Literature would be lighter without that scroll work and top hamper. It

has nothing to do with its life. It is as helpful to us as wall-texts and

those wonders we know as works of Pure Thought. Let us remember all the

noble volumes of philosophy and metaphysics we ought to have read, to

learn how wonderfully far our brains have taken us beyond the relic of

Piltdown; and then recall what Ypres was like, and buy a teetotum

instead. That much is saved. Now we need not read them. If we feel

ourselves weakening towards such idleness, let us spin tops. If we had to

choose between Garvice and say Hegel or Locke for a niche in the Temple

of Letters, we should make an unintelligible blunder if we did not elect

Mr. Garvice without discussion. He is human, he is ingenuous and funny,

and the philosophers are only loosening with the insinuations of moth and

rust. The philosophers are like the great statesmen and the great

soldiers--we should be happier without them. If we are not happy and

enjoying life, then we have missed the only reason for it. If books do

not help us to this, if they even devise our thoughts into knots and put

straws in our hair, then they ought to be burned. It is true that some

of us may get pleasure from searching novels for solecisms and collecting

evidence by which shall be guessed the originals of the novelist's

characters, just as others extract amusement from puzzle pictures. But

book-worming has the same relation to literature, even when it is done by

a learned doctor in the Bodleian, as flies in a dairy with our milk

supply. If most of the books in the British Museum were destroyed, we

might still have a friend who would go with us to Amiens to get one more

dinner in a well-remembered room, and drink to the shades; we might

still, from the top of Lundy at dusk, watch the dim seas break into lilac

around the Shutter Rock, while the unseen kittiwakes were voices from the

past; and we might still see Miss Muffet tiptoe on a June morning to

smell the first rose. That is what we look for in books, or something

like it, and when it is not there they are not books to us.

XVIII. Sailor Language

FEBRUARY 1, 1919. "What's in a word?" asks Admiral W. H. Smyth, with

ironic intent, in his _Sailors' Word Book_. There are people who are

derided because they are inclined to hesitate over that unimportant

doubt, selecting their words with a waste of time which is grievous, when

the real value of the sovereign is but nine and ninepence, in an

uneconomic desire to be as right as their knowledge will allow. There is

something to be said for them. There is a case to be made for getting a

task finished as well as one knows how, if interest in it was sufficient

to prompt a beginning. A friend of mine, who could write a thousand

interesting and popular words about an event, or even about nothing in

particular, while I was still wondering what I ought to do with it, once

exclaimed in indignation and contempt when I put in a plea for Roget and

his _Thesaurus_. He declared that a writer who used such a reference-book

ought to be deprived of his paper and ink. _He_ never used even a

dictionary. His argument and the force of it humbled me, for I gathered

that when he wrote he had but to put his hand in his pocket and pull out

all the words he wanted by the fistful. I envy him. I wish I could do it,

but there are times when every word I try seems opaque. It is useless to

pretend that Roget is of material assistance then; for what remedy is

there under heaven for the slow and heavy mind? But to me Roget is full

of amusing suggestions, which would really have been very helpful to me

had I wanted to use his words for any other purpose than the one in hand.

It is true he rarely gives you the word you think you want, but not

seldom in his assorted heaps of unused ornaments you are surprised by a

glance of colour from an unsuspected facet of a common word.

The _Sailor's Word Book_ is no pamphlet; not in the least the kind of

pocket book which once helped hurried British soldiers in a French shop

to get fried eggs. It weighs, I should think, seven pounds, and it is

packed with the vocabulary which has been built into the British ship

during the thousand years and more of her growth. The origin of very many

of the words retires, often beyond exact definition, into the cold mists

of the prehistoric Baltic, and to the Greek Islands, among the shadows

of the men who first found the courage to lose sight of the hills.

Commonly they are short words, smoothed by constant use till they might

be imagined to be born of the circumstances in which they are known, like

the gulls and the foam of the wake. They carry like detonations in a

gale. Yet quite often such words, when they are verbs, were once of the

common stock of the language, as in the case of "belay," and it has

happened that the sailor alone has been left to keep them alive. Dr.

Johnson seems not to have known the meaning of the verb "to belay" among

the other things he did not know but was very violent about. He thought

it was a sea-phrase for splicing a rope, just as he supposed "main-sheet"

was the largest sail of a ship.

The _Sailors' Word Book_ would be much more interesting than it is,

though greatly heavier, if the derivation of the words were given, or

even guessed at, a method which frequently makes the livelier story. We

begin to understand what a long voyage our ship has come when we are told

that "starboard" is steer-board, the side to which the steering-paddle

was made fast before the modern rudder was invented in the fourteenth

century. Skeat informs us that both steor and bord are Anglo-Saxon; in

fact, the latter word is the same in all the Celtic and Teutonic

languages, so was used by those who first cut trees in Western Europe,

and perhaps was here before they arrived to make our civilization what we

know it. The opposite to starboard was larboard; but for good reason the

Admiralty substituted port for larboard in 1844. Why was the left side of

a ship called the port side? That term was in use before the Admiralty

adopted it. It has been suggested that, as the steering-paddle was on the

right side of a ship, it was good seamanship to have the harbour or port

on the left hand when piloting inwards. But it is doubtful if that reason

was devised by a sailor.

A few words in sea life--as fish, mere, and row--are said to be so old

that the philologists refer them to the Aryans, or, as others might say,

give them up as a bad job. These words appear to be common to all the

sons of Adam who preferred adventurous change to security in monotony,

and so signed on as slaves to a galley. Anchor we imported from the

Greeks--it is declared to be the oldest word from the Mediterranean in

the language of our ships; admiral from the Arabs, and hammock and

hurricane from the Caribs, through the Spaniards. But other words of our

seamen are as native to us as our grey weather, for we brought them with

other habits overseas from the North--words like hail, storm, sea, ship,

sail, strand, cliff, shower, mast, and flood.

To examine words in this manner is simply to invite trouble, as did the

man who assumed that "bending a sail" was done as one would bend a cane,

not knowing that the sailor uses that word in the original sense of

"fastening." Once, in my ignorance, I imagined "schooner" was of Dutch

origin, but was careful to refer to the invaluable Skeat. Only just in

time, though. And he says that the word was born on the Clyde, grew up in

New England, migrated to Holland, and then came back to us again. Once

upon a time (1713) at Gloucester, Massachusetts, a man was witnessing a

new fore-and-aft rigged vessel glide away on a trial trip, and exclaimed

"She scoons!" So all her kind were christened. Science of that kind is

almost as good as romance.

XIX. Illusions

FEBRUARY 15, 1919. Southwark Street is warehouses and railway bridges,

and at its best is not beautiful; but when at night it is a deep chasm

through which whirl cataracts of snow, and the paving is sludge, then, if

you are at one end of it, the other end is as far away as joy. I was at

one end of it, and at the other was my train, due to leave in ten

minutes. Yet as there was a strike, there might be no train, and so I

could not lose it; I had that consolation while judging that, with more

than half a mile of snow and squall intervening from the north-east, I

could not do the length of the street in ten minutes. So I surrendered

the train which might not run to whoever was able to catch it, and in

that instant of renunciation the dark body of a motor lorry skidded to

the kerb and stopped beside me. A voice that was as passionless as

destiny told me to hop up, if I were going towards the station. The

headlong lorry, the sombre masses of the buildings which were now

looming through the diminishing snow, and the winter's night, roused a

vision of another place, much like it, or else the snow and the night

made it seem like it, and so my uppermost thought became too personal,

unimportant, and curious for converse. All I said, as I took my place

beside the steering wheel, was: "It's a wretched night." (But I might

have been alone in the lorry. There was no immediate answer.) I communed

secretly with my memory. Then the voice returned out of the darkness. It

startled me. "This corner," it remarked, "always reminds me of a bit of

Armentieres." The voice had answered my thought, and not my words.

The lorry stopped and I got down. I never saw the driver. I do not know

whose voice it was; if, indeed, there was with me in that lorry more than

a shadow and an impersonal voice.

Yet now the night could do its worst. I had the illusion that I had seen

through it. Were these bleak and obdurate circumstances an imposture?

They appeared to have me imprisoned helplessly in time and snow; yet I

had seen them shaken, and by a mere thought. Did their appearance depend

on the way we looked at them? Perhaps it was that. We are compelled by

outside things to their mould, and are mortified; but occasionally they

fail to hide the joke. The laugh becomes ours, and circumstance must

submit to the way we see it. If Time playfully imprisons us in a century

we would rather have missed, where only the stars are left undisturbed to

wink above the doings and noises of Bedlam, and where to miss the last

train--supposing it runs at all--is the right end to a perfect day of

blizzards and social squalls, what does it matter when we find that the

whole of it is shaken by a single idea? Might it not vanish altogether if

enough of us could be found to laugh at it? This dream assisted me to

some warmth of mind through the rest of the cold night till I arrived on

the station platform, after the train had left.

To help further in destroying my faith in the permanence of our affairs

and institutions, it then appeared the platform was vacant because my

train was not yet in. It was coming in at that moment--or so a porter

told me. Our protean enemy took his most fearful form in the War when he

became a Hidden Hand. Was this porter an agent of the gods for whose

eternal leisure our daily confusion and bad temper make an amusing

diversion? Was he one of the malicious familiars who are at work amongst

us, disguised, and who playfully set us by the ears with divine traps

for boobies? This porter was grinning. He went away with his hand over

his mouth, and at that moment a train stopped at the platform. The engine

was at the wrong end of it.

One official told me its proper locomotive was at East Grinstead, and

that we might not get it. Perhaps its home was there. And yet another

official whose face was as mysterious as that of the station clock, which

was wearing a paper mask, said that the engine of my train had, in fact,

gone. It had gone to Brighton. He did not know why. It had gone alone. I

turned vacantly from this bewilderment and saw a man with the sort of

golden beard an immortal might have worn standing under a station lamp,

and breaking now and then into peals of merriment, occasioned, it seemed

to me, by what the first porter was telling him. Then both of them looked

towards me, and stopped. If in one more gust of hearty laughter that

hollow wilderness of a station had vanished, gloom and dreary echoes and

frozen lights, and I had found myself blinking in a surprising sunlight

at that fellow in the golden beard, while he continued to laugh at me in

another world than this, where he was revealed for what he was, I was in

the mind for placid acceptance. Well, the miraculous transformation was

as likely as an engine for that train.

The bearded one approached me. I did not run away. I waited for the next

thing. He had a book under his arm, and it is likely that the gods, who

have no need to learn the truth, never read books. "If," he told me, "you

want to get to Sheepwash, you had better take this other train. It is

going half the way. The engine for the train for Sheepwash can't be

found."

We both boarded the train for half the journey, and it did not appear to

have any other passengers. Yet, reckless of the risks I was taking in

travelling alone with a suspected being at such a time--for where might

not he and the train go?--I accepted the chance; and as I took my seat

and regarded that bright beard, the shadow of my awful doubt became

really serious, for it was only this week that I have been reading _The

Twilight of the Gods_. There was the disintegrating recollection of that

book, with its stories of homeless immortals in search of new and more

profitable employ; and there had been a bodiless voice in a motor lorry

which ignored what I said but spoke instead to an inconsequential memory

of mine that was strictly private; and there was the levity with which

uniformed officials treated the essential institutions of civilization.

All this gave me the sensation that even the fixed policy of our strong

government might, at any moment now, roll up as a scroll.

Off we went. My fellow-traveller was silent, though he was smiling at

something which was not in the carriage, to my knowledge. When he spoke,

his eyes were not fixed on me. He looked into the air, and talked to

whatever it was he saw. He pointed a finger at the light of the city

lying beyond and below our carriage window. "All they've built," he said,

"stands only on a few odd notions. Now they're changing their notions, so

down comes everything with a run. And don't they look surprised and

pained!" (I felt like an eavesdropper, and thought I'd better show him I

was present.) I apologized for overhearing him. He nodded shortly, a

little condescendingly. "We've accepted _that_"--he poked his stick

towards where stood our Imperial city in the night--"as if it came by

itself. We never knew our city was like that just because we never saw it

in any other light. Now we're upset to find the magic-lantern picture is

fading. Got to put up with it, though." His book had been on the seat.

It fell to the floor, and I picked it up and handed it to him. It was

_The Twilight of the Gods_.

If I could have remembered at that moment one of the simple dodges for

averting the evil eye I should have used it. The laughing malice of that

book had so confused me for some days that I had begun to feel that even

St. Paul's, a blue bubble floating over London on the stream of Time,

might vanish, as bubbles will. The Hidden Hand, I began to believe, had

something in it.

I intrigued a serious interview with my fellow-passenger, hoping to find

evidence; and then the train stopped finally, six miles from home. At

that very instant of time the train which we had previously rejected

because it had no engine chose to run express through the station where

we stood.

XX. Figure-Heads

MARCH 1, 1919. When the car got to the Board of Trade Office, which is

opposite the old chapel of ease where the crews of John Company's ships

"used to worship," as a local history tells us, I saw Uncle Dave by the

kerb, with time apparently on his hands. I got down.

He told me old Jackson is dead. Jackson was a mast and block maker, but

his fame was the excellence of his figure-heads. It is many years since

old Jackson made one, but if it is doubted that he was an artist, there

is a shop near where he once lived which still displays three of his

images, the size of life, reputed to have been conjured from baulks of

timber with an ax. I remember Jackson. He rarely answered you when you

questioned him about those ships to which he had given personality and

eyes that looked sleeplessly overseas from their prows. He regarded you,

and only his whiskers moved in silent indifference (he chewed), as

though you were wasting the time of a man and an artist. Those images of

his were all of women. He would make no figure-head for a ship bearing

the name of a man, though it were that of a Greek hero. And, of course,

you dare not even think of the trousered legs of a modern man stuck each

side of a ship's prow, boots and all; but the drapery of a woman flows

with grace there. She would look indeed its vigilant guardian spirit. It

would be pleasing to write of some of the more famous of those idols, as

I remember them in repose, above the quays of the docks.

Here we were joined by some young men who knew Uncle Dave. They were

looking for a ship. But Uncle continued to tell me of the merits of his

friend the maker of figure-heads. A stoker became a trifle irritated.

"Well, what's the good of 'em, anyway?" he interjected. "Lumber, I call

'em. They can't be carried on straight stems, and clipper-bows aren't

wanted these days, wasting good metal. Why, even Thompson's White Star

liners have chucked that sort of truck. They're not built like it now.

What's the good of figger-'eds?"

This youth's casual blasphemy in the presence of Uncle Dave (who once

was bo'sun of a China clipper), extolling as he did his age of mere

machines against the virtues of an age when ships were expected to look

good as well as do good things, made us shrink in anticipation of the

storm. For Uncle Dave has a habit of listening to a talk about ships in a

deliberate and contemptuous silence, with nothing to show of his inward

heat but a baleful light in the eye. He does not like steamers. He does

not think steamer-men are seamen. He declares they can never be seamen.

And now we waited, dreading that his anger, when it burst, would be quite

incoherent with force. There was really something of hatred in his look

as he gazed at the youngster, his mouth a little open, his hand holding

his trembling pipe just away from his mouth, which had forgotten it. The

old sailor bent forward, screwing his eyes at this young man as though

trying to believe it was real.

An older hand interposed. "Ah, come away now! I've heard chaps make game

of figger-'eds, an' call 'em superstition. But I say let such things

alone. I know things that's happened to funny fellows through making game

of figger-'eds. There was the _Barbadian Lass_. She was a brigantine.

She used to run to Trinidad. There was something queer about her

figger-'ed. It was a half-breed woman. She was smiling. She had bare

breasts, and she used to wear earrings. Her chaps used to keep a spare

pair for her in a box. She was always fresh and bright, but I've heard

say she was never painted--no, not since the day the ship was launched.

She kept like that. And one day young Belfast MacCormick slipped a

tar-brush over her dial. Said it was idolatry. And what happened to him?

You answer me that!"

"Yes, I know," broke in one of us. "But you can't say it was along of

that tar-brush..."

"You young chaps ain't got no sense," here interrupted Uncle, his voice

evidently under control, but shaky. "I'd like to know where you were

brought up. You learn it all wrong at them schools of yours, and you

never get it right afterwards. You learn about the guts of engines and

'lectricity, and you mix it up with the tales your grandmothers told you,

and you get nothing straight. What you've got is all science and

superstition. And then you wonder why you make a mess of it. Listen! It

don't matter what you do to a figger-'ed, if you're fool enough to spoil

it. It's having it that matters. It's something to go by, and a ship

you're glad to work in."

He turned on the stoker. There was astonishment and pity in his glance.

"Look at you. In and out of a ship, and you forget her name when you've

signed off. You don't care the leavings in a Dago's mess-kit for any ship

you work in, if you can get a bit out of her and skip early."

"That's me, Uncle," muttered the stoker.

"Can you remember names, like some of us remember the _Mermus_, the

_Blackadder_, and the _Titania_? Not you. Your ships haven't got names,

properly speaking. They're just a run out and home again for you, and a

row about the money and the grub."

"Sure to be a row about the grub," murmured the stoker.

"What are ships nowadays?" he went on, raising a shaking index finger.

"Are they ships at all? They're run by companies on the make, and worked

by factory hands who curse their own house-flags. It's a dirty game, I

call it. Things are all wrong. I can't make them out. You fellers take no

pride in your work, and you've got no work to take pride in. You don't

know who you work for or what, and your ships got no names. They might

be damned goods vans. No good in a figger-'ed! Then I'll tell you this.

Then I'll tell you this. _You'll_ get no good till you learn better, my

lad."

XXI. Economics

MARCH 22, 1919. There is an astonishing number of books on what is called

Reconstruction in the new publications of this spring. Reconstruction

seems to be as easy as conscription or destruction. We have only to

change our mind, and there we are, as though nothing had happened. It is

the greatest wonder of the human brain that its own accommodating

ratiocination never affords it any amusement. We use reason only to make

convincing disguises for our desires and appetites. Perhaps it is fear of

the wrath to come that is partly responsible for the clamour of the

economists and sociologists in the publishers' announcements, almost

drowning there the drone of the cataract of new novels. But it is too

late now. The wrath will come. After mischievously bungling with the

magic which imprisoned the Djinn, we may wish we had not done it; but

once he is out there is nothing for it but to be surprised and sorry.

The lid is off; and it is useless for the clever reconstructionists to

press in upon us with their little screw-drivers, chattering eagerly

about locks and hinges. When the crafty but ignorant Russian generals and

courtiers got from the Czar the order for mobilizing the armies, and

issued it, they did not know it, but that was when they released Lenin.

And who on earth can now inveigle that terrific portent safely under lid

and lock again?

XXII. Old Sunlight

APRIL 5, 1919. I find the first signs of this spring, now the War is

over, almost unbelievable. I have watched this advent with astonishment,

as though it were a phantom. The feeling is the same as when waking from

an ugly dream, and seeing in doubt the familiar objects in a morning

light. They seem steadfast. Are they real, or is the dream? The morning

works slowly through the mind to take the place of the night. Its

brightness and tranquillity do not seem right. And is it not surprising

to find the spring has come again to this world? The almond tree might be

an untimely, thoughtless, and happy stranger. What does it want with us?

That spiritual and tinted fire with which its life burns touches and

kindles no responsive and volatile essence in us. I passed a hedge-bank

which looked south and was reviving. There were crumbs and nuggets of

chalk in it, and they were as remarkable to me this year as though I had

once seen those flecks of white showing through the herbage of another

planet. That crumbling earth with the grey matting of old grass was as

warm to the touch as though some inner virtue had grown, all unsuspected

by us, in the heart of this glacial ball. I picked up a lump of chalk

with its cold greenish shadows, and powdered it in my fingers, wondering

why it looked so suddenly bright. It confirmed my existence. Its smell

was better than any news I have heard of late.

I saw suddenly the gleaming coast of a continent of dark cloud, and the

blue ocean into which it jutted its headlands; memory had suddenly

returned. At that moment the sun touched my hand. All this was what we

used to know in a previous life. When I got home I took down _Selborne_.

Two photographs fell out of it, and when I picked them up--they were

those of a young amateur and were yellow with age--spring really began to

penetrate the bark. But it was not the spring of this year.

How often, like another tortoise, has the mind come out of its winter to

sun itself in the new warmth of a long-gone Selborne April? Did Gilbert

White imagine he was bequeathing light to us? Of course not. He lived

quietly in the obscure place where he was born, and did not try to

improve or influence anybody. It seems he had no wish to be a great

leader, or a great thinker, or a great orator. The example of Chatham did

not fire him. He was friendly with his neighbours, but went about his

business. When he died there did not appear to be any reason whatever to

keep him in memory. He had harmed no man. He left us without having

improved gunpowder. Could a man have done less?

Waiting for Daylight · 第 5 / 9 段