CHAPTER XIX.

ONLY A FEW TEARS.

The theories of Miss Lavinia upon life and matrimony had so much truth

in them, in spite of the address and peculiarities of the opinions

upon which they were based, that Redbud was compelled to acknowledge

their justness; and, as a consequence of this acknowledgment, to shape

her future demeanor toward the young man in conformity with the advice

of her mentor.

Therefore, when Miss Redbud saw Verty approach, clad in his new

costume, and radiant with happy expectation, she hastily left the

window at which she had been standing, and, in the depths of her

chamber, sought for strength and consolation.

Let no one deride the innocent prayer of the child, and say that it

was folly, and unworthy of her. The woes of youth are not our woes,

and the iron mace which strikes down the stalwart man, falls not more

heavily upon his strong shoulders, than does the straw which bears to

the earth the weak heart of childhood.

Then, when the man frowns, and clenches his hand against the hostile

fate pressing upon him, the child only weeps, and endeavors to avoid

the suffering.

Redbud suffered no little. She loved Verty very sincerely as the

playmate of her earlier years, and the confidential friend of her

happiest hours. The feeling which was ripening in her heart had not

yet revealed itself, and she felt that the barrier now raised between

herself and the young man was cruel. But, then, suddenly, she would

recollect Miss Lavinia's words, recall that warning, that they

both would suffer--and so poor Redbud was very unhappy--very much

confused--not at all like herself.

We have said very little of this child's character, preferring rather

to let the current of our narrative reflect her pure features from

its surface, as it flowed on through those old border days which were

illustrated and adorned by the soft music of her voice, the kindness

of her smile. Perhaps, however, this is a favorable occasion to lay

before the reader what was written by a poor pen, in after years,

about the child, by one who had loved, and been rendered purer by

her. Some one, no matter who, had said to him one day--"Tell me about

little Redbud, whom you praise so much"--and he had taken his pen and

written--

"How can I? There are some figures that cannot be painted, as there

are some melodies which cannot be uttered by the softest wind which

ever swept the harp of Aeolus. You can scarcely delineate a star, and

the glories of the sunset die away, and live not upon canvas. How

difficult, then, the task you have imposed upon me, _amigo mio_--to

seal up in a wicker flask that moonlight; chain down, by words, that

flitting and almost imperceptible perfume--to tell you anything about

that music which, embodied in a material form, was known as Redbud!

"Observe how I linger on the threshold, and strive to evade what I

have promised to perform. What can I say of the little friend who made

so many of my hours pure sunshine? She was the most graceful creature

I have ever seen, I think, and surely merrier lips and eyes were never

seen--eyes very blue and soft--hair golden, and flowing like sunset on

her shoulders--a mouth which had a charming archness in it--and withal

an innocence and modesty which made one purer. These were the first

traits of the child, she was scarcely more, which struck a stranger.

But she grew in beauty as you conversed with her. She had the most

delightful voice I have ever heard--the kindest and most tender smile;

and one could not long be in her company without feeling that good

fortune had at last thrown him with one of those pure beings which

seem to be sent down to the earth, from time to time, to show us, poor

work-a-day mortals, that there are scales of existence, links as it

were, between the inhabitants of this world and the angels: for the

heavenly goodness, which sent into the circle which I lived in such

a pure ray of the dawn, to verify and illumine the pathway of my

life--thanks--thanks!

"How beautiful and graceful she was! When she ran along, singing, her

fair golden locks rippling back from her pure brow and rosy cheeks,

I thought a sunbeam came and went with her. The secret of Redbud's

universal popularity--for everybody loved her--was, undoubtedly,

that love which she felt for every one around her. There was so

much tenderness and kindness in her heart, that it shone in her

countenance, and spoke plainly in her eyes. Upon the lips, what a

guileless innocence and softness!--in the kind, frank eyes, what

all-embracing love for God's creatures everywhere! She would not tread

upon a worm; and I recollect to this day, what an agony of tears she

fell into upon one occasion, when some boys killed the young of an

oriole, and the poor bird sat singing its soul away for grief upon the

poplar.

"Redbud had a strong vein of piety in her character; and this crowning

grace gave to her an inexpressible charm. Whatever men may say, there

are few who do not reverence, and hope to find in those they love,

this feeling. The world is a hard school, and men must strike alone

everywhere. In the struggle, it is almost impossible to prevent the

mind from gathering those bitter experiences which soil it. It is so

hard not to hate so tremendous a task, to strangle that harsh and

acrid emotion of contempt, which is so apt to subdue us, and make the

mind the hue of what it works in, 'like the dyer's hand.' Men feel the

necessity of something purer than themselves, on which to lean; and

this they find in woman, with the nutriment I have spoken of--the

piety of this child. It did not make her grave, but cheerful; and

nothing could be imagined more delightful, than her smiles and

laughter. Sometimes, it is true, you might perceive upon her brow

what resembled the shadow of a cloud floating over the bright autumn

fields--and in her eyes a thoughtful dew, which made them swim,

veiling their light from you; but this was seldom. As I have spoken of

her, such she was--a bright spirit, who seemed to scatter around her

joy and laughter, gilding all the world she lived in with the kindness

of her smiles.

"Such, _amigo mio_, was little Redbud when I knew her; and I have

spoken of her as well as I could. No one can be more conscious of the

insufficiency of my outline than myself. My only excuse is, a want of

that faculty of the brain which--uniting memory, that is to say, the

heart, with criticism, which is the intellect--is able to embody with

the lips, or the pen, such figures as have appeared upon the horizon

of life. I can only say that I never went near the child, but I was

made better by her sincere voice. I never took her hand in my own, but

a nameless influence seemed to enter into my heart, and purify it. And

now, _amigo_, I have written it all, and you may laugh at me for my

pains; but that is not a matter of very great importance. Farewell!"

It is rather an anti-climax, after this somewhat practical account of

our little heroine, to inform the reader that Redbud was sitting down,

crying. Such was, however, the fact; and as conscientious historians

we cannot conceal it. Overwhelmed by Miss Lavinia's fatal logic, she

had no choice, no course but one to pursue--to avoid Verty, and thus

ward off that prospective "suffering;" and so, with a swelling heart

and a heated brain, our little heroine could find no better resource

than tears, and sobs, and sighs.

The Last of the Foresters Or, Humors on the Border; A story of the Old Virginia Frontier · 第 19 / 69 章