AT THE PLAY.

"MRS. POMEROY'S REPUTATION."

Candour (subacid virtue) compels me to set down that there was nothing

very notable or novel about the manipulation, by Messrs. HORACE ANNESLEY

VACHELL and THOMAS COBB, of the comedy of needless complications

entitled _Mrs. Pomeroy's Reputation_. The occasion was chiefly notable

for the return of Miss VIOLET VANBRUGH to active service and the welcome

she was given by her splendidly loyal following.

_Sir Granville Pomeroy_, childless head of an odious family, has designs

on, and for, the son of his brother's pretty widow, he suspecting her to

be no fit and proper person to bring up a young _Pomeroy_. And indeed

three short months after her husband's death she played bridge, bought a

kimono and an expensive carpet, and, it is said, even flirted. Why such

recklessness? Well, she discovered a stray daughter of her sainted

husband. The irregular mother died, and of course solid _Mrs. Pomeroy_

with the bubble reputation did the handsome thing, and shut her mouth

until the fatal moment in the Third Act, when it all came out. Whereby

and wherein she discovered that the philandering _Vincent Dampier_ could

trust where the solemn _Maurice Randall_ could not. As a side issue the

blameless baronet had a little goose to wife, who went to _Dampier's_

Maidenhead bungalow and fell into the river. Elaborate lies to explain

quite simple situation to fool anxious to believe the worst. Moral:

Never lie to save a little goose.

[Illustration: LETTICE AND IMPROMPTU DRESSING.

_Lettice_ MISS LETTICE FAIRFAX.

_Georgina_ MISS VIOLET VANBRUGH.

_Vincent Dampier_ MR. FRANK ESMOND.]

Miss VIOLET VANBRUGH was patently nervous with her part, a little jerky

and restless. She needn't have been. Loyalty would have carried her

through a duller play, to say nothing of her charming looks and her

queenly way of wearing a beautiful gown. Mr. LOWNE, as the baronet, made

effective play with a quite impossible part in a quite futile situation,

and held the reflector up to the best Mayfair Cockney with "_Georginar_

explains." He needn't apologise; we know it's true to life! The piece of

acting that most cheered me was Mr. GRAHAME HERINGTON as the

philanderer's manservant--a very tactful and observant performance. Mr.

FRANK ESMOND, the philanderer, seemed ill at ease (partly art but partly

nature, I judged, perhaps unjustly). Miss LETTICE FAIRFAX as the little

goose was what I believe is known as adequate.

Punch, or the London Charivari, Volume 153, July 11, 1917 · 第 27 / 37 题