WANDERINGS ROUND ST VALERY.

Should there be any one who wishes to spend a few weeks in a quiet

French watering-place not far from the English coast, let him try St

Valery. Here he will not find the fashion and gaiety of Trouville,

requiring a dozen new costumes for his wife in as many days, nor

the picturesque scenery of Biarritz and the Pyrenees. Yet the flat

plains of Picardy have their charms, and there is much to interest the

archæologist. This is the classic ground of the troubadours. There

are great memories of heroic deeds in the middle ages, and some of

the finest monuments of religious zeal. Rivers flow quietly through

narrow valleys, planted with willows and poplars, often enlarging into

small lakes, where the water-lily spreads its broad leaves and queenly

flowers.

Wandering on the downs near the sea, the scenery is sad, but offers

a grand and severe beauty of its own. Nothing is there to recall the

presence of man; it is a desert, with the eternal murmur of the ocean

and the ever-changing aspects of the season. Animals and birds abound

in these solitudes; rabbits swarm in their burrows to such a degree

that fourteen hundred have been taken from one spot at the same time.

The fishing-hawk comes to seek its food in the finny tribes that rise

to the surface of the water; a species of wild-fowl intrudes into the

rabbit’s burrow and there builds her nest; the sea-gull deposits her

eggs on the bare rock; the curlew mingles her plaintive cry with the

harsher note of the heron. In the cold days of winter the swan, the

eider-duck, the wild-goose, driven from the northern seas by the ice,

take refuge on the sands left bare at low-water. Sometimes, during the

prevalence of east wind, rare foreign birds are driven to the shores;

and in the marshes, lapwings, snipes, and water-fowl abound. Capital

ground this, for the ornithologist and wild-fowler.

St Valery itself, situated on the river Somme and occupying an

important military position, suffered most cruelly in the wars of the

middle ages. Its old walls have seen the inhabitants slaughtered and

the fleets burned twenty times; English, Burgundians, and Spaniards

have helped to level it to the dust; yet the brave little town has

risen again from its ruins and set to work to restore its thriving

commerce. Here it was that a tragical event happened in the thirteenth

century, when the powerful Lord de Coucy held his sway. Many a

story-teller and troubadour has narrated within the castle walls how

he married the lovely Adèle, daughter of the Comte de Ponthieu, and

how, as she was passing through a forest with too small an escort for

such lawless times, she was attacked by brigands and subjected to the

greatest indignities. Her husband, with equal cruelty, wished to efface

the affront, and ordered her to be thrown into the sea. Some Flemings,

sailing on their way to the Holy Land, saw the beautiful lady floating

on the waves, took her on board, and when they arrived, sold her to

the Sultan of Amaria, who by kind treatment made her happy in her

banishment.

But whilst she forgot her country and her religion, the husband and

father were filled with the deepest remorse, and determined to do

penance by going to Jerusalem. A fearful tempest stranded them on

the territory of the Sultan, by whose orders they were thrown into a

dungeon. The day after, a great festival was held in honour of the

Sultan’s birthday; and according to the custom of the country, the

people came to the palace to demand a Christian captive to torture and

kill. The choice fell upon the Comte de Ponthieu. When he was brought

out, and the astonished Adèle recognised him, she said to her husband:

‘Give me, I pray you, this captive; he knows how to play at chess and

draughts.’ Her request was granted; and then another captive appeared,

the Lord de Coucy. ‘Let me also have this one,’ she said; ‘he can tell

wonderful stories to amuse me.’ ‘Willingly,’ answered the obliging

Sultan. Recognition was soon established among the three; pardon was

sought, and granted; and Adèle, under pretext of taking a sail, escaped

with the two captives, and landed in France. They regained their own

possessions, and from that time lived a life of great piety.

Leaving St Valery, let us take a pleasant excursion to see the fine

old feudal castle of Rambures. There is probably not a more perfect

specimen of the military architecture of the middle ages in the whole

of France. We walk round it and admire the four enormous brick towers

rising at the angles of the quadrangular fortress, crowned with the

roofs then so much in favour, resembling pepper-boxes. The walls, many

yards in thickness, are pierced with embrasures; where we now stand

they seem like a narrow slit; but when we enter, there is ample room

for a man and horse to stand in them. Everything is prepared for a long

defence: descending into the vaults, there are stables for a number

of horses, ovens to bake bread for a regiment, wells, and store-rooms

ready to contain any amount of provisions. Below these cold dark

excavations are the still more melancholy _oubliettes_, a suitable

name, where the prisoners were too often forgotten and allowed to die a

lingering death of starvation. Here the lord of the place could without

any trial confine his vassals who refused to grind their wheat at his

mill, bake their bread at his bakehouse, or get in his harvest at the

loss of their own. Such was the state of affairs in these olden times!

The shore-line takes us to the oldest hereditary fief of the French

monarchy, a spot rendered interesting from its connection with Joan

of Arc. A few houses, half-buried in sand, form what the people still

persist in calling ‘the port and town of Crotoy,’ once so flourishing

as the centre of commerce for the wines of the south and the wool

and dye-woods of Spain, which were shipped off from here to the

cloth-workers of Flanders. When it belonged to our kings Edward II. and

III., the port dues amounted to no less than twelve hundred pounds, a

very large sum for those days; now they are but thirty-two pounds a

year. The honest hospitable fishermen are always ready to rescue any

distressed ship driven on to the coast by storms. It is remembered

that one of their race, whose name was Vandenthum, saved the Duc de

Larochefoucauld. In the worst days of the Revolution, when it was a

crime to bear a title, this most devoted of the adherents of Louis XVI.

fled to Crotoy, in the hope of getting to England. Before getting into

Vandenthum’s boat, the Duke gave his valet half of a card, the ace of

hearts, saying: ‘When this good fisherman brings you the other half, I

shall be safe on the other side; pray take it at once to my wife.’ The

card was delivered; and every year after the Duke shewed his gratitude

by making Vandenthum spend a fortnight with him, treating him in a

princely manner, seating him at his side, and recognising him as his

deliverer.

It was in the strong castle of this place where Joan of Arc was

imprisoned in 1430. From Amiens came a priest to receive her confession

and administer the sacrament; and many ladies and citizens from the

same place, sympathising with her under her cruel treatment, visited

her. Thanking them warmly and kissing them, she exclaimed, weeping:

‘These are good people; may it please God, when my days are ended,

that I may be buried in this place.’ If you talk to the fishermen’s

wives here, they speak of this heroic woman with profound respect; and

singularly enough, the last branch of her family has settled among

the people she loved. They are living in comparative poverty, having a

place in the Custom-house, but are proud of the letters-patent which

authorise them to adopt the name of Du Lis, and bear on their arms the

_fleur de lis_ of the Bourbons.

Six miles away we come to the once celebrated church of Rue, with a

dismantled fortress, a belfry, clock tower, and gibbet of the olden

times. St Wulphy was a saint of miracle-working power, and to him the

church was dedicated; but in the incessant attacks of the Normans his

relics were carried off. The saint still cared for his church, and

prayed God to give his people something better; whereupon some workmen

digging near Golgotha found buried in the earth a crucifix, sculptured

by Nicodemus. This was set afloat at Jaffa in a boat without oars,

sail, or pilot, and soon stranded on the shore of Rue. In the present

day it is trade which turns villages into towns; then it was faith;

wherever the relics of a saint were to be found, the most obscure

place grew rapidly in riches and population. Thus pilgrims flocked to

this out-of-the-way place from all parts of France; the popes granted

indulgences to those who visited it, and it became a rival to St James

of Compostella. Here was often found Louis XI., who had great need

for desiring pardon, and miser though he was, left behind him rich

presents. Of the fine old church nothing remains but a chapel, which

is a masterpiece of architectural beauty; the legend of the bark is

represented on the tympanum, and on the façade are statues of several

of the kings of France. All its rich treasures and the miraculous cross

were carried away at the end of the last century by the faithless

dragoons of the Republican army.

Musing on the changes of time and public opinion, we look far away

over the downs towards Abbeville, and under the shadow of the large

forest which darkens the horizon, call to mind the great victory which

the armies of England gained on the field of Crécy. Edward III. knew

the country well, for his youthful days had been passed at the Château

Gard-les-Rue, which belonged to his mother, Isabel of Ponthieu. Walking

over the ground, the spots where the carnage was most terrible may be

traced by the names given to tracts of land, such as the _Marche à

Carognes_, meaning ‘The Pathway of Corpses.’ In the morning, when the

fields are covered with dew, the deep ditches where the victims were

buried may be distinctly traced, for there, curiously enough, the earth

remains damp much longer than in the other furrows. Standing in the

green forest-road is an old cross of sandstone, which the peasants tell

you is the spot where the body of the king of Bohemia was found. He

was one of the most faithful allies of the French king, and blind; but

in the midst of the battle he desired his two faithful knights to lead

his horse in, that he might strike one last blow for his friend. All

the three fell together in front of the hill, from which the English

archers drew their bow-strings with such fatal effect that ten thousand

of the French were left dead on the battle-field. Here it was that the

gallant Black Prince won his spurs, and the crest of feathers which

still pertains to our Prince of Wales.

Starting on the road to Abbeville, and passing the large beetroot

manufactories which abound in Picardy, we gain a beautiful view of the

fertile vale of the Somme; but our destination is eastward, to visit

St Riquier. Two monks from Bangor are said to have preached the gospel

here 590 A.D., and incurring the anger of the idolatrous people, they

were attacked and would have perished but for the help of one of their

converts named Riquier. After their departure he became a priest,

and continued the good work, founding an abbey, which King Dagobert

richly endowed. This exquisite building was built in the form of a

triangle, as a symbol of the Trinity. The number three was everywhere

reproduced; three doors opened into the vestibule, three chapels rose

at the angles, three altars, three pulpits, the three symbols of

Constantinople, of St Athanasius, and the apostles. Three hundred monks

and thirty-three choristers sang in the processions, and finally the

abbot fed daily three hundred poor persons.

Whilst the ruthless hands of the whitewasher have destroyed innumerable

frescoes, there still remain two large mural paintings in the treasury

of this church, one being a representation of the translation of the

relics of St Riquier, the other a Dance of Death. The latter is divided

into three compartments; in the first are three skeletons, one digging

a grave, another holding a spade (the emblem of demolition), the

third an arrow, the instrument of death. Richly-dressed well-mounted

cavaliers appear in the second, setting out for the chase with falcons

on their wrists; but at the sight of the skeletons the horses rear, and

one of the falcons is flying away. In the last, persons of every rank

are walking together to the grave; a wild and poetical teaching, which

recalled, in the midst of the inequalities of the feudal days, the

certainty of their all meeting in the final resting-place.

It was in these well-known funereal allegories that religious thought

took refuge, whilst burlesque associations or brotherhoods traversed

the towns in disorganised bands, and the troubadours sang their

romances of ladies catching hearts in their nets to put into the box

of forgetfulness. Christian art endeavoured to bring men back to

the remembrance of God by shewing them death under various aspects.

Sometimes the artist placed him with a coffin under his arm in the

cortège of kings; or as a guest at the marriage-feast standing behind

the bride; or as a wood-cutter lopping off branches laden with nobles

and citizens; as if to illustrate that however high the position in

this world, all must at last fall.

To St Riquier, Charlemagne loved to repair, and he made it a centre

of learning, like Tours, Metz, and St Gall. Some remains of the old

towers of his day still remain, as well as the mosaic roses which he

sent for from Rome to adorn it. In the porch were buried two abbots who

were killed in 853, in one of the numerous incursions of the Normans.

Their bodies were found wrapped in sheep-skins, when the beautiful

church of the fifteenth century rose from the ashes of the old one.

Among the many statues of saints which adorn the main portal is a very

noble one of Joan of Arc, holding a half-broken lance; her eyes are

cast down, and the expression is that of a perfectly beautiful but sad

countenance. She was confined in the castle for a few days.

Upon the beauties of Amiens we must not dwell; it was a centre for

the cultivation of poetry, sculpture, and the fine arts throughout

the middle ages. The inhabitants worked at its glorious cathedral for

sixty-eight years, forming a kind of camp, and relieving each other as

they cut the stones, singing canticles the while. The tall spire was

destroyed by a thunderbolt in 1527; but two zealous village carpenters

determined to rebuild it; and six years later it was finished. Many

monograms testify to the visits of master-masons, who came to admire

the work of the Picardy peasants; the eighteen hundred medallions

detailing the history of the world, besides many bas-reliefs carved by

the old workmen of Amiens. Abbeville is also a most interesting old

town, not only for its past monuments, but as the home of that modern

geologist M. de Perthes, who has left his museum of relics to the

city. We must bid adieu to Picardy, to its hardy peasants, delicious

cider, and well-cultivated plains with regret, as being not the least

interesting among the French provinces, and well worthy the notice of

the wandering traveller.

Chambers's Journal of Popular Literature, Science, and Art, No. 751, May 18, 1878 · 第 7 / 16 题