OUR BOOKING-OFFICE.

_(By Mr. Punch's Staff of Learned Clerks.)_

MR. H.M. HYNDMAN brings to _Clemenceau: the Man and his Time_ (GRANT

RICHARDS) a specialised knowledge of the intricacies of French

politics, personal friendship with his subject and a sympathy not

discounted by profound differences of opinion. Here is one veteran

fighting man writing a brilliant (I don't use the word as a _cliché_)

chronicle and commentary of the battles of another, battles which

cover the same period and were fought broadly for the same causes. But

the French Radical extremist could never see his way to subscribe

to the Socialist creed. His stalwart individualism, in part

temperamental, was also as a political working faith the result of a

distrust of logic divorced from the experience and responsibility

of actual administration. Somewhat similarly the English Socialist

refused to let logic press him into the premature Internationalism of

so many of his associates, nor did he share their trust, so ruthlessly

betrayed, in German Social Democracy as having either the power or

the serious intention of thwarting German Imperialism. If a man's

achievement be rightly gauged by the difficulties he has overcome,

then M. CLEMENCEAU, called unwillingly and unwilling at the most

desperate crisis of the destiny of a distracted and dispirited France

hammered by the enemy's legions and with the pass ready for sale by

false friends, may well justify Mr. HYNDMAN'S verdict on him as _the_

statesman of the Great War. The man who came into the War a mere Tiger

will go out of it an authentic Lion.

* * * * *

"Miss BERTA RUCK" is among the few writers from whom I can really

enjoy stories about the War. She has an engaging way with her that can

turn even that (at least the more endurable aspects of it) to favour

and prettiness. And in _The Land Girl's Love Story_ (HODDER AND

STOUGHTON), a theme after her own heart, she has given us what is, I

think, her best achievement so far. It is an excellent slight tale

of two heroines who took their patriotic turn at the work of the land

army on a Welsh farm, and the adventures, agricultural and (of course)

amorous, that befell them there. It is all the best-humoured affair

imaginable, refreshingly full of country airs and brisked up with a

fine flavour of romance. "Miss RUCK" has the neatest hand for this

kind of thing; she permits no loose ends to the series of love-knots

that she ties so amusingly. So the finish of the comedy deserves the

epithet "engaging" in more senses than one: with a Jack to every Jill,

and the harvest moon (as promised in the cover picture) beaming upon

all, the couples paired off to everyone's entire satisfaction. A tale

that will be safe for a _succès fou_ with all who have worn the

smock and the green armlet; while I can well imagine that ladies

less fortunate may find their enjoyment of it tempered with a certain

wistfulness.

* * * * *

_German Days_ (MURRAY) is a plain tale of everyday life in Germany

before the War, with just those gaps in it which would naturally occur

in the narrative of any one observer who also hadn't been aware at the

time that she was observing. "A POLISH GIRL (C.B.)" has written

this account with an engaging frankness and an apparent lack of

exaggeration which distinguish it among books of its kind. It is

largely a record of school days, and "C.B.," as the child of a Polish

Jew of good standing living in Posen, suffered slights and insults

and met with injustices which a "true German" would not have had to

endure; but she does not seem embittered. Her picture of the German at

home has not made me yearn to renew my acquaintance with him, but it

seems to explain the origin of some of his most unpleasant qualities.

Since, as "C.B." and other writers would have us know, the German

soldier was cowed by physical suffering in peace-time it is small

matter for wonder that he became a brute in war, or that the citizen,

to whom everything used to be _verboten_, has, since the bureaucracy

which regulated his smallest actions went to pieces, shown very little

ability to regulate them for himself. The terrible pact, by which

in the ten years preceding the War thousands of German women bound

themselves to combat the predominance of the landed classes, which

was making life for ordinary people a slow starvation, is one of the

things which I am induced to believe, because "C.B." has dealt so

faithfully with others of which I knew already. Of books on Germany

from within there have been very many, but there is still room for

such books as this.

* * * * *

You must not be shocked to find that Captain HARRY GRAHAM has

(apparently) abandoned the lighter fields of literature for the heavy

plough-land of Biography. What is, I believe, his initial venture of

this kind lies before me in _Biffin and His Circle_ (MILLS AND BOON),

a record of the career of _Reginald Drake Biffin_, that eminent

author with whose works (_The Bolster Book_, and others) the public

is already familiar; though, by a pardonable confusion, they are more

usually associated with the name of the present biographer. It may be

said at once that, if a life of _Biffin_ had to be written, Captain

GRAHAM was emphatically the man for the task; indeed, from the

preface, with its absorbing account of the inception of the work in

certain alleged convivialities between author and publishers, to the

final chapter, there is not a page that is not calculated to

inspire the reader with profound (and in my own case frequently

uncontrollable) emotion. Nor is the work valuable for the central

figure alone. Of each member of the _Biffin_ circle Captain GRAHAM

tells (nay, repeats) some anecdote that forms a tribute at once to the

fertility of his research and the industry of his invention. I should

not omit to add that the volume is enriched with some admirably

reproduced portraits of members of the _Biffin_ circle, as also by an

index that is itself a monument of inaccuracy so subtle that it must

be traced to be appreciated.

* * * * *

Mr. REGINALD BLUNT has scored another brilliant success with _The

Wonderful Village_ (MILLS AND BOON). It is one of his Chelsea books

of anecdote, gossip and good talk of which he possesses the secret. He

knows how to create the right Chelsea atmosphere and he is most artful

in leading his readers on, just as a little dog shows himself every

now and then at a decoy and thus draws the inquisitive ducks after

him till they drift in with all exit cut off. At one moment Mr. BLUNT

gives you a glimpse of that bloodthirsty butcher, KING HENRY VIII.

Then you pass to ANNE BOLEYN, CATHERINE PARR and the PRINCESS

ELIZABETH. Further on there is a delightfully humorous account by

WILLIAM DE MORGAN of his attempt to induce CARLYLE to become a member

of the Society for the Protection of Ancient Buildings: "He promised

to think it over, chiefly, I think, because Sir JAMES STEPHEN had

rather implied that the Society's object was not worth thinking over.

He added one or two severe comments on the contents of space." The

various Chelsea potteries are not omitted, and there is an account

of the wonderful set designed and executed by the WEDGWOODS for the

EMPRESS CATHERINE OF RUSSIA. Of this, in 1909, about one thousand

pieces were surviving. Who shall say where those are now? I may

add that the author's profits on this book are to be given for the

assistance of our blinded soldiers and sailors at St. Dunstan's.

* * * * *

The title of Miss F.E. MILLS YOUNG'S _The Shadow of the Past_ (HODDER

AND STOUGHTON) does not refer to the youthful transgressions of any of

her characters, but to the cloud which the Boer War left behind it, to

burst ultimately in rebellion. I do not know any novelist who brings

to her work a greater sympathy with or a finer feeling for South

Africa than Miss YOUNG, and if her moderate methods do not find favour

the reason can only be that for the moment moderation is a rather

unpopular quality. As regards the actual story given to us here I

find myself unable to accept the hero, _Guy Matheson_, with any great

enthusiasm. Fresh from the kissing of one girl, he at once falls

heavily in love with another. Number One, however, secured him in the

end, for he discovered that his feeling for her was real affection,

while passion had been responsible for his affair with Number Two. But

I fancy that he would still need a little watching. Intermingled with

his love affairs is a tale of racial prejudice and intrigue which

is told with restraint and skill. _Holman_, a German agent who had

dropped an "n" for his better security, is an obnoxious person, in

whose underhand work I can quite readily believe.

* * * * *

[Illustration: THE ABSENT-MINDED STRAPHANGER.]

Punch, or the London Charivari, Volume 156, March 19, 1919 · 第 30 / 30 题