V. THE "BAHÁRISTÁN," OR "ABODE OF SPRING"

The _Baháristán_, or "Abode of Spring," is admitted by Jámí to be

an imitation of Sa'di's _Gulistán_, or "Rose Garden." The idea of

arranging a book of verse and prose into a series of "Gardens" was

a very beautiful one. Two other books compiled on similar lines are

Sa'di's _Bústán_, or "Orchard," and the _Nigaristán_, or "Picture

Gallery," by Mu'in-uddin Jawini, which appeared in 1334 A.D. Sir

Edwin Arnold's _With Sa'di in a Garden_ gives the Westerner some

idea of the beauty of Eastern gardens, and this particular garden is

rendered all the more delectable because it holds a greater beauty

than the loveliest garden, the Taj Mahal itself. Sir Edwin transfers

Persian poetry to an Indian garden, which is not very dissimilar to

the beautiful gardens of Shiraz. Professor A. V. Williams Jackson[9]

describes the _Bagh-i-Takht_, "Garden of the Throne," thus: "Terrace

rises above terrace, and fountain, channel, and stream pour their

waters in cascades over slabs of marble into reservoirs faced with

stone--the walks bordered with cypress and orange trees." It would be

interesting to know if the terraces in any way corresponded with the

idea of naming and numbering the "Gardens" in Jámí's _Baháristán._ A

beautiful mosque, a bower of roses, running water; might not these

things alone have suggested to the poet's mind "The pavilion of

Excellency, Love, and Laughter?"

The _Baháristán_ has a distinct interest apart from its literary merit.

It appears to have been written by Jámí for the instruction of his

"darling and beloved son Ziá-uddin-Yúsuf." The poet-father goes on to

say, "That young boys and inexperienced youths become very disheartened

and unhappy when they receive instruction in idiomatic expressions

they are not accustomed to." Although Jámí allowed his son to read the

_Gulistán_, he evidently thought the last word had not yet been written

in the interests of instructing the young, and thus conceived the idea

of writing the _Baháristán_.

One is so apt to see printed requests in the public gardens of England

that it seems a little ironical to come across the following in the

literary "Gardens" of Jámí: "It is requested that the promenaders

in these gardens--which contain no thorns to give offence, nor

rubbish displayed for interested purposes,--walking through them with

sympathetic steps and looking at them carefully, will bestow their good

wishes, and rejoice with praise the gardener who has spent much trouble

and great exertions in planning and cultivating these gardens." In

regard to the statement that the _Gardens_ "contain no Thorns to give

offence," I, for one, must beg to differ. One ugly weed there is which

the gardener would have done well to destroy in his otherwise very

beautiful garden.

The _Baháristán_ is divided into eight "Gardens." The _First_ deals

with the sayings and doings of the saintly, wise, and those "who occupy

the chief seats in the pavilion of Excellency." The _Second_ with

philosophical subtleties. The _Third_ with Justice, Equity, Government,

and Administration, and in general "to show the wisdom of Sultáns." The

_Fourth_ with Liberality and Generosity. The _Fifth_ with Love. The

_Sixth_ with "Blowing of the zephyrs of wit, and the breezes of jocular

sallies, which cause the buds of the lips to laugh and the flowers of

the hearts; to bloom." The _Seventh_ with a selection from the work of

Persian poets. The _Eighth_, and last, with animal stories.

[Footnote 1: See Preface to _Lives of the Mystics_. By Nassan Lees.

Calcutta, 1859.]

[Footnote 2: _The Persian Mystics_: Jalálu'd-Dín Rúmí. "Wisdom of the

East" Series.]

[Footnote 3: See E. H. Whinfield's translation.]

[Footnote 4: _Gulshan-i-Raz_. Translated by E. H. Whinfield.]

[Footnote 5: Compare the miraculous speaking of the babe Jesus in a

cave, mentioned in the New Testament Apocryphal Writings.]

[Footnote 6: See the Letters of Lady Mary Wortley Montagu.]

[Footnote 7: Compare Firdawsí's description of the horse Rakush in

the _Shahnámá_. Also Kyrat, the wonderful steed of the bandit-poet,

Kurroglou.]

[Footnote 8: Compare Rama's attitude after the destruction of Lanka.]

[Footnote 9: _Persia Past and Present. A Book of Travel and Research._]

The Persian Mystics: Jámí · 第 17 / 88 题