CHAPTER I.--THE RENAISSANCE ON THE CONTINENT.

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CHATS ON OLD FURNITURE

[Illustration: _Jacobean Chair._]

CHATS ON OLD FURNITURE

_Press Notices, First Edition._

"Mr. Hayden knows his subject intimately."--_Pall Mall Gazette._

"The hints to collectors are the best and clearest we have seen; so that

altogether this is a model book of its kind."--_Athenaeum._

"A useful and instructive volume."--_Spectator._

"An abundance of illustrations completes a well-written and

well-constructed history."--_Daily News._

"Mr. Hayden's taste is sound and his knowledge thorough."--_Scotsman._

"A book of more than usual comprehensiveness and more than usual

merit."--_Vanity Fair._

"Mr. Hayden has worked at his subject on systematic lines, and has made

his book what it purports to be--a practical guide for the

collector."--_Saturday Review._

CHATS ON OLD CHINA

BY THE SAME AUTHOR.

_Second Edition._

_Price_ 5s. _net._

_With Coloured Frontispiece and Reproductions of 156 Marks and 89

Specimens of China._

A List of SALE PRICES and a full INDEX increase the usefulness of the

Volume.

This is a handy book of reference to enable Amateur Collectors to

distinguish between the productions of the various factories.

_Press Notices, First Edition._

"A handsome handbook that the amateur in doubt will find useful, and the

china-lover will enjoy for its illustrations, and for the author's

obvious love and understanding of his subject."--_St. James's Gazette._

"All lovers of china will find much entertainment in this

volume."--_Daily News._

"It gives in a few pithy chapters just what the beginner wants to know

about the principal varieties of English ware. We can warmly commend the

book to the china collector."--_Pall Mall Gazette._

"One of the best points about the book is the clear way in which the

characteristics of each factory are noted down separately, so that the

veriest tyro ought to be able to judge for himself if he has a piece or

pieces which would come under this heading, and the marks are very

accurately given."--_Queen._

IN PREPARATION.

CHATS ON OLD PRINTS

_Price_ 5s. _net._

_Illustrated with Coloured Frontispiece and 70 Full-page Reproductions

from Engravings._

With GLOSSARY of Technical Terms, BIBLIOGRAPHY, full INDEX and TABLE of

more than 350 of the principal English and Continental Engravers from

the XVIth to the XIXth centuries, together with copious notes as to

PRICES and values of old prints.

LONDON: T. FISHER UNWIN, ADELPHI TERRACE.

[Illustration]

Chats on Old Furniture

A Practical Guide for Collectors

By Arthur Hayden

Author of "Chats on English China"

LONDON: T. FISHER UNWIN

1 ADELPHI TERRACE. MCMVI

* * * * *

_First Edition, 1905._

_Second " 1906._

_All rights reserved._

[Illustration: _Portion of Carved Walnut Virginal._]

PREFACE

This volume has been written to enable those who have a taste for the

furniture of a bygone day to arrive at some conclusion as to the

essential points of the various styles made in England.

An attempt has been made to give some lucid historical account of the

progress and development in the art of making domestic furniture, with

especial reference to its evolution in this country.

Inasmuch as many of the finest specimens of old English woodwork and

furniture have left the country of their origin and crossed the

Atlantic, it is time that the public should awaken to the fact that the

heritages of their forefathers are objects of envy to all lovers of art.

It is a painful reflection to know that the temptation of money will

shortly denude the old farmhouses and manor houses of England of their

unappreciated treasures. Before the hand of the despoiler shall have

snatched everything within reach, it is the hope of the writer that this

little volume may not fall on stony ground, and that the possessors of

fine old English furniture may realise their responsibilities.

It has been thought advisable to touch upon French furniture as

exemplified in the national collections of such importance as the Jones

Bequest at the Victoria and Albert Museum, and the Wallace Collection,

to show the influence of foreign art upon our own designers. Similarly,

Italian, Spanish, and Dutch furniture, of which many remarkable examples

are in private collections in this country, has been dealt with in

passing, to enable the reader to estimate the relation of English art to

contemporary foreign schools of decoration and design.

The authorities of the Victoria and Albert Museum have willingly

extended their assistance in regard to photographs, and by the special

permission of the Board of Education the frontispiece and other

representative examples in the national collection appear as

illustrations to this volume.

I have to acknowledge generous assistance and courteous permission from

owners of fine specimens in allowing me facilities for reproducing

illustrations of them in this volume.

I am especially indebted to the Right Honourable Sir Spencer

Ponsonby-Fane, G.C.B., I.S.O., and to the Rev. Canon Haig Brown, Master

of the Charterhouse, for the inclusion of illustrations of furniture of

exceptional interest.

The proprietors of the _Connoisseur_ have generously furnished me with

lists of prices obtained at auction from their useful monthly

publication, _Auction Sale Prices_, and have allowed the reproduction of

illustrations which have appeared in the pages of the _Connoisseur_.

My thanks are due to Messrs. Hampton, of Pall Mall, for their kind

permission to include as illustrations several fine pieces from their

collection of antique furniture. I am under a similar obligation to

Messrs. Waring, who have kindly allowed me to select some of their

typical examples.

To my other friends, without whose kind advice and valuable aid this

volume could never have appeared, I tender a grateful and appreciative

acknowledgment of my indebtedness.

ARTHUR HAYDEN.

[Illustration: _Italian Chair about 1620_]

[Illustration: _Spanish Chest._]

CONTENTS

PAGE

PREFACE 7

LIST OF ILLUSTRATIONS 13

BIBLIOGRAPHY 19

GLOSSARY OF TERMS USED 23

CHAPTER

I. THE RENAISSANCE ON THE CONTINENT 31

II. THE ENGLISH RENAISSANCE 57

III. STUART OR JACOBEAN (SEVENTEENTH CENTURY) 79

IV. STUART OR JACOBEAN (LATE SEVENTEENTH CENTURY) 109

V. QUEEN ANNE STYLE 133

VI. FRENCH FURNITURE. THE PERIOD OF LOUIS XIV. 155

VII. FRENCH FURNITURE. THE PERIOD OF LOUIS XV. 169

VIII. FRENCH FURNITURE. THE PERIOD OF LOUIS XVI. 189

IX. FRENCH FURNITURE. THE FIRST EMPIRE STYLE 201

X. CHIPPENDALE AND HIS STYLE 211

XI. SHERATON, ADAM, AND HEPPELWHITE STYLES 239

XII. HINTS TO COLLECTORS 257

INDEX 275

[Illustration: _Chippendale Bureau Bookcase._]

LIST OF ILLUSTRATIONS

JACOBEAN OAK CABINET; decorated with mother-of-pearl, ebony, and ivory.

Dated 1653. (By permission of the Board of Education) _Frontispiece_

CARVED WOOD FRAME; decorated with gold stucco. Sixteenth Century.

Italian _Title page_

PAGE

CHAPTER I.--THE RENAISSANCE ON THE CONTINENT.

PORTION OF CARVED CORNICE, Italian, Sixteenth Century 33

FRAME OF WOOD, with female terminal figures, Italian,

late Sixteenth Century 35

FRONT OF COFFER, Italian, late Fifteenth Century 38

BRIDAL CHEST, Gothic design, middle of Fifteenth Century 39

FRONT OF OAK CHEST, French, Fifteenth Century 44

WALNUT SIDEBOARD, French, middle of Sixteenth Century 45

CABINET, FRENCH (LYONS), second half of Sixteenth Century 48

EBONY AND IVORY MARQUETRY CABINET, French, middle of

Sixteenth Century 50

SPANISH CABINET AND STAND, carved chestnut, first half

of Sixteenth Century 51

SPANISH CHEST, carved walnut, Sixteenth Century 52

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