She reflected a moment. "No!" she shouted, boldly. "What difference?"

"Godolphin would pay any sum for the privilege of using the fact as an

advertisement. If he could put it into Pinney's hands, and give him

_carte blanche_, to work in all the romance he liked--"

"Brice!" she shrieked.

"Well, we needn't give it away, and if _we_ don't, nobody else will."

"No, and we must always keep it sacredly secret. Promise me one thing!"

"Twenty!"

"That you will let me hold your hand all through the first performance

of that part. Will you?"

"Why, we shall be set up like two brazen images in a box for all the

first-nighters to stare at and the society reporters to describe. What

would society journalism say to your holding my hand throughout the

tender passages? It would be onto something personal in them in an

instant."

"No; now I will show you how we will do." They were sitting in a nook of

the rocks, in the pallor of the late September sunshine, with their

backs against a warm bowlder. "Now give me your hand."

"Why, you've got hold of it already."

"Oh yes, so I have! Well, I'll just grasp it in mine firmly, and let

them both rest on your knee, so; and fling the edge of whatever I'm

wearing on my shoulders over them, or my mantle, if it's hanging on the

back of the chair, so"--she flung the edge of her shawl over their

clasped hands to illustrate--"and nobody will suspect the least thing.

Suppose the sea was the audience--a sea of faces you know; would any one

dream down there that I was squeezing your hand at all the important

moments, or you squeezing mine?"

"I hope they wouldn't think me capable of doing anything so indelicate

as squeezing a lady's hand," said Maxwell. "I don't know what they might

think of you, though, if there was any such elaborate display of

concealment as you've got up here."

"Oh, this is merely rehearsing. Of course, I shall be more adroit, more

careless, when I really come to it. But what I mean is that when we

first see it together, the love-business, I shall want to feel that you

are feeling every instant just as I do. Will you?"

"I don't see any great objection to that. We shall both be feeling very

anxious about the play, if that's what you mean."

"That's what I mean in one sense," Louise allowed. "Sha'n't you be very

anxious to see how they have imagined Salome and Atland?"

"Not so anxious as about how Godolphin has 'created' Haxard."

"I care nothing about that. But if the woman who does _me_ is vulgar, or

underbred, or the least bit coarse, and doesn't keep the character just

as sweet and delicate as you imagined it, I don't know what I shall do

to her."

"Nothing violent, I hope," Maxwell suggested languidly.

"I am not so sure," said Louise. "It's a dreadfully intimate affair with

me, and if I didn't like it I should hiss, anyway."

Maxwell laughed long and loud. "What a delightful thing that would be

for society journalism. 'At one point the wife of the author was

apparently unable to control her emotions, and she was heard to express

her disapprobation by a prolonged sibilation. All eyes were turned upon

the box where she sat with her husband, their hands clasped under the

edge of her mantle.' No, you mustn't hiss, my dear; but if you find

Salome getting too much for you you can throw a dynamite bomb at the

young woman who is doing her. I dare say we shall want to blow up the

whole theatre before the play is over."

"Oh, I don't believe we shall. I know the piece will go splendidly if

the love-business is well done. But you can understand, can't you, just

how I feel about Salome?"

"I think I can, and I am perfectly sure that you will be bitterly

disappointed in her, no matter how she's done, unless you do her

yourself."

"I wish I could!"

"Then the other people might be disappointed."

The Story of a Play A Novel · 第 27 / 62 题