CHAPTER VII.

AN AFTERNOON AT GAD'S HILL PLACE.

"It was just large enough, and no more; was as

pretty within as it was without, and was perfectly

arranged and comfortable."--_Little Dorrit._

"This has been a happy home. . . . I love

it. . . ."--_The Cricket on the Hearth._

A NEVER-TO-BE-FORGOTTEN day was Saturday, the twenty-fifth of August,

1888, a day remarkable, as were many of the closing days of the summer

of that year, for its bright, sunny, and cheerful nature. The sky was a

deep blue--usually described as an Italian sky--broken only by a few

fleecy, cumulus clouds, which served to bring out more clearly the rich

colour of the background. There was a fine bracing air coming from the

north-west, for which the county of Kent is famous. Truly an enjoyable

day for a holiday! and one that Dickens himself would have loved to

describe. So after a desultory stroll about the streets of Rochester,

one of many delightful strolls, we make our first outward tramp, and

that of course to Gad's Hill. By the way, much attention has been

devoted to the consideration of the derivation of the name, "Gad's

Hill." It is no doubt a corruption of "God's Hill," of which there are

two so-called places in the county, and there is also a veritable

"God's Hill" a little further south, in the Isle of Wight.

[Illustration: Rochester from Strood Hill.]

Crossing Rochester Bridge, we enter the busy town of Strood, pass

through its long thoroughfare, go up the Dover Road,--which was the

ancient Roman military road afterwards called Watling Street, until a

little above Strood it turned slightly to the left, passing through what

is now Cobham Park,--and leave the windmill on Broomhill to the right.

The ground rises gently, the chalk formation being exposed here and

there in disused pits. A portion of the road higher up is cut through

the Thanet sands, which rest on the chalk. Again and again we stop, and

turn to admire the winding valley of the Medway. As we get more into the

country and leave the town behind, we find the roadsides still decked

with summer flowers, notably the fine dark blue Canterbury bell--the

nettle-leaved Campanula (_Campanula Trachelium_)--and the exquisite

light-blue chicory (_Cichorium Intybus_); but the flowers of the latter

are so evanescent that, when gathered, they fade in an hour or two. This

beautiful starlike-blossomed plant is abundant in many parts of Kent.

We pass on the right the pretty high-standing grounds of Mr. Hulkes at

the "Little Hermitage," and notice the obelisk further to the right on

still higher land, erected about fifty years ago to the memory of

Charles Larkin (a name very suggestive of "the eldest Miss Larkins") of

Rochester,--"a parish orator and borough Hampden"--by his grateful

fellow-citizens.

A walk of less than three miles brings us to the "Sir John Falstaff"--"a

delightfully old-fashioned roadside inn of the coaching days, which

stands on the north side of the road a little below 'Gad's Hill Place,'

and which no man possessed of a penny was ever known to pass in warm

weather."

Mr. Kitton relates in _Dickensiana_ the following amusing story of a

former waiter at the "Falstaff":--

"A few days after Dickens's death, an Englishman, deeply grieved at the

event, made a sort of pilgrimage to Gad's Hill--to the home of the great

novelist. He went into the famous 'Sir John Falstaff Inn' near at hand,

and in the effusiveness of his honest emotions, he could not avoid

taking the country waiter into his confidence.

"'A great loss this of Mr. Dickens,' said the pilgrim.

"'A very great loss to us, sir,' replied the waiter, shaking his head;

'he had all his ale sent in from this house!'"

One of the two lime-trees only remains, but the well and bucket--as

recorded by the _Uncommercial Traveller_ in the chapter on "Tramps"--are

there still, surrounded by a protective fence.

[Illustration: The "Sir John Falstaff" Inn, Gad's Hill.]

We have but little time to notice the "Falstaff," for our admiring gaze

is presently fixed on Gad's Hill Place itself, the house in which

Dickens resided happily--albeit trouble came to him as to most

men--from the year 1856 till his death in 1870. Everybody knows the

story of how, as a little boy, he cherished the idea of one day living

in this house, and how that idea was gratified in after-life. It is from

the _Uncommercial Traveller_, in the chapter on "Travelling Abroad," and

the repetition is never stale. He says:--

"So smooth was the old high road, and so fresh

were the horses, and so fast went I, that it was

midway between Gravesend and Rochester, and the

widening river was bearing the ships, white-sailed

or black-smoked, out to sea, when I noticed by the

wayside a very queer small boy.

"'Holloa!' said I to the very queer small boy,

'where do you live?'

"'At Chatham,' says he.

"'What do you do there?' says I.

"'I go to school,' says he.

"I took him up in a moment, and we went on.

Presently, the very queer small boy says, 'This is

Gad's Hill we are coming to, where Falstaff went

out to rob those travellers, and ran away.'

"'You know something about Falstaff, eh?' said I.

"'All about him,' said the very queer small boy.

'I am old (I am nine), and I read all sorts of

books. But _do_ let us stop at the top of the

hill, and look at the house there, if you please!'

"'You admire that house?' said I.

"'Bless you, sir,' said the very queer small boy,

'when I was not more than half as old as nine, it

used to be a treat for me to be brought to look at

it. And now, I am nine, I come by myself to look

at it. And ever since I can recollect, my father,

seeing me so fond of it, has often said to me, 'If

you were to be very persevering, and were to work

hard, you might some day come to live in it.'

Though that's impossible!' said the very queer

small boy, drawing a low breath, and now staring

at the house out of window with all his might.

"I was rather amazed to be told this by the very

queer small boy; for that house happens to be _my_

house, and I have reason to believe that what he

said was true."

[Illustration: Gadshill Place]

Mrs. Lynn Linton, the celebrated novelist, who resided at Gad's Hill as

a child, has very kindly given us her personal recollections of it sixty

years ago, and of the interesting circumstances under which Charles

Dickens subsequently purchased the property;--which will be found at the

end of this chapter.

Before seeking permission to enter the grounds of Gad's Hill Place,

which are surrounded by a high wall, and screened externally by a row of

well-topped lime-trees, we retrace our steps for a few minutes, in order

to refresh ourselves with a homely luncheon, and what Mr. Richard

Swiveller would call a "modest quencher," at the Sir John Falstaff. It

may be certain that not much time is consumed in this operation. We then

take a good look at the remarkable house opposite, the object of our

pilgrimage, which has been made well known by countless photographs and

engravings. It is a comfortable, but a not very attractive-looking

red-brick house of two stories, with porch at entrance, partly covered

with ivy. All the front windows, with the exception of the central ones,

are bayed, and there are dormer windows in the roof, which is surmounted

by a bell-turret and vane. What a strange fascination it has for

admirers of Dickens when seen for the first time! According to Forster,

in his _Life_ of the novelist, the house was built in 1780 by a

well-known local character named James Stevens, who rose to a good

position. He was the father-in-law of the late Professor Henslow, the

Botanist, of Cambridge. Dickens paid for it the sum of L1,790, and the

purchase was completed on Friday, 14th March, 1856. The present owner is

Major Austin F. Budden,[11] of the 12th Kent Artillery Volunteers, who,

we find, in the course of subsequent conversation, had also done good

municipal service, having filled the office of Mayor of Rochester for

two years,--from 1879 to 1881,--and that he was elected at the early age

of twenty-eight.

We ring the bell at the gate which shuts the house out from view, and

are promptly answered by a pleasant-speaking housemaid, who takes our

cards on a salver, and ushers us into the library. We are requested to

enter our names in the visitors' book, and this is done with alacrity.

We are under the impression that we shall only be allowed to see the

hall and study, a privilege allowed to any visitor on presentation of a

card; but fortunately for us the courteous owner appears, and says that,

as he has half an hour to spare, he will show us entirely over the

house. He is better than his word, and we, delighted with the prospect,

commence our inspection of the late home of the great novelist with

feelings of singular pleasure, which are altogether a new sensation. Do

any readers remember, when perusing the Waverley novels in their youth,

a certain longing (as the height of their ambition, possibly gratified

in after-life) to see Abbotsford, the home of the "Wizard of the North"?

_That_ is a feeling akin to the one which possesses us on the present

occasion, a feeling of veneration almost amounting to awe as we recall,

and seem to realize, not only the presence of Charles Dickens himself,

but of the many eminent literary, artistic, and histrionic

characters--his contemporaries--who assembled here, and shared the

hospitality of the distinguished owner. "Dickens penetrates here--where

does not his genial sunshine penetrate?"

Turning over the leaves of the visitors' book, Major Budden calls our

attention to the signatures of Americans, who constitute by far the

majority of visitors. Among the more recent appears the name of that

accomplished actress, Miss Mary Anderson--herself a great admirer of

Charles Dickens--who came accompanied by a party of friends. We also

found her name, with the same party, in the visitors' book at Richard

Watts's Charity in Rochester. Major Budden spoke also of the great

enthusiasm always exhibited by our American friends in regard to

Dickens, some of whom had told him more than once that it was the custom

to instruct their children in a knowledge of his works: they read them,

in fact, in the schools.

The library, or study, is a very cosy little room, made famous by Mr.

Luke Fildes's picture of "The Empty Chair." It is situated on the west

side of the porch, looking to the front, with the shrubbery in the

distance; and among the most conspicuous objects contained in it are the

curious counterfeit book-backs devised by Dickens and his friends, and

arranged as shelves to fit the door of the room. They number nearly

eighty, and a selection is given below of a few of the quaintest titles,

viz.:--

The Quarrelly Review. 4 vols.

King Henry the Eighth's Evidences of Christianity. 5 vols.

Noah's Arkitecture. 2 vols.

[Illustration: PG from the Drawing of S. L. Fildes

"The empty chair" Gad's Hill Ninth of June 1870.]

Chickweed.

Groundsel (by the Author of Chickweed).

Cockatoo on Perch.

History of a Short Chancery Suit. 21 vols.

Cats' Lives. 9 vols.

Hansard's Guide to Refreshing Sleep (many volumes).

The Wisdom of our Ancestors--I. Ignorance. II. Superstition. III. The

Block. IV. The Stake. V. The Rack. VI. Dirt. VII. Disease.

Several of the titles were used for a similar purpose at Tavistock

House, London--Dickens's former residence.

We cannot help, as we sit down quietly for a few minutes, wondering how

much of _Little Dorrit_, _Hunted Down_, _A Tale of Two Cities_, _Great

Expectations_, _The Uncommercial Traveller_, _Our Mutual Friend_, and

_The Mystery of Edwin Drood_ (which were all issued between 1856 and

1870) was written in this famous room, to say nothing of those heaps of

exquisite letters which so helped, cheered, interested, or amused many a

correspondent, and have delighted the public since.

In the hall, which has the famous parquet floor laid down by Dickens, is

still hanging the framed illumination, artistically executed by Owen

Jones, and placed there immediately after Dickens became the "Kentish

freeholder on his native heath" as he called it. It is as follows:--

This House,

GAD'S HILL PLACE,

stands on the summit of Shakespeare's Gad's Hill,

ever memorable for its association with

Sir John Falstaff, in his noble fancy.

[Illustration: Counterfeit Book-backs on Study Door.]

"But, my lads, my lads, to-morrow morning by four o'clock early at Gad's

Hill. There are pilgrims going to Canterbury with rich offerings, and

traders riding to London with fat purses; I have vizards for you all;

you have horses for yourselves."[12]

From the hall we enter the dining-room, a cheerful apartment looking on

to the beautiful lawn at the back, which has at the end the arched

conservatory of lilac-tinted glass at top, in which the novelist took so

much interest, and where he hung some Chinese lanterns, sent down from

London the day before his death. We are informed that in this building

he signed the last cheque which he drew, to pay his subscription to the

Higham Cricket Club. The door of the dining-room is faced with

looking-glass, so that it may reflect the contents of the conservatory.

Among these are two or three New Zealand tree-ferns which Dickens

himself purchased. In the dining-room Major Budden pointed out the exact

spot where the fatal seizure from effusion on the brain took place, on

the afternoon of Wednesday, 8th June, 1870, and where Dickens lay:

first on the floor to the right of the door on entering, and afterwards

to the left, when the couch was brought down (by order of Mr. Steele,

the surgeon of Strood, as we subsequently learned), upon which he

breathed his last.

The drawing-room faces the front, and, like the dining-room, has been

lengthened, and opens into the conservatory. In fact, Dickens was always

improving Gad's Hill Place. There is a memorable reference to the

conservatory by Forster in the third vol. of the _Life_. He says:--

"This last addition had long been an object of desire with him, though

he would hardly, even now, have given himself the indulgence but for the

golden shower from America. He saw it first in a completed state on the

Sunday before his death, when his youngest daughter was on a visit to

him.

"'Well, Katey,' he said to her, 'now you see POSITIVELY the last

improvement at Gad's Hill,' and every one laughed at the joke against

himself. The success of the new conservatory was unquestionable. It was

the remark of all around him, that he was certainly, from this last of

his improvements, drawing more enjoyment than from any of its

predecessors, when the scene for ever closed!"

This room is a long one, and, in common with all the others, gives us,

under the auspices of the brilliantly fine day, some idea of the late

owner's love of light, air, and cheerfulness. That the situation is also

a healthy and bracing one is confirmed by the fact, that in a letter

written on board the _Russia_, bound for Liverpool, on the 26th April,

1868, after his second American tour, he speaks of having made a "Gad's

Hill breakfast."

Our most considerate cicerone next takes us into several of the

bedrooms, these being of large size, and having a little dressing-room

marked off with a partition, head-high, so that no cubic space is lost

to the main chamber. As illustrative of Charles Dickens's care for the

comfort of his friends, it is said that in the visitors' bedrooms there

was always hot water and a little tea-table set out, so that each one

could at any time make for himself a cup of the beverage "that cheers

but not inebriates." The views from these rooms are very charming. Mr.

W. T. Wildish afterwards told us, that during the novelist's life-time,

Mr. Trood, the landlord of the Sir John Falstaff, once took him over

Gad's Hill Place, and he was surprised to find Dickens's own bath-room

covered with cuttings from _Punch_ and other comic papers. I have since

learned that this was a screen of engravings which had originally been

given him.

The gardens, both flower and vegetable, are then pointed out--the

approach thereto from the back lawn being by means of a flight of

steps--as also the rosary, which occupies a portion of the front lawn to

the westward. The roses are of course past their best, but the trees

look very healthy.

In the flower garden we are especially reminded of Dickens's love for

flowers, the China-asters, single dahlias, and zinnias being of

exceptional brightness. As to the violets, which are here in abundance,

both the Neapolitan and Russian varieties, the Major shows us a method

of cultivating them, first in frames, and then in single rows, so that

he can get them in bloom for nearly nine months in the year!

Adjoining the lawn and vegetable garden is "the much-coveted meadow,"

which the master of Gad's Hill obtained by exchange of some land with

the trustees of Sir Joseph Williamson's Mathematical School at

Rochester, and in which he planted "a number of limes and chestnuts,

and other quick-growing trees." Four grass walks meet in the centre of

the vegetable garden, where there is a fine old mulberry tree.

It is stated in Forster's _Life_ of the novelist (Vol. iii. p. 188) that

Dickens obtained the meadow by exchange of some land "with the Trustees

of Watts's Charity." But this is not right. The distinguished historian

of the Commonwealth, and the faithful friend of the novelist all through

his life, is so habitually accurate, that it is an exceptional

circumstance for any one to be able to correct him. However, I am

indebted to Mr. A. A. Arnold, of Rochester, for the following authentic

account of the transaction.

Dickens was always anxious to obtain this meadow (which consists of

about fourteen acres), and, believing that the Trustees of Sir Joseph

Williamson's Mathematical School at Rochester were not empowered to sell

their land, he purchased a field at the back of his own shrubbery from

Mr. Brooker, of Higham, with a view--as appears from the following

characteristically courteous and business-like letter--to effect an

exchange.

"GAD'S HILL PLACE,

HIGHAM BY ROCHESTER, KENT.

_Monday, Thirtieth June, 1862._

"GENTLEMEN,

"Reverting to a proposal already made in general

terms by my solicitor, Mr. Ouvry, of Lincoln's Inn

Fields, to Messrs. Essel and Co., I beg to submit

my application to you in detail.

"It is that you will have the kindness to consider

the feasibility of exchanging the field at the

back of my property here (marked 404 in the

accompanying plan), for the plot of land marked

384 in the said plan.

[Illustration: Gad's Hill Place from the rear.]

"I believe it will appear to you, on inquiry, that

the land I offer in exchange for the meadow is

very advantageously situated, and is of greater

extent than the meadow, and would be of greater

value to the Institution, whose interests you

represent. On the other hand, the acquisition of

the meadow as a freehold would render my little

property more compact and complete.

"I have the honor to be, Gentlemen,

Your faithful and obedient Servant,

CHARLES DICKENS.

"To the Governors of

Sir Joseph Williamson's Free School,

Rochester."

The offer fell through at the time; but it was renewed in 1868 in a

different form, and eventually the field was sold (by permission of the

Charity Commissioners) to Charles Dickens at an "accommodation"

price--L2,500--which really exceeded its actual market value.

[Illustration: The Grave of Dick]

But to resume our inspection. The whole of the back of the house,

looking southward, is covered by a Virginia creeper (_Ampelopsis

quinquefolia_) of profuse growth, which must be an object of singular

beauty in the autumn when the crimson tints appear. As it now stands it

is beautifully green, and there is scarcely more than a leaf or two here

and there marking autumnal decay. The two famous hawthorn trees were

blown down in a gale some years ago.

In a quiet corner under a rose-tree (_Gloire de Dijon_), flanked by a

_Yucca_ in bloom, the bed underneath consisting of deep blue lobelia,

is a touching little memorial to a favourite canary. This consists of a

narrow little board, made like a head-stone, and set aslant, on which is

painted in neat letters the following epitaph:--

This is

the grave of

DICK,

the best of birds,

born

AT BROADSTAIRS,

_Midsummer_, 1851,

died

AT GAD'S HILL PLACE,

_4th October, 1866_.

No one can doubt who was the author of these simple lines. "Dick," it

should be said, "was very dear both to Dickens and his eldest daughter,"

and he has been immortalized in Forster's _Life_. There is a very

humorous account given of the attacks which the cats in the

neighbourhood made upon him, and which were frustrated by an organized

defence. The following is the passage:--

"Soon after the arrival of Dickens and his family at Gad's Hill Place, a

household war broke out, in which the commander-in-chief was his man

French, the bulk of the forces engaged being his children, and the

invaders two cats." Writing to Forster, Dickens says:--"'The only thing

new in this garden is that war is raging against two particularly

tigerish and fearful cats (from the mill, I suppose), which are always

glaring in dark corners after our wonderful little Dick. Keeping the

house open at all points, it is impossible to shut them out, and they

hide themselves in the most terrific manner: hanging themselves up

behind draperies, like bats, and tumbling out in the dead of night with

frightful caterwaulings. Hereupon French borrows Beaucourt's gun, loads

the same to the muzzle, discharges it twice in vain, and throws himself

over with the recoil, exactly like a clown. . . . About four pounds of

powder and half a ton of shot have been fired off at the cat (and the

public in general) during the week. The funniest thing is, that

immediately after I have heard the noble sportsman blazing away at her

in the garden in front, I look out of my room door into the

drawing-room, and am pretty sure to see her coming in after the birds,

in the calmest manner possible, by the back window.'"

Passing on our way the large and well-lighted servants' hall, over which

is the bachelors' room,--whence in days gone by that rare literary

serial, _The Gad's Hill Gazette_,[13] issued from a little printing

press, presented by a friend to the sixth son of the novelist, who

encouraged his boy's literary tastes,--we next see the stables, as

usual, like everything else, in excellent order. A small statue of Fame

blowing her golden trumpet surmounts the bachelors' room, and looks down

upon us encouragingly.

Our attention is then turned to the well, which is stated to be two

hundred and seventeen feet deep, in the shed, or pumping-room, over

which is the Major's mare, "Tell-tale," cheerfully doing her daily

twenty minutes' task of drawing water, which is pumped up to the cistern

on the roof for the supply of the house. There is said to be never less

than twenty feet of water in the well.

[Illustration: The Well at Gad's Hill Place]

It may be interesting to mention that Gad's Hill Place ("the title of my

estate, sir, my place down in Kent"), which is in the parish of Higham,

and about twenty-six miles from London, stands on an elevation two

hundred and fifty feet above mean sea-level. The house itself is built

on a bed of the Thanet sands. The well is bored right through these

sands, which Mr. W. H. Whitaker, F.R.S., of H. M. Geological Survey (who

has kindly given me some valuable information on the subject), states

"may be about forty feet thick, and the water is drawn up from the bed

of chalk beneath. This bed is of great thickness, probably six hundred

or seven hundred feet, and the well simply reaches the level at which

the chalk is charged with water, _i. e._ something a little higher than

the level of the neighbouring river." The chalk is exposed on the lower

bases of Gad's Hill, such as the Railway Station at Higham, the village

of Chalk, the town of Strood, etc.

There are humorous extracts from letters by Dickens in Forster's _Life_

respecting the well, which may appropriately be introduced. He says:--

"We are still (6th of July) boring for water here, at the rate of two

pounds per day for wages. The men seem to like it very much, and to be

perfectly comfortable." . . . And again, "Here are six men perpetually

going up and down the well (I know that somebody will be killed), in the

course of fitting a pump; which is quite a railway terminus--it is so

iron, and so big. The process is much more like putting Oxford Street

endwise, and laying gas along it, than anything else. By the time it is

finished, the cost of this water will be something absolutely frightful.

But of course it proportionately increases the value of the property,

and that's my only comfort. . . . Five men have been looking attentively

at the pump for a week, and (I should hope) may begin to fit it in the

course of October." The depression caused by the prospect of the

"absolutely frightful" cost of the water seems to have continued to the

end of the letter, for it thus concludes:--"The horse has gone lame from

a sprain, the big dog has run a tenpenny nail into one of his hind feet,

the bolts have all flown out of the basket carriage, and the gardener

says all the fruit trees want replacing with new ones."

[Illustration: The Porch, Gad's Hill Place.]

Two of the Major's dogs are chained in the places formerly occupied by

Dickens's dogs, "Linda" and "Turk." The chains are very long, and allow

the animals plenty of room for exercise. The space between the two

permitted a person to walk past without their being able to come near

him; and, as an instance of Dickens's thoughtful kindliness even to the

lower animals, two holes were made in the wall so that the dogs could

get through in hot weather, and lie in the shade of the trees on the

other side. On the back gate entering into the lane at the side of the

house was painted, "Beware of the dogs!" This caution appears to have

been very necessary, for we heard more than once the story of an

intrusive tramp who trespassed, and going too near the dogs, got sadly

mauled. Dickens, with characteristic goodness, sent him at once to

Chatham Hospital, and otherwise healed his wounds.

We are next conducted round the grounds, and have an opportunity of

examining the front of the house more in detail. The porch is flanked by

two cosy seats, the pretty little spade-shaped shields, and lateral

angular ornamental supports on the back of which, we are informed, were

constructed of pieces of wood from Shakespeare's furniture given to

Dickens by a friend. A large variegated holly grows on either side of

the porch, and a semi-circular gravel walk leads to the door. There is a

closely-cut lawn in front, and opposite the hollies are two fine

specimens of _Aucuba Japonica_--the so-called variegated laurel.

[Illustration: The Cedars, Gad's Hill.]

It will be remembered that the master of Gad's Hill had a tunnel

excavated under the Dover Road (which runs through the property), so as

to approach the "shrubbery" previously referred to, without having to

cross the open public road. We did not learn who constructed the tunnel,

but it was designed either by his brother, Mr. Alfred L. Dickens, who

died at Manchester in 1860, or by his brother-in-law, Mr. Henry Austin.

The entrance to the tunnel is by a flight of about twenty steps, flanked

by two beautifully-grown specimens of _Cedrus deodara_, the "deodar,"

or god-tree of the Himalayas. The tunnel itself is cut through the

sands, and, being only a little longer than the width of the road, it is

not at all dark, but very pleasant and cool on a hot day. A

corresponding flight of steps leads us into the shrubbery, which is shut

off from the main road by iron railings only. Both ends of the tunnel

are covered with ivy, which has the effect of partially concealing the

openings. Readers of Forster's _Life_ will recollect that the Swiss

chalet presented to Dickens by his friend Fechter the actor, and in

which he spent his last afternoon, formerly stood in the shrubbery. The

chalet now stands in the terrace-garden of Cobham Hall.

Before we reach the exact place we have an opportunity of examining the

two stately cedar trees (_Cedrus Libani_) which are the arboreal gems of

the place. Major Budden informs us that they are about one hundred and

twenty-eight years old, and were planted in their present position when

they had attained about twenty years' growth. Some idea of their

luxuriance may be formed when it is mentioned that the girth of each

tree exceeds sixteen feet, and the longest branch of one of them

measures eighty-four feet in length. In consequence of the habit of

these trees "fastigiating" at the base, a very numerous series of

lateral ramifying branches is the result. These branches spread out in

terraces, and the rich green foliage, covered with exudations of resin,

seems as though powdered silver had been lightly dusted over it. Each

tree extends over a circular area of about eighty feet of ground in

diameter. Under one of the cedars is the grave of "the big and beautiful

Linda," Dickens's favourite St. Bernard dog. One of the trees has been

injured, a large branch over-weighted with snow having broken off some

years ago.

Two or three noble ash trees also grace this spot, running straight up

in a column some thirty-five feet before shooting out a canopy of

branches and leaves. There are also a few Scotch firs, the trunks well

covered with ivy, and a pretty specimen of the variegated sycamore. The

undergrowth of laurel, laurustinus, briar, privet, holly, etc., is very

luxuriant here, and the vacant ground is closely covered with the wood

anemone (_Anemone nemorosa_), which must form a continuous mass of

pearly white flowers in spring-time.

The ground formerly occupied by the chalet is pointed out to us, its

site being marked by a bed of rich scarlet nasturtiums. It will be

recollected that Dickens describes the interior of the building in a

letter to an American friend, which is thus recorded in Forster's

_Life_:--

"Divers birds sing here all day, and the nightingales all night. The

place is lovely and in perfect order. . . . I have put five mirrors in

the chalet where I write, and they reflect and refract, in all kinds of

ways, the leaves that are quivering at the windows, and the great fields

of waving corn, and the sail-dotted river. My room is up among the

branches of the trees; and the birds and the butterflies fly in and out,

and the green branches shoot in at the open windows, and the lights and

shadows of the clouds come and go with the rest of the company. The

scent of the flowers, and indeed of everything that is growing for miles

and miles, is most delicious."

But the glory of Gad's Hill Place is reserved for us until the close of

our visit, when Major Budden very kindly takes us up to the roof, which

is approached by a commodious flight of steps; and here, on this

exceptionally fine day, we are privileged to behold a prospect of

surpassing beauty. Right away to the westward is the great Metropolis,

its presence being marked by the usual pall of greyish smoke. Opening

from the town, and becoming wider and wider as the noble river

approaches its estuary, is the Thames, now conspicuous by numerous

vessels, showing masts and white and brown sails, and here and there by

the smoky track of a steamer.

We remember how often the city and the river have been the scene of many

and many an exploit in Dickens's novels. Northward are the dreary

marshes, the famous "meshes" of _Great Expectations_, hereafter to be

noticed. Then far to the eastward runs the valley of the Medway, the

picturesque city of Rochester thereon being crowned by those conspicuous

landmarks, its magnificent Castle and ancient Cathedral. In the

background is the busy town of Chatham, its heights being capped by an

enormous square and lofty building erected by the sect called

"Jezreelites," whatever that may be. We were informed that the so-called

"immortal" leader had just died, and it has since been reported that the

gloomy building is likely to be converted into a huge jam factory.

Beyond, and nearly seven miles off, is the high land called "Blue Bell,"

about three hundred feet above mean sea-level, and all along to the

south the undulating grounds and beautiful woodland scenery of Cobham

Park complete the picture.

[Illustration: View from the Roof of Dickens's House at Gad's Hill]

As Major Budden points out in detail these many natural beauties of the

district, we can quite understand and sympathize with Dickens's love for

this exquisite spot; and we heartily congratulate the present owner of

Gad's Hill Place on the charming historical property which he possesses,

and which, so far as we can perceive (all honour to him), is kept in the

same excellent condition that characterized it during the novelist's

lifetime. What is particularly striking about it is at once its

compactness, completeness, and unpretentiousness.

Descending to the library, whence we started nearly three hours

previously, we refresh ourselves with a glass of water from the

celebrated deep well--a draught deliciously cool and clear--which the

hospitable Major presses us to "dilute" (as Professor Huxley has

somewhere said) in any way we please, but which we prefer to drink, as

Dickens himself drank it--pure. Before we rise to leave the spot we have

so long wished to see, and which we have now gone over to our hearts'

content, we sadly recall to memory for a moment the "last scene of all

that ends this strange, eventful history,"--that tragic incident which

occurred on Thursday, 9th June, 1870, when there was an "empty chair" at

Gad's Hill Place, and all intelligent English-speaking nations

experienced a personal sorrow.

And so with many grateful acknowledgments to our kind and courteous

host, who gives us some nice flowers and cuttings as a parting souvenir,

we take our leave, having derived from our bright sunny visit to Gad's

Hill Place that "wave of pleasure" which Mr. Herbert Spencer describes

as "raising the rate of respiration,--raised respiration being an index

of raised vital activities in general." In fine, the impression left on

our minds is such as to induce us to feel that we understand and

appreciate more of Dickens's old home than any illustration or written

description of it, however excellent, had hitherto adequately conveyed

to us. We have seen it for ourselves.

* * * * *

The reminiscences which follow are from Mrs. Lynn Linton and three of

Charles Dickens's nearest neighbours.

GAD'S HILL SIXTY YEARS AGO.

The early love which Charles Dickens felt for Gad's Hill House, and his

boyish ambition to be one day its owner, had been already anticipated by

my father. As a boy and young man, my father's heart was set on this

place; and when my grandfather's death put him in sufficient funds he

bought it. Being a beneficed clergyman, both of whose livings were in

the extreme north of England, he could not live in the house; but he

kept it empty for many years, always hoping to get leave of absence from

the Bishop for a term long enough to justify the removal of his large

family from Keswick to Rochester. In 1831 a five years' leave of absence

was granted; and we all came up by coach to this Mecca of my father's

love. We were three days and three nights on the road; and I remember

quite distinctly the square courtyard and outside balcony of the old

Belle Sauvage Inn, where we put up on our arrival in London. I remember,

too, the powerful scent of the Portugal laurel and the bay-tree which

grew on the right-hand side of Gad's Hill House as we entered--brought

out by the warm damp of the late autumn afternoon. In our time all the

outhouses had leaden figures on the top. There was a cupola with an

alarm bell, which one night was rung lustily, to the terror of the whole

neighbourhood, and the ashamed discovery among ourselves that rats were

not burglars. In the shrubbery were two large leaden figures of Pomona

and Vertumnus, standing on each side of the walk leading up to the

arbour. We had then two arbours--one opposite the house at the end of

the green walk, and another in a dilapidated state further in the

shrubbery. They were built of big flint stones, many of which had holes

in them, where small birds made their nests. I remember in one was a

tomtit which was quite tame, and used to fly in and out while we were

watching it. The two cedars, which I believe are still there, were a

little choked and overshadowed by a large oak-tree, which my father cut

down. Between seventy and eighty coaches, "vans," and mail-carts passed

our house during the day, besides private carriages, specially those of

travellers posting to or from Dover. Regiments, too, often passed on

their way to Gravesend, where they embarked for India; and ships'

companies, paid off, rowdy and half-tipsy, made the road really

dangerous for the time being. We used to lock the two gates when we

heard them coming, shouting and singing up the hill; and we had to stand

many a mimic siege from the blue-jackets trying to force their way in.

Sweet-water grapes grew and ripened in the open air over the wash-house;

and the back of the house was covered with a singularly fine and

luscious jargonelle pear. The garden was rich in apples. We had many

kinds, from the sweet and pulpy nonsuch, to the small tight little

pearmain and lemon pippin. We had nonpareils, golden pippins, brown and

golden russets, Ribstone pippins, and what we called a port-wine

apple--the flesh red, like that of the "blood-oranges." The small

orchard to the right was as rich in cherry-trees, filberts, and cobnuts.

In the garden we had a fig-tree, and the mulberry-tree, which is still

there, was in full bearing in our time. The garden altogether was

wonderfully prolific in flowers as well as fruits--roses as well as

strawberries and apples; and the green-house was full of grapes.

Nightingales sang in the trees near the house, and the shrubbery was

full of song birds. We had a grand view from the leads, where we used

sometimes to go, and whence I remember seeing a farmyard fire over at

Higham--which fire they said had been caused by an incendiary. There was

a Low Church clergyman in the neighbourhood who might have been Chadband

or Stiggins. He was fond of some girls we knew, and called them his

"lambs." He used to put his arm round their waists, and they sat on his

knees quite naturally. I myself heard him preach at Shorne against the

institution of pancakes on Shrove Tuesday. He said it was not only

superstitious but irreligious; as pancakes meant "pan Kakon," all evil.

This I, then a girl of thirteen or so, heard and remember. When my

father died his property had to be sold, as he did not make an eldest

son. Mr. W. H. Wills, the trusty friend of Charles Dickens, and editor

of _Household Words_ and _All The Year Round_, was also a friend of

mine. We met at a dinner, and he spoke to me about Gad's Hill, but as if

he wanted to buy it for himself. He was afraid to mention Charles

Dickens's name, lest we should ask too much. So he told me afterwards. I

had been left executrix under my father's will, being then the only

unmarried daughter; and I took the news to our solicitor and

co-executor, Mr. Loaden. He wrote to Mr. Wills, and the sale was

effected. We scored a little triumph over the "ornamental timber." Mr.

Dickens objected to our price; the case was submitted to an arbitrator,

and we got more than we originally asked. But there was never one moment

of pique on either side, nor a drop of bad blood as the consequence. It

was always a matter for a laugh and a joke between Mr. Wills and myself.

When we first went to Gad's Hill there was a fish-pond at the back; but

my father had it filled up, lest one of his adventurous little ones

should tumble in. Officers used to come up from Chatham to the Falstaff,

and have pigeon matches in our big field; and one of the sights which

used to delight our young eyes, was the gallant bearing and gay uniforms

of the Commandant at Chatham, when he and his staff rode by. We were

great walkers in those days, and used to ramble over Cobham Park, and

round by Shorne, and down to the dreary marshes beyond Higham. But this

was not a favourite walk with us, and we girls never went there alone.

The banks on the Rochester road--past Davies's Straits--were full of

sweet violets, white and purple; and the fungi, lichens, flowers, and

ferns about Shorne and Cobham yet linger in my memory as things of

rarest beauty. We always thought that the coachman, "Old Chumley," as he

was called, was old Weller. He was a fine, cheery, trustworthy man; and

once when my father was in London, he had one of my sisters and

myself--girls then about fifteen and thirteen--put under his charge to

be delivered to him at the end of the journey. The dear old fellow took

as much care of us as if he had been our father himself. I remember my

brothers gave him a new whip, and he was very fond of us all.

E. L. L.

* * * * *

* * * We had at a subsequent visit to Gad's Hill Place, on the

invitation of our hospitable friends, Major and Mrs. Budden, the

pleasure of a long and interesting conversation with Mr. James Hulkes,

J.P., of the Little Hermitage, Frindsbury, a Kentish man, who came to

live here more than sixty years ago, and who was thus a very near

neighbour of Charles Dickens during the whole of the time that he

resided at Gad's Hill Place. We were shown into a delightful room at the

back of the house, overlooking the shrubberies of the mansion--in the

distance appearing the high ground on which stands the monument to

Charles Larkin. The room is a happy combination of part workshop, with a

fine lathe and assortment of tools fitted round it--part study, with a

nice collection of books, engravings and pictures (some of hunting

scenes) on the walls--and part naturalist's den, with cases of stuffed

birds and animals, guns and fishing-rods--the fragrant odour of tobacco

breathing friendly welcome to a visitor of smoking proclivities. The

varied tastes of the owner were sufficiently apparent, and a long chat

of over two hours seemed to us but a few minutes.

Mr. Hulkes said he just remembered the road from Strood to Gad's Hill

being cut through the sands down to the chalk. It was for some time

afterwards called "Davies's Straits," after the Rev. George Davies, the

then Chairman of the Turnpike Road Board, and the term indicated the

difficulty and expense of the operation. Before the new road was cut,

the old highway constituting this part of the Dover Road was very hilly

and dangerous.

Reverting to the subject of Charles Dickens, our relator remarked, "I

fear I cannot be of much use to you by giving information about Mr.

Dickens, as I only knew him as a kind friend, a very genial host, and a

most charming companion; to the poor he was always kind--a deserving

beggar never went from his house unrelieved." What indeed could be said

more! These few simple words, spoken so earnestly after a period of

nearly twenty years, sufficed to bring before us the lost neighbour

whose memory was so warmly cherished by his surviving friend.

John Forster, in the _Life_, speaks of Mr. Hulkes as being "one of the

two nearest country neighbours with whom the [Dickens] family had become

very intimate," and mentions that both Mr. and Mrs. Hulkes were present

at the wedding of the novelist's second daughter, Kate, with Mr. Charles

Alston Collins. Mr. Hulkes spoke of the pleasant parties at Gad's Hill

Place, at which he met Mr. Forster, Mr. Wilkie Collins, Mr. Percy

Fitzgerald, Mr. Marcus Stone, Mr. H. F. Chorley, and many others; and

observed that, on the occasion of charades and private theatricals

there, Charles Dickens was always in fine form. He showed us an original

manuscript programme (of which we were allowed to take a copy), written

on half-a-sheet of foolscap; and from the fact that "_Gads Hill Gazette_

Printing Office" appears in the corner it would seem that it was printed

on the occasion for the guests. It is as follows:--

_December 31st, 1863._

"A night's exploit on Gad's Hill."--_Shakespeare._

=Her Majesty's Servants=

will have the honour of presenting

Three Charades!!!

Each Charade is a word of two syllables, arranged

in three Scenes. The first scene is the first

syllable; the second is the second syllable; the

third scene is the entire word.

(_At the end of each Charade the audience is

respectfully invited to name the word._)

=Charade 1!=

Scene I.--The awful end of the Profligate Sailor.

Scene II.--On the way to foreign parts.

Scene III.--Miss Belinda Jane and the faithful

policeman (Division Q).

=Charade 2!!=

Scene I.--Archery at Castle Doodle.

Scene II.--Fra Diavolo a Dread Reality.

Scene III.--The Choice of a too Lowly Youth.

=Charade 3!!!=

Scene I.--The Pathetic History of the Poor Little Sweep.

Scene II.--Mussulman Barbarity to Christians.

Scene III.--Merry England.

_Gad's Hill Gazette_ Printing Office.

The various parts were taken by Dickens and his family, and the entire

word of the last Charade is supposed to be "May Day."

In connection with charades, Mr. Hulkes alluded to Dickens's remarkable

facility for "guessing a subject fixed on when he was out of the room,

in half a dozen questions;" and related the story of how at the young

people's game of "Yes and No," he found out the proper answer to a

random question fixed upon by Mr. Charles Collins, one of the company,

in his absence, which was, "The top-boot of the left leg of the head

post-boy at Newman's Yard, London." The squire sometimes took a stroll

with his neighbour, but observed "he was too fast a walker for me--I

couldn't keep up with him!"

Mr. Hulkes possesses a nearly complete "file" (from 1862 to 1866) of the

_Gad's Hill Gazette_, to which he was one of the subscribers, and which

was edited by the novelist's son, Mr. Henry Fielding Dickens, and, as

before stated, printed at Gad's Hill Place. It chronicled the arrivals

and departures, the results of cricket matches and billiard games, with

interesting gossip of events relating to the family and the

neighbourhood. Occasionally there was a leading article, and now and

then an acrostic appeared. Among the subscribers were the novelist and

his family, The Lord Chief Justice, The Dean of Bristol, Lady

Molesworth, Mrs. Milner Gibson, M. Stone, A. Halliday, J. Hulkes, C.

Kent, W. H. Wills, H. F. Chorley, Edmund Yates, etc. The number for

January 20th, 1866, contains a humorous correspondence on the management

of the journal between "Jabez Skinner" and "Blackbury Jones." Mr. H. F.

Dickens kindly allows a copy of the number for December 30th, 1865, to

be reproduced, which is interesting as giving an account of the

Staplehurst accident, and also the notice issued when the journal was

discontinued.

THE

GAD'S HILL GAZETTE

Edited by H. F. Dickens

December 30th 1865 Price 2d

* * * * *

We are very glad to meet our subscribers again after such a long lapse

of time, and we hope that they will patronise us in the same kind and

indulgent manner as they did, last season.

In the circulars, we announced that some great improvements were to be

made in the Gazette-- We are sorry that they cannot appear in this

number (as our suppliers of type have disappointed us) but we hope that

next week, we shall be able to publish this journal in quite a different

form.

Hoping that our subscribers will excuse us this week, we beg to wish

them all A Merry Christmas & a Happy New Year!

* * * * *

Christmas at Gad's Hill.

During the past week, Gad's Hill has resounded with the sounds of

festivity and merriment.

(Continued on the next page)

As is usually the case, the house has been filled with the guests who

have come to taste of Mr Dickens' hospitality. These consisted of Mr

Mad, and Master Fechter, Mr & Mrs C. Collins, Mr Mrs and Master C.

Dickens junr, Mr Morgan (who suddenly appeared on Christmas Day, having

just returned from America) Mr M. Stone, Mr Chorley and Mr Dickenson.

The latter gentleman has not yet entirely recovered from the effects of

a most disastrous railway accident in which he was a sufferer, and had

it not been for the courage and intrepidity of Mr Dickens, he would not

now be spending his Christmas at Gad's Hill.

A short time before the accident occurred, Mr Dickenson had a dispute

with a French gentleman about the opening of the window when the former

offered to change places, if the open window was disagreeable to his

fellow traveller--this they did.--

Then came the accident, accompanied by all its frightful incidents. The

French gentleman was killed, Mr Dickenson was stunned and hurled with

great violence under the debris of a carriage.

Mr Dickens, who was in another compartment, managed to crawl out of the

window and then, caring little for his own safety, busied himself in

helping the wounded. Whilst engaged in doing this, he passed by a

carriage, underneath which he saw a gentleman (Mr Dickenson) lying

perfectly still, and bleeding from the eyes, ears, nose and mouth.

He was immediately taken to the town of Staplehurst where he so far

recovered as to be able to return to London, that evening.

Next morning he was suffering from a very severe concussion of the brain

and was ill for many weeks--But to our subject.

On Christmas Day, Mr, Mrs & Miss Malleson came to dinner. At about 9, an

ex tempore dance began and was kept up till about 2 o'clock Tuesday

morning. During the week, billiards has been much resorted to. (See next

page)

All the visitors are still here, except Mr Fechter and family who left

on December 26th, and Mr Morgan (who is to return on 31st. Talking of Mr

Fechter, our readers will be glad to hear that he has made a most

decided success in his new piece entitled--The Master of Ravenswood--

* * * * *

Sporting Intelligence.

Billiards

Of all the matches that have been played during the past week the most

important was a Great Handicap on Christmas Day, the prize being a

pewter. Annexed is an account of it.

Stone Scratch C Dickens jun 20 Harry 30

Fechter 5 Dickenson 20 C Dickens 35

Morgan 10 Collins 30 Plorn 40

Our space will not allow us to enter into the minute details of this

match suffice it to say that Mr Dickenson won but that as regards good

play, he was excelled by Mr Stone (who, however, was so heavily weighted

that he could not win. Great credit is due to Mr Ch Dickens junr for the

way in which he handicapped the men.

On Saturday 30th a match is to be played between The Earl of Darnley and

Mr M Stone.

* * * * *

Gad's Hill Gazette Office.

January--1867.

In a circular issued last August, we announced that a final number of

the Gad's Hill Gazette was to be published this Xmas. We are grieved

however to state, that the shortening of the Wimbledon School holidays

(in which establishment the Editor is a pupil) has rendered this

impossible.

It is with feelings of the deepest regret that we find ourselves obliged

to conclude the publication of our Journal in this sudden and unexpected

manner, but we feel sure that the great indulgence of the Public will

overlook this, as it has done many other great errors in the Gad's Hill

Gazette.

In conclusion, we beg to take leave of our Subscribers in our public

capacity of Editor, thanking them for their kindness in supporting our

Journal, and wishing them all

--"A Happy New Year."--

[Illustration: Signature: A. F. Dickens]

(Signed) Sole Editor

Mrs. Hulkes had a number of pleasant recollections of Gad's Hill Place,

and of Charles Dickens and his family. "As a girl," said this lady, "I

was an admiring reader of his works, and I longed to see and know the

author; but little did I think that my high ambition would ever be

gratified." That a warm friendship existed between his admirer and

Charles Dickens, who subsequently became her near neighbour, is

evidenced by the fact that, in reply to her request, he allowed this

lady the great privilege of reading the catastrophe of that

exquisitely-pathetic and nobly-altruistic story of _A Tale of Two

Cities_, some weeks before its publication, as appears from the

following letter:--

"GAD'S HILL PLACE,

"HIGHAM BY ROCHESTER, KENT.

"_Sunday evening, Sixteenth Oct., 1857._

"MY DEAR MRS. HULKES,

"My daughter has shown me your note, and it has

impressed me with the horrible determination to

become a new kind of Bluebeard, and lay an awful

injunction of secrecy on you for five mortal

weeks.

"Here is the remainder of the _Tale of Two

Cities_. Not half-a-dozen of my oldest and most

trusty literary friends have seen it. It is a real

pleasure to me to entrust you with the

catastrophe, and to ask you to keep a grim and

inflexible silence on the subject until it is

published. When you have read the proofs, will you

kindly return them to me?

"With my regard to Mr. Hulkes,

"Believe me always,

"Faithfully yours,

"CHARLES DICKENS.

"MRS. HULKES."

Mrs. Hulkes said that when Dickens went to Paris in 1863, he jokingly

said to her, "I am going to Paris; what shall I bring you?" She replied,

"A good photograph of yourself, as I do not like the one you gave me;

and I hear the French people are more successful than the English, or

their climate may help them." And he brought a photograph of himself, of

which there were only four printed. It now graces Mrs. Hulkes'

drawing-room, and represents the novelist very life-like in full face,

head and bust. The photograph was taken by Alphonse Maze, and has been

exquisitely engraved in Mr. Kitton's _Charles Dickens by Pen and

Pencil_.

Mrs. Hulkes mentioned a curious and interesting circumstance. On the

night before the funeral of her friend, Miss Dickens sent down to the

Little Hermitage to ask if she could kindly give her some roses. Mrs.

Hulkes cut a quantity from one of the trees in the garden (Lamarque, she

believes), and the tree never bloomed again, and soon after died. No

doubt, as she observed, it bled to death from the excessive cutting. It

was the second case only of the kind in her experience as a rose-grower

during very many years.

Charles Dickens also took interest in his friend's son (their only

child, who has since finished his University career), and this gentleman

prizes as a relic a copy of _A Child's History of England_, which was

presented to him, with the following inscription written in the

characteristic blue ink--"Charles Dickens. To his little friend, Cecil

James Hulkes. Christmas Eve, 1864." In a letter to Miss Hogarth, written

from New York, on Friday, 3rd January, 1868, he says:--"I have a letter

from Mrs. Hulkes by this post, wherein the boy encloses a violet, now

lying on the table before me. Let her know that it arrived safely and

retaining its colour."

There are many interesting relics of Gad's Hill Place now in the

possession of the family at the Little Hermitage, notably Charles

Dickens's seal with his crest, and the initials C. D., his pen-tray, his

desk, a photograph of the study on 8th June, 1870 (a present from Miss

Hogarth), the portrait above referred to, an arm-chair, a drawing-room

settee, a dressing-table, and a library writing-table.

* * * * *

On another occasion we were favoured with an interview by Mr. J. N.

Malleson, of Brighton, who formerly resided at the Great Hermitage,

Higham, and who was a neighbour of Charles Dickens for many years. Mr.

Malleson came to the Great Hermitage in 1859, and a day or two after

Christmas Day in that year--having previously been a guest at the

wedding of Dickens's second daughter Kate, with Mr. Charles Alston

Collins--he met the novelist, who, stopping to chat pleasantly, asked

his neighbours where they dined at Christmas? "Oh, Darby and Joan," said

our informant. Dickens laughingly replied:--"That shall never happen

again"; and the following year, and every year afterwards, except when

their friend was in America, Mr. and Mrs. Malleson received and accepted

invitations to dine at Gad's Hill Place. On the exception in question,

the family of Dickens dined at the Great Hermitage.

* * * * *

In the autumn of the year 1889 we had a most interesting chat with Mr.

William Stocker Trood, at his residence, Spearcehay Farm, Pitminster,

pleasantly situated in the vale of Taunton, for many years landlord of

the Sir John Falstaff at Gad's Hill. The first noteworthy circumstance

to record is that his name is not _Edwin_ Trood, as commonly supposed,

but William Stocker, as above stated, Stocker being an old family name.

This fact disposes of the supposition that the former two names, with

the alteration of a single letter, gave rise in Dickens's mind to the

designation of the principal character in _The Mystery of Edwin Drood_.

The name of "Trood" is by the substitution of one letter easily

converted into Drood, and that word is perhaps more euphonious with

"Edwin" as prefixed to it; but "William Stocker" is not by any means

easily converted into "Edwin." The idea that "Edwin Drood" is derived

from "William Stocker Trood" may therefore be dismissed as a popular

fallacy. It may be mentioned, however, _en passant_, that Mr. Trood had

a brother named Edward, who sometimes visited him at the Falstaff, and

also a son who bore the name of his uncle.

We found our informant to be wonderfully genial, hale and hearty,

although in his eighty-fifth year. He had a perfect recollection of

Charles Dickens, and remembered his first coming to Gad's Hill Place.

Before the house was properly furnished and put in order, both Mr. and

Mrs. Dickens sometimes slept at the Falstaff; and afterwards, when

visitors were staying at Gad's Hill Place, and the bedrooms there were

full, some of them slept at the Inn; in particular, John Forster, Wilkie

Collins, and Marcus Stone. He said Mr. Dickens was a very nice man to

speak to, and Mrs. Dickens was a very nice lady. They were always kind

and pleasant as neighbours, but Mr. Dickens did not talk much. Said Mr.

Trood:--"When I was at Higham, Mr. Dickens used to say no one could put

in a word; I had all the talk to myself." The sons were all very

pleasant; in fact, he liked the family very much indeed.

Mr. Trood sometimes acted as local banker to Charles Dickens, and used

to cash his cheques for him. Only the day before his death, he cashed a

cheque for L22, and was subsequently offered L24 for it by an admirer of

Dickens who desired the autograph; but to his credit it should be

mentioned that he did not accept the offer.

Our informant next spoke of the wonderful partiality of Dickens to

cricket; he would stand out all night if he could watch a cricket match.

The matches were always played in Mr. Dickens's field, and the business

meetings of the club were held monthly at the Falstaff. Mr. Trood was

Treasurer of the club. Occasionally there was a dinner.

A circumstance was related which made a profound impression on our

friend. The family at Gad's Hill Place were very fond of music, and on

one occasion there were present as visitors two great violinists, one a

German and the other an Italian, and it was a debated question among the

listeners outside the gates, where the music could be distinctly heard,

which played the better. Mr. Trood had just returned from Gravesend in

the cool of the summer evening, about ten o'clock, and stood in the road

opposite listening, "spellbound," to the delightful music. Miss Dickens

played the accompaniments.

Mr. Trood spoke with a lively and appreciative recollection of the

Christmas sports that were held in a field at the back of Gad's Hill

Place, and of the good order and nice feeling that prevailed at those

gatherings, although several thousand people were present. Among the

games that were played, the wheeling of barrows by blind-folded men

seemed to tickle him most.

Our octogenarian friend also spoke of the great love of Dickens for

scarlet geraniums. Hundreds of the "Tom Thumb" variety were planted in

the beds on the front lawn and in the back garden at Gad's Hill Place.

Soon after the terrible railway accident at Staplehurst, Dickens came

over to the Falstaff and spoke to Mr. Trood, who congratulated him. Said

Dickens, "I never thought I should be here again." It is a wonderful

coincidence to record, that a young gentleman named Dickenson, who

subsequently became intimate with the novelist, changed places (so as to

get the benefit of meeting the fresh air) with a French gentleman in the

same carriage who was killed, and Mr. Dickenson escaped! The accident

happened on the 9th June, 1865, and Dickens died on the "fatal

anniversary," 9th June, 1870.

Mr. Trood confirmed his daughter's (Mrs. Latter's) account of the

_fracas_ with the men and performing bears, given in another chapter,

adding, "That _was_ a concern."

* * * * *

The beautiful city of Exeter is not far from Taunton, and we naturally

avail ourselves of the opportunity of stopping there for a few hours,

and stroll over to see the village of Alphington. It was here, in the

year 1839, that Charles Dickens took and furnished Mile End Cottage for

his father and mother and their youngest son. He thus describes the

event in a letter to Forster:--"I took a little house for them this

morning (5th March, 1839), and if they are not pleased with it I shall

be grievously disappointed. Exactly a mile beyond the city on the

Plymouth road there are two white cottages: one is theirs, and the

other belongs to their landlady. I almost forget the number of rooms,

but there is an excellent parlour with two other rooms on the ground

floor, there is really a beautiful little room over the parlour which I

am furnishing as a drawing-room, and there is a splendid garden. The

paint and paper throughout is new and fresh and cheerful-looking, the

place is clean beyond all description, and the neighbourhood I suppose

the most beautiful in this most beautiful of English counties." The

negotiations with the landlady and the operation of furnishing the house

are most humorously pourtrayed in the same letter.

The cottage is also described in _Nicholas Nickleby_, which he was

writing at the time. Mrs. Nickleby, in allusion to her old home, calls

it "the beautiful little thatched white house one storey high, covered

all over with ivy and creeping plants, with an exquisite little porch

with twining honeysuckles and all sorts of things."

Fifty years have passed since the parents of the novelist went to live

at Alphington, which, notwithstanding the subsequent growth of the city,

still continues to be a pretty suburb with fine views of the Ide Hills

to the westward, and Heavitree to the eastward. Our efforts to obtain

any reminiscences of the Dickens family in the village were quite

unsuccessful--so long a time had elapsed since their departure--although,

to oblige us, the vicar of the place kindly made enquiries, and took

some interest in the matter.

FOOTNOTES:

[11] Since this was written, Gad's Hill Place has been purchased by the

Hon. F. G. Latham. Major Budden has resigned his commission locally, and

now holds a commission in the Limerick City Artillery Militia. It is

very pleasant to place on record that in subsequent visits to

"Dickens-Land" I was always received with friendly kindness by Major and

Mrs. Budden, whose hospitality I often enjoyed. Their enthusiasm for the

late owner of Gad's Hill Place, and their willingness to show every part

of their beautiful residence to any one specially interested, was most

gratifying to a lover of Dickens. Like the novelist, Mrs. Budden is fond

of private theatricals, and has published a little book on _Mrs.

Farley's Wax-Works and How to Use Them_.

[12] It has been suggested that the lines above quoted might give one

the impression that they are those of Falstaff. This, of course, is not

the case. They are spoken by Poins, when in company with Falstaff,

Prince Henry, and others. They occur in Act I. Scene ii. of _King Henry

IV._, Part 1.

A Note to Charles Knight's Edition of Shakespeare, contained in the

"Illustrations to Act I." of the same Play, states that Gad's Hill

appears to have been a place notorious for robbers before the time of

Shakespeare, for Stevens discovered an entry of the date of 1558 in the

books of the Stationers' Company, of a ballad entitled, "The Robbery at

Gad's Hill." And the late Sir Henry Ellis, of the British Museum,

communicated to Mr. Boswell, Editor of Malone's Shakespeare, a narrative

in the handwriting of Sir Roger Manwood, Chief Baron of the Exchequer,

dated 5th July, 1590, which shows that Gad's Hill was at that period the

resort of a band of well-mounted robbers of more than usual daring, as

appears from the following extract:--

"In the course of that Michaelmas term, I being at London, many

robberies were done in the bye-ways at Gad's Hill, on the west part of

Rochester, and at Chatham, down on the east part of Rochester, by horse

thieves, with such fat and lusty horses, as were not like hackney horses

nor far-journeying horses; and one of them sometimes wearing a vizard

grey beard, he was by common report in the country called 'Justice Grey

Beard;' and no man durst travel that way without great company."

[13] At an interview with Mr. H. F. Dickens some time afterwards, he

told me the story of the origin of _The Gad's Hill Gazette_. There was a

good deal of sand exposed at the back of the house, and the sons of the

novelist--who like other boys were full of energy,--were fond of playing

at "burying" each other. Their father naturally feared that this kind of

play might have some disastrous effects, and develop into burying in

earnest. So he said one day to his sons, "Why not establish a newspaper,

if you want a field for your energies?" _The Gad's Hill Gazette_ was the

result. At first the tiny journal was written on a plain sheet and

copies made; then a Manifold Writer was used; and afterwards came the

Printing Press.

CHAPTER VIII.

CHARLES DICKENS AND STROOD.

"So altered was the battle-ground, where thousands

upon thousands had been killed in the great

fight."--_The Battle of Life._

"Keep me always at it, I'll keep you always at it,

you keep somebody else always at it. There you

are, with the Whole Duty of Man in a commercial

country."--_Little Dorrit._

THE town of Strood,--the Roman _Strata_,--which stands on the left bank

of the river Medway, has, like the city of Rochester, its interesting

historical associations. Its Church, dedicated to St. Nicholas, stands

high on the north side of the London road leading to Gad's Hill, and has

a brass of T. Glover and his three wives. At one time there was a

hospital for travellers, founded by Bishop Glanville (_temp._ Richard

I.), near the Church. The most interesting remains are, however, those

of the Temple Farm, distant about half a mile south, formerly (_temp._

Henry II.) the mansion of the Knights Templars of the Teutonic order, to

whom it, together with the lands thereto belonging, was given by that

monarch. The gift was confirmed by King John and by Henry III. (1227);

but the unfortunate brethren of the order did not retain possession more

than a century, for in the reign of Edward II. they were dispossessed of

their lands and goods, under pretence of their leading a vicious course

of life, but in reality to satisfy the avarice of their dispossessors.

The present building dates from about James I., has one fine room

overlooking the river, and underneath is a spacious vault called by

Grose the "Preceptory," excavated out of the chalk, and having fine

groined stone arches and aisles--the walls are of very great thickness.

Near Frindsbury Church--in which are three most interesting

wall-paintings of St. William the Baker of Perth, St. Lawrence, and

another figure, all three discovered on the jambs of the Norman windows

only a few years ago--stands the Quarry House, a handsome old red-brick

mansion, "described as more Jacobean than Elizabethan," built in the

form of a capital E, each storey slightly receding behind the front

level of that beneath it, the top tapering into pretty gables, the

effect being enhanced by heavy buttresses.

There is a dreadful legend of the ancient people of Strood common to

several other parts of the kingdom, _e.g._ Auster in Dorsetshire, which

the quaint and diligent Lambarde, quoting from Polydore Virgil,

evidently regarded as serious, and takes immense pains to confute! It

relates to St. Thomas a Becket and his contention with King Henry II.,

whereby he began to be looked upon as the King's enemy, and as such

began to be "so commonly neglected, contemned, and hated:--

"That when as it happened him upon a time to come to _Stroude_, the

Inhabitants thereabouts (being desirous to dispite that good Father)

sticked not to cut the tail from the horse on which he road, binding

themselves thereby with a perpetuall reproach: for afterward (by the

will of God) it so happened, that every one which came of that kinred of

men which plaied that naughty prank, were borne with tails, even as

brute beasts be."

[Illustration: Temple Farm Strood]

Surely had the credulous historian lived in Darwinian times, he might

have recorded this as a splendid instance of "degeneration"!

[Illustration: At Temple Farm Strood]

In a lecture delivered here some years ago, the Rev. Canon Scott

Robertson, Editor of _Archaeologia Cantiana_, gave a graphic picture of

"Strood in the Olden Times." To this we are much indebted for the

opportunity of giving an abstract of several of the most interesting

details.

In the thirteenth century Strood and Rochester were the scene of a

severe struggle between Simon de Montfort, Earl of Leicester, the

leader of the Barons in their war against Henry III. to resist the

aggressive encroachments of the King on the liberties of the subject,

and the supporters of that monarch.

[Illustration: Crypt Temple Farm]

Simon de Montfort, who was a Strood landowner, and possessed of other

large properties in Kent, took the lead, followed by several other

nobles, in the siege of Rochester. Their first obstacle was the

fortified gate-house at the Strood end of Rochester Bridge, and for some

time their efforts were in vain, till at length, by means of small ships

filled with inflammable matter, set on fire and driven towards the

centre of the wooden bridge, causing "actual or expected ignition of the

timbers," the King's soldiers were dismayed and retreated. The Earl of

Gloucester simultaneously reached the south end of the city, and the

Barons took possession thereof, sacking the town, monastery, and

Cathedral Church. The garrison of the Castle shut themselves up in the

strong Norman Keep, and held it till relieved by Prince Edward, the

King's son.

The Castle was subsequently taken by Simon de Montfort after the Battle

of Lewes (1264), where Henry III. was taken prisoner and brought to

Rochester, and a Proclamation was issued transferring the custody of the

Royal Castle to the Barons.

At the Battle of Evesham (1265) Simon de Montfort was slain; and the

King, on becoming master of the situation, imposed a fine, equivalent to

about L1,500 of our money, on Strood, because it was the headquarters of

Simon during his assault on Rochester. The fine caused much ill-feeling

between the two towns, which lasted until the reign of Edward I. Such

was Strood in the olden times.

Long years have since passed, and the amenities of an industrial age

have succeeded to these turmoils. The town of Strood appears to be

flourishing, and now possesses large engineering works, cement

manufactories, flour mills, and other extensive industries.

Allusion has been previously made to a very entertaining _brochure_,

entitled _Charles Dickens and Rochester_, by Mr. Robert Langton, F. R.

Hist. Soc. of Manchester (himself, we believe, a Rochester man). In it

there is scarcely any reference to Strood, although the sister-town,

Chatham, is freely mentioned. Our enquiries at Strood, on the Tuesday

and subsequently, resulted in the discovery of many most interesting

memorials of Charles Dickens in connection with that town, enough almost

to fill a small volume. There was a general impression that Dickens had

no great liking for Strood, and yet it was a doctor from that town who

was one of his most intimate friends, and who attended him in his last

illness; it was a builder in Strood who executed most of the alterations

and repairs at Gad's Hill Place; it was a Strood contractor who gave him

the souvenir of old Rochester Bridge; it was at Strood that an eminent

local scientist lived, who was incidentally, but very importantly,

associated with him in the movement connected with the Guild of

Literature and Art; and it was at a quiet roadside inn at Strood that he

sometimes called to refresh himself after one of those long walks, alone

or with friends, for which he was famous.

[Illustration: The "Crispin & Crispianus", Strood]

Let us reverse the order of the above, and give a recollection from the

last-mentioned. The "Crispin and Crispianus" is a very old-fashioned

inn, which stands on the north side of the London road just out of

Strood, and was, as we were informed, erected some centuries ago. It is

a long building, of brick below, with an overhanging upper floor and

weather-boarded front, surmounted by a single dormer window. The sanded

floor of the common parlour is, as the saying goes, "as clean as a new

pin." Round the room is a settle terminating with arms at each side of

the door, which is opposite the fireplace. Mrs. Masters, the cheerful

and obliging landlady, who has lived here thirty years, describes

Dickens to us (as we sit in the seat he used now and then to occupy),

when on one of his walks, as habited in low shoes not over-well mended,

loose large check-patterned trousers that sometimes got entangled in the

shoes when walking, a brown coat thrown open, sometimes without

waistcoat, a belt instead of braces, a necktie which now and then got

round towards his ear, and a large-brimmed felt hat, similar to an

American's, set well at the back of his head. In his hand he carried by

the middle an umbrella, which he was in the habit of constantly

swinging, and if he had dogs (a not unfrequent occurrence), he had a

small whip as well. He walked in the middle of the road at a rapid pace,

upright, but with his eyes cast down as if in deep thought. When he

called at the Crispin for refreshment, usually a glass of ale (mild

sixpenny--bitter ale was not drawn in those days), or a little cold

brandy and water, he walked straight in, and sat down at the corner of

the settle on the right-hand side where the arm is, opposite the

fire-place; he rarely spoke to any one, but looked round as though

taking in everything at a glance. (In _David Copperfield_ he says, "I

looked at nothing, that I know of, but I saw everything.") Once he and a

friend were sheltering there during a thunderstorm (by a coincidence, a

storm occurs at the time we are here), and while Dickens stood looking

out of the window he saw opposite a poor woman with a baby, who appeared

very worn, wet, and travel-stained. She too was sheltering from the

rain.

"Call her in here," said Dickens. Mrs. Masters obeyed.

"Now," said he, "draw her some brandy."

"How much?" she asked.

"Never mind," he answered, "draw her some."

The landlady drew her four-pennyworth, the quantity generally served.

"Now," said Dickens to the woman, "drink that up," which she did, and

soon seemed refreshed. Dickens gave her a shilling, and remarked to Mrs.

Masters that "now she will go on her way rejoicing." The story is a

trivial one, but the units make the aggregate, and it sufficiently

indicates his kindness of heart and thoughtfulness for others.

In some of his walks Dickens was accompanied either by his

sister-in-law, Miss Hogarth, or by friends who were staying at "Gad's"

(or the "Place," as it was sometimes called). Mrs. Masters, whose

recollections of Dickens are very vivid, said--"Lor! we never thought

much about him when he was alive; it was only when his death took place

that we understood what a great man he was." Alas! it is not the first

instance that "a prophet is not without honour, save in his own country,

and in his own house." The news of his death was a great shock to Mrs.

Masters, who heard of it from Edward, son of Mr. W. S. Trood, the

landlord of the Sir John Falstaff, as he was bearing the intelligence to

Rochester within half-an-hour after the event.

In passing we should mention, that the Crispin and Crispianus has been

immortalized in the chapter on "Tramps," in _The Uncommercial

Traveller_, where, in reference to the handicrafts of certain tramps,

Dickens imagines himself to be a travelling clockmaker, and after

adjusting "t'ould clock" in the keeper's kitchen, "he sees to something

wrong with the bell of the turret stable clock up at the Hall [Cobham

Hall]. . . . Our task at length accomplished, we should be taken into an

enormous servants'-hall, and there regaled with beef and bread, and

powerful ale. Then, paid freely, we should be at liberty to go, and

should be told by a pointing helper to keep round over yinder by the

blasted ash, and so straight through the woods till we should see the

town-lights right afore us. . . . So should we lie that night at the

ancient sign of the Crispin and Crispianus [at Strood], and rise early

next morning to be betimes on tramp again."[14]

We are also indebted to Mrs. Masters for an introduction to our next

informant, Mr. J. Couchman, master-builder and undertaker of Strood,

who, though advanced in years and tried by illness, is very free and

chatty; and from him and his son we obtained some interesting facts. He

had worked for Charles Dickens at Gad's Hill Place, from the date of his

going there ("which," says Mr. Couchman, "was on Whitsun Monday, 1856,")

until the 11th June, 1870, two days after the sad occurrence "which

eclipsed the gaiety of nations."

From Mr. Couchman's standpoint as a tradesman, it is interesting to

record his experience of Dickens in his own words. "Mr. Dickens," he

says, "was always very straightforward, honourable, and kind, and paid

his bills most regularly. The first work I did for him was to make a

dog-kennel; I also put up the chalet at Gad's Hill. When it was

forwarded from London, which was by water, Mr. Fechter [whose name he

did not at first remember] sent a Frenchman to assist in the erection.

The chalet consisted of ninety-four pieces, all fitting accurately

together like a puzzle. The Frenchman did not understand it, and could

not make out the fitting of the pieces. So I asked Mr. Henry [Mr. Henry

Fielding Dickens, the novelist's sixth son, the present Recorder of

Deal] if he understood French. He said 'Yes,' and told me the names of

the different pieces, and I managed it without the Frenchman, who stayed

the night, and went away next day." In conversation, we suggest that the

circumstance of the chalet having been made in Switzerland may have

embarrassed the Frenchman, he not having been accustomed to that kind of

work. In his letter to Forster of the 7th June, 1865, Dickens

says:--"The chalet is going on excellently, though the ornamental part

is more slowly put together than the substantial. It will really be a

very pretty thing; and in the summer (supposing it not to be blown away

in the spring), the upper room will make a charming study. It is much

higher than we supposed."

Mr. Couchman also took down the chalet after Charles Dickens's death,

and erected it at the Crystal Palace at Sydenham, where it remained for

a short time, and was subsequently presented to the Earl of Darnley by

several members of the Dickens family. His lordship afterwards ordered

him to fit it up at Cobham Hall, where, as previously stated, it now

stands. The woods of which it is constructed he believed to be Baltic

oak and a kind of pine, the lighter parts being of maple or sycamore. We

saw it subsequently.

Several contracts were entered into by Mr. Couchman with Charles Dickens

for the extension and modification of Gad's Hill Place, notably during

the year 1861. We are favoured with a sight of an original specification

signed by both parties, which is as follows:--

"Specification of works proposed to be done at

Gad's Hill House, Higham, for C. Dickens, Esq.

"_Bricklayer._--To take off slates and copings and

heighten brick walls and chimneys, and build No. 2

new chimneys with stock and picking bricks laid in

cement. No. 2 chimney bars, to cope gable ends

with old stone. No. 2 hearthstones. No. 2 plain

stone chimney-pieces. No. 2--2 ft. 6 in. Register

stoves. To lath and plaster ceiling, side walls,

and partitions with lime and hair two coats, and

set to slate the new roof with good countess

slates and metal nails.

"_Carpenter._--To take off roof, to lay floor

joist with 7 x 2-1/2 in. yellow battens; to fix

roof, ceiling, joist and partitions of good fir

timber, 4 ft. x 2 ft.; to use old timber that is

sound and fit for use; to close board roof, lead

flat and gutters; to lay 1 in. x 9 in. white deal

floors, to skirt rooms with 8 in. x 3/4 in. deal;

to fix No. 4 pairs of 1-3/4 in. sashes and frames

for plate-glass as per order. _All the sashes to

have weights and pulleys for opening._ To fix No.

2--6 ft. 6 in. x 2 ft. 6 in. 1-1/2 in., four panel

doors, and encase frames with all necessary

mouldings; to fix window linings, and 1-1/2 in.

square framings and doors for No. 2 dressing-rooms;

to fix No. 2, 7 in. rim locks. No. 2 box latches,

sash fastenings, sash weights, to fix 4 in. O. G.

iron eaves, gutter with cistern heads, and 3 in.

iron leading pipes.

"_Plumber, Glazier, and Painter._--To take up old

lead guttering, and lay new gutters and lead flats

with 6lb. lead, ridge and flushings with 5lb.

lead; to paint all wood and iron-work that

requires painting 4 coats in oil, the windows to

be glazed with good plate glass; to paper rooms

and landings when the walls are dry with paper of

the value of 1_s._ 6_d._ per piece, the old lead

to be the property of the plumber. _The two

cisterns to be carried up and replaced on new

roof, the pipes attached to them to be lengthened

as required by the alterations; and a water tap to

be fitted in each dressing-room._

"All old materials not used and rubbish to be

carted away by the contractor. All the work to be

completed in a sound and workman-like manner to

the satisfaction of C. Dickens, Esq., for the sum

of L241. The roof to be slated and flat covered

with lead in one month from commencing the work.

The whole to be completed--paper excepted--and all

rubbish cleared away by the 30th day of November,

1861.

"(Signed) J. COUCHMAN,

"Builder.

"_High Street, Strood_,

"_Sep. 10th, 1861._"

Then follows in Dickens's own handwriting:--

"_The above contract I accept on the stipulated

conditions; the specified _time_, in common with

all the other conditions, to be strictly

observed._

"(Signed) CHARLES DICKENS.

"_Gad's Hill Place,_

"_Saturday, 21st Sep., 1861._"

What is most interesting to notice in the above specification, is the

careful way in which Dickens appears to have mastered all the details,

and the very sensible interlineations given in italics which he made,

(1) as to the sashes and weights, (2) as to the two cisterns, and

especially (3) in the final memorandum as to _time_.

It is also worthy of remark, that the work _was_ completed in the

specified time, the bill duly sent in, and the next day Dickens sent a

cheque for the amount.

Another contract, amounting to L393, was executed by Mr. Couchman, for

extensions at Gad's Hill. On its completion, Mr. Dickens paid him by two

cheques. He went up to London to the Bank (Coutts's in the Strand) to

cash them. The clerk just looked at the cheques, the signature

apparently being very familiar to him, and then put the usual

question--"How will you have it?" to which he replied, "Notes, please."

It appears that, as is frequently the case in large establishments,

orders were sometimes given by the servants for work which the master

knew nothing about until the bill was presented; and to prevent this,

Dickens issued instructions to the tradesmen that they were not to

execute any work for him without his written authority. The following is

an illustration of this new arrangement:--

"GAD'S HILL PLACE,

"HIGHAM BY ROCHESTER, KENT.

"_Thursday, 5th Nov., 1858._

"MR. COUCHMAN,

"Please to ease the coach-house doors, and to put

up some pegs, agreeably to George Belcher's

directions.

"CHARLES DICKENS."

It should be mentioned that George Belcher was the coachman at the time.

Mr. Couchman recalls an interesting custom that was maintained at Gad's

Hill. There were a number of tin check plates, marked respectively 3_d._

and 6_d._ each, which enabled the person to whom they were given to

obtain an equivalent in refreshment of any kind at the Sir John

Falstaff. The threepenny checks were for the workmen, and the sixpenny

ones for the tradesmen. The chief housemaid had the distribution of

these checks to persons employed in the house, the head-gardener to

those engaged in the gardens, and the coachman to those in the stables.

On one occasion, our informant remembers when his men were engaged upon

some work at Gad's Hill, such checks were given out to them, and that he

also had one offered to him; but, recollecting that his position as a

master scarcely entitled him to the privilege, he stated his objections

to the housemaid, who said in reply that it was a pity to break an old

custom, he had better have one. "So," says our informant, "I had a

sixpenny ticket with the others, and obtained my refreshment."

He has in his photographic album a carte-de-visite of Charles Dickens,

by Watkins. It is the well-known one in which the novelist is

represented in a sitting position, dressed in a grey suit; and the owner

considered it a very good likeness. He also showed us a funeral card

which he thought had been sent to him by the family of Dickens at the

time of his death, but judging by its contents, this seems impossible.

It is, however, well worth transcribing:--

To the Memory of

=Charles Dickens=

(England's most popular author),

who died at his Residence,

Higham, near Rochester, Kent,

June 9th, 1870.

Aged 58 years.

He was a sympathizer with the poor, suffering, and

oppressed; and by his death one of England's

greatest writers is lost to the world.

Mr. Couchman confirms the verbal sketch of Dickens as drawn by his

neighbour, Mrs. Masters, and states that Dickens used to put up his dogs

("Linda" and "Turk"), "boisterous companions as they always were," in

the stables whenever he came to see him on business.

Mr. William Ball, J.P., of Hillside, Strood, kindly favoured us with

many interviews, and generally took great interest in the subject of our

visit to "Dickens-Land," rendering invaluable assistance in our

enquiries. This gentleman is the son of Mr. John H. Ball, the well-known

contractor, who removed old Rochester Bridge; he is also a

brother-in-law of the late gifted tenor, Mr. Joseph Maas, to whom a

handsome memorial tablet, consisting of a marble medallion of the

deceased, over which is a lyre with one of the strings broken, has since

been erected on the east wall of the south transept of Rochester

Cathedral. By Mr. Ball's considerate courtesy and that of his daughters,

we are allowed to see many interesting relics of Charles Dickens and

Gad's Hill.[15] When Mr. Ball's father removed the old bridge in 1859,

it will be remembered that he offered to present the novelist with one

of the balustrades as a souvenir, the offer being gracefully and

promptly accepted, as the following letter testifies:--

"GAD'S HILL PLACE,

"HIGHAM BY ROCHESTER, KENT.

"_Thursday, eighth June, 1859._

"SIR,

"I feel exceedingly obliged to you for your kind

and considerate offer of a remembrance of old

Rochester Bridge; that will interest me very much.

I accept the relic with many thanks, and with

great pleasure.

"Do me the favor to let it be delivered to a

workman who will receive instructions to bring it

away, and once again accept my acknowledgments.

"Yours faithfully,

"CHARLES DICKENS.

"MR. JOHN H. BALL."

The present Mr. William Ball, then a young lad, was the bearer of the

gift, and on being asked by us why he didn't ask to see the great

novelist, replies, "Yes, I ought to have done so, but I was afraid of

the dogs!"

The balustrade, which was placed on the back lawn at Gad's Hill, was

mounted on a square pedestal, on the sides of which were representations

of the four seasons, and a sun-dial crowned the capital. Something like

it, but a little modified, appears in one of Mr. Luke Fildes's beautiful

illustrations to the original edition of _Edwin Drood_, entitled

"Jasper's Sacrifices." Three more of the balustrades now ornament Mr.

Ball's garden at Hillside.

Mr. Ball the elder was invited to send in a tender for the construction

of the tunnel at Gad's Hill previously mentioned, but it was not

accepted, as appears from a letter addressed to him by Mr. Alfred L.

Dickens (Charles Dickens's brother), of which we are allowed to take a

copy:--

"8, RICHMOND TERRACE,

"WHITEHALL, S.W.

"_August 30th, 1859._

"DEAR SIR,

"I am very sorry that absence from home has

prevented my replying to your note as to the

tender for the Gad's Hill tunnel before.

"I much regret that the amount of your tender is

so much higher than my estimate, that I cannot

recommend my brother to accept it.

"I am,

"Dear Sir,

"Yours faithfully,

"ALFRED L. DICKENS.

"MR. BALL."

Among the Dickens relics at Hillside, we are shown by Mr. Ball the

pretty set of five silver bells presented by his friend Mr. F. Lehmann,

to the novelist, who always used them when driving out in his basket

pony-phaeton. They are fastened on to a leather pad, and make a pleasant

musical sound when shaken. They are of graduated sizes, the largest

being somewhat smaller than a tennis-ball, and appear to be in the key

of C: comprising the Tonic, Third, Fifth, Octave, and Octave of the

Third.

There is also a hall clock with maker's name--"Bennett, Cheapside,

London." This was the "werry identical" clock respecting which Dickens

wrote the following characteristically humorous letter to Sir John

Bennett:--

"MY DEAR SIR,

"Since my hall clock was sent to your

establishment to be cleaned it has gone (as indeed

it always had) perfectly well, but has struck the

hours with great reluctance, and after enduring

internal agonies of a most distressing nature, it

has now ceased striking altogether. Though a happy

release for the clock, this is not convenient to

the household. If you can send down any

confidential person with whom the clock can

confer, I think it may have something on its works

that it would be glad to make a clean breast of.

"Faithfully yours,

"CHARLES DICKENS."

Included among the relics are a very handsome mahogany fire-screen in

three folds, of red morocco, with Grecian key-border, a musical

Canterbury, and a bookcase. But the most interesting object from an art

point of view is an India proof copy, "before letters," of Sir Edwin

Landseer's beautiful picture of "King Charles's Spaniels," the original

of which is said to have been painted for the late Mr. Vernon in two

days, and is now in the National Gallery. The engraving of the picture

is by Outram. It has the initials in pencil "E. L.," and a little ticket

on the frame--"Lot 445," that being the number in the auctioneer's

catalogue.

The following is the story as recently told by Mr. W. P. Frith, R.A., in

his most interesting and readable _Autobiography and Reminiscences_,

1887:--

"His" [Sir Edwin's] "rapidity of execution was extraordinary. In the

National Gallery there is a picture of Two Spaniels, of what is

erroneously called the Charles II. breed (the real dog of that time is

of a different form and breed altogether, as may be seen in pictures of

the period), the size of life, with appropriate accompaniments, painted

by him in two days. An empty frame had been sent to the British

Institution, where it was hung on the wall, waiting for its tenant--a

picture of a lady with dogs--till Landseer felt the impossibility of

finishing the picture satisfactorily. Time had passed, till two days

only remained before the opening of the Exhibition. Something must be

done; and in the time named those wonderfully life-like little dogs were

produced."

Mr. Ball has also an interesting photograph of the "Last Lot," some

bottles of wine, evidently taken on the occasion of the sale at Gad's

Hill Place after Dickens's death, the auctioneer being represented with

his hammer raised ready to fall, and a smile upon his face. Among the

crowd, consisting principally of London and local dealers, may be seen

two local policemen with peaked caps, and auctioneer's porters in

shirt-sleeves and aprons. The sale took place in a large tent at the

back of the house and close to the well, which can be readily seen

through an opening in the tent.

The next person whom we meet at Strood is Mr. Charles Roach Smith,

F.S.A., the eminent archaeologist, who has achieved a European

reputation, and from whom we get many interesting particulars relating

to Dickens. We heard some idle gossip at Rochester to the effect that

Mr. Roach Smith always felt a little "touchy" about the satire on

archaeology in _Pickwick_, _in re_ "Bill Stumps, his mark." That,

however, we took _cum grano salis_, because this gentleman, from his

delightful conversation and frank manner, is evidently above any such

littleness. He is, however, free to confess, that Dickens had not much

love for Strood, but infinitely preferred Chatham.

There had been but little personal intercourse between Dickens and Mr.

Roach Smith, though each respected the other. Our informant says that,

soon after the novelist came to Gad's Hill Place, Mrs. Dickens called

and left her husband's card, which he, whether rightly or not, took as

an intimation that the acquaintance was not to be extended. He spoke

with all the enthusiasm of a man of science, and rather bitterly too, of

a certain reading given by Dickens at Chatham to an overflowing house,

whereas on the same evening a distinguished Professor of Agriculture (a

Mr. Roberts or Robinson, we believe), who came to instruct the people at

Ashford (one of the neighbouring towns) by means of a lecture, failed to

secure an audience, and only got a few pence for admissions. The learned

Professor subsequently poured forth his troubles to Mr. Roach Smith,

from whom he obtained sympathy and hospitality. We venture to remind

our good friend that the public in general much prefer amusement to

instruction, at which he laughs, and says that in this matter he

perfectly agrees with us. He expresses his strong opinion as to

Dickens's reading of the "Murder of Nancy" (_Oliver Twist_), which he

characterizes as "repulsive and indecent."

The most important communication made to us by Mr. Roach Smith is that

contained in volume ii. of his recently published _Reminiscences and

Retrospections, Social and Archaeological_, 1886. As this interesting

work may not be generally accessible, it is as well to quote the passage

intact. It has reference to the Guild of Literature and Art, for the

promotion of which Dickens, Lord Lytton, John Forster, Mark Lemon, John

Leech, and others, gave so much valuable time and energy, in addition to

liberal pecuniary support. The following is the extract:--

"Of Mr. Dodd I knew much. He was one of my earliest friends when I lived

in Liverpool Street--I may say, one of my earliest patrons; and the

intimacy continued up to his death, a few years since. The story of his

connection with the movement for a dramatic college, and of his rapid

separation from it, a deposition by order of the projectors and

directors, forms a curious episode in the history of our friendship; and

especially so, as I had an important, though unseen, part to sustain.

"In the summer of 1858 I was summoned to Mr. Dodd's residence at the

City Wharf, New North Road, Hoxton, to give consent to be a trustee,

with Messrs. Cobden and Bright, for five acres of land, which Mr. Dodd

was about to give for the building of a dramatic college, which had been

resolved on at a public meeting, held on the 21st of July in this year,

in the Princess's Theatre, Mr. Charles Kean acting as chairman. 'I give

this most freely,' said Mr. Dodd to me, 'for it is to the stage I am

indebted for my education; to it I owe whatsoever may be good in me.'

That there was much good in him, thousands can testify; and thousands

yet to come will be evidence to his benevolence. Of course, I felt

pleased in being selected to act as a trustee for this gift. I

conceived, and I suppose I was correct, that Mr. Dodd intended that his

gift was strictly for a dramatic college, and for no other purpose, then

or thereafter. Having expressed my willingness and resolution to be

faithful to the trust, I said, 'I presume, Mr. Dodd, you stipulate for a

presentation?' He looked rather surprised; and asked his solicitor, who

sat by him, how they came to overlook this? Both of them directly agreed

that this simple return should be required.

"I must leave such of my readers as feel inclined, to search in the

public journals for the correspondence between the directors and Mr.

Dodd up to the 13th of January, 1859, when, at a meeting held in the

Adelphi Theatre, Lord Tenterden in the chair, it was stated that Mr.

Dodd evinced, through his solicitor, a disposition to fence round his

gift with legal restrictions and stipulations, which apprised the

committee of coming difficulty; and the meeting unanimously agreed to

decline Mr. Dodd's offer of land. Previously and subsequently to this,

Mr. Dodd was most discourteously commented on and attacked in the

newspapers, the editors of which, however, sided with him. I was told

that the stipulation for a presentation was the great offence; but I

should think that the provision made against the improper use of the

land must have been the real grievance. In the very last letter I

received from Mr. Dodd, not very long anterior to his death, he says

that Mark Lemon told him that Charles Dickens had said he had never

occasion to repent but of two things, one being his conduct to Mr. Dodd.

That Dickens, Thackeray, and others sincerely believed they were taking

the best steps for accomplishing their benevolent object, there can be

no doubt; their judgment, not their heart, was wrong. The scheme was

based upon a wrong principle, as was shown by its collapse in less than

twenty years, after the expenditure of very large subscriptions, and the

patronage of the Queen. Articles in _The Era_ of the 22nd July, 1877,

leave no doubt, while they clearly reveal the causes of failure."

It may be mentioned that the Mr. Henry Dodd above referred to, appears

to have been a large city contractor, or something of that kind.

According to Mr. Roach Smith, what with him led on to fortune was a long

and heavy fall of snow, which had filled the streets of the city of

London, and rendered traffic impossible. The city was blocked by snow,

and there was no remedy at hand. Mr. Dodd boldly undertook a contract to

remove the mighty obstruction in a given time. This he did thoroughly

and within the limited number of days. Afterwards he appears to have

undertaken brick-making and other works on a very large scale. In the

opinion of Mr. Roach Smith, Mr. Dodd was the origin of the "golden

dustman" in _Our Mutual Friend_, whom every reader of Dickens remembers

as Mr. Nicodemus, _alias_ Noddy Boffin.

Speaking of Dickens's readings, our informant relates a conversation

with Charles Dickens's sixth son, Mr. Henry Fielding Dickens. The former

gentleman asked the latter whose model he took?

"Oh, my father's," said Mr. Henry Dickens.

"I would not take any man's model," said Mr. Roach Smith, "I would take

my own." And judging from the perfect intonation and thoroughly musical

rhythm of his voice, there is no doubt whatever that his model, whoever

it may have been, was one of very high standard.

We have since learnt that Mr. Roach Smith is the President of the Strood

Elocution Society, an almost unique institution of its kind. It has been

established upwards of thirteen years; and at the weekly meetings "the

various readers are subjected to an exhaustive and salutary criticism by

the members present." Mr. Roach Smith has always taken immense interest

in the progress of this Society. Miss Dickens occasionally helped at the

above meetings.

Mr. Roach Smith kindly favours us with the following extract from the

third and forthcoming volume of his _Retrospections_ with reference to

the late Mr. J. H. Ball, of Strood, which may appropriately be here

introduced:--

"Although I have said that I was the gainer by our acquaintance, yet now

and then I had a chance of serving him. Soon after the death of the

great novelist, Charles Dickens, and when people were speculating as to

what would become of his residence at Gad's Hill, Mr. Ball, wishing to

purchase it, commissioned me to call on the executrix, Miss Hogarth, and

offer ten thousand pounds, for which he had written a cheque. I

accordingly went, and sent in my card. Miss Hogarth, fortunately, could

not see me; she was hastening to catch the train for London, the

carriage being at the door, and not a moment to be lost; but she would

be happy to see me on her return in a day or two. I then wrote to Mr.

Forster, the other executor; and received a reply that the place was not

for sale. I kept him ignorant of the sum that Mr. Ball was willing to

give, and thus saved my friend some thousands of pounds, . . . for the

house and land were not worth half the money."

[Illustration: Old Quarry House Strood]

After some further conversation with our kind octogenarian friend, who

insists on showing us hospitality notwithstanding his sufferings from a

trying illness, we take our departure with many pleasant memories of our

visit.[16]

We have, after one or two unsuccessful attempts, the good fortune to

meet with Mr. Stephen Steele, M.R.C.S. and L.S.A., of Bridge House,

Esplanade, Strood, who was admitted a member of the medical profession

so far back as the year 1831, and has therefore been in practice nearly

sixty years. It will be remembered that this experienced surgeon was

sent for by Miss Hogarth, to see Dickens in his last illness. He is good

enough to go over and describe to us in graphic and sympathetic language

the whole of the circumstances attending that sorrowful event.

Previously to doing so, he gives us some interesting details of his

recollections of Charles Dickens. Dr. Steele had occupied the onerous

post of Chairman of the Liberal Association at Rochester for thirty

years, and believes that in politics Dickens was a Liberal, for he

frequently prefaced his remarks in conversation with him on any subject

of passing interest by the expression, "We Liberals, you know--"

[Illustration: Frindsbury Church]

As a matter of fact, Dickens discharged his conscience of his political

creed in the remarks which followed his address as President of the

Birmingham and Midland Institute,[17] delivered 27th September, 1869,

when he said--"My political creed is contained in two articles, and has

no reference to any party or persons. My faith in the 'people governing'

is, on the whole, infinitesimal; my faith in the 'people governed' is,

on the whole, illimitable." At a subsequent visit to Birmingham on the

6th January, 1870, when giving out the prizes at the Institute, he

further emphasized his political faith in these words:--"When I was here

last autumn, I made a short confession of my political faith--or

perhaps, I should better say, want of faith. It imported that I have

very little confidence in the people who govern us--please to observe

'people' with a small 'p,'--but I have very great confidence in the

People whom they govern--please to observe 'People' with a large 'P.'"

A few days after Charles Dickens's first visit, my friend Mr. Howard S.

Pearson, Lecturer on English Literature at the Institute, addressed a

letter to him on the subject of the remarks at the conclusion of his

Presidential Address, and promptly received in reply the following

communication, which Mr. Pearson kindly allows me to print, emphasizing

his (Dickens's) observations:--

"GAD'S HILL PLACE,

"HIGHAM BY ROCHESTER, KENT.

"_Wednesday, 6th October, 1869._

"SIR,

A Week's Tramp in Dickens-Land Together with Personal Reminiscences of the 'Inimitable Boz' Therein Collected · 第 7 / 10 章