XV

“Why did you do that?” he asked quickly, with a frowning regard. Linda

replied easily and directly. “It seemed as if it were carrying me with

it,” she specified; “on and on and on, without ever stopping. I felt as

if I were up among the stars.” She paused, leaning forward, and gazed

at the statue. Even now she was certain that she saw a slight flutter of

its draperies. “It is beautiful, isn't it? I think it's the first thing

I ever noticed like that. You know what I mean--the first thing that

hadn't a real use.”

“But it has,” he returned. “Do you think it is nothing to be swept into

heaven? I suppose by 'real' you mean oatmeal and scented soap. Women

usually do. But no one, it appears, has any conception of the practical

side of great art. You might try to remember that it is simply

permanence given to beauty. It's like an amber in which beautiful and

fragile things are kept forever in a lovely glow. That is all, and it is

enough.

“When I said that you were Art I didn't mean that you were skilfully

painted and dressed, but that there was a quality in you which recalled

all the charming women who had ever lived to draw men out of the

mud--something, probably, of which you are entirely unconscious, and

certainly beyond your control. You have it in a remarkable degree. It

doesn't belong to husbands but to those who create 'Homer's children.'

“That's a dark saying of Plato's, and it means that the _Alcestis_ is

greater than any momentary offspring of the flesh.”

Linda admitted seriously, “Of course, I don't understand, yet it seems

quite familiar--”

“Don't, for Heaven's sake, repeat the old cant about reincarnation;” he

interrupted, “and sitting together, smeared with antimony, on a roof of

Babylon.”

She hadn't intended to, she assured him. “Tell me about yourself,” he

directed. It was as natural to talk with him as it was, with others,

to keep still. Her frank speech flowed on and on, supported by the

realization of his attention.

“There really isn't much, besides hotels, all different; but you'd be

surprised how alike they were, too. I mean the things to eat, and the

people. I never realized how tired I was of them until mother married

Mr. Moses Feldt. The children were simply dreadful, the children and

the women; the men weren't much better.” She said this in a tone of

surprise, and he nodded. “I can see now--I am supposed to be too old for

my age, and it was the hotels. You learn a great deal.”

“Do you like Mr. Moses Feldt?”

“Enormously; he is terribly sweet. I intend to marry a man just like

him. Or, at least, he was the second kind I decided on: the first only

had money, then I chose one with money who was kind, but now I don't

know. It's very funny: kindness makes me impatient. I'm perfectly sure

I'll never care for babies, they are so mussy. I don't read, and I can't

stand being--well, loved.

“Mother went to a great many parties; every one liked her and she liked

every one back; so it was easy for her. I used to long for the time when

I'd wear a lovely cloak and go out in a little shut motor with a man

with pearls; but now that's gone. They want to kiss you so much. I wish

that satisfied me. Why doesn't it? Is there anything the matter with me,

do you think? I've been told that I haven't any heart.”

As he laughed at her she noticed how absurdly small a cigarette seemed

in his broad powerful hand. “What has happened to you is this,” he

explained: “a combination of special circumstances has helped you in

every way to be what, individually, you were. As a rule, children are

brought up in a house of lies, like taking a fine naked body and binding

it into hideous rigid clothes. You escaped the damnation of cheap

ready-cut morals and education. Your mother ought to have a superb

monument--the perfect parent. Of course you haven't a 'heart.' From the

standpoint of nature and society you're as depraved as possible. You are

worse than any one else here--than all of them rolled together.”

Curiously, she thought, this didn't disturb her, which proved at once

that he was right. Linda regarded herself with interest as a supremely

reprehensible person, perhaps a vampire. The latter, though, was a

rather stout woman who, dressed in frightful lingerie, occupied couches

with her arms caught about the neck of a man bending over her. Every

detail of this was distasteful.

What was she?

Her attention wandered to the squat Chinese god in the glass case. It

was clear that he hadn't stirred for ages. A difficult thought partly

formed in her mind--the Chinese was the god of this room, of Markue's

party, of the women seated in the dim light on the floor and the divans;

the low gurgle of their laughter, the dusky whiteness of their shoulders

in the upcoiling incense, the smothered gleams of their hair, with the

whispering men, were the world of the grayish-green image.

She explained this haltingly to Pleydon, who listened with a flattering

interest. “I expect you're laughing at me inside,” she ended impotently.

“And the other, the Greek Victory,” he added, “is the goddess of the

other world, of the spirit. It's quaint a heathen woman should be that.”

Linda discovered that she liked Pleydon enormously. She continued

daringly that he might be the sort of man she wanted to marry. But he

wouldn't be easy to manage; probably he could not be managed at all. Her

mother had always insisted upon the presence of that possibility in any

candidate for matrimony. And, until now, Linda's philosophy had been in

accord with her. But suddenly she entertained the idea of losing herself

completely in--in love.

A struggle was set up within her: on one hand was everything that she

had been, all her experience, all advice, and her innate detachment;

on the other an obscure delicious thrill. Perhaps this was what she now

wanted. Linda wondered if she could try it--just a little, let herself

go experimentally. She glanced swiftly at Pleydon, and his bulk, his

heavy features, the sullen mouth, appalled her.

Men usually filled her with an unaccountable shrinking into her remotest

self. Pleydon was different; her liking for him had destroyed a large

part of her reserve; but a surety of instinct told her that she couldn't

experiment there. It was characteristic that a lesser challenge left her

cold. She had better marry as she had planned.

Susanna Noda came up petulantly and sank in a brilliant graceful swirl

at his feet. Her golden eyes, half shut, studied Linda intently.

Linda Condon · 第 23 / 52 题