CHAPTER VIII. THE KINDRED SPIRITS

THE morning sunlight shining in at a badly curtained window; a clumsy

wooden bed, with big twisted posts that reached to the ceiling; on one

side of the bed, my mother's welcome face; on the other side, an elderly

gentleman unremembered by me at that moment--such were the objects that

presented themselves to my view, when I first consciously returned to

the world that we live in.

"Look, doctor, look! He has come to his senses at last."

"Open your mouth, sir, and take a sup of this." My mother was rejoicing

over me on one side of the bed; and the unknown gentleman, addressed as

"doctor," was offering me a spoonful of whisky-and-water on the other.

He called it the "elixir of life"; and he bid me remark (speaking in

a strong Scotch accent) that he tasted it himself to show he was in

earnest.

The stimulant did its good work. My head felt less giddy, my mind became

clearer. I could speak collectedly to my mother; I could vaguely recall

the more marked events of the previous evening. A minute or two more,

and the image of the person in whom those events had all centered became

a living image in my memory. I tried to raise myself in the bed; I

asked, impatiently, "Where is she?"

The doctor produced another spoonful of the elixir of life, and gravely

repeated his first address to me.

"Open your mouth, sir, and take a sup of this."

I persisted in repeating my question:

"Where is she?"

The doctor persisted in repeating his formula:

"Take a sup of this."

I was too weak to contest the matter; I obeyed. My medical attendant

nodded across the bed to my mother, and said, "Now, he'll do." My mother

had some compassion on me. She relieved my anxiety in these plain words:

"The lady has quite recovered, George, thanks to the doctor here."

I looked at my professional colleague with a new interest. He was the

legitimate fountainhead of the information that I was dying to have

poured into my mind.

"How did you revive her?" I asked. "Where is she now?"

The doctor held up his hand, warning me to stop.

"We shall do well, sir, if we proceed systematically," he began, in a

very positive manner. "You will understand, that every time you open

your mouth, it will be to take a sup of this, and not to speak. I shall

tell you, in due course, and the good lady, your mother, will tell you,

all that you have any need to know. As I happen to have been first on

what you may call the scene of action, it stands in the fit order of

things that I should speak first. You will just permit me to mix a

little more of the elixir of life, and then, as the poet says, my plain

unvarnished tale I shall deliver."

So he spoke, pronouncing in his strong Scotch accent the most carefully

selected English I had ever heard. A hard-headed, square-shouldered,

pertinaciously self-willed man--it was plainly useless to contend with

him. I turned to my mother's gentle face for encouragement; and I let my

doctor have his own way.

"My name," he proceeded, "is MacGlue. I had the honor of presenting

my respects at your house yonder when you first came to live in this

neighborhood. You don't remember me at present, which is natural

enough in the unbalanced condition of your mind, consequent, you will

understand (as a professional person yourself) on copious loss of

blood."

There my patience gave way.

"Never mind me!" I interposed. "Tell me about the lady!"

"You have opened your mouth, sir!" cried Mr. MacGlue, severely. "You

know the penalty--take a sup of this. I told you we should proceed

systematically," he went on, after he had forced me to submit to the

penalty. "Everything in its place, Mr. Germaine--everything in its

place. I was speaking of your bodily condition. Well, sir, and how did

I discover your bodily condition? Providentially for _you_ I was driving

home yesterday evening by the lower road (which is the road by the river

bank), and, drawing near to the inn here (they call it a hotel; it's

nothing but an inn), I heard the screeching of the landlady half a mile

off. A good woman enough, you will understand, as times go; but a poor

creature in any emergency. Keep still, I'm coming to it now. Well,

I went in to see if the screeching related to anything wanted in the

medical way; and there I found you and the stranger lady in a position

which I may truthfully describe as standing in some need of improvement

on the score of propriety. Tut! tut! I speak jocosely--you were both in

a dead swoon. Having heard what the landlady had to tell me, and having,

to the best of my ability, separated history from hysterics in the

course of the woman's narrative, I found myself, as it were, placed

between two laws. The law of gallantry, you see, pointed to the lady as

the first object of my professional services, while the law of humanity

(seeing that you were still bleeding) pointed no less imperatively to

you. I am no longer a young man: I left the lady to wait. My word! it

was no light matter, Mr. Germaine, to deal with your case, and get you

carried up here out of the way. That old wound of yours, sir, is not to

be trifled with. I bid you beware how you open it again. The next time

you go out for an evening walk and you see a lady in the water, you will

do well for your own health to leave her there. What's that I see? Are

you opening your mouth again? Do you want another sup already?"

"He wants to hear more about the lady," said my mother, interpreting my

wishes for me.

"Oh, the lady," resumed Mr. MacGlue, with the air of a man who found no

great attraction in the subject proposed to him. "There's not much that

I know of to be said about the lady. A fine woman, no doubt. If you

could strip the flesh off her bones, you would find a splendid skeleton

underneath. For, mind this! there's no such thing as a finely made woman

without a good bony scaffolding to build her on at starting. I don't

think much of this lady--morally speaking, you will understand. If I

may be permitted to say so in your presence, ma'am, there's a man in the

background of that dramatic scene of hers on the bridge. However, not

being the man myself, I have nothing to do with that. My business with

the lady was just to set her vital machinery going again. And, Heaven

knows, she proved a heavy handful! It was even a more obstinate case to

deal with, sir, than yours. I never, in all my experience, met with two

people more unwilling to come back to this world and its troubles than

you two were. And when I had done the business at last, when I was

wellnigh swooning myself with the work and the worry of it, guess--I

give you leave to speak for this once--guess what were the first words

the lady said to me when she came to herself again."

I was too much excited to be able to exercise my ingenuity. "I give it

up!" I said, impatiently.

"You may well give it up," remarked Mr. MacGlue. "The first words she

addressed, sir, to the man who had dragged her out of the very jaws of

death were these: 'How dare you meddle with me? why didn't you leave

me to die?' Her exact language--I'll take my Bible oath of it. I was so

provoked that I gave her the change back (as the saying is) in her own

coin. 'There's the river handy, ma'am,' I said; 'do it again. I, for

one, won't stir a hand to save you; I promise you that.' She looked up

sharply. 'Are you the man who took me out of the river?' she said. 'God

forbid!' says I. 'I'm only the doctor who was fool enough to meddle

with you afterward.' She turned to the landlady. 'Who took me out of

the river?' she asked. The landlady told her, and mentioned your name.

'Germaine?' she said to herself; 'I know nobody named Germaine; I wonder

whether it was the man who spoke to me on the bridge?' 'Yes,' says the

landlady; 'Mr. Germaine said he met you on the bridge.' Hearing that,

she took a little time to think; and then she asked if she could see Mr.

Germaine. 'Whoever he is,' she says, 'he has risked his life to save me,

and I ought to thank him for doing that.' 'You can't thank him tonight,'

I said; 'I've got him upstairs between life and death, and I've sent

for his mother: wait till to-morrow.' She turned on me, looking half

frightened, half angry. 'I can't wait,' she says; 'you don't know what

you have done among you in bringing me back to life. I must leave this

neighborhood; I must be out of Perthshire to-morrow: when does the first

coach southward pass this way?' Having nothing to do with the first

coach southward, I referred her to the people of the inn. My business

(now I had done with the lady) was upstairs in this room, to see how you

were getting on. You were getting on as well as I could wish, and your

mother was at your bedside. I went home to see what sick people might be

waiting for me in the regular way. When I came back this morning, there

was the foolish landlady with a new tale to tell 'Gone!' says she.

'Who's gone?' says I. 'The lady,' says she, 'by the first coach this

morning!'"

"You don't mean to tell me that she has left the house?" I exclaimed.

"Oh, but I do!" said the doctor, as positively as ever. "Ask madam your

mother here, and she'll certify it to your heart's content. I've got

other sick ones to visit, and I'm away on my rounds. You'll see no more

of the lady; and so much the better, I'm thinking. In two hours' time

I'll be back again; and if I don't find you the worse in the interim,

I'll see about having you transported from this strange place to the

snug bed that knows you at home. Don't let him talk, ma'am, don't let

him talk."

With those parting words, Mr. MacGlue left us to ourselves.

"Is it really true?" I said to my mother. "Has she left the inn, without

waiting to see me?"

"Nobody could stop her, George," my mother answered. "The lady left the

inn this morning by the coach for Edinburgh."

I was bitterly disappointed. Yes: "bitterly" is the word--though she

_was_ a stranger to me.

"Did you see her yourself?" I asked.

"I saw her for a few minutes, my dear, on my way up to your room."

"What did she say?"

"She begged me to make her excuses to you. She said, 'Tell Mr. Germaine

that my situation is dreadful; no human creature can help me. I must

go away. My old life is as much at an end as if your son had left me to

drown in the river. I must find a new life for myself, in a new place.

Ask Mr. Germaine to forgive me for going away without thanking him. I

daren't wait! I may be followed and found out. There is a person whom I

am determined never to see again--never! never! never! Good-by; and try

to forgive me!' She hid her face in her hands, and said no more. I tried

to win her confidence; it was not to be done; I was compelled to leave

her. There is some dreadful calamity, George, in that wretched woman's

life. And such an interesting creature, too! It was impossible not to

pity her, whether she deserved it or not. Everything about her is a

mystery, my dear. She speaks English without the slightest foreign

accent, and yet she has a foreign name."

"Did she give you her name?"

"No, and I was afraid to ask her to give it. But the landlady here

is not a very scrupulous person. She told me she looked at the poor

creature's linen while it was drying by the fire. The name marked on it

was, 'Van Brandt.'"

"Van Brandt?" I repeated. "That sounds like a Dutch name. And yet you

say she spoke like an Englishwoman. Perhaps she was born in England."

"Or perhaps she may be married," suggested my mother; "and Van Brandt

may be the name of her husband."

The idea of her being a married woman had something in it repellent

to me. I wished my mother had not thought of that last suggestion. I

refused to receive it. I persisted in my own belief that the stranger

was a single woman. In that character, I could indulge myself in the

luxury of thinking of her; I could consider the chances of my being able

to trace this charming fugitive, who had taken so strong a hold on my

interest--whose desperate attempt at suicide had so nearly cost me my

own life.

If she had gone as far as Edinburgh (which she would surely do, being

bent on avoiding discovery), the prospect of finding her again--in that

great city, and in my present weak state of health--looked doubtful

indeed. Still, there was an underlying hopefulness in me which kept

my spirits from being seriously depressed. I felt a purely imaginary

(perhaps I ought to say, a purely superstitious) conviction that we who

had nearly died together, we who had been brought to life together, were

surely destined to be involved in some future joys or sorrows common to

us both. "I fancy I shall see her again," was my last thought before my

weakness overpowered me, and I sunk into a peaceful sleep.

That night I was removed from the inn to my own room at home; and that

night I saw her again in a dream.

The image of her was as vividly impressed on me as the far different

image of the child Mary, when I used to see it in the days of old.

The dream-figure of the woman was robed as I had seen it robed on the

bridge. She wore the same broad-brimmed garden-hat of straw. She looked

at me as she had looked when I approached her in the dim evening light.

After a little her face brightened with a divinely beautiful smile; and

she whispered in my ear, "Friend, do you know me?"

I knew her, most assuredly; and yet it was with an incomprehensible

after-feeling of doubt. Recognizing her in my dream as the stranger

who had so warmly interested me, I was, nevertheless, dissatisfied with

myself, as if it had not been the right recognition. I awoke with this

idea; and I slept no more that night.

In three days' time I was strong enough to go out driving with my

mother, in the comfortable, old-fashioned, open carriage which had once

belonged to Mr. Germaine.

On the fourth day we arranged to make an excursion to a little waterfall

in our neighborhood. My mother had a great admiration of the place, and

had often expressed a wish to possess some memorial of it. I resolved

to take my sketch-book: with me, on the chance that I might be able to

please her by making a drawing of her favorite scene.

Searching for the sketch-book (which I had not used for years), I found

it in an old desk of mine that had remained unopened since my departure

for India. In the course of my investigation, I opened a drawer in the

desk, and discovered a relic of the old times--my poor little Mary's

first work in embroidery, the green flag!

The sight of the forgotten keepsake took my mind back to the bailiff's

cottage, and reminded me of Dame Dermody, and her confident prediction

about Mary and me.

I smiled as I recalled the old woman's assertion that no human power

could "hinder the union of the kindred spirits of the children in the

time to come." What had become of the prophesied dreams in which we were

to communicate with each other through the term of our separation? Years

had passed; and, sleeping or waking, I had seen nothing of Mary. Years

had passed; and the first vision of a woman that had come to me had

been my dream a few nights since of the stranger whom I had saved from

drowning. I thought of these chances and changes in my life, but not

contemptuously or bitterly. The new love that was now stealing its way

into my heart had softened and humanized me. I said to myself, "Ah, poor

little Mary!" and I kissed the green flag, in grateful memory of the

days that were gone forever.

We drove to the waterfall.

It was a beautiful day; the lonely sylvan scene was at its brightest

and best. A wooden summer-house, commanding a prospect of the falling

stream, had been built for the accommodation of pleasure parties by the

proprietor of the place. My mother suggested that I should try to make

a sketch of the view from this point. I did my best to please her, but I

was not satisfied with the result; and I abandoned my drawing before it

was half finished. Leaving my sketch-book and pencil on the table of the

summer-house, I proposed to my mother to cross a little wooden bridge

which spanned the stream, below the fall, and to see how the landscape

looked from a new point of view.

The prospect of the waterfall, as seen from the opposite bank, presented

even greater difficulties, to an amateur artist like me, than the

prospect which we had just left. We returned to the summer-house.

I was the first to approach the open door. I stopped, checked in my

advance by an unexpected discovery. The summer-house was no longer empty

as we had left it. A lady was seated at the table with my pencil in her

hand, writing in my sketch-book!

After waiting a moment, I advanced a few steps nearer to the door, and

stopped again in breathless amazement. The stranger in the summer-house

was now plainly revealed to me as the woman who had attempted to destroy

herself from the bridge!

There was no doubt about it. There was the dress; there was the

memorable face which I had seen in the evening light, which I had

dreamed of only a few nights since! The woman herself--I saw her as

plainly as I saw the sun shining on the waterfall--the woman herself,

with my pencil in her hand, writing in my book!

My mother was close behind me. She noticed my agitation. "George!" she

exclaimed, "what is the matter with you?"

I pointed through the open door of the summer-house.

"Well?" said my mother. "What am I to look at?"

"Don't you see somebody sitting at the table and writing in my

sketch-book?"

My mother eyed me quickly. "Is he going to be ill again?" I heard her

say to herself.

At the same moment the woman laid down the pencil and rose slowly to her

feet.

She looked at me with sorrowful and pleading eyes: she lifted her hand

and beckoned me to approach her. I obeyed. Moving without conscious will

of my own, drawn nearer and nearer to her by an irresistible power, I

ascended the short flight of stairs which led into the summer-house.

Within a few paces of her I stopped. She advanced a step toward me, and

laid her hand gently on my bosom. Her touch filled me with strangely

united sensations of rapture and awe. After a while, she spoke in low

melodious tones, which mingled in my ear with the distant murmur of the

falling water, until the two sounds became one. I heard in the murmur,

I heard in the voice, these words: "Remember me. Come to me." Her hand

dropped from my bosom; a momentary obscurity passed like a flying shadow

over the bright daylight in the room. I looked for her when the light

came back. She was gone.

My consciousness of passing events returned.

I saw the lengthening shadows outside, which told me that the evening

was at hand. I saw the carriage approaching the summerhouse to take us

away. I felt my mother's hand on my arm, and heard her voice speaking

to me anxiously. I was able to reply by a sign entreating her not to be

uneasy about me, but I could do no more. I was absorbed, body and soul,

in the one desire to look at the sketch-book. As certainly as I had

seen the woman, so certainly I had seen her, with my pencil in her hand,

writing in my book.

I advanced to the table on which the book was lying open. I looked at

the blank space on the lower part of the page, under the foreground

lines of my unfinished drawing. My mother, following me, looked at the

page too.

There was the writing! The woman had disappeared, but there were her

written words left behind her: visible to my mother as well as to me,

readable by my mother's eyes as well as by mine!

These were the words we saw, arranged in two lines, as I copy them here:

When the full moon shines

On Saint Anthony's Well.

The Two Destinies · 第 8 / 36 章