HAVING thus explain'd to Demonstration the Motions of a Horse, when

he makes a perfect _Capriole_, you may hence gather that they have an

Effect directly opposite to that of _Curvets_ and _Pesades_.--These

two Airs are proper to assure the Head of the Horse, and to make it

light, and this by so much the more as the principal Action depends

upon the Haunches, and a moderate _Apuy_ of the Mouth; but _Caprioles_

are apt to give too great an _Apuy_, because the Horse when he makes

the strongest Action of his Air, that is, when he strikes out as he

is coming to the Ground, is entirely supported by the Hand; therefore

before he is put to leap, he ought to have a perfect Apuy, and his

Shoulders should at least be suppled and lighten'd by having made

_Pesades_; and he should be without Fear, Anger, or any kind of

Uneasiness, because, as I have already said, by leaping he learns to

know his own Strength and Power; and he may put it to bad Purposes to

free himself from Obedience, and indulge his Caprice and Ill-humour.

Some Horses have a Disposition to this Air, and sufficient Strength

to go through it; yet have their Mouth so delicate, sensible, and

averse to the Hand, that you can't support them without hindering them

from advancing; hence it follows that their Action before is cold and

slow, and never sufficiently high, and they can't be carried forward

when they raise their Croupe and strike out; and it is impossible to

keep them firm as they come down. To remedy this, begin their Lesson

upon the Trot, and press them in it so smartly as to make them

often go into the Gallop; observe a Medium however in order to save

their Strength and Vigour, that they may furnish as many Leaps as is

requisite to the Perfection of the Air. Do the same with a Horse that

has too much Strength, and who retains and avails himself it, so as

not to make his Leaps freely and readily; by this means you will abate

his superfluous Vigour, which serves only to _disunite_ and make him

troublesome.

IT is usual to supple a Horse that is light in the Hand by means of

the Trot, before you teach him to leap: but a contrary Method must be

observed with those which are heavy and clumsey, or that are heavy in

the Hand. Gallop and trot them, and when they are made obedient and

drest to the _Caprioles_, their Apuy in leaping will grow by degrees

lighter and more temperate. The Exercise of the Trot and Gallop will

take away all Fear of the Aids and Corrections, and the Day following

they will present themselves more freely and willingly. With respect to

the Horse who pulls or wants to force the Hand, don't try to correct

him by making him go backward, because by working upon his Bars too

much with the Bit, you would make them become hard and insensible; but

compel him to make some _Caprioles_ with his Face to the Wall, and

keep him up to it closer or further off, as you find him heavy, or

endeavouring to force the Hand; by these Methods you will constrain him

to shorten his Leaps, and give more Attention to his Business. If he

abandons himself, or bears too hard upon the Hand, hold him firm at the

End of his Leap; and in the Instant that his Feet are coming to the

Ground, yield it immediately to him, and he will abandon himself much

less upon the Bit.--If he retains himself, and hangs back, easing your

Hand to him alone will not be sufficient; but to make him advance you

must push him up to his Bit, by aiding him briskly and in _Time_ with

your Legs.

TO dress a Horse to the Caprioles, the Pillars may be employ'd, or they

may be dispens'd with: let us explain the Rules we should follow with

respect to both these Methods.

IT is certain that the Pillars are of use in putting a Horse to this

Air.--Tie him to them, make him keep up to his Bit properly, or what is

call'd _fill up the Cords_, and endeavour by little and little to make

him rise before, taking care to make him bend his Knees, and gather up

his Legs as much as you possibly can. For this purpose use your Switch

briskly; for if you can teach him to bend his Legs well, his Manage

will be infinitely more beautiful; as well as that he will be much

lighter in the Hand.

HAVING thus gain'd the Fore-part, put him in the Pillars again, making

the Cords somewhat shorter in order to make him raise his Croupe

from the Ground, and yerk out equally at the same time with both his

Hind-legs, which you must teach him to do, by attacking and striking

him upon the Croupe with the Switch or _Chambriere_.

WHEN he is so far advanced as to rise before, and lash out behind, it

will be proper to teach him to unite these two Times, and perform them

together.--Let him then be mounted, and always in the Pillars; let the

Rider support him in the Hand, and try to make him make one or two

Leaps, without hanging upon the Cords of the Caveson, in order that he

may learn to take a just Apuy, and to feel it. As soon as he begins

to know and obey the Hand, he should be aided gently with the Calves

of the Legs, should be supported, and you should pinch him delicately

and finely with both Spurs. If he answers once or twice to these Aids,

without losing his Temper, or being angry, you will have great Reason

to expect that he will soon furnish his Leaps equally and justly with

respect to the Hand and Heel.

HAVING brought him thus far between the Pillars, walk him strait

forward for a certain Space, and if he don't offer to rise of himself,

try to make him. If he himself takes the right Time, seize the Moment,

avail yourself of it, and make him make two or three _Caprioles_, or

one or two, according as you judge it necessary; by letting him walk

thus calmly and quietly, in a short time he will of himself begin to

make _Caprioles_ strait forward; but in case he should discover any

Signs of Resistance to the Hand or Heel, or the other Aids, immediately

have recourse to the Caveson and Pillars.

THIS is in short the Method of adjusting and dressing a Horse for

_Caprioles_ by the means of the Pillars.--A Method extremely dangerous

in itself, and capable of spoiling and making a Horse become desperate

and ungovernable, if it is not practised by Persons of the most

consummate Skill and Experience.

THE Method which I prefer is indeed more difficult and painful to the

Horse, but more perfect and sure.

THE Horse having been well exercised in _Pesades_, walk him strait

forward, keeping him together, and supporting him so as to hold and

keep him in the Hand, but not to such a degree as to stop him entirely.

After this strike him gently with the End of the Switch upon his Croupe

and Buttocks, and continue to do it till he lifts up his Croupe, and

kicks.--You should then caress him, and let him walk some Steps,

and then attack him again, not minding to make him rise before, nor

hindering him from it, if he offers so to do. Remember to encourage and

coax him every time that he answers to the Aids, and obeys.--Being thus

acquainted with the Aid of the Switch, put him to make _Pesades_ of a

moderate Height strait forward, and at the second or third, attack him

behind with your Switch to make him lash out. If he obeys, make him

rise before again in the Minute that his Hind-legs come to the Ground,

in order to make him furnish two or three more _Pesades_, to work his

Haunches. After this coax and caress him without letting him stir from

the Place, if his _Apuy_ be firm and good; and in case it is hard,

make him go backward, or if it is light and just, letting him advance

quietly and slowly.

TO enable him to make his Leaps just, and to know the exact Time of

making them, you should no longer regard what Number of _Pesades_ he

makes before or after his Leap, but in the Moment that you feel him

ready and prepar'd, and whilst he is in the _Pesade_, aid him briskly

behind, letting him in the Beginning not rise so high before, when you

intend he should yerk out behind, as you would were he only to make a

_Pesade_, that so his Croupe may be more at liberty, and he may yerk

out with greater Ease; in proportion as his Croupe becomes light and

active, you may raise his Fore-parts higher and higher, and support him

while in the Air, till he makes his Leaps true and in just Proportion.

WHEN you have sufficiently practised these Lessons, you may retrench

by degrees the Number of the _Pesades_ which separated and divided the

Leaps. You may demand now of him two Leaps together; from these you may

come, with Patience and Discretion, to three, from three to four Leaps;

and lastly, to as many as he can furnish in the same Air, and with

equal Strength. Remember always to make him finish upon his Haunches,

it is the only sure way to prevent all the Disorders a Horse may be

guilty of from Impatience and Fear.

THERE are some Horses who will leap very high, and with great Agility

strait forwards, which when put to leap upon the _Voltes_, lose all

their natural Grace and Beauty; the Reason is, that they fail for Want

of Strength, and are not equal to the Task, in which all their Motions

are forced and constrain'd.

IF you find a Horse who has a good and firm _Apuy_, and who has

Strength sufficient to furnish this Air upon the _Voltes_; begin with

him by making him know the Space and Roundness of the _Volte_ to each

Hand; let him walk round it in a slow and distinct Pace, keeping his

Croupe very much press'd and confin'd upon the Line of the _Volte_,

which ought to be much larger for this Air than for _Croupades_ and

_Balotades_.

THIS being done, make him rise, and let him make one or two

_Caprioles_, follow'd by as many _Pesades_; then walk on two or three

Steps upon the same Line; then raise him again, supporting him more and

more, and keeping him even on the Line of the _Volte_, so that it may

be exactly round, and confining his Croupe with your outward Leg.

IF this Lesson be given with Judgment, your Horse will soon make all

the _Volte_, in the same Air; and to make him furnish a second, as soon

as he has closed and finish'd the first, raise him again, and without

letting him stop get from him as many as you can, working him always

upon this _Volte_, in which he walks and leaps alternatively, till he

closes and ends it with the same Vigour and Resolution as he did the

first.

AID always with the outward Rein, either upon the _Voltes_, or when you

leap strait forwards, you will narrow and confine the Fore-parts, and

enlarge the Hind-parts, by which means the Croupe will not be press'd,

but free and unconstrain'd.

I WILL enlarge no further upon his Chapter; for what regards the making

_Caprioles_ upon the _Voltes_, you may look back to what has been

already said on the Subject of _Curvets_: remember that the surest way

to succeed, when you undertake to dress a Horse to _Caprioles_, is to

arm yourself with a Patience that nothing can subdue or shake; and to

prefer for this purpose such Horses as have a Disposition, are active,

light, and have a clean sinewy Strength, to such as are endowed with

greater Strength and Force; for these last never leap regularly, and

are fit for nothing but to break their Riders Backs, and make them spit

Blood, by their irregular, violent, and unexpected Motions.

CHAP. XXI.

_Of the Step and Leap._

THE Step and Leap is composed of three Airs; of the _Step_, which is the

Action of the _Terre-a-Terre_; the rising before, which is a _Curvet_;

and the Leap, which is a _Capriole_.

THIS Manage is infinitely less painful to a Horse than that of the

_Capriole_; for when you dress a Horse to the _Capriole_, he will

of himself take this Air for his Ease and Relief; and in time those

Horses, which have been drest to the _Caprioles_, will execute only

_Balotades_ and _Croupades_, unless particular Care is taken to make

them yerk out.

IT is this likewise, which, next to running a brisk Course, enlivens

and animates a Horse most.--To reduce a Horse to the Justness of this

Air, you must begin by emboldening and making him lose all fear of

Correction; teaching him to keep his Head steady, and in a proper

Place; lightening His Fore-parts, by putting him to make _Pesades_;

teaching him to know the Aids of the Switch, the same as in the Lesson

of the _Caprioles_; and by giving him a firm and good _Apuy_, _full in

the Hand_: though it is certain, that the _Step_ contributes to give

him this _Apuy_, inasmuch as that it puts him in the Hand; besides that

it gives him Strength and Agility to leap, just as we ourselves leap

with a quicker Spring while running, than if we were to stand quite

still and leap; therefore most old Horses generally fall into this Air.

WHEN your Horse is sufficiently knowing in these several Particulars,

teach him to rise, and support or hold him in the Air; then let him

make four _Pesades_, and afterwards let him walk four or five Steps

slow and equal; if he forces the Hand, or retains himself too much, he

should be made to trot these four or five Steps rather than walk; after

this make him rise again, and continue this Lesson for some Days.

WHEN he is so far advanced as to comprehend and understand this

sufficiently, begin by putting him to make a _Pesade_, demand then a

_Leap_, and finish by letting him make two _Pesades_ together. There

are two things to be observ'd, which are very essential in this Lesson;

one, that when he is to make the Leap he should not rise so high

before as when he makes _Pesades_ only, that so he may yerk out with

greater Ease and Liberty; the other Caution is always to make your last

_Pesade_ longer and higher than the other, in order to prevent your

Horse from making any irregular Motions by shuffling about his Legs,

if he should be angry and impatient, as well as to keep him in a more

exact Obedience; and to make him light, if he is naturally heavy and

loaded in his Fore-parts, or apt to lean too much upon the Hand.

AGAIN, reduce the fourth _Pesade_ into a Leap, as you did the first;

then make two _Pesades_ following, and after this let him walk

quietly four or five Steps, that he may make again the same Number of

_Pesades_, and in the same Order. In proportion as the Horse begins to

understand, and is able to execute these Lessons, you should augment

likewise the Leaps one by one, without hurrying or changing the Order,

making always between the Leaps a single _Pesade_, but lower than those

in the first Lesson; and then two more again after the last Leap,

sufficiently _high_. By degrees the Horse will grow active and light

in his Hind-parts, you must raise him then higher before, and support

him longer in the Air, in order to make him form the Leaps perfect, by

means of prudent and judicious Rules, often practised and repeated.

If your Horse forces the Hand, or presses forward more than you would

have him, either from Heaviness of Make, or from having too much Fire

in his Temper; in this case you should oblige him to make the _Pesades_

in the same Place, without stirring from it; and instead of letting

him advance four or five Steps, you should make him go backwards as

many. This Correction will cure him of the Habit of pressing forward,

and forcing the Hand. Upon this Occasion likewise you should use a

Hand-spur to prick his Croupe, instead of a Switch.

TO make this Air just and perfect, it is necessary that the Action of

the Leap be finish'd as in the _Caprioles_, except that it ought to be

more _extended_, and the _Pesade_ which is made between the two Leaps

should be changed into a _Time_ of a quick and short Gallop; that is,

the two Hind-feet ought to follow the Fore-feet, together in a quick

Time and briskly, as in _Curvets_ in the _Mezair_; but in this the

Horse should advance more, not be so much _together_, nor rise so high.

THE Perfection of this _Time_ of the Gallop depends upon the Justness

of the Horseman's Motions.--They ought to be infinitely more exact

in this Lesson, than in the Caprioles, or any other Airs, which are

performed strait forward.

IN reality, if the Horseman is too slow, and don't catch the exact Time

which parts the two Leaps, the Leap which follows will be without any

Spring or Vigour, because the Animal so restrain'd and held back, can

never extend himself, or put forth his Strength; if he don't support

and raise his Shoulders sufficiently high, the Croupe will then be

higher than it ought to be; and this Disproportion will force the Horse

to toss up his Nose, or make some other bad Motion with his Head as

he is coming to the Ground in his Leap; or else it will happen that

the succeeding Time will be so precipitate, that the next Leap will

be false and imperfect, as the Horse will not be sufficiently united,

but will be too heavy and lean upon the Hand.--If he is not together,

the Leap will be too much extended, and consequently weak and loose,

because the Horse will not be able to collect his Strength, in order to

make it equal to the first.

LEARN then in a few Words what should be the Horseman's Seat, and what

Actions he should use in this Lesson.

HE should never force, alter, or lose the true _Apuy_, either in

raising, supporting, holding in, or driving forward his Horse.--His

Head should be not only firm and steady, but it is indispensably

necessary that his Seat should be exactly strait and just; for since

the Arm is an Appendix of the Body, it is certain that if the Motions

of the Horse shake or disorder the Body of the Rider, the Bridle-hand

must inevitably be shook, and consequently the true Apuy destroy'd.

IN this Attitude then approach the Calves of your Legs,

support and hold your Horse up with your Hand, and when the Fore-part

is at its due Height, aid with the Switch upon the Croupe.

IF your Horse rises before, keep your Body strait and firm; if he

lifts or tosses up his Croupe, or yerks out, fling your Shoulders back

without turning your Head to one side or the other, continuing the

Action of the Hand that holds the Switch.

REMEMBER that all the Motions of your Body should be so neat and fine

as to be imperceptible; as to what is the most graceful Action for the

Switch-hand, that over the Shoulder is thought the best; but then this

Shoulder must not be more back than the other; and care must be taken

that the Motion be quick and neat, and that the Horse do not see it so

plainly as to be alarm'd.

I HAVE said, that when the Horse made his Leaps too _long_ and

_extended_, you should then aid with your Hand-spur; and for this

Reason, because the Hand-spur will make the Horse raise his Croupe

without advancing, as the Effect of the Switch will be to raise the

Croupe, and drive the Horse forward at the same time; it should

therefore be used to such Horses as retain themselves.

REMEMBER that you should never be extreme with your Horse, and work him

beyond his Strength and Ability; indeed one should never ask of a Horse

above half of what he can do; for if you work him till he grows languid

and tired, and his Strength and Wind fail him, you will be compell'd to

give your Aids roughly and openly; and when that happens, neither the

Rider or the Horse can appear with Brilliancy and Grace.

THE END.

End of Project Gutenberg's A New System of Horsemanship, by Claude Bourgelat

A New System of Horsemanship · 第 8 / 8 段