head.

[Illustration: SERVANTS OUT SHOPPING FOLLOWED IT WITH THEIR LADEN

BASKETS ON THEIR ARMS]

"The Prisoner, for his part, was so upset when he saw the scissors being

sharpened that he neglected to respond to the farewell salutes of his

friends, which they wafted to him across the barrier of policemen that

surrounded the scaffold.

* * * * *

"It seemed to Djorak that he must be in a dream.

"Quite little things of no importance from every period of his life

passed before the eyes of his imagination.

"He found himself thinking of a hen that his parents had possessed when

he was a very little boy. This hen had been extremely intelligent.

"One day she had found herself unable to break the shell of a snail, so

she had gone to the stock-pot and taken out a lettuce-leaf. She came

back, her bright eyes twinkling, laid the leaf down before the snail and

hid herself.

"Presently the snail began to shoot out his horns.

"Then his head.

"Then his whole body.

"It was exactly what the hen had wished to see.

"The hen gazed at it.

"The hen laughed.

"The hen opened her beak.

"The hen gobbled the snail up.

"This and equally ridiculous happenings passed through the Prisoner's

brain. He remembered his mother, and how she used thoughtfully to put an

ash-tray in his pocket when----"

[Illustration: HE THRUST HIS FACE INTO ROSES COVERED WITH DEW]

"We know all about the ash-tray," said Smaly and Redy together.

"Very well, very well, I'll leave out the ash-tray," said the Tea-Cosy.

"But do you know also how when he wanted his mother to do anything in

particular for him, he thrust his face into roses covered with dew?"

"No, we don't know that."

"Well," continued the Tea-Cosy, "when he withdrew his face it would be

covered with dew from the roses, and he would say to his mother:

"'Only look how I am crying....'

"Djorak thought of this and of a thousand other things. He had an

excellent memory.

"Meanwhile the moment of his death was approaching.

[Illustration: THE EXECUTIONER BANDAGED HIS EYES]

"The Executioner bandaged his eyes, then turned towards the crowd and,

according to custom, demanded:

"'Has any one in this town any objection to the way in which I am about

to employ this magnificent pair of scissors?'

"The Chief of Police answered, also according to custom: 'Have the

scissors been sharpened according to rule?'

"The crowd merely cried out, 'Can they cut?'

"The Executioner thereupon took several old newspapers and, holding

them out before the crowd, began to cut them into fine strips. Next he

took some old cardboard boxes, which he treated in the same way. Finally

he cut up whole logs of wood into thin circles. In order that every one

might see, he did these things in front of him, behind him, to the right

and to the left.

"These experiments seemed to satisfy the crowd; but the Chief of Police

still hesitated. Finally he approached the Executioner and, leaning

forward, said in his ear:

"'Excuse me, I beg of you, my dear friend, if I seem indiscreet; but I

am merely doing my duty. The King has particularly commanded that all

the rules shall be observed. Therefore you will understand that I am

bound to ask you three questions to assure myself that you really have

the strength to use these scissors successfully.

"'1. Have you eaten three hard-boiled eggs this morning?

"'2. Have you eaten three rashers of bacon this morning?

"'3. Have you played a game of football this morning?'

"To each question the Executioner replied with a nod of the head.

"'Then get on with it,' said the Chief of Police.

"The Executioner raised the scissors towards the sky, turning himself

about to all points of the compass. Then with a brisk movement he

lowered the scissors, opened them and shut them again, and the head of

Djorak tumbled to the ground."

[Illustration: NEXT HE TOOK SOME OLD CARDBOARD BOXES]

"But that's the same Djorak who is here in the prison of the

sugar-canes," interrupted Smaly, who in spite of his habit of being

astounded at nothing could not help showing a little astonishment.

[Illustration: OPENED THEM AND SHUT THEM AGAIN]

"Don't be so impatient," replied the Mother of the Crow imperturbably.

"You'll understand in a moment or two. Now I have already told you that

Djorak had a very good memory. At the moment when his head was falling

he remembered that he had always heard one doesn't die immediately when

one's head is cut off.

"It was extremely fortunate for him that he remembered this detail.

"He hastened to pick up his head, and he jumped off the scaffold holding

it under his arm."

"Dear me," said Smaly and Redy.

The Mother of the Crow continued her story imperturbably:

"When the crowd saw this man in such a peculiar condition they began to

fly in all directions. An indescribable panic followed. The square

rapidly emptied. Soon there was no one left saving a few people who had

been knocked down. The crowd ran and ran; but the beheaded Prisoner ran

harder still. Soon he was running by himself; all the townspeople had

taken shelter.

"Djorak and his head had a very precise end in view in running thus. It

was important both for the head and for Djorak to arrive as soon as

possible at the house of a certain Magician whom he knew.

"He arrived, rushed in and banged the door behind him. The Magician,

unfortunately, was out, only his young son was there, and although this

youth understood perfectly how urgent it was that Djorak's head should

be fastened on again as soon as possible, he could do nothing to help

him.

"'Let's consult the Brindled Rabbit,' suggested the Head.

"The Brindled Rabbit being questioned played several strains on a harp

of silver and crystal, then he withdrew into an old comfit-box and shut

the lid down on himself.

"After a few seconds he opened the lid again, his eye became visible,

and his little paw shoved a folded slip of paper through the opening.

[Illustration: HIS YOUNG SON WAS THERE]

"The Son of the Magician read as follows:

"1 Three.

"2 Three.

"3 Three.

[Illustration: THE BRINDLED RABBIT]

"He at once tore up to the third story of the house. There he counted

three shelves, and from the third shelf he took the third little bottle

and ran downstairs again.

[Illustration: HIS LITTLE PAW SHOVED A FOLDED SLIP OF PAPER THROUGH THE

OPENING]

"'What must he do with it?' asked the youth, of the Rabbit; but the box

remained shut; there was no answer.

"'I must drink it,' replied the Head.

[Illustration: THEN THEY SANG A COMIC DUET]

"'But you've no stomach,' cried the Son of the Magician.

"'Put my head back on my neck,' suggested Djorak, 'then there will at

least be a stomach beneath my head.'

"The Son of the Magician at once placed Djorak's head back in its proper

place with one hand, while with the other he tipped the little bottle

between its lips.

"The effect was immediate.

"Directly the liquor trickled down his throat Djorak felt himself as

well as ever. He danced about with joy. He even played a game of

leapfrog with the Son of the Magician, then they sang a comic duet, of

which I cannot remember the words. The first lines went something like

this:

Every one who has lost his head,

Must have had a jolly bad memory.

"But Djorak had a good memory, and so he had kept his head.

[Illustration: Then they questioned a Black Toad]

"During their song the Brindled Rabbit crept out of his comfit-box. He

could not stay in it for laughing at the comic song.

"Djorak and the Son of the Magician begged him to advise them what to do

next; but the Rabbit only held its sides with laughter, and made no

reply.

"Then they questioned a Black Toad who came crawling out of a pot of

treacle where he lived, and began to lick himself dry with a fine,

forked tongue.

"The Rabbit hopped up to him wishing to share in the treacle; but the

Black Toad flew into a rage. It was a worse rage than even that of the

Chief Contractor when we have not placed ourselves symmetrically," added

the Mother of the Crow, remembering that Smaly and Redy had seen the

Contractor in a temper.

"Then," she continued, "the Son of the Magician asked the Black Toad in

what country Djorak should take refuge, making the suggestion that they

should send him to a green country where the clouds were all white and

the trees mauve.

[Illustration: AND FISH IN THE LITTLE RIVER IN THE AFTERNOON]

"The Black Toad shot forward to within an inch of the Rabbit's nose; but

without advancing a step, for his legs suddenly expanded to allow him to

do so.

"'I hate mauve and white,' he snapped, and shot back again.

[Illustration: THE THIN LONG ARM OF THE HISTORIAN]

"The Rabbit replied peacefully, 'How about a rose-coloured country,

where the people dance as they bake the bread?'

"'I would like that,' said Djorak.

"'I don't doubt it,' said the Brindled Rabbit.

"'Or would you like a country where they hunt butterflies all the

morning, and fish in the little river in the afternoon?' asked the

Rabbit.

"'Yes, yes, that will do,' replied Djorak, who was anxious to get away.

"'He is a misanthrope,' declared the Toad, retreating towards its pot of

treacle.

"'Oh, kind Toad, do tell me where I ought to go,' begged Djorak.

"'Get into this little glass tube,' replied the Toad.

"Djorak obeyed.

"This tube was no bigger than a penholder; when Djorak was comfortably

settled inside of it the Black Toad put one end of it into his mouth and

blew.

"He blew so hard that Djorak was shot right into our country. Then----"

But here Redy interrupted the Mother of the Crow. She gave a little

shake to the Tea-Cosy and whispered rapidly what she had noticed taking

place on the other side of the public square.

This is what she had seen.

From one of the holes made for the Flying-Fish Redy perceived the thin

long arm of the Historian sticking out, the finger pointing accusingly

towards the door of the kitchen, where Smaly, Redy, and the Mother of

the Crow were seated.

The Mother of the Crow understood the significance of this at once. It

meant she would not be permitted to carry her story any further. The

monopoly of the chronicles of the country belonged to the Historian.

The Mother of the Crow had to hold her tongue.

[Illustration]

The City Curious · 第 12 / 15 章