CHAPTER IV.

HOW VERTY THOUGHT, AND PLAYED, AND DREAMED.

Verty took his weary way westward through the splendid autumn woods,

gazing with his dreamy Indian expression on the variegated leaves,

listening to the far cries of birds, and speaking at times to Longears

and Wolf, his two deer hounds.

Then his head would droop--a dim smile would glimmer upon his lips,

and his long, curling hair would fall in disordered masses around

his burnt face, almost hiding it from view. At such moments Verty

dreamed--the real world had disappeared--perforce of that imagination

given him by heaven, he entered calm and happy into the boundless

universe of reverie and fancy.

For a time he would go along thus, his arms hanging down, his head

bent upon his breast, his body swinging from side to side with every

movement of his shaggy little horse. Then he would rouse himself, and

perhaps fit an arrow to his bow, and aim at some bird, or some wild

turkey disappearing in the glades. Happy birds! the arrow never

left the string. Verty's hand would fall--the bow would drop at his

side--he would fix his eyes upon the autumn woods, and smile.

He went on thus through the glades of the forest, over the hills, and

along the banks of little streams towards the west. The autumn reigned

in golden splendor--and not alone in gold: in purple, and azure and

crimson, with a wealth of slowly falling leaves which soon would pass

away, the poor perished glories of the fair golden year. The wild

geese flying South sent their faint carol from the clouds--the swamp

sparrow twittered, and the still copse was stirred by the silent croak

of some wandering wild turkey, or the far forest made most musical

with that sound which the master of Wharncliffe Lodge delighted in,

the "belling of the hart."

Verty drank in these forest sounds, and the full glories of the

Autumn, rapturously--while he looked and listened, all his sadness

passed away, and his wild Indian nature made him happy there, in the

heart of the woods. Ever and anon, however, the events of the morning

would occur to him, sweeping over his upraised brow like the shadow of

a cloud, and dimming the brightness of his dreamy smiles.

"How red the maples grow!" he said, "they are burning away--and the

dogwood! Poor oaks! I'm sorry for you; you are going, and I think

you look like kings--going? That was what Redbud said! She was going

away--going away!"

And a sigh issued from Verty's lips, which betrayed the importance

he attached to Redbud's departure. Then his head drooped; and he

murmured--"going away!"

Poor Verty! It does not require any very profound acuteness to divine

your condition. You are one more added to the list which Leander heads

in the old Grecian fable. Your speech betrays you.

"Wild geese! They are early this year. Ho, there! good companions that

you are, come down and let me shoot at you. 'Crake! crake!' that is

all you say--away up there in the white clouds, laughing at me, I

suppose, and making fun of my bow. Listen! they are answering me from

the clouds! I wish I could fly up in the clouds! Travelling, as I

live, away off to the south!--leaving us to go and join their fellows.

They are wild birds; I've shot many of em'. Hark, Longears! see up

there! There they go--'crake! crake! crake!' I can see their long

necks stretched out toward the South--they are almost gone--going away

from me--like Redbud!"

And Verty sighed piteously.

"I wonder what makes my breast feel as if there was a weight upon it,"

he said, "I'll ask _ma mere_."

And putting spurs to Cloud, Verty scoured through the pine hills, and

in an hour drew near his home.

It was one of those mountain huts which are frequently met with to

this day in our Virginian uplands. Embowered in pines, it rather

resembled, seen from a distance, the eyrie of some huge eagle, than

the abode of human beings, though eagles' eyries are not generally

roofed in, with poles and clapboards.

The hut was very small, but not as low pitched as usual, and the place

had about it an air of wild comfort, which made it a pleasant object

in the otherwise unbroken landscape of pines, and huge rocks, and

browling streams which stretched around it. The door was approached

by a path which wound up the hill; and a small shed behind a clump of

firs was visible--apparently the residence of Cloud.

Verty carefully attended to his horse, and then ascended the hill

toward the hut, from whose chimney a delicate smoke ascended.

He was met at the door by an old Indian woman, who seemed to have

reached the age of three-score at least. She was clad in the ordinary

linsey of the period; and the long hair falling upon her shoulders was

scarcely touched with grey. She wore beads and other simple trinkets,

and the expression of her countenance was very calm and collected.

Verty approached her with a bright smile, and taking her hand in his

own, placed it upon his head; then saying something in the Delaware

tongue, he entered the hut.

Within, the mountain dwelling was as wild as without. From the brown

beams overhead were suspended strings of onions, tin vessels, bridles,

dried venison, and a thousand other things, mingled in inextricable

confusion. In the wide fire-place, which was supplied with stones for

and-irons, a portion of the lately slaughtered deer was broiling on

an impromptu and primitive species of gridiron, which would have

disgusted Soyer and astonished Vatel. This had caused the smoke; and

as Verty entered, the old woman had been turning the slices. Longears

and Wolf were already stretched before the fire, their eyes fixed upon

the venison with admiring attention and profound seriousness.

In ten minutes the venison was done, and Verty and his mother ate in

silence--Verty not forgetting his dogs, who growled and contended for

the pieces, and then slept upon the rude pine floor.

The boy then went to some shelves in the corner, just by the narrow

flight of steps which led to the old woman's room above, and taking

down a long Indian pipe, filled it with tobacco, and lit it. This

having been accomplished, he took his seat on a sort of wicker-work

bench, just outside of the door, and began to smoke with all the

gravity and seriousness of a Sachem of the Delawares.

In a moment he felt the hand of the old woman on his shoulder.

"Verty has been asleep and dreamed something," she said, calmly, in

the Delaware tongue.

"No, _ma mere_, Verty has been wide awake," said the boy, in the same

language.

"Then the winds have been talking to him."

"Hum," said Verty.

"Something is on my son's mind, and he has tied his heart up--_mal_!"

"No, no," said Verty, "I assure you, _ma mere_, I'm quite happy."

And having made this declaration, Verty stopped smoking and sighed.

The old woman heard this sigh, slight as it was, with the quick ear of

the Indian, and was evidently troubled by it.

"Has Verty seen the dove?" she said.

The young man nodded with a smile.

"Did they laugh?"

"They laughed."

"Did he come away singing?"

Verty hesitated, then said, with an overshadowed brow--

"No, no, _ma mere_--I really believe he did not."

The old woman pressed his hand between her own.

"Speak," she said, "the dove is not sick?"

Verty sighed.

"No; but she is going away," he said, "and Miss Lavinia would not tell

me where. What a hawk she is--oh! she shall not harm my dove!"

And Verty betook himself to gazing with shadowy eyes upon the sky. The

old Indian was silent for some time. Then she said--

"Trust in the Good Spirit, my son. We are not enough for ourselves.

We think we are strong and mighty, and can do everything; but a wind

blows us away. Listen, there is the wind in the pines, and look how it

is scattering the leaves. Men are like leaves--the breath of the Great

Spirit is the wind which scatters them."

And the old Indian woman gazed with much affection on the boy.

"What you say is worthy to be written on bark, mother," he said,

returning her affectionate glance; "the Great Spirit holds everything

in the hollow of his hand, and we are nothing. Going away!" added

Verty after a pause--"Going away!"

And he sighed.

"What did my son say?" asked the old woman.

"Nothing, _ma mere. Ah le bon temp que ce triste jour_!" he murmured.

The old woman's head drooped.

"My son does not speak with a straight tongue," she said; "his words

are crooked."

"_Non non_" said Verty, smiling; "but I am a little unwell, _ma mere_.

All the way coming along, I felt my breast weighed down--my heart was

oppressed. Look! even Longears knows I'm not the Verty of the old

time."

Longears, who was standing at the door in a contemplative attitude,

fancied that his master called him, and, coming up, licked Verty's

hand affectionately.

"Good Longears!" said. Verty, caressing him, "lie down at my feet."

Longears obeyed with much dignity, and was soon basking in the

sunlight before the door.

"Now, _ma mere_" Verty said, with his habitual smile, "we have been

calling for the clouds to come up, and shut out the sun; let us call

for the sunlight next. You know I am your Verty, and every day as I

grow, I get able to do more for you. I shall, some day, make a number

of pistoles--who knows?--and then think how much I could buy for you.

Good mother!--happy Verty!"

And taking the old woman's hand, Verty kissed it.

Then, leaning back, he reached through the window, and took down a

rude violin, and began to play an old air of the border, accompanying

the tune with a low chant, in the Indian fashion.

The old woman looked at him for some moments with great affection, a

sad smile lighting up her aged features; then saying in a low tone, as

if to herself, "good Verty!" went into the house.

Verty played for some time longer. Tired at last of his violin, he

laid it down, and with his eyes fixed upon the sand at his feet, began

to dream. As he mused, his large twilight eyes slowly drooped their

long lashes, which rested finally on the ruddy cheek.

For some moments, Verty amused himself tracing figures on the sand

near Longears' nose, causing that intelligent animal to growl in his

sleep, and fight imaginary foes with his paws.

From the window, the old Indian woman watched the young man with great

affection, her lips moving, and her eyes, at times, raised toward the

sky.

Verty reclined more and more in his wicker seat; the scenes and images

of the day were mingled together in his mind, and became a dim wrack

of cloud; his tangled hair shaded his face from the sun; and, overcome

by weariness, the boy sank back, smiling even in his sleep. As he did

so, the long-stemmed Indian pipe fell from his hand across Longears'

nose, half covering the letters he had traced with it on the sand.

Those letters were, in rude tracing:

REDBUD.

And to these Verty had added, with melancholy and listless smiles, the

further letters:

GOING TO--

Unfortunately he was compelled to leave the remainder of the sentence

unwritten.

The Last of the Foresters Or, Humors on the Border; A story of the Old Virginia Frontier · 第 4 / 69 章