Robert Southey."

"Falmouth, 1800.

My dear Cottle,

Our journey here was safe, but not without accidents. We found the

packet, by which we were to sail, detained by the wind, and we are

watching it with daily anxiety.[61]

A voyage is a serious thing, and particularly an outward-bound voyage.

The hope of departure is never an exhilarating hope. Inns are always

comfortless, and the wet weather that detains us at Falmouth, imprisons

us. Dirt, noise, restlessness, expectation, impatience,--fine cordials

for the spirits!

Devonshire is an ugly county. I have no patience with the cant of

travellers, who so bepraise it. They have surely slept all the way

through Somersetshire. Its rivers are beautiful, very beautiful, but

nothing else. High hills, all angled over with hedges, and no trees. Wide

views, and no object. I have heard a good story of our friend, Charles

Fox. When his house, at this place, was on fire, he found all effort to

save it useless, and being a good draughtsman, he went up the next hill

to make a drawing of the fire! the best instance of philosophy I ever

heard.

I have received letters from Rickman and Coleridge. Coleridge talks of

flaying Sir Herbert Croft. This may not be amiss. God bless you. I shake

you mentally by the hand, and when we shake hands bodily, trust that you

will find me a repaired animal, with a head fuller of knowledge, and a

trunk full of manuscripts. Tell Davy this Cornwall is such a vile county,

that nothing but its merit, as his birth-place, redeems it from utter

execration. I have found in it nothing but rogues, restive horses, and

wet weather; and neither Pilchards, White-ale, or Squab-pie, were to be

obtained! Last night I dreamt that Davy had killed himself by an

explosion. Once more, God bless you.

Yours affectionately,

Robert Southey.

Mr. Southey, in this second visit to Lisbon, sent me the following

poetical letter, which, for ease, vivacity, and vigorous description,

stands at the head of that class of compositions. A friendly vessel,

mistaken for a French privateer, adds to the interest. In one part, the

poet conspicuously bursts forth.

"Lisbon, May 9th, 1800.

Dear Cottle, d'ye see,

In writing to thee,

I do it in rhyme,

That I may save time,

Determin'd to say,

Without any delay,

Whatever comes first,

Whether best or worst.

Alack for me!

When I was at sea,

For I lay like a log,

As sick as a dog,

And whoever this readeth,

Will pity poor Edith:

Indeed it was shocking,

The vessel fast rocking,

The timbers all creaking,

And when we were speaking,

It was to deplore

That we were not on shore,

And to vow we would never go voyaging more.

The fear of our fighting,

Did put her a fright in,

And I had alarms

For my legs and my arms.

When the matches were smoking,

I thought 'twas no joking,

And though honour and glory

And fame were before me,

'Twas a great satisfaction,

That we had not an action,

And I felt somewhat bolder,

When I knew that my head might remain on my shoulder.

But O! 'twas a pleasure,

Exceeding all measure,

On the deck to stand,

And look at the land;

And when I got there,

I vow and declare,

The pleasure was even

Like getting to heaven!

I could eat and drink,

As you may think;

I could sleep at ease,

Except for the fleas,

But still the sea-feeling,--

The drunken reeling,

Did not go away

For more than a day:

Like a cradle, the bed

Seemed to rock my head,

And the room and the town,

Went up and down.

My Edith here,

Thinks all things queer,

And some things she likes well;

But then the street

She thinks not neat,

And does not like the smell.

Nor do the fleas

Her fancy please

Although the fleas like her;

They at first vie w

Fell merrily too,

For they made no demur.

But, O, the sight!

The great delight!

From this my window, west!

This view so fine,

This scene divine!

The joy that I love best!

The Tagus here,

So broad and clear,

Blue, in the clear blue noon--

And it lies light,

All silver white,

Under the silver moon!

Adieu, adieu,

Farewell to you,

Farewell, my friend so dear,

Write when you may,

I need not say,

How gladly we shall hear.

I leave off rhyme,

And so next time,

Prose writing you shall see;

But in rhyme or prose,

Dear Joseph knows

The same old friend in me,

Reminiscences of Samuel Taylor Coleridge and Robert Southey · 第 221 / 402 题